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Directed by | |||
| Steve Barron | |||
Writing credits(WGA) | ||
| David Stevens | (teleplay) and | |
| Peter Barnes | (teleplay) | |
| Edward Khmara | (story) | |
Produced by | |||
| Robert Halmi Sr. | .... | executive producer | |
| Dyson Lovell | .... | producer | |
| Chris Thompson | .... | line producer | |
Original Music by | |||
| Trevor Jones | |||
Cinematography by | |||
| Sergei Kozlov | (director of photography) | ||
Film Editing by | |||
| Colin Green | |||
Casting by | |||
| Lynn Kressel | |||
Production Design by | |||
| Roger Hall | |||
Art Direction by | |||
| Michael Boone | (as Mike Boone) | ||
| John King | (supervising art director) | ||
Set Decoration by | |||
| Karen Brookes | |||
Costume Design by | |||
| Ann Hollowood | |||
Makeup Department | |||
| Nuala Conway | .... | hair stylist: Sam Neill | |
| Nuala Conway | .... | makeup artist: Sam Neill | |
| Mark Coulier | .... | prosthetics designer | |
| Shaune Harrison | .... | prosthetic makeup artist | |
| Kylie Marr | .... | hair artist | |
| Kylie Marr | .... | makeup artist | |
| Jemma Scott-Knox-Gore | .... | contact lens technician | |
| Aileen Seaton | .... | hair designer | |
| Aileen Seaton | .... | makeup designer | |
| Amber Sibley | .... | prosthetics artist | |
| Jane Walker | .... | hair artist | |
| Jane Walker | .... | makeup artist | |
| Norma Webb | .... | hair artist | |
| Norma Webb | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Geoff Dibben | .... | additional second assistant director | |
| Toby Hefferman | .... | third assistant director | |
| Terry Madden | .... | first assistant director: second unit | |
| Jonathan Scott | .... | third assistant director: second unit | |
| Richard Styles | .... | second assistant director: second unit | |
| Gareth Tandy | .... | first assistant director | |
| Rebecca Tucker | .... | second assistant director | |
| Timothy Webber | .... | second unit director (as Tim Webber) | |
| Arthur Wooster | .... | action director: second unit | |
Art Department | |||
| Leon Apsey | .... | supervising carpenter | |
| Bruce Bigg | .... | property master | |
| Peter Bigg | .... | dressing props | |
| Brian Bishop | .... | matte artist | |
| Brian Bishop | .... | scenic artist | |
| Brian Blues | .... | supervising carpenter | |
| Dennis Bovington | .... | construction manager | |
| Peter Dorme | .... | draughtsperson | |
| Frederic Evard | .... | stand-by art director | |
| John Greaves | .... | storyboard artist | |
| Michael Hedges | .... | supervising carpenter (as Mick Hedges) | |
| Andrew Holder | .... | chief sculptor | |
| Margaret Horspool | .... | draughtsperson | |
| Douglas Ingram | .... | storyboard artist | |
| Terry James | .... | supervising plasterer | |
| Paul Kirby | .... | draughtsman | |
| Sonja Klaus | .... | assistant set decorator | |
| Alan Lee | .... | illustrator | |
| Iain Lowe | .... | supervising rigger | |
| Christopher Mason | .... | supervising painter | |
| Mitch Niclas | .... | stand-by props | |
| Dean Norgate | .... | stand-by | |
| Norman North | .... | stand-by | |
| Paul Nott-Macaire | .... | stand-by | |
| Dermot Power | .... | conceptual artist | |
| Ray Rose | .... | property storeman | |
| Ted Stickley | .... | dressing props (as Edward Stickley) | |
| Warren Stickley | .... | stand-by props | |
| Vonn Stropp | .... | artist: creature concept art | |
| Andy Thomson | .... | junior draughtsperson (as Andrew Thompson) | |
| Jamie Wilkinson | .... | propman | |
| John Wright | .... | stand-by | |
| Peter Mann | .... | stand-by constructor (uncredited) | |
Sound Department | |||
| Vicky Brazier | .... | post-production sound | |
| Paul Carr | .... | re-recording mixer | |
| Robert Farr | .... | sound re-recording mixer | |
| Stephen Gilmour | .... | sound assistant | |
| Peter Glossop | .... | production sound mixer | |
| John Ireland | .... | sound effects editor | |
| Robert Ireland | .... | sound effects editor | |
| Tim Lewiston | .... | post-production sound | |
| Shaun Mills | .... | sound maintenance | |
| Rocky Phelan | .... | post-production sound | |
| Lionel Strutt | .... | sound re-recording mixer | |
| Elaine 'Chucks' Thomas | .... | post-production sound (as Elaine 'Chuck' Thomas) | |
| Gareth Cousins | .... | sound recording engineer (uncredited) | |
Special Effects by | |||
| Terry Bridle | .... | special effects technician | |
| Richard Conway | .... | special effects supervisor | |
| Sam Conway | .... | special effects technician | |
| Ben Cronin | .... | matador artist | |
| Dave Eltham | .... | special effects technician | |
| Darrell Guyon | .... | special effects technician | |
| Steve Hamilton | .... | senior special effects technician | |
| Clive R. Kay | .... | special effects contact lenses | |
| Luke Murphy | .... | special effects technician | |
| Ceri Nicholls | .... | special effects trainee | |
| Alan Perez | .... | additional special effects staff | |
| Caroline Roemmele | .... | additional special effects staff | |
| Nick Smith | .... | underwater special effects diver | |
| Paul Stephenson | .... | senior special effects modeller | |
| Andrew Thompson | .... | additional special effects staff | |
| Tim Willis | .... | senior special effects technician (as Timothy Willis) | |
Visual Effects by | |||
| Hani AlYousif | .... | digital effects compositor | |
| Avtar Bains | .... | visual effects artist | |
| William Bartlett | .... | visual effects artist | |
| Oliver Bersey | .... | digital visual effects: Framestore (London ) | |
| Tim Burke | .... | digital effects compositor | |
| Murray Butler | .... | digital visual effects: Framestore (London ) | |
| Matthew Cope | .... | visual effects coordinator | |
| Andrew Daffy | .... | digital visual effects: Framestore (London ) | |
| Nick Drew | .... | visual effects coordinator: Jim Henson's Creature Shop | |
| John Fuller | .... | animator | |
| Timothy Greenwood | .... | digital visual effects: Framestore (London ) (as Tim Greenwood) | |
| Karen Halliwell | .... | creature supervisor | |
| Tim Keene | .... | digital visual effects: Framestore (London ) | |
| Stefan Lange | .... | visual effects cameraman | |
| Arnon Manor | .... | visual effects | |
| Karl Mooney | .... | digital effects compositor | |
| Alex Parkinson | .... | 3D programmer | |
| Martin Parsons | .... | digital visual effects: Framestore (London ) | |
| Sirio Quintavalle | .... | digital visual effects: Framestore (London ) | |
| George Roper | .... | digital visual effects: Framestore (London ) | |
| Pedro Sabrosa | .... | digital visual effects: Framestore (London ) | |
| Fiona Walkinshaw | .... | digital visual effects: Framestore (London ) | |
| Timothy Webber | .... | visual effects supervisor (as Tim Webber) | |
| Richenda Wheeler | .... | animator | |
| Angus Wilson | .... | visual effects artist | |
Camera and Electrical Department | |||
| Peter Casey | .... | electrician | |
| Nick Coward | .... | video operator | |
| Adam Dale | .... | aerial camera operator | |
| Tommy Finch | .... | gaffer: second unit | |
| Catherine Frift | .... | clapper loader | |
| Mike Frift | .... | camera operator | |
| John Gamble | .... | first assistant camera | |
| Gifford Hooper | .... | aerial camera operator | |
| Eddie Knight | .... | gaffer | |
| Rupert Lloyd-Parry | .... | grip | |
| Simon Mills | .... | focus puller | |
| Stewart Monteith | .... | best boy | |
| Dean Morrish | .... | assistant camera | |
| Phil Murray | .... | grip | |
| Ron Nicholls | .... | grip | |
| John Payne | .... | grip | |
| Stuart Reid | .... | electrician | |
| Peter Robertson | .... | Steadicam operator | |
| Martin Shepherd | .... | focus puller | |
| John Turner | .... | electrician | |
| Oliver Upton | .... | still photographer | |
| George White Jr. | .... | electrician (as George White) | |
| Helen Williams | .... | clapper loader | |
Animation Department | |||
| Jean Marc Ky | .... | animator (uncredited) | |
Casting Department | |||
| Harry Audley | .... | additional casting | |
| Noel Davis | .... | casting: U.K. | |
| Oded Levy | .... | additional casting | |
Costume and Wardrobe Department | |||
| Daryl Bristow | .... | wardrobe supervisor | |
| Paul Colford | .... | costumes | |
| Charlotte Finlay | .... | wardrobe mistress | |
| Edwin Francis | .... | costume coordinator: Rome | |
| Philip Goldsworthy | .... | wardrobe assistant | |
| Marcus Love-McGuirk | .... | wardrobe daily | |
| Justine Luxton | .... | costume design assistant | |
| Rupert Steggle | .... | wardrobe assistant | |
| William Steggle | .... | wardrobe set supervisor | |
| Emma Walker | .... | costume textile artist | |
| Mark Wyndham | .... | armour costumer | |
Editorial Department | |||
| Kevin Lester | .... | associate editor | |
| Dominic Strevens | .... | assistant editor | |
| David Yardley | .... | associate editor | |
Music Department | |||
| Geoff Alexander | .... | music realization | |
| Edmund Butt | .... | music realization | |
| Gareth Cousins | .... | music realization | |
| Andrew Glen | .... | music realization | |
| Janice Graham | .... | music realization | |
| Julian Kershaw | .... | music realization | |
| Kipper | .... | music realization | |
| The London Symphony Orchestra | .... | performers | |
| Wayne Morley | .... | music realization | |
| Simon Rhodes | .... | music realization | |
| Victoria Seale | .... | music coordinator | |
| Tony Stanton | .... | music realization | |
| Phil Todd | .... | music realization (as Philip Todd) | |
| John Bell | .... | orchestrator (uncredited) | |
| Trevor Jones | .... | orchestrator (uncredited) | |
| Tony Lewis | .... | assistant music editor (uncredited) | |
Transportation Department | |||
| Gary Birmingham | .... | artist driver: Sam Neill | |
| Gerry Gore | .... | transport captain | |
Other crew | |||
| Andrea Barron | .... | research | |
| Patricia Barr | .... | unit nurse (as Pat Barr) | |
| Tamana Bleasdale | .... | floor runner | |
| Loren Boothby | .... | advisor: legend | |
| Jean Bourne | .... | script supervisor | |
| Ruth Breslaw | .... | assistant production coordinator | |
| Chris Brock | .... | location manager | |
| Tina Ellis | .... | assistant accountant (as Tina McConnell) | |
| Bryon Fear | .... | assistant: Dyson Lovell | |
| Ben Fogg | .... | production runner | |
| Fiona Gosden | .... | floor runner | |
| Debbie Hanney | .... | utility stand-in | |
| Andy Hennigan | .... | financial controller | |
| Robin Higgs | .... | assistant location manager | |
| Sarah Hinch | .... | script supervisor: second unit | |
| Helen Holdcroft | .... | animal coordinator | |
| Dylan Jones | .... | rider | |
| Rita Kozma | .... | assistant accountant | |
| Louise Kramskoy | .... | assistant: Steve Barron | |
| Simon Marsden | .... | assistant location manager | |
| Fry Martin | .... | assistant accountant | |
| Paula McBreen | .... | production coordinator | |
| Alan Meacham | .... | utility stand-in | |
| Daniel Naprous | .... | horse master | |
| Gerard Naprous | .... | horse master | |
| Tim Osborne | .... | title sequence | |
| Jonathan Pilcher | .... | production assistant | |
| Nick Waldron | .... | location assistant | |
| Piers Hampton | .... | project producer: Jim Henson's Creature Shop (uncredited) | |
| Robin Higgs | .... | location manager: Wales (uncredited) | |
| Allin Kempthorne | .... | body double: Sam Neill (uncredited) | |
| Oded Levy | .... | production assistant (uncredited) | |
| Ian Madison | .... | associate: Sam Neill (uncredited) | |
| Elliott Meddings | .... | location assistant (uncredited) | |
| James O'Donnell | .... | swords (uncredited) | |
| Jonathan Pilcher | .... | production runner (uncredited) | |
| Mark Sugden | .... | rider (uncredited) | |
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| Excalibur | The Adventures of Sir Galahad | Willow | Arthur the King | The Lord of the Rings: The Return of the King |
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How do you pack together centuries of legends about the great King Arthur? It might seem like an impossible task, but Merlin finds a way to make it work: they change the focus.
I have always been a huge fan of the King Arthur legends, and I am familiar with most of them. Some films only cover portions of the legends, such as the disappointing "First Knight" and the stomach-churning Disney crud "Sword and the Stone." I was really wanting a film to come out that would cover all the important legends of the epic story, yet I realized it was a nearly impossible task. An excellent early eighties film did it, which was called "Excalibur," and I was hoping that they could do it again, with a more nineties zing to it, what with the new special effects coming out nowadays that could no doubt enhance the legends onscreen. Before "Merlin" came out, the only real films to come out in the nineties featuring Arthur were "First Knight" (which eradicated all myth and magic and put the legends on the status of Chick Flick) and "A Kid in King Arthur's Court" (which I won't even bring up).
Enter "Merlin." It covers everything, from the affair of Lancelot and Guinevere, to the Lady at the Lake, to the birth of the sword Excalibur, to Morgan la Fay and Mordred, and they even throw in the Lady of Shallot. And the cool thing is, they make it work so that it doesn't seem overplotted. Merlin is also given a side story which is beautiful and well-constructed, about his birth and his love life. It all is webbed together well, and the climax and characters are wonderfully painted.
Before this film, I saw Merlin only as a secondhand character, who is Arthur's mentor and friend, kind of like the world's first Obe Wan Kinobe. But now, I see him in an all new light, and to say the least, it is very effective, and I can say that it is the finest Arthur film ever made (though "Excalibur" is so close, it's barely worth a comparison). If you are interesting in Arthur, or if you are an Arthur fan who was discouraged that there were no good films about his awesome, thought-provoking legends, I urge you to watch this film. It will move you in a way few films can!
10 out of 10!