| Photos (see all 2 | slideshow) |
| Pat Barrington | ... | Barbara Thomas | |
| Sam Taylor | ... | Barton Thomas | |
| Parker Garvey | ... | Jim Osbourne | |
| R.A. Silverberg | ... | The Psychiatrist | |
| Ben Johns | ... | The First Man | |
| William Rotsler | ... | The Beatnik (as Shannon Carse) | |
| Joy Lowe | ... | The Beatnik Chick | |
| Jay Edwards | ... | The Eater | |
| Al Ward | ... | Conventioneer | |
| Morton Smith | ... | Conventioneer | |
| Owen Hannifen | ... | The Second Man | |
| Oswald Fenwick | ... | Julius | |
| Helena Clayton | ... | Girl at the end | |
| Tori Lambert | ... | Girl at the end | |
| rest of cast listed alphabetically: | |||
| Harry H. Novak | ... | Man who opens door for Barbara (uncredited) | |
Directed by | |||
| William Rotsler | |||
Writing credits | ||
| William Rotsler | (writer) | |
Produced by | |||
| Harold Lime | .... | executive producer (as Edward Everett) | |
| Harry H. Novak | .... | executive producer (as Harry H. Hershey) | |
Cinematography by | |||
| Dwayne Avery | |||
Film Editing by | |||
| William Rotsler | (as W. Rotsler) | ||
Art Direction by | |||
| Clint Randall | |||
Production Management | |||
| Harry H. Novak | .... | production supervisor (as Harry H. Hershey) | |
Second Unit Director or Assistant Director | |||
| James Brand | .... | assistant director | |
Other crew | |||
| Gloria Saunders | .... | dubbing voice: Pat Barrington (uncredited) | |
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| The Big Doll House | Animal Instincts | Oddo | Notes from Underground | Viva |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
Agony is right. When the film began I thought it was going to be a winner. Interesting camera shots, a woman who's really stacked (Pat Barrington), and some well-cast loser types to play the various clients Ms. Barrington entertains as an unfulfilled prostitute looking for love in all the wrong places.
But then the camera-work became a chore -- lingering on shots for too long, not really expressing anything other than what we've already allowed to sink in. We become aware that this dirty woman is mentally tormented very early on, and then all that begins to happen after awhile is that the director keeps indulging himself by driving that point home again and again and again. Okay, she has personal demons; we get it already -- now what? As I said earlier, Pat Barrington has a nice package, and that's about the only reason to endure everything else that drones on in between getting an eyeful of her natural gifts. It's too bad that even her nude scenes are not filmed in a more enticing manner.