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The Hanging Garden (1997)
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Overview
User Rating:
Release Date:
7 November 1997 (USA) moreTagline:
It's hard to go home... ten years after your death.Plot:
William, a once obese and troubled teen, goes back to his family's home after being gone, without word... more | add synopsisAwards:
20 wins & 10 nominations moreNewsDesk:
(3 articles)
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User Comments:
Opulent more (30 total)Cast
(Cast overview, first billed only)| Ian Parsons | ... | Little Sweet William | |
| Peter MacNeill | ... | Whiskey Mac | |
| Troy Veinotte | ... | Teen Sweet William | |
| Kerry Fox | ... | Rosemary | |
| Mark Austin | ... | Preacher | |
| Joel S. Keller | ... | Fletcher | |
| Heather Rankin | ... | Black-Eyed Susan | |
| Christine Dunsworth | ... | Violet | |
| Seana McKenna | ... | Iris | |
| Joan Orenstein | ... | Grace | |
| Chris Leavins | ... | Sweet William | |
| Ashley MacIsaac | ... | Basil--Fiddler | |
| Jocelyn Cunningham | ... | Laurel | |
| Jim Faraday | ... | Mr. MacDougal | |
| Sarah Polley | ... | Teen Rosemary |
Additional Details
MPAA:
Rated R for strong sexuality, language, and a scene of a hanging, and some teen drug use.Parents Guide:
Add content advisory for parentsRuntime:
91 minLanguage:
EnglishColor:
ColorAspect Ratio:
1.66 : 1 moreSound Mix:
DolbyFun Stuff
Quotes:
Teen Rosemary: [to her brother William:] Could you get dressed, Willie, I wanna get out of here.Grace: Where ya goin'?
Teen Sweet William: There's a stupid dance at school.
Grace: You goin' to a dance? Oh, dear God in heaven!
[to granddaughter Rosemary]
Grace: Now, you know to count to six?
Teen Rosemary: What?
Grace: If you're gonna kiss a boy, you got to count to six while you're doin' it. And then stop! After six it's a sin.
more
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Featured in Weird Sex and Snowshoes: A Trek Through the Canadian Cinematic Psyche (2004) (TV) moreFAQ
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Sometimes overly poetic in its gardening parallels, this story of a young man who returns to home after a number of years is intense, mysterious, and certainly not lacking in style. In a unique mixture of flashback fantasy sequences, where characters in the past actually interact with those in the present, we see an overweight teenager come to grips with his homosexuality and the returning adult come to grips with his childhood self.
This is an amazing directorial debut, and the abundance of cinematic tricks are a welcome storytelling tool. Virgin Mary Icons smile at us; a grown man witnesses the suicide he committed in his youth.
The director chooses not to draw thick boundaries around the sexuality of his characters, but doesn't fall into the trap of making them frustratingly ambiguous. Often this leaves the sour aftertaste of homophobia.
The mysterious final chapter closes without the pomp and glory that more established directors might have resorted to. It's subtlety complements its outlandishness in a way that doesn't leave you confused.