The Talented Mr. Ripley (1999)

User Rating:

7.2/10   

Director:

Anthony Minghella

Writers (WGA):

Patricia Highsmith (novel)
Anthony Minghella (screenplay)

Release Date:

25 December 1999 (USA)

Genre:

Crime | Drama | Mystery | Romance | Thriller

Tagline:

How far would you go to become someone else.

Plot:

In late 1950's New York, Tom Ripley, a young underachiever, is sent to Europe to retrieve a rich and spoiled millionaire playboy, named Dickie Greenleaf. But when the errand fails, Ripley kills the playboy and begins to assume his life.

Plot Keywords:

Italy | 1950s | Playboy | Love | Piano

Awards:

Nominated for 5 Oscars. Another 8 wins & 52 nominations

Cast

Matt Damon	...	Tom Ripley
Gwyneth Paltrow	...	Marge Sherwood
Jude Law	...	Dickie Greenleaf
Cate Blanchett	...	Meredith Logue
Philip Seymour Hoffman	...	Freddie Miles
Jack Davenport	...	Peter Smith-Kingsley
James Rebhorn	...	Herbert Greenleaf
Sergio Rubini	...	Inspector Roverini
Philip Baker Hall	...	Alvin MacCarron
Celia Weston	...	Aunt Joan
Fiorello	...	Fausto (as Rosario Fiorello)
Stefania Rocca	...	Silvana
Ivano Marescotti	...	Colonnello Verrecchia
Anna Longhi	...	Signora Buffi
Alessandro Fabrizi	...	Sergeant Baggio

Also Known As:

The Mysterious Yearning Secretive Sad Lonely Troubled Confused Loving Musical Gifted Intelligent Beautiful Tender Sensitive Haunted Passionate Talented Mr. Ripley (USA) (complete title)
The Strange Mr. Ripley (USA) (working title)

MPAA:

Rated R for violence, language and brief nudity.

Runtime:

139 min

Country:

USA

Language:

English | Italian

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

DTS | Dolby Digital

Certification:

Australia:M (video rating) | Canada:13+ (Quebec) | Canada:14 (Nova Scotia) | Canada:14A (Alberta) | Canada:AA (Ontario) | Canada:PA (Manitoba) | Canada:PG (British Columbia) | Canada:14+ (Ontario - 2006) | Iceland:14 (original rating) | Iceland:16 (video rating) | Singapore:NC-16 (re-rating) | Singapore:PG (cut) | Philippines:PG-13 | Brazil:14 | Argentina:16 | Australia:MA | Chile:18 | Czech Republic:15 | Denmark:15 | Finland:K-14 | France:U | Germany:12 | Hong Kong:IIB | Netherlands:16 | New Zealand:M | Norway:15 | Peru:18 | Portugal:M/12 | South Korea:18 | Sweden:15 | Switzerland:16 (canton of Geneva) | Switzerland:16 (canton of Vaud) | UK:15 | USA:R

Filming Locations:

Anzio, Rome, Lazio, Italy

Company:

Miramax International

Trivia:

Has been followed by the sequels Ripley's Game (2002) and Ripley Under Ground (2005), in which the role of Tom Ripley was played by John Malkovich and Barry Pepper, respectively. Matt Damon appeared with Malkovich in Rounders (1998) and Pepper in Saving Private Ryan (1998). Pepper and Malkovich also appeared together in Knockaround Guys (2001).

Goofs:

Continuity: When Freddie and Dickie are talking on the boat, Freddie has a drink in his left hand, and stirs it nervously with his right. From the reverse angle, the drink is in his right hand and there is no stirring.

Quotes:

[first lines]
Tom Ripley: If I could just go back... if I could rub everything out... starting with myself.

Movie Connections:

Referenced in "I'm Alan Partridge: The Talented Mr. Alan (#2.1)" (2002)

Soundtrack:

KNEES UP, MOTHER BROWN

Thoughtful psychological study or perversely entertaining? Your pick

Patricia Highsmith's original novel is about a charming, amoral man who already has all the elements in place before he does his terrible deeds, and while Rene Clement's adaptation, PURPLE NOON(1960) doesn't show us Ripley before he came to Europe, Alain Delon certainly was all amoral charm. In his adaptation, Anthony Minghella takes on a different tack, showing us Tom Ripley before he became the Talented Mr. Ripley(just as last year's ELIZABETH showed Elizabeth before she became The Virgin Queen; by coincidence, both films star Cate Blanchett). When a filmmaker tries to add psychological depth to what is generally pulp entertainment, it doesn't always work, but Minghella has pulled it off, while keeping it entertaining.

There have been some people who think Matt Damon is too colorless here. In Clement's adaptation, that might have been true, but the point here is Ripley is SUPPOSED to be a nonentity, a blank page waiting to be filled(thus lines like "I always figured it would be better to be a fake somebody than a real nobody," or when Dickie Greenleaf(Jude Law) tells Ripley that with his glasses on, he looks like Clark Kent) by someone like Dickie. Ripley may have been pretending from day one(which is how he gets to meet Dickie in the first place), but there was nothing sinister about it, just a bunch of little white lies. It's not till he gets entranced by the life in Italy, and Dickie's life in particular, and then finds himself shut from it, that things happen. And Damon is excellent at going through the transformation(and it's not just the glasses, as one comment suggested, it's the hair, the clothes, and the whole attitude).

Anthony Lane of The New Yorker, probably my favorite critic today, liked the film, but he thought it would have been better if Damon and Law had switched roles. Again, if Minghella was remaking Clement's version, sure, but not this way. If you want someone to be an object of desire, you better make sure they're desirable, and Law is quite good there, along with showing the layers underneath. Gwyneth Paltrow has the tougher role, because she has to be both smart and able to be fooled, but she pulls it off, especially in the scene when she tells Tom she really knows what he is. Cate Blanchett and Philip Seymour Hoffman are also good in small roles, James Rebhorn is dependable, and Philip Baker Hall makes a memorable cameo.

One more thing; there have also been complaints that the first half is too long, and the ending is weak. The first half not only sets up Ripley's slowly falling in love with Dickie's life(and even Dickie), but also sets up some plot points which pay off later, so it's necessary. And when Ripley finally becomes The Talented Mr. Ripley, it's unsettling and still delivers a perverse kick. As for the ending, without giving anything away, it's the only way it could end; he goes on, but at what cost? This is terrific moviemaking.