| Photos (see all 1 | slideshow) |
| Jan Josef Liefers | ... | Thomas Krömer | |
| Marie Bäumer | ... | Alexandra | |
| Ulrich Mühe | ... | Eschbach | |
| Christoph Waltz | ... | Becker | |
| Peter Lohmeyer | ... | Graf | |
| Burkhard Driest | ... | Lasinger | |
| Andreas Hoppe | ... | Voss | |
| Horst Krause | ... | Borregard | |
| Tilly Lauenstein | ... | Großmutter / Grandmother | |
| Michael Gwisdek | ... | Bernbeck | |
| Hans Paetsch | ... | Präparator / Preparator | |
| Christiane Roßbach | ... | Frau im Uhrenladen / Lady in Clock Shop | |
| Pekka Turunen | ... | Herr Väänänen | |
| Alexander Liegl | ... | Betrunkener / Drunken Man | |
| Isabelle Schard | ... | Uschi | |
| Claudia Burges | ... | Fernseh-Ansagerin / TV Announcer | |
| Andrea Willson | ... | Finnische Geliebte / Lover from Finland | |
| Lilli Forgach | ... | Annicki | |
| Alexander Wagner | ... | Kalli |
Directed by | |||
| Peter Fratzscher | |||
Writing credits(in alphabetical order) | ||
| Nils-Marten Osburg | writer (as Nils-Morten Osburg) | |
Produced by | |||
| Michael Bütow | .... | executive producer | |
| Gabriele Lohnert | .... | producer | |
| Alena Rimbach | .... | line producer | |
| Herbert Rimbach | .... | producer | |
| Luggi Waldleitner | .... | producer | |
| Andrea Willson | .... | producer | |
Original Music by | |||
| Ali N. Askin | |||
Cinematography by | |||
| Thomas Merker | |||
Film Editing by | |||
| Barbara Gies | |||
Production Design by | |||
| Josef Sanktjohanser | |||
Costume Design by | |||
| Anke Winckler | |||
Makeup Department | |||
| Birger Laube | .... | sfx makeup artist | |
| Oliver Rudolf | .... | makeup assistant | |
| Julia Schlotke | .... | makeup artist | |
Production Management | |||
| Uli Adomat | .... | executive in charge of production | |
| Ralph Brosche | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Frank Scharl | .... | assistant director | |
Art Department | |||
| Annette Barbara Becker | .... | trainee: production design | |
| Mathias Faulmüller | .... | prop buyer | |
| Kathrin Schmidt | .... | stand-by props | |
| Friederike von Quast | .... | assistant production designer | |
Sound Department | |||
| Solweig Bores | .... | sound re-recording mixer: ARRI | |
| Christof Ebhardt | .... | sound re-recording mixer: ARRI | |
| Steffi Geißler | .... | sound re-recording mixer: ARRI | |
| Ira Hetmanczyk | .... | sound re-recording mixer: ARRI | |
| Hans-Walter Kramski | .... | foley artist (as Hans W. Kramski) | |
| Eckhard W. Kuchenbecker | .... | sound | |
| Peter Notz | .... | sound re-recording mixer: ARRI | |
| Günther Prechtel | .... | sound re-recording mixer: ARRI | |
| Max Rammler-Rogall | .... | sound mixer (as Max Rammler) | |
| Andreas Schneider | .... | foley artist | |
| Marcel Spisak | .... | sound re-recording mixer: ARRI | |
| Gunnar Voigt | .... | assistant sound | |
Special Effects by | |||
| Heinz Ludwig | .... | pyro technics | |
Visual Effects by | |||
| Matthias Menz | .... | CGI artist: ARRI | |
| Jürgen Schopper | .... | digital effects artist (uncredited) | |
Stunts | |||
| Jürgen Pohl | .... | stunts | |
Camera and Electrical Department | |||
| Armin Barkle | .... | lighting technician | |
| Andreas Bibl | .... | Steadicam operator | |
| Thilo Brunner | .... | trainee: cinematography | |
| Schorsch Bülling | .... | rigging grip | |
| Kai-Uwe Dargusch | .... | lighting technician | |
| Markus Dürr | .... | camera operator: second unit | |
| Christian Eisele | .... | rigging grip | |
| Arnd Frenger | .... | camera operator: second unit | |
| Cornelia Froboess | .... | best girl (as Conny) | |
| Reinhold Hahn | .... | lighting technician | |
| Rüdiger Hohn | .... | lighting technician | |
| Andreas La Rose | .... | still photographer | |
| Matthias Maaß | .... | director of photography: additional photography | |
| Christian Paschmann | .... | assistant camera | |
| Georg Probstl | .... | rigging grip | |
| Armando Uebel | .... | video technician | |
| Bernadette Weinzierl | .... | lighting technician | |
| Stefan Wildhirt | .... | still photographer | |
| Oliver Rudolf | .... | second assistant camera (uncredited) | |
Costume and Wardrobe Department | |||
| Ulrike Dumjahn | .... | assistant costume designer | |
Editorial Department | |||
| Jörg Eybl | .... | color timer | |
| Lena Niskanen | .... | trainee: editing | |
| Jochen Retter | .... | assistant editor | |
Transportation Department | |||
| Jannot Borowski | .... | production driver | |
| Martin von Jan | .... | production driver | |
Other crew | |||
| Sandra Barger | .... | script girl | |
| Esther Berke | .... | second location manager | |
| Eva Danzl | .... | production secretary | |
| Andreas Hammerl | .... | trainee: location manager | |
| Gudrun Horstmeier | .... | press relations | |
| Andreas Just | .... | gardening works | |
| Walter Kreipl | .... | dog trainer | |
| René Löw | .... | location manager | |
| Marlene de Plessis-Zotl | .... | caterer | |
| Annette Schilling | .... | production coordinator | |
| Mario Striehn | .... | second location manager | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Horror section | IMDb Germany section | Add this title to MyMovies |
In "Sieben Monde" an author thinks he could be a werewolf because of very myterious murders happening around him. Sieben Monde is a surprisingly good horror-thriller. When I saw the TV-trailer I thought it would be just another bad german b-horror flick. I was really surprised! Mysterious atmosphere, very good acting and editing and very much violence and blood for a german movie! But no film is perfect! The end isn't very surprising, the story could have been more complex and Jan Josef Liefers was definetly not the best choice for the main character. Nevertheless "Sieben Monde" is clearly worth to watch.