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Directed by | |||
| Sam Raimi | |||
Writing credits(WGA) | ||
| Michael Shaara | (novel) | |
| Dana Stevens | (screenplay) | |
Produced by | |||
| Marc Abraham | .... | executive producer | |
| Armyan Bernstein | .... | producer | |
| Ronald M. Bozman | .... | executive producer (as Ron Bozman) | |
| Amy Robinson | .... | producer | |
Original Music by | |||
| Basil Poledouris | |||
Cinematography by | |||
| John Bailey | (director of photography) | ||
Film Editing by | |||
| Eric L. Beason | |||
| Arthur Coburn | |||
Casting by | |||
| Lynn Kressel | |||
Production Design by | |||
| Neil Spisak | |||
Art Direction by | |||
| Steve Arnold | |||
| James C. Feng | |||
Set Decoration by | |||
| Carolyn Cartwright | |||
| Karen O'Hara | |||
Costume Design by | |||
| Judianna Makovsky | |||
Makeup Department | |||
| Elle Elliott | .... | hair stylist: Mr. Costner | |
| Kris Evans | .... | makeup supervisor | |
| Bernadette Mazur | .... | makeup supervisor | |
| Francisco X. Pérez | .... | makeup artist: Mr. Costner (as Frank Perez) | |
Production Management | |||
| Debbi Bossi | .... | post-production supervisor | |
| Harvey Waldman | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Stacey Beneville | .... | assistant director | |
| Anne Carroll | .... | dga trainee | |
| Bac DeLorme | .... | second second assistant director | |
| T. Sean Ferguson | .... | assistant director: New York | |
| Louis Guerra | .... | second second assistant director | |
| Eric Heffron | .... | first assistant director | |
| Richard Oswald | .... | second assistant director | |
| Alexandra E. Perce | .... | assistant director: second unit | |
| David K. Riebel | .... | assistant director | |
| David Stephan | .... | second unit director | |
| Basti Van Der Woude | .... | assistant director | |
| Eric Yellin | .... | additional second second assistant director | |
Sound Department | |||
| Kelly Cabral | .... | sound supervisor | |
| Richard Dwan Jr. | .... | adr editor | |
| Richard Dwan Jr. | .... | dialogue editor | |
| Frank Fleming | .... | sound recordist | |
| Keith Gardner | .... | boom operator | |
| Nerses Gezalyan | .... | foley mixer | |
| Fred Johnston | .... | utility sound | |
| Gregg Landaker | .... | sound mixer | |
| Jennifer L. Mann | .... | adr supervisor | |
| Steve Maslow | .... | sound mixer | |
| Glenn T. Morgan | .... | location sound recordist | |
| Ed Novick | .... | sound mixer (as Edward Novick) | |
| Christopher O'Donnell | .... | boom operator | |
| Mark Ormandy | .... | additional sound | |
| Perry Robertson | .... | sound editor | |
| Peter Schneider | .... | utility sound | |
| Wylie Stateman | .... | supervising sound editor | |
| Lauren Stephens | .... | dialogue editor | |
| Lauren Stephens | .... | sound editor | |
| Victoria Lee Thoma-Bowes | .... | utility sound technician (as Victoria Lee Thoma) | |
| Jon Title | .... | sound designer | |
| Karl Wasserman | .... | boom operator | |
| Jeffrey Wilhoit | .... | foley artist | |
| Greg Zimmerman | .... | foley recordist | |
Special Effects by | |||
| Mark Bero | .... | special effects coordinator | |
| Al Di Sarro | .... | special effects coordinator | |
| Matthew Giaquinto | .... | special effects: ambient weather effects | |
| Thomas Rasada | .... | special effects technician | |
Visual Effects by | |||
| Jonathan Alvord | .... | Avid editor | |
| Jeffrey Edward Baksinski | .... | motion & tracking supervisor: Cinesite | |
| John Bozzalla | .... | production assistant | |
| Constance Bracewell | .... | lead animator | |
| Shawn Broes | .... | visual effects editor | |
| Kelly Bumbarger | .... | digital compositor | |
| John Cassella | .... | tracking artist | |
| Gregory Creaser | .... | digital timer: Pacific Title | |
| Erin M. Cullen | .... | roto artist | |
| Tim T. Cunningham | .... | visual effects: Cinesite | |
| Matt Dessero | .... | digital compositor | |
| Peter Donen | .... | visual effects supervisor | |
| Miller Drake | .... | visual effects co-supervisor | |
| Fortunato Frattasio | .... | visual effects | |
| Tim Gibbons | .... | digital compositor | |
| Brian Hanable | .... | digital effects compositor | |
| Rob Hodgson | .... | digital effects supervisor | |
| Christopher Ivins | .... | digital effects compositor | |
| Joanne Ladolcetta | .... | rotoscoper: Cinesite | |
| Vincent Lavares | .... | digital asset manager: Cinesite | |
| Gregory D. Liegey | .... | visual effects composite artist | |
| Anthony Mabin | .... | senior digital effects compositor: CFC/Manex | |
| Matt Magnolia | .... | visual effects editorial: CFC/MVFX | |
| Sarah Moore | .... | digital compositor: Cinesite | |
| Jason Piccioni | .... | compositing supervisor | |
| Janet Quen | .... | digital effects compositor | |
| Sheldon Ramones | .... | technical assistant | |
| Linda Schubell-Sundlin | .... | assistant effects editor | |
| Thomas J. Smith | .... | digital effects supervisor | |
| Tomme B. Stanley | .... | digital artist | |
| David Stephan | .... | storyboard artist | |
| Jonathan F. Styrlund | .... | visual effects producer | |
| Jon Tanimoto | .... | digital compositor: Cinesite | |
| Doug Tubach | .... | digital compositor | |
| Pat Tubach | .... | compositor | |
| Jeff Wells | .... | digital effects artist: Pacific Title Digital | |
| Bob Wiatr | .... | digital effects compositor | |
| Ian Wosiski | .... | digital compositor: Cinesite | |
| Christopher Dusendschon | .... | Panavision main title optical compositor: THDX (uncredited) | |
| Christopher Dusendschon | .... | in-show optical process and effects compositor: THDX (uncredited) | |
| Christopher Dusendschon | .... | optical element Hazeltine colorist: THDX (uncredited) | |
| Steven Emmert | .... | optical compositor: THDX (uncredited) | |
| Matt Linder | .... | digital compositor (uncredited) | |
| Kama Moiha | .... | digital compositor (uncredited) | |
| Kenny Roy | .... | visual effects artist (uncredited) | |
Stunts | |||
| Michael Borzello | .... | stunt double: John C. Reilly | |
| Christopher Doyle | .... | stunt coordinator | |
| John Escobar | .... | stunt driver | |
| Spice Williams-Crosby | .... | stunt double: Kelly Preston (as Spice Williams) | |
Camera and Electrical Department | |||
| Phil Abraham | .... | director of photography: second unit | |
| Ken W. Ballantine | .... | lighting technician | |
| Mike Bonnaud | .... | lamp operator | |
| Meredith Collins | .... | second assistant camera | |
| Gary Dagg | .... | key grip | |
| Samuel G. Friedman | .... | electrician | |
| Ben Glass | .... | still photographer | |
| Fred Goodich | .... | director of photography: second unit | |
| Roger Kimpton | .... | grip | |
| Sal Lanza | .... | key grip | |
| Lorna Leslie | .... | camera loader: Los Angeles | |
| Patrick J. McIntyre | .... | camera operator: video camera | |
| Matthew Moriarty | .... | assistant camera | |
| Mike Moyer | .... | gaffer | |
| David W. Nims | .... | grip | |
| David Norris | .... | camera operator: Wescam camera, New York | |
| Chris Rosen | .... | electrician | |
| Monty Rowan | .... | camera operator | |
| Brooke Stanford | .... | rigging electrician | |
| Larissa Supplitt | .... | second assistant camera: "b" camera | |
| Giovanni Zelko | .... | set lighting technician | |
Casting Department | |||
| Susie Farris | .... | casting associate | |
| Barbara Harris | .... | voice casting | |
Costume and Wardrobe Department | |||
| Pattie J. Barbosa | .... | costumer | |
| Cynthia Black | .... | set costumer | |
| Marta Font | .... | costumer | |
| Anne Gorman | .... | wardrobe | |
| Estella Marie | .... | seamstress | |
| Roseann Milano | .... | additional wardrobe | |
| Marcia Patten | .... | costumer | |
| Barnaby Smith | .... | key set costumer | |
| Tom Soluri | .... | set costumer | |
Editorial Department | |||
| James Gavin Bedford | .... | editor: title sequence | |
| Daniel Craven | .... | assistant editor | |
| Patrick Gallagher | .... | assistant editor: avid | |
| Nancy Novack | .... | second assistant editor: New York | |
| Michael Rafferty | .... | assistant editor | |
| Javier Salinas | .... | apprentice editor: New York | |
| Adrianna Valencia | .... | post-production assistant | |
| Sean Valla | .... | first assistant editor | |
Music Department | |||
| Michael K. Bauer | .... | assistant music editor | |
| Dick Bernstein | .... | music editor | |
| Tim Boyle | .... | score mixer | |
| James Burt | .... | assistant music editor | |
| Johnny Caruso | .... | music editor | |
| Mi Chaing | .... | film score producer | |
| Sandy DeCrescent | .... | orchestra contractor | |
| Jim Dunbar | .... | music consultant | |
| Thomas Golubic | .... | music coordinator | |
| Danny Holloway | .... | music consultant | |
| Yvonne McDonald | .... | music coordinator | |
| Christopher S. Parker | .... | music clearances | |
| Basil Poledouris | .... | conductor | |
| Basil Poledouris | .... | orchestrator | |
| G. Marq Roswell | .... | music supervisor | |
| Curtis Roush | .... | music editor | |
| Steven Scott Smalley | .... | orchestrator | |
| Steve Forman | .... | composer: additional music (uncredited) | |
Transportation Department | |||
| Ken Farnell | .... | driver | |
| Keith D. Fisher | .... | transportation co-captain | |
| Charles Montgomery | .... | driver | |
| Terry R. Owens | .... | production driver | |
| Aaron Skalka | .... | transportation coordinator | |
| Richard Vincent | .... | driver | |
| Michael Young | .... | transportation captain | |
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I would have to say that I have seen very few movies better than For Love of the Game. My favorite genre is Romantic Comedy. This wasn't a comedy, but it was feel good. It was light drama and it was extremely well done.
Costner portrayed an aging baseball player with a romantic attachment to the game that reminded me of Robert Redford in The Natural - another movie I rated a 9. The symbolism of the movie was the notion of ending a romance for the game and transferring that romance to a woman. For him, at least, there was room for only one at a time. And, fortunately for her, his career was at the very end. Fortunately for us, we got to see his last game interspersed with flashbacks.
The movie was brilliantly done with respect to the actual game of baseball. I cannot recall having seen a sports movie that did such an excellent job of maintaining accuracy about the game. I honestly could have believed I was watching an actual game. The plays were realistic. The situations realistic. And, Vin Scully was sensational doing the play by play.
I've only rated a few movies as 10's in my life. One of them was Field of Dreams - another Costner vehicle. This movie wasn't far behind FOD. In fact, it was nearly as magical and it was a lot more romantic. Why the reviewers of IMDB only give it a 6.7 is beyond me.