| Photos (see all 42 | slideshow) |
| James Spader | ... | Nick Vanzant | |
| Angela Bassett | ... | Dr. Kaela Evers | |
| Robert Forster | ... | A.J. Marley | |
| Lou Diamond Phillips | ... | Yerzy Penalosa | |
| Peter Facinelli | ... | Karl Larson | |
| Robin Tunney | ... | Danika Lund | |
| Wilson Cruz | ... | Benj Sotomejor | |
| Eddy Rice Jr. | ... | Flyboy | |
| Knox White | ... | Troy Larson (as Knox Grantham White) | |
| Kerrigan Mahan | ... | Troy Larson (voice) | |
| Vanessa Marshall | ... | Sweetie (voice) | |
| rest of cast listed alphabetically: | |||
| Kevin Sizemore | ... | Rescue Leader (uncredited) | |
Directed by | |||
| Walter Hill | (as Thomas Lee) | ||
| Francis Ford Coppola | (uncredited) | ||
| Jack Sholder | (uncredited) | ||
Writing credits(WGA) | ||
| William Malone | (story) and | |
| Daniel Chuba | (story) | |
| David C. Wilson | (screenplay) (as David Campbell Wilson) | |
Produced by | |||
| Daniel Chuba | .... | producer | |
| Jamie Dixon | .... | producer | |
| James Robert Johnston | .... | associate producer (as James R. Johnston III) | |
| Ash R. Shah | .... | producer | |
| Ralph S. Singleton | .... | executive producer | |
Original Music by | |||
| David C. Williams | (as David Williams) | ||
Cinematography by | |||
| Lloyd Ahern II | |||
Film Editing by | |||
| Melissa Kent | |||
| Michael Schweitzer | |||
| Francis Ford Coppola | (uncredited) | ||
| Freeman A. Davies | (uncredited) | ||
Casting by | |||
| Mary Jo Slater | |||
Production Design by | |||
| Marek Dobrowolski | |||
Art Direction by | |||
| Bruce Robert Hill | |||
Set Decoration by | |||
| Nancy Nye | |||
Costume Design by | |||
| Bob Ringwood | |||
Makeup Department | |||
| Gino Acevedo | .... | paint supervisor: Patrick Tatopoulos Designs | |
| Marilee Canaga | .... | suit supervisor: Patrick Tatopoulos Designs | |
| Nik E. Carey | .... | seam supervisor: Patrick Tatopoulos Designs (as Nik Carey) | |
| Adam Christopher | .... | makeup artist | |
| Laura Connolly | .... | hair stylist | |
| Kimberly Felix | .... | makeup artist | |
| Thomas Floutz | .... | sculptor | |
| Robert Freitas | .... | mold supervisor: Patrick Tatopoulos Designs (as Rob Frietas) | |
| Greg Funk | .... | prosthetic makeup artist | |
| Jake Garber | .... | prosthetic makeup supervisor | |
| Dave Grasso | .... | lead sculptor: Patrick Tatopoulos Designs (as David Grasso) | |
| Ora Green | .... | hair stylist (as Ora Tillman Green) | |
| Chris Hanson | .... | special makeup effects artist | |
| Todd Heindel | .... | foam supervisor: Patrick Tatopoulos Designs | |
| Dennis Liddiard | .... | makeup artist | |
| Gary Liddiard | .... | makeup artist | |
| Russell Seifert | .... | shop supervisor: Patrick Tatopoulos Designs | |
| Joseph Yuss Simon | .... | special makeup effects | |
| Mike Smithson | .... | key prosthetic makeup artist | |
| Robert L. Stevenson | .... | hair stylist: Angela Bassett | |
| Patrick Tatopoulos | .... | fabrication supervisor | |
| Patrick Tatopoulos | .... | special makeup effects designer | |
| Joy Zapata | .... | key hair stylist (as Joy Zapata-Chavez) | |
| Lori McCoy-Bell | .... | hair stylist: second unit (uncredited) | |
Special Effects by | |||
| Wayne Burnes | .... | special effects | |
| Jason Collins | .... | lab and set technician: KNB Effects Group | |
| Eric Coon | .... | miniatures crew | |
| Scott R. Fisher | .... | special effects producer | |
| Thomas L. Fisher | .... | special effects producer | |
| Thomas D. Krausz | .... | specialty weapon & appliance fabricator | |
| Ian C. McArthur | .... | special effects technician | |
| Andrew Miller | .... | special effects foreman | |
| Rudy Perez | .... | special effects | |
| Patrick Tatopoulos | .... | creature designer | |
| Robert Cole | .... | special effects (uncredited) | |
| Jay King | .... | special effects technician (uncredited) | |
| Michael McGee | .... | special costumes (uncredited) | |
Visual Effects by | |||
| Yarek Alfer | .... | head sculptor | |
| Brad W. Altfest | .... | digital I/O | |
| Karen Ansel | .... | visual effects supervisor: Mobility | |
| Elisabeth Arko | .... | computer graphics artist: Santa Barbara Studios | |
| Jeffrey Arnold | .... | digital compositor | |
| James J. Atkinson | .... | digital artist | |
| Eric Barba | .... | computer graphics supervisor: Digital Domain | |
| Andy Barrios | .... | Inferno artist: Rainmaker Digital Pictures | |
| Brian Battles | .... | Inferno artist: Rainmaker Digital Pictures | |
| Jennifer Bergman | .... | visual effects producer: Rainmaker Digital Pictures | |
| David Bleich | .... | digital matte painter: Digital Domain (as David R. Bleich) | |
| Cris Blyth | .... | visual effects | |
| Brigitte Bourque | .... | Inferno artist: Rainmaker Digital Pictures | |
| Constance Bracewell | .... | lead animator: Hammerhead Productions | |
| Terry Bradshaw | .... | systems administrator: Digital Domain | |
| Kevin Braun | .... | technical supervisor: Pacific Title/Mirage | |
| Marko Brown | .... | digital team lead: Digital Domain | |
| Shannan Burkley | .... | digital matte painter: Digital Domain | |
| Lupe Cabrera | .... | model shop coordinator | |
| J. André Chaintreuil | .... | model maker: lasercam operator | |
| Adam Chrystie | .... | 3D modeling (3D lighting) | |
| Adam Chrystie | .... | digital 3D artist | |
| Richard Chuang | .... | digital effects producer: PDI | |
| Daniel Chuba | .... | visual effects producer: Hammerhead (as Dan Chuba) | |
| Chad E. Collier | .... | scanning and recording operator: Digital Domain | |
| Tim 'Timco' Conway | .... | 3D tracking/data integration: Digital Domain (as Tim Conway) | |
| John Michael Courte | .... | digital team lead: Digital Domain | |
| Chris Crowell | .... | digital compositor/digital paint artist: Pacific Title & Art Studio | |
| Judith Crow | .... | lead visual effects technical supervisor: Digital Domain | |
| Chanda Cummings | .... | digital artist | |
| Avi Das | .... | digital effects artist | |
| David 'Grue' Debry | .... | digital artist | |
| Francisco De Jesus | .... | digital team lead: Digital Domain (as Francisco X. De Jesus) | |
| Sandy DellaMarie | .... | visual effects coordinator: Pacific Title Digital | |
| Mykel Denis | .... | model maker | |
| Jamie Dixon | .... | visual effects supervisor: Hammerhead Productions | |
| Eric Alan Donaldson | .... | company grip: visual effects unit | |
| Rob Doolittle | .... | visual effects co-editor: avid | |
| Roy L. Downey | .... | pyrotechnics support visual effects photography unit (as Roy Downey) | |
| Benjamin Edelberg | .... | visual effects illustrator | |
| Michael Edland | .... | digital artist | |
| James Egstad | .... | scanning & recording operator | |
| Jonathan Egstad | .... | digital effects supervisor: Digital Domain (as Jonathan D. Egstad) | |
| Leif Einarsson | .... | creature setup technical director | |
| Wayne England | .... | digital artist | |
| Richard Ewan | .... | painter: miniatures | |
| Sean Andrew Faden | .... | data integration team lead: Digital Domain | |
| Sean Andrew Faden | .... | digital team lead: Digital Domain | |
| Alan K.M. Faucher | .... | model shop supervisor (as Alan Faucher) | |
| Chris Flynn | .... | digital compositor: Pacific Title & Art Studio | |
| Sing-Choong Foo | .... | digital effects artist | |
| Mark Freund | .... | digital effects supervisor: Pacific Title & Art Studio | |
| Michael J. Frick | .... | digital compositor | |
| Robert A.D. Frick | .... | digital artist | |
| Gonzalo Garramuno | .... | digital artist | |
| Victoria Gavoian | .... | visual effects production assistant: second unit | |
| George Gervan | .... | rotoscope/paint artist: Pacific Title/Mirage | |
| Richard Gervan | .... | rotoscope/paint artist: Pacific Title/Mirage | |
| John Gibson | .... | digital artist | |
| Swen Gillberg | .... | digital artist | |
| Brian Goldberg | .... | technical coordinator: Digital Domain | |
| Bret Goldhorn | .... | visual effects production assistant | |
| Mitch Goldstrom | .... | systems administrator: Digital Domain | |
| Darin K. Grant | .... | software engineer | |
| Alex Grau | .... | digital artist | |
| Scott Graves | .... | visual effects | |
| Jason Greenblum | .... | digital rotoscope artist: Digital Domain | |
| Ron Gress | .... | visual effects art director | |
| Bryan Grill | .... | lead digital compositor: Digital Domain (as Bryan M. Grill) | |
| Rochelle Gross | .... | visual effects post producer | |
| Gary Gutierrez | .... | visual effects: title sequence | |
| Tony Halawa | .... | digital matte painter: Digital Domain | |
| Craig Halperin | .... | digital artist | |
| Jason Hanel | .... | digital production coordinator: Pacific Title & Art Studio | |
| Sarkis Hardy | .... | model shop foreman | |
| Scott Harper | .... | digital supervisor: Rainmaker Digital Pictures | |
| Jason Heapy | .... | production coordinator: PDI | |
| Claas Henke | .... | compositor: Digital Domain | |
| Ronald D. Herbst | .... | digital team lead: Digital Domain | |
| Kristi Hewitt | .... | digital artist | |
| Brent Heyning | .... | model maker | |
| David Hodgins | .... | digital artist | |
| Heather Holmer | .... | 3D artist: Rainmaker Digital Pictures | |
| Nicholas Sanger Hoppe | .... | digital artist | |
| Les Hunter | .... | visual effects producer: PDI | |
| Julie Jaros | .... | computer graphics artist: Santa Barbara Studios | |
| Rick T. Jaynes | .... | digital effects coordinator: Digital Domain | |
| Jay Mark Johnson | .... | additional matte painter | |
| Bruce Jones | .... | visual effects producer: Santa Barbara Studios | |
| Michael Kaelin | .... | compositor: SBS | |
| Nikos Kalaitzidis | .... | digital team lead: Digital Domain | |
| Jeffrey Kalmus | .... | color grading supervisor: Digital Domain | |
| Mel Kangleon | .... | digital artist | |
| Alan Kapler | .... | digital artist | |
| Michael Karp | .... | motion control operator | |
| Dan Kaufman | .... | senior technical director | |
| Paul Kulikowski | .... | digital compositor | |
| Markus Kurtz | .... | digital team lead: Digital Domain | |
| Henry LaBounta | .... | digital effects producer: PDI | |
| Mathew Lamb | .... | digital artist | |
| Mark Larranaga | .... | digital compositor (as Mark M. Larranaga) | |
| Dan Lemmon | .... | digital artist | |
| Julian Levi | .... | visual effects producer: Digital Domain | |
| David Ley | .... | visual effects production assistant | |
| Scott Liedtka | .... | computer graphics artist: Santa Barbara Studios | |
| Rebecca Lilienfeld | .... | assistant visual effects editor: Digital Domain | |
| John A. Lima | .... | digital artist | |
| Craig R. Linssen | .... | visual effects production assistant | |
| Christine Lo | .... | digital compositor | |
| David Lo | .... | digital artist | |
| Scott Lukowski | .... | model maker | |
| Martha Snow Mack | .... | lead digital matte painter: Digital Domain | |
| Donn Markel | .... | pyrotechnics support visual effects photography unit | |
| Una Martin | .... | visual effects assistant coordinator: second unit | |
| S. Scott McCaulley | .... | facilities supervisor: Digital Domain | |
| Laura McDermott | .... | digital rotoscope artist: Digital Domain (as Laura E. McDermott) | |
| Rodney J. McFall | .... | digital artist | |
| Tim McGovern | .... | additional visual effects supervisor | |
| Andrew McPhillips | .... | digital compositor | |
| Marc Meisels | .... | special effects lighting | |
| Daniel Mellitz | .... | digital artist | |
| Joel Román Mendías | .... | visual effects coordinator: Digital Domain | |
| George Merkert | .... | visual effects executive producer: PDI | |
| Michael A. Miller | .... | digital artist | |
| Bob Monaghan | .... | visual effects | |
| Ray Moore | .... | lead modelmaker | |
| Robert Nederhorst | .... | 3D digital artist: Pixel Monkey | |
| Bill Neil | .... | visual effects director of photography: Digital Domain | |
| Mike O'Neal | .... | lead visual effects technical supervisor: Digital Domain | |
| Stephan Osterburg | .... | digital artist | |
| Lou Pecora | .... | digital compositor | |
| Brian Peyatt | .... | technical coordinator | |
| Brett Phillips | .... | lead modelmaker: Digital Domain | |
| Patrick Phillips | .... | senior compositor: Pacific Title/Mirage | |
| Danielle Plantec | .... | digital artist | |
| Darren Poe | .... | lead digital compositor: Digital Domain (as Darren M. Poe) | |
| Kelly Port | .... | computer graphics supervisor: Digital Domain | |
| David Prescott | .... | digital team lead: Digital Domain | |
| Dennis 'wiz' Price | .... | digital artist | |
| Marc D. Rienzo | .... | compositor: PDI/DreamWorks | |
| Brian Ripley | .... | model lead: Digital Domain | |
| Jeffrey Roth | .... | digital artist | |
| Eric Saindon | .... | computer graphics artist: Santa Barbara Studios | |
| Scott Salsa | .... | mechanical supervisor: visual effects photography unit | |
| Scott Salsa | .... | motion control supervisor: visual effects photography unit | |
| Bill Schaeffer | .... | digital rotoscope artist: Digital Domain | |
| Scott Schneider | .... | miniature effects supervisor: Digital Domain | |
| Laura Schultz | .... | visual effects coordinator: Digital Domain | |
| Donovan Scott | .... | digital compositor (as Donovan A. Scott) | |
| Lisa Scott | .... | digital effects coordinator: Digital Domain (as Lisa Harriman Scott) | |
| Douglas Seiden | .... | digital artist | |
| Ira Shain | .... | computer animator: Mobility, Inc. | |
| Rasha Shalaby | .... | compositor: Pacific Title/Mirage | |
| Hudson Shock | .... | compositor: Santa Barbara Studios | |
| David Shwartz | .... | digital matte painter: Digital Domain | |
| Dave Simmons | .... | digital compositor/digital paint artist: Pacific Title & Art Studio | |
| Alan Sonneman | .... | digital artist | |
| Lisa Spence | .... | digital production manager | |
| Bill Spitzak | .... | digital compositor | |
| David Stearn | .... | lead digital compositor: Digital Domain (as David Stern) | |
| Mark Stetson | .... | visual effects supervisor | |
| George Stevens | .... | model maker: Digital Domain | |
| John K. Stirber | .... | pyrotechnics supervisor: visual effects photography unit (as John Stirber) | |
| Tracy Takahashi | .... | digital effects coordinator: Digital Domain | |
| Alvin Tenpo | .... | technical assistant: PDI | |
| Lynn Tigar | .... | digital paint artist: Pacific Title & Art Studio | |
| Messrob Torikian | .... | data integration team | |
| Peter G. Travers | .... | computer graphics supervisor: Santa Barbara Studios | |
| George Trimmer | .... | visual effects art director | |
| Allison Troxell | .... | visual effects coordinator | |
| Zachary Tucker | .... | digital artist | |
| Juan Carlos Vargas | .... | visual effects (as Juan Vargas) | |
| Tarcis Vertaillie | .... | color grader: Digital Domain (as Tarcis C.M. Vertaille) | |
| Carey Villegas | .... | digital compositing supervisor: Digital Domain (as Carey Grant Villegas) | |
| Larry Weiss | .... | technical supervisor: PDI | |
| Jeff Wells | .... | compositor: Pacific Title/Mirage | |
| Byron Werner | .... | digital rotoscope artist: Digital Domain (as Byron D. Werner) | |
| Vernon R. Wilbert Jr. | .... | digital team lead: Digital Domain | |
| Kelly Wilcox | .... | computer graphics artist: Santa Barbara Studios | |
| Lance Wilhoite | .... | compositor: Santa Barbara Studios | |
| Lance Wilhoite | .... | visual effects producer: Santa Barbara Studios | |
| Johnny Wilson | .... | digital compositor | |
| Mark Wilson | .... | digital matte painter: Digital Domain | |
| Mark Wilson | .... | lead 3-D model maker: Digital Domain | |
| Debra Wolff | .... | visual effects editor | |
| Shane Wood | .... | visual effects | |
| Kieran Woo | .... | production controller: pre-production, Digital Domain | |
| Rachel Wyn Dunn | .... | compositor: Digital Domain | |
| Jesse James Chisholm | .... | production assistant: Digital Domain (uncredited) | |
| John R. Ellis | .... | designer/fabricator (uncredited) | |
| Stephen Jennings | .... | tape operator (uncredited) | |
| Matt Linder | .... | digital compositor (uncredited) | |
Stunts | |||
| Kevin Abercrombie | .... | utility stunts | |
| Ethan Boehme | .... | stunts | |
| Joey Box | .... | stunts | |
| Jeff Cadiente | .... | stunts | |
| Keith Campbell | .... | stunts | |
| Eliza Coleman | .... | stunts | |
| Glenn Goldstein | .... | utility stunts | |
| Allan Graf | .... | stunt coordinator | |
| Gene Hartline | .... | stunts | |
| Lisa Hoyle | .... | stunts | |
| Steve Kelso | .... | stunt driver | |
| Steve Kelso | .... | stunts | |
| Jamie Keyser | .... | stunts | |
| Francine Morris | .... | stunts | |
| Gilbert Rosales | .... | stunts | |
| Lynn Salvatori | .... | stunts | |
| Felipe Savahge | .... | stunts | |
| Webster Whinery | .... | stunts | |
| John Alden | .... | stunt coordinator (uncredited) | |
| Jennifer Nelson | .... | stunt double: Robin Tunney (uncredited) | |
Casting Department | |||
| Timothy Michals | .... | casting associate | |
| Lee A. Miles | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Stephanie Colin | .... | costumer | |
| Paul De Lucca | .... | key costumer | |
| Dominick De Rasmo | .... | specialty costume manufacturer | |
| Ernesto Martinez | .... | assistant costume designer | |
| David Rawley | .... | costume supervisor | |
| Christopher Scott | .... | costumer | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Ivan Landau | .... | post-production coordinator | |
| Phil Norden | .... | associate editor | |
| Yôko Seto | .... | assistant editor | |
| Mike Stanwick | .... | color timer | |
| Roy Waldspurger | .... | assistant editor: avid, San Francisco (uncredited) | |
Music Department | |||
| Bunny Andrews | .... | music editor | |
| Steven Bernstein | .... | conductor (as Steven R. Bernstein) | |
| Steven Bernstein | .... | orchestrator (as Steven R. Bernstein) | |
| Mark Boccaccio | .... | music programmer | |
| Sandy DeCrescent | .... | music contractor (as Sandy De Crescent) | |
| Terry Delsing | .... | music editor | |
| John Richards | .... | music recordist | |
| John Rodd | .... | orchestral scoring recordist | |
| Dennis Sager | .... | scoring engineer | |
| Steven L. Smith | .... | music preparation | |
| Burkhard von Dallwitz | .... | composer: additional music (as Burkhard Dallwitz) | |
| Zigmund Gron | .... | music editor (uncredited) | |
Transportation Department | |||
| Howard Brady Davidson | .... | transportation captain (as Howard Davidson) | |
| Charles Enzen | .... | transportation coordinator | |
| Gary Paulsen | .... | transportation captain: second unit (as Gary D. Paulsen) | |
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A deep space "ambulance" ship receives a distress call from a mining outpost on a rogue moon (it's been removed from its orbit) 3 thousand light years away. Normally, that wouldn't be so unusual, but the distress signal was specifically hailing this particular ship (like calling someone inside an ambulance directly instead of dialing 911) and when the source is revealed, female crew member Kaela Evers (Angela Bassett) realizes that she knows the person who sent it. Worse, it's someone whom she's had an extensive personal history with and whom she considers a walking nightmare. Before she can warn Captain A.J. Marley (Robert Forster), they're in hyper drive on their way to the moon and unwittingly headed into trouble.
This film was plagued with problems--the originally attached director, Geoffrey Wright, quit. The replacement director, Walter Hill, had creative differences with the studio, which demanded re-shoots and new cuts from none other than Francis Ford Coppola and Jack Sholder. Hill ended up requesting that his name be removed, and used the new version of the infamous "Alan Smithee" designation--"Thomas Lee".
And that wasn't the end of it. Upon its release, Supernova received a critical drubbing. Rotten Tomatoes, for example, a website that collates professional and semi-professional reviews on films, showed a 90% negative reading on Supernova. The reaction from everyday viewers mirrored this reception, with mostly negative comments right here on IMDb.
But Supernova isn't that bad of a film. It's no gem, but it does a lot of things right: The premise is certainly stimulating. The transition from a stock, Alien (1979)-like sci-fi film to a thriller in space is well done. The characters are interesting. The suspense level gradually increases until the very end of the film.
There are thoughtful subtexts about giving oneself over to a "feel-good" substance, "survival of the fittest" evolution, and cyclical regeneration. The "fountain of youth" device is intriguing, and even though the "Ninth Dimension" stuff is gobbledy-gook, it's good gobbledy-gook--it makes some sense as fantasy material, and it provides a lot of suspense. There is a subtle social commentary/criticism on attitudes about violence in the media, population problems and eugenics.
A lot of the cast is also good--I like Robert Forster a lot, although unfortunately he disappears from the picture too soon. I'm also a fan of Lou Diamond Phillips, even if his presence more often than not signifies a "C", "D" or lower film. James Spader's characterization of Nick Vanzant is nice and complex. And the rest of the cast is at least decent, even if Peter Facinelli overacts a bit towards the end--but the role calls for that.
However, as a 7, Supernova has its share of problems, too. I don't usually subtract points for a film being clichéd, but it's difficult not to do so in this case. The beginning of the film is right out of Alien--with the ship waking up a crew member unexpectedly, after running some "tests". This is saved a bit by funny dialogue at the end of the scene. The computer, "Sweetie", is reminiscent at times of "Hal" from 2001: A Space Odyssey (1968). The holographic chess game is right out of Star Wars (1977). The distress signal scenario is again out of Alien, and the exploration of the abandoned mine on the rogue moon is similar to Aliens (1986).
The dialogue in the opening of the film is also a bit too jargonistic and quickly delivered for its own good. It can be difficult to get the gist of it without subtitles. There are a number of editing problems, most prominently during the "near miss" of the out of control ship with the moon--shaky cam cinematography doesn't help, either. And for so many directors being involved, the direction, while not incompetent, comes across as primarily "flat".
Is Supernova worth seeing? If you're a huge sci-fi fan (meaning that you watch and like most sci-fi films) and you do not mind familiar material that's slightly clunky at times, yes. There are enough positives to make it worthwhile. Like usual with 7s, the film is best approached with lowered expectations. Given the reputation of this film, that should be no problem.