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| Sat. Oct. 18 | 12:00 PM | MyNetwork | |||
| Sun. Oct. 19 | 1:00 PM | WGNSAT |
| Jake Gyllenhaal | ... | Homer Hickam | |
| Chris Cooper | ... | John Hickam | |
| Laura Dern | ... | Miss Riley | |
| Chris Owen | ... | Quentin | |
| William Lee Scott | ... | Roy Lee | |
| Chad Lindberg | ... | O'Dell | |
| Natalie Canerday | ... | Elsie Hickam | |
| Scott Miles | ... | Jim Hickam | |
| Randy Stripling | ... | Leon Bolden | |
| Chris Ellis | ... | Principal Turner | |
| Elya Baskin | ... | Ike Bykovsky | |
| Courtney Cole-Fendley | ... | Dorothy Platt (as Courtney Fendley) | |
| David Dwyer | ... | Jake Mosby | |
| Terry Loughlin | ... | Mr. Dantzler | |
| Kailie Hollister | ... | Valentine Carmina (as Kaili Hollister) | |
| David Copeland | ... | Coach Gainer | |
| Don Henderson Baker | ... | Jensen | |
| Tom Kagy | ... | Lenny | |
| Donald Thorne | ... | Trooper One | |
| Justin Whitsett | ... | Kid | |
| Larry Rue | ... | Neighbor | |
| Neva Howell | ... | Neighbor | |
| Terry Nienhuis | ... | Neighbor | |
| Brady Coleman | ... | Anderson | |
| Rick Forrester | ... | Roper | |
| Terrence Gibney | ... | Basil Thorpe | |
| Doug Swander | ... | Corvette Guy | |
| Keeli Hale Kimbro | ... | Corvette Girl | |
| Mark Jeffrey Miller | ... | Vernon | |
| Blaque Fowler | ... | Reverend | |
| Don Tilley | ... | Rescue Worker | |
| Rockford Davis | ... | Chemistry Teacher | |
| John Bennes | ... | Doctor | |
| Jonathan Fawbush | ... | Barney | |
| Larry Black | ... | Fred Smith | |
| Frank Schuler | ... | Moonshiner | |
| Tommy Smeltzer | ... | Man at Mine | |
| Charles Lawlor | ... | Miner | |
| Tom Turbiville | ... | Miner | |
| Ida Ginn | ... | Quentin's Mom | |
| Richard Lumpkin | ... | Judge at Welch | |
| Mark W. Johnson | ... | Union Official (as Mark Whitman Johnson) | |
| Don Taylor | ... | Union Official | |
| Don G. Campbell | ... | Mr. Morris | |
| Liz Byler | ... | Ivy League Girl (as Elizabeth Byler) | |
| Bradford Ryan Lund | ... | Ivy League Boy | |
| Frank Hoyt Taylor | ... | Judge at Indy | |
| Dave Hager | ... | Head Judge (as David Hager) | |
| Ray Elder | ... | Tom Webster | |
| Andy Stahl | ... | Jack Palmer | |
| Joe Digaetano | ... | Wernher von Braun (as Joey DiGaetano) | |
| Thomas Taylor | ... | Miner in Elevator | |
| David Ducey | ... | Man in Crowd | |
| Jenny Patterson | ... | Nurse | |
| O. Winston Link | ... | Locomotive Engineer |
Directed by | |||
| Joe Johnston | |||
Writing credits(WGA) | ||
| Homer H. Hickam Jr. | (book "Rocket Boys") | |
| Lewis Colick | (screenplay) | |
Produced by | |||
| Peter Cramer | .... | executive producer | |
| Larry J. Franco | .... | producer (as Larry Franco) | |
| Charles Gordon | .... | producer | |
| Marc Sternberg | .... | executive producer | |
Original Music by | |||
| Mark Isham | |||
Cinematography by | |||
| Fred Murphy | (director of photography) | ||
Film Editing by | |||
| Robert Dalva | |||
Casting by | |||
| Nancy Foy | |||
Production Design by | |||
| Barry Robison | |||
Art Direction by | |||
| Tony Fanning | |||
Set Decoration by | |||
| Chris L. Spellman | (as Chris Spellman) | ||
Costume Design by | |||
| Betsy Cox | |||
Makeup Department | |||
| Lynn Barber | .... | makeup supervisor | |
| Gloria Belz | .... | key makeup artist | |
| Julie Callihan | .... | makeup artist | |
| Susan Mills | .... | key hair stylist | |
| Michelle Vanderpool-Kohrs | .... | hair stylist (as Michealle Vanderpool-Kohrs) | |
| Beka Wilson | .... | hair stylist | |
| Leigh Ann Yandle | .... | makeup artist | |
| Jeff Goodwin | .... | special makeup maker (uncredited) | |
| Rachel Kick | .... | makeup artist (uncredited) | |
Production Management | |||
| Zane Weiner | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Betsy Magruder | .... | first assistant director | |
| Rusty Mahmood | .... | second second assistant director | |
| Matt Marshall | .... | additional second assistant director | |
| Jonathan McGarry | .... | second assistant director | |
Sound Department | |||
| Charlie Ajar Jr. | .... | sound recordist (as Charlie Ajar) | |
| Thom Brennan | .... | foley editor | |
| Michael C. Casper | .... | sound re-recording mixer (as Michael Casper) | |
| Mary H. Ellis | .... | production sound mixer (as Mary Ellis) | |
| Bill Fibben | .... | boom operator | |
| Stephanie Flack | .... | dialogue editor | |
| Michael Geisler | .... | sound designer | |
| Howell Gibbens | .... | supervising sound editor | |
| Aaron Glascock | .... | sound effects editor | |
| Hilda Hodges | .... | foley artist | |
| Alan Holly | .... | adr mixer | |
| Elizabeth Kenton | .... | supervising adr editor | |
| Mary Jo Lang | .... | foley mixer | |
| Daniel J. Leahy | .... | sound re-recording mixer (as Daniel Leahy) | |
| Greg W. Lowe | .... | adr recordist (as Greg Lowe) | |
| James Morioka | .... | assistant sound editor | |
| John Roesch | .... | foley artist (as John B. Roesch) | |
| Carolyn Tapp | .... | foley recordist | |
| Mark Zimbicki | .... | cable person | |
Special Effects by | |||
| Joe Digaetano | .... | special effects supervisor (as Joey DiGaetano) | |
| Bill Johnson | .... | special effects makeup | |
| Richard E. Perry | .... | special effects | |
| Gary Pilkinton | .... | special effects (as Gary L. Pilkinton) | |
| Dave Rigsby | .... | special effects (as Dave Rigbsy) | |
| Kathleen Tonkin | .... | special effects | |
| Robert Vazquez | .... | special effects foreman | |
Visual Effects by | |||
| Joel Aron | .... | sequence supervisor: ILM | |
| Okan Ataman | .... | sabre artist: ILM | |
| Brent Bowers | .... | CG technical support: ILM | |
| Sean M. Casey | .... | visual effects still photographer: ILM (as Sean Casey) | |
| Theresa Corrao | .... | visual effects coordinator: ILM | |
| Julie D'Antoni | .... | visual effects production assistant: ILM | |
| Krystyna Demkowicz | .... | visual effects producer: Matte World Digital | |
| Pablo Helman | .... | sabre supervisor: ILM | |
| Kela Hicks | .... | CG technical support: ILM | |
| Patrick Jarvis | .... | digital painter: ILM | |
| Mickey McGovern | .... | visual effects editor: ILM (as Mike McGovern) | |
| Fred Meyers | .... | visual effects principal engineer: ILM | |
| Mark S. Miller | .... | visual effects producer: ILM | |
| Kristen Millette | .... | CG technical support: ILM | |
| Jim Mitchell | .... | visual effects supervisor: ILM | |
| Michelle Motta | .... | CG technical support: ILM | |
| Bruce Vecchitto | .... | digital timing supervisor: ILM | |
| Jonathan Wank | .... | sabre artist: ILM | |
| Craig Barron | .... | visual effects supervisor: Matte World (uncredited) | |
| Brett Northcutt | .... | digital matte artist (uncredited) | |
| Paul Rivera | .... | digital composite supervisor: Mate World Digital (uncredited) | |
Stunts | |||
| Chris Bennett | .... | stunts | |
| Cliff Cudney | .... | stunt coordinator | |
| John Fagan | .... | stunts | |
| Jeff Galpin | .... | stunts | |
| Robert Girard | .... | stunts | |
| David Brian Martin | .... | stunts | |
| Peter Peterson | .... | stunts | |
| Chad Rose | .... | stunts | |
| Mike Smith | .... | stunts | |
| Russell Towery | .... | stunts | |
| Robert Vazquez | .... | stunts | |
| Cliff Cudney | .... | stunt double: Jake Gyllenhaal (uncredited) | |
Casting Department | |||
| Jo Doster | .... | location casting | |
| Diana Jaher | .... | casting associate | |
| Kim Petrosky | .... | extras casting | |
| Owen J. Rice | .... | extras casting assistant | |
| Kim McCray | .... | extras casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Stephen Brown | .... | costumer | |
| Fumie H. Carrera | .... | seamstress | |
| Stephen K. Randolph | .... | key set costumer | |
| Kelly Anne Ross | .... | set costumer (as Kelly Ross-Wilson) | |
| Marciann Shapiro | .... | costume supervisor | |
Editorial Department | |||
| Steve Ansell | .... | second assistant editor | |
| Andi Kasen Bergman | .... | assistant editor (as Andi Kasen) | |
| Gary Burritt | .... | negative cutter | |
| Todd Busch | .... | first assistant editor | |
| Anthony J. Camaioni | .... | assistant editor (as Anthony Joseph Camaioni) | |
| Eric Rigney | .... | avid technician | |
| Mike Stanwick | .... | color timer | |
| Robb Sullivan | .... | assistant editor | |
| Dale Jones | .... | avid technician (uncredited) | |
Music Department | |||
| Thomas A. Carlson | .... | music editor (as Tom Carlson) | |
| Sandy DeCrescent | .... | orchestra contractor | |
| Peter Doell | .... | assistant score mixer (as Pete Doell) | |
| Peter Doell | .... | assistant score recordist (as Pete Doell) | |
| Janice Hayen | .... | music preparation | |
| Stephen Krause | .... | score mixer | |
| Stephen Krause | .... | score recordist | |
| Ken Kugler | .... | conductor | |
| Ken Kugler | .... | orchestrator | |
| Sid Page | .... | musician: solo violin | |
| Joe E. Rand | .... | music editor | |
Transportation Department | |||
| Cindy Parker | .... | transportation coordinator | |
| J.L. Parker | .... | transportation coordinator | |
| Mike Robinson | .... | special driver | |
Thanks | |||
| John J. Duncan Jr. | .... | special thanks: U.S. Representative | |
| Anne B. Pope | .... | special thanks: Tennessee Film, Entertainment and Music Commission, Executive Director (as Anne Pope) | |
| Don Sundquist | .... | special thanks: Tennessee Governor | |
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I resisted seeing this movie and I understand why it was not a big hit in theatres. "October Sky" feels and looks oh so familiar. And it is. All plot contrivances and emotions have been explored before in other films -- and possibly even better. But despite it's familiarity and resistance to all formulas Hollywood, this movie is winning and likeable at every turn.
Sputnik is the inspiration for this journey of the heart, mind and soul. Just as the characters from Steven Sondheim's musical MERRILY WE ROLL ALONG stood agape atop their apartment roof hoping it would launch their new generation ("What do you call it? You call it a miracle."), Sputnik has a similar affect on the young rocket boys of this true tale. While jaded townsfolk of their 1950's coal town dismiss the event, Homer Hickham sees Sputnik as his ticket out of a life in the mines.
Masterful direction and casting make the journey of rocket boy Homer and his pals seem fresh and new. Especially affecting are subplots concerning Homer's ailing young school teacher. Remarkable restraint is shown in depicting their delicate relationship. Also remarkable is the father / son supblot that anchors the film. Perfectly played all around. Even Homer's mom gets her moment without cliche or intrusion. Her ultimatum to her husband is both dignified and heatbreaking. "Myrtle Beach" says it all.
A major video chain I despise has a sign next to this film stating that you'll love this film or they'll refund your money. For once, I agree with them. You'll never look at the October sky quite the same again.