| Danny Arroyo | ... | Thug #1 on Street | |
| Jason Cutler | ... | Romaine | |
| Olivia d'Abo | ... | Veronica | |
| Elizabeth D'Onofrio | ... | Dorothy | |
| Hakan D'Onofrio | ... | Running Boy | |
| Vincent D'Onofrio | ... | Valentino | |
| Keegan de Lancie | ... | Choir Boy | |
| Ravell Dameron | ... | Receptionist in Clinic | |
| Yvette Diaz | ... | Young Mary Carmen | |
| Marion Eaton | ... | Miss Sweetheart | |
| Phillip Esposito | ... | Phone Sex Guy | |
| Luchisha Evans | ... | Waitress | |
| Salma Hayek | ... | Mary Carmen | |
| Ethan Hawke | ... | Nat | |
| Cesar Herrera | ... | Thug #2 on Street | |
| Shawn Michael Howard | ... | Coco | |
| Gloria Irizarry | ... | Mrs. Sanchez | |
| Rudy Rufus Isaacs | ... | Sleeping Beauty | |
| Thomas Jane | ... | Gary | |
| Khalil Kain | ... | Venus | |
| Giovani Lampassi | ... | Phone Sex Guy #2 | |
| Chad Lindberg | ... | Kid Joey | |
| Lucky Luciano | ... | The King | |
| Dan Lupovitz | ... | Street Cruser | |
| Michael Mantell | ... | Angry Customer | |
| Stephen C. Marshall | ... | Angry Boss | |
| Hugh Palmer | ... | Paramedic | |
| John Panico | ... | Saxophone Player | |
| Cordelia Richards | ... | Jana Roberts | |
| Sam Saletta | ... | Boy #2 (Tommy) | |
| Arielle Santos | ... | Hope | |
| Kimberly Scott | ... | Nurse Adams | |
| Jacob Sidney | ... | Sean | |
| Alex Sol | ... | D.F. | |
| Rachel Stikes | ... | Woman on Subway Bench | |
| Linda Wahl | ... | Edna the Volunteer | |
| Miss Monroe | ... | Herself | |
| rest of cast listed alphabetically: | |||
| Emmy Collins | ... | Executioner (uncredited) | |
| Nick Kiriazis | ... | Shirtless Bartender (uncredited) | |
| Judy Jean Kwon | ... | Li Soon (uncredited) | |
| Ken Myers | ... | Street Walker #2 (uncredited) | |
Directed by | |||
| Dan Ireland | |||
Writing credits(WGA) | ||
| James Still | (written by) | |
Produced by | |||
| Thomas D. Adelman | .... | co-executive producer | |
| Kathryn Arnold | .... | executive producer | |
| Luis Colina | .... | associate producer | |
| Carl Colpaert | .... | executive producer (as Carl Jan Colpaert) | |
| Diane Conn | .... | line producer | |
| Vincent D'Onofrio | .... | executive producer | |
| Dan Ireland | .... | executive producer | |
| Dan Lupovitz | .... | producer | |
| Timm Oberwelland | .... | associate producer | |
| Joe Simon | .... | executive producer | |
| James Still | .... | co-producer | |
| Ellen S. Wander | .... | executive producer (as Ellen Wander) | |
Original Music by | |||
| Peitor Angell | |||
Cinematography by | |||
| Claudio Rocha | |||
Film Editing by | |||
| Luis Colina | |||
| Debra Goldfield | |||
Casting by | |||
| Laurel Smith | |||
Production Design by | |||
| Amy B. Ancona | |||
Art Direction by | |||
| Rachel Kamerman | |||
Set Decoration by | |||
| Melissa M. Levander | |||
Costume Design by | |||
| Tim Chappel | |||
Makeup Department | |||
| Ermahn Ospina | .... | makeup department head | |
| Noelle Thurin | .... | makeup artist (as Deborah Noelle Thurin) | |
Production Management | |||
| Daniel Hank | .... | production manager: New York | |
| Gayle S. Ocheltree | .... | unit production manager | |
| Natalie Samanon | .... | co-post-production supervisor | |
Art Department | |||
| Adam Cook | .... | assistant props | |
| Michael Lindsay | .... | property master | |
| Eric Steinway | .... | set dresser | |
Sound Department | |||
| Lance Brown | .... | sound designer | |
| Lance Brown | .... | sound re-recording mixer | |
| David Chornow | .... | sound mixer | |
| Marc Fishman | .... | sound re-recording mixer | |
| Jeff Pullman | .... | sound mixer: New York | |
| Christopher Sposa | .... | boom operator | |
| Carl D. Ware | .... | assistant sound designer | |
| Karl Wasserman | .... | boom operator: New York | |
Visual Effects by | |||
| Christopher Dusendschon | .... | in-show optical process and effects compositor: THDX (uncredited) | |
Camera and Electrical Department | |||
| Craig Bilodeau | .... | grip | |
| Chris Brow | .... | dolly grip | |
| Harry M. Dixon | .... | camera loader | |
| Eric Jennings | .... | first assistant camera | |
| Pete Johnson | .... | key grip | |
| Giovani Lampassi | .... | gaffer | |
| Anatoliy Neznanov | .... | additional electrician | |
| Jessica Wilson | .... | second assistant camera | |
| Dan Zaitz | .... | still photographer | |
Casting Department | |||
| Glenn-Thomas Ford | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Laura Marolakos | .... | costume supervisor | |
Editorial Department | |||
| Debra Goldfield | .... | additional editor | |
| Brett S. McCarthy | .... | assistant editor | |
| Paul Petschek | .... | additional editor | |
Other crew | |||
| Dennis Anderson | .... | set production assistant | |
| Scott Baugh | .... | assistant to director | |
| Blake Busby | .... | graphic artist: titles | |
| Gina Carollo | .... | accountant | |
| Angela Gibbens | .... | set production assistant | |
| Robin Gottschall | .... | first assistant accountant | |
| Sam Grant | .... | assistant: Diane Conn | |
| Keith Douglas Kramer | .... | location manager | |
| Pam Leonte | .... | script supervisor | |
| Brian McMillan | .... | head animal trainer | |
| Dan Riley | .... | legal assistant | |
| Gary J. Sims | .... | payroll services | |
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| The Opposite of Sex | Go | Fathers and Sons | Candy | 101 Reykjavík |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb USA section | Add this title to MyMovies |
The film has an interesting beginning and introduces promising characters and a promising theme. Alas, very quickly things start to fall apart. Characters are introduced and dispensed with, having served no real purpose. One character who, unfortunately, is present throughout the film serves mostly to irritate us and the film's other characters. One wonders why anyone would put up with her for an extended period of weeks, months, or years when we don't want to see her for 2 hours. What was the man dressed like an accountant doing in this film? Why was an illness introduced clumsily? I wish I had seen the play so that I could see what went wrong in the translation to film (assuming that the play was good enough to warrant film treatment). I did watch the entire film, but I wish I hadn't. I do think the film should be seen by all college and university film majors as a lesson in what not to do. This one is a real mess.