Wild Wild West (1999)

User Rating:

4.2/10   

Director:

Barry Sonnenfeld

Writers (WGA):

Jim Thomas (story) &
John Thomas (story) ...

Release Date:

30 June 1999 (USA)

Genre:

Action | Western | Comedy | Sci-Fi

Tagline:

It's a whole new west. July '99.

Plot:

The two best hired guns in the West must save President Grant from the clutches of a 19th century inventor-villain.

Plot Keywords:

Train | 19th Century | Disguise | Villain | Agent

Awards:

10 wins & 11 nominations

Cast

Will Smith	...	Capt. James West
Kevin Kline	...	U.S. Marshal Artemus Gordon
Kenneth Branagh	...	Dr. Arliss Loveless
Salma Hayek	...	Rita Escobar
M. Emmet Walsh	...	Coleman
Ted Levine	...	General 'Bloodbath' McGrath
Frederique Van Der Wal	...	Amazonia (as Frederique van der Wal)
Musetta Vander	...	Munitia
Sofia Eng	...	Miss Lippenrieder
Ling Bai	...	Miss East
Garcelle Beauvais	...	Belle
Mike H. McGaughy	...	Big Reb (as Mike McGaughy)
Jerry Wills	...	Other Reb
Rodney A. Grant	...	Hudson
Buck Taylor	...	Cross-Eyed Reb

MPAA:

Rated PG-13 for action violence, sex references and innuendo.

Runtime:

106 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

DTS | Dolby Digital | SDDS

Certification:

Iceland:L | South Korea:12 | Brazil:12 | Argentina:Atp | Australia:M (South Australia) | Australia:PG | Finland:K-12 | France:U | Germany:12 (w) | Hong Kong:IIA | Netherlands:12 | New Zealand:PG | Peru:PT | Portugal:M/12 | Singapore:PG | Spain:T | Sweden:11 | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | UK:12 | USA:PG-13 | Philippines:PG-13

Filming Locations:

Balboa Park - 6300 Balboa Boulevard, Van Nuys, Los Angeles, California, USA

Company:

Peters Entertainment

Trivia:

The scene where Dr. Loveless' train is raised on four girders outside of the train tunnel was all done digitally. A real train was used when it was finally back on it's tracks and the girders going back inside the train, which was also done digitally.

Goofs:

Errors made by characters (possibly deliberate errors by the filmmakers): Dr. Loveless claims he lost 35 feet of small intestine. The large and small intestine combined are less than 30 feet long.

Quotes:

Capt. James West: Never drum on a white lady's boobies at a big redneck dance. Got it.

Movie Connections:

Referenced in "Saturday Night Live: Ben Affleck/Fiona Apple (#25.13)" (2000)

Soundtrack:

Wild Wild West

Lame bloated blockbuster

`Wild Wild West' joins an increasingly long list of big bloated blockbusters, movies made for no possible reason beyond grabbing a quick summer buck yet which, ironically, by their very cynical and slapdash nature, utterly fail to connect with even the least demanding of audiences. The result is a multi-multi-million dollar debacle that leaves studios searching for answers and audiences shell-shocked into seeking out their entertainment along the more audacious pathway of off-Hollywood, independent filmmaking – the single positive outcome of these dull, empty enterprises.

`Wild Wild West,' like so many films before it, looks to the relics of television's bygone era for inspiration – as sad a comment as any on the dismal state of current movie creativity. As one not familiar with the original series, I cannot say what justice, or lack of justice, this homage does to its source. What is evident, judging from the results on screen, is that `Wild Wild West' is, as with most current blockbusters, top-heavy with special effects and as weak in the nether limbs as its legless villain. Straight Westerns being hopelessly out of fashion, especially for a special effects-driven summertime extravaganza, the filmmakers obviously felt that what was needed was a tongue-in-cheek approach to the material, resulting in a bizarre, but completely unfunny amalgam of fantasy and science-fiction gilded onto a Western format. The disparate styles simply fight against each other, leaving no one in the audience - neither Western nor science-fiction fans - satisfied.

The alleged plot involves the attempts by James West (Will Smith) and Artemis Gordon (Kevin Kline) to foil an evil Confederate inventor's plan to kidnap all the world's most brilliant scientists and, ultimately, terrorize the Union and President Grant into submission. This he attempts to do by creating a giant mechanized spider which is, obviously, a last ditch, desperate attempt on the part of the filmmakers to fulfill the seemingly insatiable demands of the modern audience to be dazzled by impressive special effects, no matter how inappropriate they appear in context. Here, though, the miscalculation is fatal because even the audience is wise enough to know when it is being had. Kline and Smith never achieve a palpable rapport despite the usual abundance of lame wise cracks and sarcastic asides designed to make them `hip' and `trendy' – two qualities incongruous to the setting, which again shows the lack of real commitment to the spirit of the project. There is exactly one clever moment in the film – an astonishingly creative homage to the old RCA logo – that hints at what might have been had the moviemakers been willing to really let loose their anarchic imaginations and aimed for something truly sophisticated rather than simply pasting together a series of confused, poorly written blackout sketches.

Incidentally, even some of the expensive special effects come across as surprisingly crude, especially many of the shots utilizing rear-screen projection. Hence, this film strikes out even in the one ballpark in which it might have stood a chance of emerging victorious.