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The Insider (1999)
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Overview
User Rating:
Director:
Writers (WGA):
Release Date:
5 November 1999 (USA)
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Tagline:
Warning: Exposing the Truth May Be Hazardous more
Plot:
A research chemist comes under personal and professional attack when he decides to appear in a "60 Minutes" expose on Big Tobacco. full summary | full synopsis
Plot Keywords:
Awards:
Nominated for 7 Oscars.
Another 21 wins
&
34 nominations
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NewsDesk:
(119 articles)
An Evening With Christopher Plummer, Film Forum, New York November 30
(From CinemaRetro. 21 November 2009, 10:24 AM, PST)
Blu-Ray Review: Michael Mann’s ‘Heat’ a Modern Masterpiece
(From HollywoodChicago.com. 11 November 2009, 1:23 PM, PST)
(From CinemaRetro. 21 November 2009, 10:24 AM, PST)
Blu-Ray Review: Michael Mann’s ‘Heat’ a Modern Masterpiece
(From HollywoodChicago.com. 11 November 2009, 1:23 PM, PST)
User Comments:
SMOKE 'EM IF YOU GOT 'EM!!!
more (467 total)
Cast
(Cast overview, first billed only)| Al Pacino | ... | Lowell Bergman | |
| Russell Crowe | ... | Jeffrey Wigand | |
| Christopher Plummer | ... | Mike Wallace | |
| Diane Venora | ... | Liane Wigand | |
| Philip Baker Hall | ... | Don Hewitt | |
| Lindsay Crouse | ... | Sharon Tiller | |
| Debi Mazar | ... | Debbie De Luca | |
| Stephen Tobolowsky | ... | Eric Kluster | |
| Colm Feore | ... | Richard Scruggs | |
| Bruce McGill | ... | Ron Motley | |
| Gina Gershon | ... | Helen Caperelli | |
| Michael Gambon | ... | Thomas Sandefur | |
| Rip Torn | ... | John Scanlon | |
| Lynne Thigpen | ... | Mrs. Williams | |
| Hallie Kate Eisenberg | ... | Barbara Wigand |
Additional Details
Also Known As:
60 Minutes (USA) (pre-release title)
Man of the People (USA) (working title)
The Untitled Tobacco Project (USA) (working title)
Untitled Michael Mann Film (USA) (working title)
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Man of the People (USA) (working title)
The Untitled Tobacco Project (USA) (working title)
Untitled Michael Mann Film (USA) (working title)
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MPAA:
Rated R for language.
Parents Guide:
Runtime:
157 min
Country:
Color:
Aspect Ratio:
2.35 : 1 more
Sound Mix:
Certification:
USA:R (certificate #36775) |
Iceland:L |
Malaysia:U |
Canada:14A (Ontario) (video rating: 2004) |
South Korea:12 |
Brazil:14 |
Argentina:Atp |
Australia:M |
Canada:14A (Alberta) |
Canada:14 (Nova Scotia) |
Canada:AA (Ontario) |
Canada:G (Quebec) |
Canada:PG (British Columbia/Manitoba) |
Chile:TE |
Czech Republic:12 |
Finland:K-10 |
France:U |
Germany:6 (bw) |
Hong Kong:IIB |
Mexico:B |
New Zealand:M |
Norway:11 |
Portugal:M/12 |
Singapore:PG |
Spain:T |
Sweden:7 |
UK:15 |
Greece:K-17 |
Philippines:PG-13
Filming Locations:
Company:
Fun Stuff
Trivia:
The courtroom where Jeffrey Wigand gives his deposition is not a set. The filmmakers used the actual courtroom in Jackson County Mississippi where the real Wigand's deposition was given.
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Goofs:
Continuity: When Bergman talks to Wigand on the phone outside his beach house, he goes into the sea far enough for water to touch his shorts, but they are dry when he comes back inside the house.
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Quotes:
Mike Wallace:
Did I get you up?
Lowell Bergman: No, I usually sit around my hotel room dressed like this at 5:30 in the morning, sleepy look on my face.
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Lowell Bergman: No, I usually sit around my hotel room dressed like this at 5:30 in the morning, sleepy look on my face.
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Movie Connections:
Referenced in "Friday Night with Jonathan Ross: (#11.6)" (2006)
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Soundtrack:
Litany
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FAQ
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I'll make this simple for you with short attention spans: Al Pacino's best performance of the 90s. Russell Crowe's best work on par with LA Confidential (if not better) and a gripping shot by Christopher Plummer as 60 Minutes anchor Mike Wallace.
For those who can handle it, read on:
Jeffrey Wigand (Russell Crowe) has been fired from his job. He has to break the news to his wife (Diane Venora, who I believe should go on to be one of the best actresses of all time) that their beautiful home, swank cars and health care plan (their oldest daughter is athsmatic) are about to go down the tubes. He's been given a severance package but that's about to fall apart as well.
Enter Lowell Bergman (Pacino), producer for CBS Television News' bastion of journalistic integrity, 60 Minutes. Bergman's doing a report on fires that were started by careless smokers and has been given a report so huge and full of technical jargon he can't make heads or tales of it. Through a friend he is put in touch with Wigand in the hopes of finding a translator. Wigand thinks Lowell is coming after him because of what he knows about his former employers, a major tobacco company.
It is at this moment that director Michael Mann institutes a trick, the likes of which hasn't been seen since All The President's Men. The two exchange a cat-and-mouse conversation via fax. Bergman finally calls Wigand's bluff by daring him to meet him the next day. He does.
What does Wigand know? Well, its all over the papers these days about how the tobacco industry lied about manipulating the leaves to make them more habit forming. We have Wigand to thank for that. But that isn't where the story ends. This is a two-fold tale; on one hand you have the self-destruction of a man who put everything on the line just so he could do the right thing. On the other, you have a television producer who so believes in the integrity of himself, the network, and his show that he is willing to risk everything he has to fight for the protection of his source. I haven't seen this much commitment outside of Woodward and Berstein's staunch protection of "Deep Throat."
The trump card of this film though comes in the form of Christopher Plummer playing one of the most visible news figures of the past 25 years, Mike Wallace. Wallace teeters on the edge of looking like a foul-mouthed, celebrity hungry, media hound who's only thought is about ratings. However, before its over, he evokes the "integrity of Edward R. Murrow," a line that gave me chills and made me pray for an Oscar Nomination.
Director Michael Mann is known chiefly for his Action/Thrillers. This 155 minute film is slow paced but gripping for ever second it is on the screen. A lot of people have complained over the past 7-8 years about Pacino's "staccato" performances, suddenly shouting at the slightest provocation. This film returns him to his prime form, a style he hasn't walked in since Dog Day Afternoon, ...And Justice For All and Serpico.
Anybody got a light?