| Pat Barrington | ... | Barbara | |
| Sam Taylor | ... | Barton Thomas | |
| Parker Garvey | ... | Jim Osbourne | |
| Robert Silverberg | ... | The Psychiatrist (as R.A. Silverberg) | |
| Ben Johns | ... | The First Man | |
| William Rotsler | ... | The Beatnik (as Shannon Carse) | |
| Joy Lowe | ... | The Beatchick | |
| Jay Edwards | ... | The Eater | |
| Al Ward | ... | The Conventioneer | |
| Morton Smith | ... | The Conventioneer | |
| Owen Hannifen | ... | The Second Man | |
| Oswald Fenwick | ... | Julius | |
| Helena Clayton | ... | The Girl at the End | |
| Tori Lambert | ... | The Girl at the End | |
| rest of cast listed alphabetically: | |||
| Harry H. Novak | ... | Door Opener (uncredited) | |
Directed by | |||
| William Rotsler | |||
Writing credits | ||
| William Rotsler | (written by) | |
Produced by | |||
| Harold Lime | .... | executive producer (as Edward Everett) | |
| Harry H. Novak | .... | executive producer (as Harry H. Hershey) | |
| William Rotsler | .... | producer | |
Cinematography by | |||
| Dwayne Avery | (director of photography) (as Dwayne Rayven) | ||
Film Editing by | |||
| William Rotsler | (as W. Rotsler) | ||
Art Direction by | |||
| Clint Randall | |||
Production Management | |||
| Harry H. Novak | .... | production supervisor (as Harry H. Hershey) | |
Second Unit Director or Assistant Director | |||
| James Brand | .... | assistant director | |
| Omar Tasmanian | .... | second unit director | |
Sound Department | |||
| Frank A. Coe | .... | dubbing director | |
| Frank A. Coe | .... | sound effects | |
| Paul Turner | .... | location sound recordist | |
Camera and Electrical Department | |||
| Ralph Hampton | .... | still photographer | |
| David McDaniel | .... | still photographer | |
| Bill Pickard | .... | still photographer | |
| Ed Urbank | .... | lighting | |
Other crew | |||
| Mary Ellen Fang | .... | technical advisor | |
| July Glidden | .... | production assistant | |
| Joyce McDaniel | .... | continuity | |
| Gloria Saunders | .... | dubbing voice: Pat Barrington (uncredited) | |
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| Crimes of Passion | Faces | The Big Doll House | Animal Instincts | Oddo |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
Agony is right. When the film began I thought it was going to be a winner. Interesting camera shots, a woman who's really stacked (Pat Barrington), and some well-cast loser types to play the various clients Ms. Barrington entertains as an unfulfilled prostitute looking for love in all the wrong places.
But then the camera-work became a chore -- lingering on shots for too long, not really expressing anything other than what we've already allowed to sink in. We become aware that this dirty woman is mentally tormented very early on, and then all that begins to happen after awhile is that the director keeps indulging himself by driving that point home again and again and again. Okay, she has personal demons; we get it already -- now what? As I said earlier, Pat Barrington has a nice package, and that's about the only reason to endure everything else that drones on in between getting an eyeful of her natural gifts. It's too bad that even her nude scenes are not filmed in a more enticing manner.