| Photos (see all 5 | slideshow) |
| Arthur Baker | ... | Himself | |
| Afrika Bambaataa | ... | Himself | |
| Carl Cox | ... | Himself | |
| David Kristian | ... | Himself | |
| Derrick May | ... | Himself | |
| Moby | ... | Himself | |
| Robert Moog | ... | Himself | |
| Rob Playford | ... | Himself | |
| Genesis P-Orridge | ... | Himself | |
| DJ Spooky | ... | Himself | |
| Karlheinz Stockhausen | ... | Himself | |
| Danny Tenaglia | ... | Himself |
Directed by | |||
| Iara Lee | |||
Writing credits(in alphabetical order) | ||
| Peter Shapiro | writer | |
Produced by | |||
| George Gund | .... | producer | |
Original Music by | |||
| Karlheinz Stockhausen | |||
Cinematography by | |||
| Marcus Burnett | |||
| Paul Yates | |||
Film Editing by | |||
| Paula Heredia | |||
Production Management | |||
| Zachary Mortensen | .... | post-production supervisor | |
| Daniel Sollinger | .... | production manager | |
Sound Department | |||
| Antonio L. Arroyo | .... | production sound mixer | |
| Ken Ishii | .... | additional sound recordist | |
| Theresa Radka | .... | additional sound recordist | |
| Jose Torres | .... | additional sound recordist | |
| Mark Jan Wlodarkiewicz | .... | sound montage | |
Camera and Electrical Department | |||
| Axel Baumann | .... | additional camera operator | |
| Chris Bierlein | .... | additional camera operator | |
| Marita Hällfors | .... | additional camera operator | |
| Chris Wahl | .... | additional camera operator | |
| Chris Wahl | .... | still photographer | |
Music Department | |||
| Mixmaster Morris | .... | composer: song "Sunstroke" | |
Other crew | |||
| Alexander Berberich | .... | production assistant | |
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| Groove | Synergy: Visions of Vibe | Hang the DJ | Hey DJ | Message to Love: The Isle of Wight Festival |
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| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb USA section | Add this title to MyMovies |
Pretty fine documentary. Whole thing concentrates almost exclusively on club-oriented electro-music, be House, Ambient, Illbient, Techno-Acid-Wash-Trance-Electro-Acoustic-Drumming or whatnot. I would've much preferred to see more variety included: Xenakis, Japanoise, etc. But then again there's only so much film that can be shot. Above all worth seeing again and again, if only for the wisdom of Genesis.