| Photos (see all 18 | slideshow) |
| Ben Becker | ... | Robert Biberti | |
| Heino Ferch | ... | Roman Cycowski | |
| Ulrich Noethen | ... | Harry Frommermann | |
| Heinrich Schafmeister | ... | Erich A. Collin | |
| Max Tidof | ... | Ari Leschnikoff | |
| Kai Wiesinger | ... | Erwin Bootz | |
| Meret Becker | ... | Erna Eggstein | |
| Katja Riemann | ... | Mary Cycowski | |
| Noemi Fischer | ... | Chantal, Collin's Girlfriend | |
| Dana Vávrová | ... | Ursula Bootz | |
| Otto Sander | ... | Bruno Levy | |
| Michaela Rosen | ... | Ramona, the Madame | |
| Günter Lamprecht | ... | Eric Charell | |
| Gérard Semaan | ... | Roman's Father | |
| Rolf Hoppe | ... | Gauleiter Streicher | |
| Jürgen Schornagel | ... | Reich Music Director | |
| Rudolf Wessely | ... | Herr Grunbaum | |
| Susi Nicoletti | ... | Frau Grunbaum | |
| Giora Feidman | ... | Solo Clarinet | |
| Kathi Lindner | ... | Garderobiere | |
| rest of cast listed alphabetically: | |||
| Trude Ackermann | ... | Bob's Mother | |
| Babsy Artner | ... | Robert Biberti's Girlfriend | |
| Thommi Baake | |||
| Anna Kathrin Bleuler | ... | Lola | |
| Tina Bordihn | ... | Leila | |
| Martin Brambach | |||
| Matthew Casazza | ... | Trumpet Player, Band on Aircraft Carrier | |
| Michael Cesarano | ... | Sailor | |
| Lance Girard | ... | Polizist 2 | |
| Axel Harney | ... | Sailor | |
| Bettina Hirschberg | ... | Frau | |
| Susanne Hoss | ... | Rosa | |
| Lukas Miko | ... | Hans | |
| Veronika Neugebauer | ... | Yvonne | |
| Klaus Nierhoff | ... | Polizist | |
| Johannes Silberschneider | ... | Inspizient | |
| Mitchell Tolentino | ... | Sailor | |
| Liv Tullia | ... | Girl 1 | |
Directed by | |||
| Joseph Vilsmaier | |||
Writing credits(in alphabetical order) | ||
| Jürgen Büscher | story | |
| Jürgen Egger | uncredited | |
| Klaus Richter | writer | |
Produced by | |||
| Hanno Huth | .... | producer | |
| Reinhard Klooss | .... | producer | |
| Danny Krausz | .... | producer | |
| Peter Sterr | .... | executive producer | |
| Joseph Vilsmaier | .... | executive producer | |
Original Music by | |||
| Harald Kloser | |||
| Thomas Schobel | (co-composer) | ||
Cinematography by | |||
| Joseph Vilsmaier | |||
Film Editing by | |||
| Peter R. Adam | |||
Production Design by | |||
| Rolf Zehetbauer | |||
Art Direction by | |||
| Cornelia Ott | |||
Set Decoration by | |||
| Bernhard Henrich | |||
Costume Design by | |||
| Ute Hofinger | |||
Makeup Department | |||
| Zdenka Klika | .... | makeup artist: Czech | |
| Heiner Niehues | .... | makeup artist | |
| Ruth Philipp | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Sven Blum | .... | assistant director | |
Art Department | |||
| Susanne Hein | .... | prop buyer | |
| Jürgen Paptistella | .... | property master (as Jürgen Paptisella) | |
| Christian Schaefer | .... | assistant set decorator | |
| Friedrich Thaler | .... | painter | |
Sound Department | |||
| Stefan Busch | .... | supervising sound editor | |
| Tim J. Carroll | .... | consultant: Dolby Digital | |
| Heinz Ebner | .... | sound | |
| Stephan Fandrych | .... | dubbing mixer | |
| Lisa Geffcken-Reinhard | .... | adr editor (as Lisa Geffcken) | |
| Dietmar Krenn | .... | assistant sound | |
| Dan Edelstein | .... | supervising sound editor: US release (uncredited) | |
Visual Effects by | |||
| Nastuh Abootalebi | .... | digital artist | |
| Manfred Büttner | .... | visual effects production manager | |
| Guido Lück | .... | visual effects | |
| George Maihöfer | .... | visual effects supervisor | |
| Thomas Tannenberger | .... | visual effects producer | |
| Dominik Trimborn | .... | digital artist: das werk | |
| Frank Wegerhoff | .... | technical director | |
Camera and Electrical Department | |||
| Petro Domenigg | .... | still photographer | |
| Armin Golisano | .... | clapper loader | |
| Kurt Kopecky | .... | electrician | |
| Anton Mayer | .... | first assistant camera | |
| Eddy Saller | .... | gaffer (as Edi Saller) | |
| Ludwig Sauermann | .... | grip | |
| Jörg Widmer | .... | Steadicam operator | |
Casting Department | |||
| Julia Becker | .... | extras casting | |
Costume and Wardrobe Department | |||
| Melissa Desrosiers | .... | wardrobe assistant | |
| Katharina Henrichs | .... | assistant costume designer | |
| Beate Morbach | .... | costume assistant | |
| Udo Seltner | .... | wardrobe | |
Editorial Department | |||
| Katja Birklein | .... | assistant editor | |
| Marco Pav D'Auria | .... | assistant editor | |
| Andrea Dvorak | .... | assistant editor | |
Music Department | |||
| William Boston | .... | orchestrator | |
| Karin Gatzke | .... | music consultant | |
| Karin Gatzke | .... | music coordinator | |
| Benoit Grey | .... | orchestra contractor | |
| Thomas Wanker | .... | composer: additional score | |
Transportation Department | |||
| Alexander Kiening | .... | production driver | |
Other crew | |||
| Dina Eichhorn | .... | production secretary | |
| Peter Engelmann | .... | additional script editor | |
| Alfred Holighaus | .... | additional script editor | |
| Ulrich Limmer | .... | additional script editor | |
| Leona O'Neill | .... | production assistant | |
| Gabie Reiter | .... | production accountant | |
| Jonathan Roumie | .... | production assistant | |
| Birgit Seidel | .... | production assistant | |
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| Ray | Die Blechtrommel | Sunshine | Sophie Scholl - Die letzten Tage | Vsichni moji blízcí |
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Throughout the 30s and 40s, everyone in Germany loved the Comedian Harmonists when they came over the radio, although it must have been the follow-up group rather than the original one. It is interesting and moving to see that original group and hear their songs again; and it illuminates once more the idiocy of the Nazis to silence and drive away such worthwhile people who felt as, and wanted to be, good Germans.
However, their confrontation with the Storm Troopers as shown in the movie, and presumably taking place in 1933, is an unfortunate exaggeration, because window smashing and physical abuse did not occur that early during the Nazi regime. Also, railway stations were not adorned with giant swastika flags - they would have turned black quickly from the soot of the steam engines. There was no need by the producers to deviate on these points from the historical accuracy - a deviation that throws a somewhat questionable light on the rest of the story.
Yet these producers did manage to find five men who sing beautifully, with the same perfection and tonal range of the Comedian Harmonists, which makes this film eminently enjoyable after all.