| Photos (see all 50 | slideshow) |
| Franka Potente | ... | Lola | |
| Moritz Bleibtreu | ... | Manni | |
| Herbert Knaup | ... | Vater | |
| Nina Petri | ... | Jutta Hansen | |
| Armin Rohde | ... | Herr Schuster | |
| Joachim Król | ... | Norbert von Au | |
| Ludger Pistor | ... | Herr Meier | |
| Suzanne von Borsody | ... | Frau Jäger | |
| Sebastian Schipper | ... | Mike | |
| Julia Lindig | ... | Doris | |
| Lars Rudolph | ... | Herr Kruse | |
| Andreas Petri | ... | Sanitäter | |
| Klaus Müller | ... | Croupier | |
| Utz Krause | ... | Casino-Manager | |
| Beate Finckh | ... | Casino-Kassiererin | |
| Volkhard Buff | ... | Krankenwagenfahrer (as Volkhart Buff) | |
| Heino Ferch | ... | Ronnie | |
| Ute Lubosch | ... | Mutter | |
| Dora Raddy | ... | Die Alte | |
| Monica Bleibtreu | ... | Die Blinde | |
| Peter Pauli | ... | Wachmann Supermarkt | |
| Marc Bischoff | ... | Polizist | |
| Hans Paetsch | ... | Erzähler (voice) | |
| rest of cast listed alphabetically: | |||
| J.P. Johannsen | ... | Bank clerk through door (uncredited) | |
Directed by | |||
| Tom Tykwer | |||
Writing credits(in alphabetical order) | ||
| Tom Tykwer | writer | |
Produced by | |||
| Stefan Arndt | .... | producer | |
| Gebhard Henke | .... | producer: WDR | |
| Maria Köpf | .... | executive producer | |
| Maria Köpf | .... | line producer | |
| Andreas Schreitmüller | .... | producer: ARTE | |
Original Music by | |||
| Reinhold Heil | |||
| Johnny Klimek | |||
| Tom Tykwer | |||
Cinematography by | |||
| Frank Griebe | |||
Film Editing by | |||
| Mathilde Bonnefoy | |||
Casting by | |||
| An Dorthe Braker | |||
Production Design by | |||
| Alexander Manasse | |||
Art Direction by | |||
| Attila Saygel | |||
Set Decoration by | |||
| Irene Otterpohl | |||
Costume Design by | |||
| Monika Jacobs | |||
Makeup Department | |||
| Babette Bröseke | .... | makeup artist | |
| Christa Krista | .... | hair designer: Lola | |
| Margit Neufink | .... | makeup artist (as Margrit Neufink) | |
| Jekaterina Oertel | .... | additional makeup artist (as Jekatarina Oertel) | |
Production Management | |||
| Ralph Brosche | .... | production manager | |
| Swantje Matthaei | .... | executive in charge of production | |
| Carsten Neumärker | .... | executive in charge of production | |
Second Unit Director or Assistant Director | |||
| Chris Brighton | .... | assistant director | |
| Sebastian Fahr-Brix | .... | assistant director (as Sebastian Fahr) | |
Art Department | |||
| Stella-Nicoletta Drossa | .... | art department trainee | |
| Cary Gayler | .... | prop buyer | |
| Katja Kiesewetter | .... | art department trainee | |
| Sonja König | .... | stand-by propwoman | |
| Micha Korok | .... | art department trainee | |
| Francisco Escobar | .... | set dresser (uncredited) | |
Sound Department | |||
| Frank Behnke | .... | sound | |
| Normann Büttner | .... | foley recordist | |
| Nanett Creutzburg | .... | sound assistant | |
| Günther Friedhoff | .... | dialogue recordist (as Günter Friedhoff) | |
| Dirk Jacob | .... | sound designer | |
| Matthias Lempert | .... | sound re-recording mixer | |
| Markus Münz | .... | sound editor | |
| Jörn Poetzl | .... | foley artist (as Joern Poetzl) | |
| Kai Storck | .... | sound editor | |
| Marita Strotkötter | .... | sound coordinator: post-production | |
| Gunther Kortwich | .... | sound equipment provider (uncredited) | |
Special Effects by | |||
| Roland Tropp | .... | special effects | |
| Gerd Voll | .... | special effects | |
Visual Effects by | |||
| Nastuh Abootalebi | .... | digital domino effects | |
| Manfred Büttner | .... | visual effects production manager | |
| George Maihöfer | .... | digital artist | |
| Claudius Schulz | .... | graphics artist | |
| Thomas Tannenberger | .... | senior effects producer | |
| Dominik Trimborn | .... | digital domino effects: das werk | |
| Andreas Schellenberg | .... | visual effects coordinator (uncredited) | |
Stunts | |||
| Rossi Alvarez | .... | stunts | |
| Micha Bornhütter | .... | pane carrier | |
| Susanne Braun | .... | sport trainer | |
| Berno Buff | .... | pane carrier | |
| Volkhard Buff | .... | stunt driver | |
| Frank Christoffer | .... | stunt driver | |
| Ralf Häger | .... | bmw guy (as Ralf Haeger) | |
| Frank Jablonski | .... | bmw guy | |
| Sascha Kuchenbuch | .... | stunt driver | |
| Stefan Manteuffel | .... | stunt driver | |
| Piet Paes | .... | stunt driver | |
| Leo Plank | .... | stunt driver | |
| Emanuel Raasch | .... | bmw guy | |
| Daniela Stein | .... | pane carrier (as Dani Stein) | |
| Andi Stein-Strauss | .... | pane carrier | |
Animation Department | |||
| Gil Alkabetz | .... | animation designer | |
| Ralf Bohde | .... | animator | |
| Robert Mack | .... | film exposure: animation | |
| Thomas Meyer-Herrmann | .... | executive producer: animation | |
Casting Department | |||
| Nessie Nesslauer | .... | casting consultant | |
| Barbara Schernthaner | .... | extras casting | |
Costume and Wardrobe Department | |||
| Ingrid Buhrmann | .... | wardrober | |
| Sabine Groh | .... | apprentice costumer | |
Editorial Department | |||
| Harald Ehinger | .... | colorist: animation (as Hari Ehinger) | |
| Anne Fabini | .... | assistant editor | |
| Nurit Israeli | .... | post-production: animation | |
| Martin Licht | .... | post-production trainee | |
| Sonja Müller | .... | colorist: animation | |
| Ruth Raatz | .... | color timer | |
| Cornelia Schumann | .... | negative cutter (as Cornelia Schühmann) | |
| Armin Vetter | .... | post-production: animation | |
| Johannes Weuthen | .... | assistant editor | |
Music Department | |||
| Stefan Broedner | .... | music supervisor | |
| Klaus Frers | .... | music supervisor | |
| Shiro Gutzie | .... | soundtrack executive consultant | |
| Franka Potente | .... | composer: theme song "I Wish" and others | |
Transportation Department | |||
| Jens Schlemmer | .... | property driver | |
| Stefan Schuster | .... | production driver | |
| Hannes Staehle | .... | production driver | |
Other crew | |||
| Achim | .... | traffic blocker | |
| Michael Alert | .... | set equipment | |
| Mirko Andreas | .... | caterer | |
| Ute Bergien | .... | production trainee | |
| Bernhard | .... | traffic blocker | |
| Carsten | .... | traffic blocker | |
| Christian | .... | traffic blocker | |
| Folker | .... | traffic blocker | |
| Didier Franque | .... | caterer | |
| Grete | .... | traffic blocker | |
| Dorit Günter | .... | cleaning woman: Schmitz | |
| Carsten Gutschmidt | .... | apprentice lighting technician | |
| Susanne Hahn | .... | production assistant | |
| Jan Hoffmann | .... | aerial photography: helicopter | |
| Liane Jessen | .... | project development | |
| Jörgen | .... | traffic blocker | |
| Norbert Keil | .... | opticals | |
| Thomas Lechner | .... | provider: walkie talkies | |
| Renate Leisering | .... | laboratory coordinator | |
| Gisela Liesenfeld | .... | production secretary | |
| René Löw | .... | location manager | |
| Hans-Joachim Rabs | .... | laboratory manager | |
| Ralph Remstedt | .... | assistant location manager | |
| René | .... | traffic blocker | |
| Robert | .... | traffic blocker | |
| Kathrin Rohm | .... | assistant location manager | |
| Sarni | .... | traffic blocker | |
| Klaus-Peter Schultze | .... | opticals | |
| Uta Seibicke | .... | apprentice director | |
| Jörg Treutmann | .... | location manager | |
| Usch | .... | traffic blocker | |
| Katja Wessels | .... | apprentice location manager | |
| Thomas Wilk | .... | titles | |
| Willy | .... | traffic blocker | |
| Sabine Zimmer | .... | continuity | |
| Sabine Zimmer | .... | script girl | |
Thanks | |||
| Wolfgang Becker | .... | special thanks | |
| Liane Jessen | .... | special thanks | |
| Undine Zamani | .... | special thanks | |
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| Christiane F. - Wir Kinder vom Bahnhof Zoo | Tenebre | Cidade de Deus | L'uccello dalle piume di cristallo | Dèmoni 2: L'incubo ritorna |
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Lola rennt or Run Lola Run as we say it, is a German thriller written and directed by Tom Tykwer. This Film will contrast your emotions as it shows you how one little event in somebody's life can change there's, and other peoples lives forever. This rollercoaster ride of emotions will keep you gripped all the way through as it jumps from soft, dimly lit emotional scenes, to the completely contrasting scenes of running and constant action.
The music used in this film complements the scenes very well, when it's a slow scene our ears are graced with soft classical music like when Lola is falling to the ground in a slow motion shot. The complete opposite of this is used in the fast paced running scenes, as we get pounded by constant techno beats. I believe that the director has used techno to try and get us inside Lola's head as she is running and stressing about Manni and all the other events that happen throughout this amazing film.
Lola's Determination to save her boyfriend Manni is very well projected as she enters the bank that her father runs, and throughout the three different versions of the story uses different techniques to try and save him. This involvement with the characters and the three different storylines is very unique to this style of film. I think that the actors have delivered a very memorable and exciting performance which will leave viewers wanting to watch the film over and over again.
I think that this director has used this style of film very well, he is one of this first to successfully use this style and create a very interesting and exciting film. This film is almost the only one of its kind, other than the film 'Sliding Doors' but even in that the character is living two parallel lives but in this film it is replayed over again.
This film used interesting techniques that I had never seen in a film before. I think that the snapshots into the peoples lives gave you a good view of how one little event can change your life forever. By replaying through the same sort of events three times the director lets you really get a sense of feeling for the characters, especially Lola and as the film progresses you actually start to care about the characters and I think this was a really good quality in the film.
Overall I really enjoyed this film, and think that it is one of the best foreign films I have seen in a long time, and would give it a 9/10.