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Directed by | |||
| Joe Johnston | |||
Writing credits(WGA) | ||
| Homer H. Hickam Jr. | (book "Rocket Boys") | |
| Lewis Colick | (screenplay) | |
Produced by | |||
| Peter Cramer | .... | executive producer | |
| Larry J. Franco | .... | producer (as Larry Franco) | |
| Charles Gordon | .... | producer | |
| Marc Sternberg | .... | executive producer | |
Original Music by | |||
| Mark Isham | |||
Cinematography by | |||
| Fred Murphy | (director of photography) | ||
Film Editing by | |||
| Robert Dalva | |||
Casting by | |||
| Nancy Foy | |||
Production Design by | |||
| Barry Robison | |||
Art Direction by | |||
| Tony Fanning | |||
Set Decoration by | |||
| Chris L. Spellman | (as Chris Spellman) | ||
Costume Design by | |||
| Betsy Cox | |||
Makeup Department | |||
| Lynn Barber | .... | makeup supervisor | |
| Gloria Belz | .... | key makeup artist | |
| Julie Callihan | .... | makeup artist | |
| Susan Mills | .... | key hair stylist | |
| Michelle Vanderpool-Kohrs | .... | hair stylist (as Michealle Vanderpool-Kohrs) | |
| Beka Wilson | .... | hair stylist | |
| Leigh Ann Yandle | .... | makeup artist | |
| Jeff Goodwin | .... | special makeup maker (uncredited) | |
| Rachel Kick | .... | makeup artist (uncredited) | |
Production Management | |||
| Zane Weiner | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Betsy Magruder | .... | first assistant director | |
| Rusty Mahmood | .... | second second assistant director | |
| Matt Marshall | .... | additional second assistant director | |
| Jonathan McGarry | .... | second assistant director | |
Sound Department | |||
| Charlie Ajar Jr. | .... | sound recordist (as Charlie Ajar) | |
| Thom Brennan | .... | foley editor | |
| Michael C. Casper | .... | sound re-recording mixer (as Michael Casper) | |
| Mary H. Ellis | .... | production sound mixer (as Mary Ellis) | |
| Bill Fibben | .... | boom operator | |
| Stephanie Flack | .... | dialogue editor | |
| Michael Geisler | .... | sound designer | |
| Howell Gibbens | .... | supervising sound editor | |
| Aaron Glascock | .... | sound effects editor | |
| Hilda Hodges | .... | foley artist | |
| Alan Holly | .... | adr mixer | |
| Elizabeth Kenton | .... | supervising adr editor | |
| Mary Jo Lang | .... | foley mixer | |
| Daniel J. Leahy | .... | sound re-recording mixer (as Daniel Leahy) | |
| Greg W. Lowe | .... | adr recordist (as Greg Lowe) | |
| James Morioka | .... | assistant sound editor | |
| John Roesch | .... | foley artist (as John B. Roesch) | |
| Carolyn Tapp | .... | foley recordist | |
| Mark Zimbicki | .... | cable person | |
Special Effects by | |||
| Joe Digaetano | .... | special effects supervisor (as Joey DiGaetano) | |
| Bill Johnson | .... | special effects makeup | |
| Richard E. Perry | .... | special effects | |
| Gary Pilkinton | .... | special effects (as Gary L. Pilkinton) | |
| Dave Rigsby | .... | special effects (as Dave Rigbsy) | |
| Kathleen Tonkin | .... | special effects | |
| Robert Vazquez | .... | special effects foreman | |
Visual Effects by | |||
| Joel Aron | .... | sequence supervisor: ILM | |
| Okan Ataman | .... | sabre artist: ILM | |
| Brent Bowers | .... | CG technical support: ILM | |
| Sean M. Casey | .... | visual effects still photographer: ILM (as Sean Casey) | |
| Theresa Corrao | .... | visual effects coordinator: ILM | |
| Julie D'Antoni | .... | visual effects production assistant: ILM | |
| Krystyna Demkowicz | .... | visual effects producer: Matte World Digital | |
| Pablo Helman | .... | sabre supervisor: ILM | |
| Kela Hicks | .... | CG technical support: ILM | |
| Patrick Jarvis | .... | digital painter: ILM | |
| Mickey McGovern | .... | visual effects editor: ILM (as Mike McGovern) | |
| Fred Meyers | .... | visual effects principal engineer: ILM | |
| Mark S. Miller | .... | visual effects producer: ILM | |
| Kristen Millette | .... | CG technical support: ILM | |
| Jim Mitchell | .... | visual effects supervisor: ILM | |
| Michelle Motta | .... | CG technical support: ILM | |
| Bruce Vecchitto | .... | digital timing supervisor: ILM | |
| Jonathan Wank | .... | sabre artist: ILM | |
| Craig Barron | .... | visual effects supervisor: Matte World (uncredited) | |
| Brett Northcutt | .... | digital matte artist (uncredited) | |
| Paul Rivera | .... | digital composite supervisor: Mate World Digital (uncredited) | |
Stunts | |||
| Chris Bennett | .... | stunts | |
| Cliff Cudney | .... | stunt coordinator | |
| John Fagan | .... | stunts | |
| Jeff Galpin | .... | stunts | |
| Robert Girard | .... | stunts | |
| David Brian Martin | .... | stunts | |
| Peter Peterson | .... | stunts | |
| Chad Rose | .... | stunts | |
| Mike Smith | .... | stunts | |
| Russell Towery | .... | stunts | |
| Robert Vazquez | .... | stunts | |
| Cliff Cudney | .... | stunt double: Jake Gyllenhaal (uncredited) | |
Casting Department | |||
| Jo Doster | .... | location casting | |
| Diana Jaher | .... | casting associate | |
| Kim Petrosky | .... | extras casting | |
| Owen J. Rice | .... | extras casting assistant | |
| Kim McCray | .... | extras casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Stephen Brown | .... | costumer | |
| Fumie H. Carrera | .... | seamstress | |
| Stephen K. Randolph | .... | key set costumer | |
| Kelly Anne Ross | .... | set costumer (as Kelly Ross-Wilson) | |
| Marciann Shapiro | .... | costume supervisor | |
Editorial Department | |||
| Steve Ansell | .... | second assistant editor | |
| Andi Kasen Bergman | .... | assistant editor (as Andi Kasen) | |
| Gary Burritt | .... | negative cutter | |
| Todd Busch | .... | first assistant editor | |
| Anthony J. Camaioni | .... | assistant editor (as Anthony Joseph Camaioni) | |
| Eric Rigney | .... | avid technician | |
| Mike Stanwick | .... | color timer | |
| Robb Sullivan | .... | assistant editor | |
| Dale Jones | .... | avid technician (uncredited) | |
Music Department | |||
| Thomas A. Carlson | .... | music editor (as Tom Carlson) | |
| Sandy DeCrescent | .... | orchestra contractor | |
| Peter Doell | .... | assistant score recordist (as Pete Doell) | |
| Janice Hayen | .... | music preparation | |
| Stephen Krause | .... | score mixer | |
| Stephen Krause | .... | score recordist | |
| Ken Kugler | .... | conductor | |
| Ken Kugler | .... | orchestrator | |
| Sid Page | .... | musician: solo violin | |
| Joe E. Rand | .... | music editor | |
| Chris Ridenhour | .... | assistant music preparation | |
Transportation Department | |||
| Cindy Parker | .... | transportation coordinator | |
| J.L. Parker | .... | transportation coordinator | |
| Mike Robinson | .... | special driver | |
Thanks | |||
| John J. Duncan Jr. | .... | special thanks: U.S. Representative | |
| Anne B. Pope | .... | special thanks: Tennessee Film, Entertainment and Music Commission, Executive Director (as Anne Pope) | |
| Don Sundquist | .... | special thanks: Tennessee Governor | |
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There is an old saying that relates to the rousing new film by Joe Johnston that goes something like this: "The man who thinks he can and the man who thinks he can't are both right." That is a highly presumptuous statement referring to self motivating and belief in an individual, which, in this movie, stand true even after road blocks and family trouble stand in the way.
"October Sky" is about a young man who believes in himself named Homer Hickam, growing up in a strict, traditional family in the 1950's. Homer loves in a small coal mining town where nearly every man grows up to be a miner. All of his friends, Quentin, Roy, and O'Dell all think that their life after high school will be like everyone else's. Homer is not exited about that future.
One night, while everyone stares at the sky, a Russian space craft called Sputnik passes overhead. This is something new for Homer, and he finds it spectacular and overwhelming. From this point on, his look at life will never be the same.
First, he tells everyone that he wants to work in the rocket scientist area for an occupation. Flabbergasted at what he says, his family passes that idea over their heads and continues with life as usual His friends, however, think that this idea may have some potential. After all, Quentin is a very smart individual when it comes to this kind of thing.
When the four friends start to test model rockets, and blow a white picket fence to smithereens, then what seems to be a forest fire is scared by them, they're forced to end their progresses.
The performances in this movie are absolutely riveting from start to finish. All of the actors give performances as if this is the real mumbo jumbo here. Standing out in all of the glory: Laura Dern as Miss Riley. This very well may be Academy award material if the judges can remember back to the beginning of the year when this film is released.
The characters are also extremely well developed. Not only to the filmmakers give clear, apparent reason why Homer is interested in the subject, but they also explain to the audience how they are succeeding in their studding of rocketry. We clearly understand all of the characters' motives and beliefs, especially the father, who is bent over on everlasting tradition.
The film, unfortunately, loses some of its momentum at mid-point because of a silly, recycled romantic sub-plot involving Homer's love interest and how his brother stole her from him. This type of this is becoming so awfully common in high-school movies, not that this film is aimed at high-schoolers. The actors stare at each other mindlessly, like the are in a trance. I put up with it without complaining in 1997's "Inventing the Abbots," but I have had just about enough this.
But that is just a minor complaint. With an authentic looking time period, cinematography worth an Oscar and clips of the real life Homer and friends at the end, whom all hit it big with their dreams, especially Homer, this is the first great film of 1999.