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Directed by | |||
| John Carpenter | |||
Writing credits(WGA) | ||
| John Steakley | (novel "Vampire$") | |
| Don Jakoby | (screenplay) | |
Produced by | |||
| Don Jakoby | .... | co-producer | |
| Sandy King | .... | producer | |
| Barr B. Potter | .... | executive producer (as Barr Potter) | |
| David Rodgers | .... | creative producer | |
Original Music by | |||
| John Carpenter | |||
Cinematography by | |||
| Gary B. Kibbe | (director of photography) | ||
Film Editing by | |||
| Edward A. Warschilka | |||
Casting by | |||
| Reuben Cannon | |||
| Eddie Dunlop | |||
Production Design by | |||
| Thomas A. Walsh | |||
Art Direction by | |||
| Kim Hix | |||
Set Decoration by | |||
| David Schlesinger | |||
Costume Design by | |||
| Robin Michel Bush | |||
Makeup Department | |||
| Enid Arias | .... | hair stylist | |
| Howard Berger | .... | special makeup effects | |
| Jill Cady | .... | makeup artist | |
| Jill Crosby | .... | hair stylist | |
| Chris Hanson | .... | special makeup effects artist | |
| Monica Kenyon | .... | special makeup effects artist | |
| Robert Kurtzman | .... | special makeup effects | |
| Gregory Nicotero | .... | special makeup effects | |
| Douglas Noe | .... | special makeup effects artist | |
| Scott Patton | .... | special makeup effects artist | |
| Janna Phillips | .... | makeup artist | |
| Laurel Van Dyke | .... | hair stylist | |
| Alan Friedman | .... | makeup department head (uncredited) | |
Production Management | |||
| Kim Kurumada | .... | unit production manager | |
Art Department | |||
| Mike Blaze | .... | property master | |
| Lou Boggs | .... | propmaker | |
| Noah Bradley | .... | carpenter | |
| Stan Cockerell | .... | assistant property master | |
| Joe Del Monte | .... | construction coordinator | |
| Jeanne Develle | .... | assistant set decorator | |
| Josh Miller | .... | props | |
| Gary Petersen | .... | construction gang boss | |
| Ernest M. Sanchez | .... | lead man | |
| Sean Sobczak | .... | props | |
| Christopher Windisch | .... | construction foreman | |
Sound Department | |||
| Joseph F. Brennan | .... | boom operator | |
| Andy Brokmeyer | .... | utility sound | |
| Michael C. Casper | .... | sound re-recording mixer | |
| John Dunn | .... | supervising sound editor | |
| Ezra Dweck | .... | sound re-recording mixer | |
| Christopher Flick | .... | foley editor | |
| Hank Garfield | .... | sound | |
| Douglas Hinton | .... | assistant sound editor | |
| Paul Holzborn | .... | foley artist | |
| James Morioka | .... | first assistant sound editor | |
| Rick Owens | .... | foley artist | |
| Victoria Rose Sampson | .... | supervising adr editor | |
| Bill Meadows | .... | dubbing recordist (uncredited) | |
Special Effects by | |||
| Gene Grigg | .... | special effects | |
| Jason Gustafson | .... | special effects foreman | |
| Kenn Jenkins | .... | special effects assistant | |
| Scott Kodrik | .... | special effects technician | |
| Casey Pritchett | .... | special effects second man | |
| Corey Pritchett | .... | special effects | |
| Darrell Pritchett | .... | special effects coordinator | |
| Darrell Pritchett | .... | special effects | |
| Wayne Toth | .... | special effects makeup | |
Visual Effects by | |||
| Jennifer Law-Stump | .... | digital effects artist: Pacific Title Digital | |
Stunts | |||
| Joe Bucaro III | .... | stunts | |
| Jennifer Caputo | .... | stunts | |
| Carl Ciarfalio | .... | stunts | |
| Jeffrey J. Dashnaw | .... | stunts | |
| Jeff Della Penna | .... | stunts | |
| Lori Dillen | .... | stunts | |
| Donna Evans | .... | stunts | |
| Tommy J. Huff | .... | stunts | |
| Brian Imada | .... | assistant stunt coordinator | |
| Jeff Imada | .... | stunt coordinator | |
| Steven Ito | .... | stunts | |
| Tatsuro Koike | .... | stunts | |
| Steven Lambert | .... | stunts | |
| Steve Martinez | .... | stunts | |
| Rita Minor | .... | stunts | |
| Linda Perlin | .... | stunts | |
| Jimmy N. Roberts | .... | stunts | |
| Mario Roberts | .... | stunts | |
| Michael M. Vendrell | .... | stunts | |
| Danny Weselis | .... | stunts | |
| Cris Thomas-Palomino | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Ron Cardarelli | .... | key grip | |
| David M. Dunlap | .... | director of photography: second unit | |
| Hank Herrera | .... | grip | |
| Leonard E. Hoffman | .... | electrician | |
| Neil Jacobs | .... | still photographer | |
| Dan Jones | .... | electrician | |
| Leo J. Napolitano | .... | camera operator | |
| Ray Ortega | .... | electrician | |
| Brad Peterman | .... | first assistant camera | |
| Keith Roverud | .... | best boy | |
| Thomas J. Ruffner | .... | dolly grip | |
| Jack S. Schlosser | .... | gaffer | |
| George Stephenson | .... | camera operator | |
| Jeff Neumann | .... | camera operator (uncredited) | |
| Alan Swain | .... | rigging electrician (uncredited) | |
Casting Department | |||
| Ronnie Hollis | .... | extras casting | |
Costume and Wardrobe Department | |||
| Joe Diaz | .... | costumer | |
Editorial Department | |||
| Craig Brown | .... | apprentice editor | |
| Mato | .... | color timer | |
| Sharon McGeeney | .... | negative cutter | |
| Richard B. Molina | .... | assistant editor | |
| Richmond Riedel | .... | assistant editor | |
Music Department | |||
| E. 'Bucket' Baker | .... | musician: percussion | |
| Jeffrey Baxter | .... | musician: guitars | |
| John Carpenter | .... | musician: rhythm guitar and synthesizers | |
| Steve Cropper | .... | musician: lead guitar | |
| Donald Dunn | .... | musician: bass (as Donald V. 'Duck' Dunn) | |
| Paul Mirkovich | .... | conductor | |
| Paul Mirkovich | .... | orchestrator | |
| Bruce Robb | .... | music engineer | |
| Bruce Robb | .... | music mixer | |
| Bruce Robb | .... | music producer | |
| Bruce Robb | .... | music supervisor | |
| Bruce Robb | .... | musician: Hammond B3 organ/piano/percussion | |
| Joe Robb | .... | musician: saxophone | |
| Rick Shlosser | .... | musician: drums | |
| Bruce Robb | .... | music arranger (uncredited) | |
| Bruce Robb | .... | music contractor (uncredited) | |
| Bruce Robb | .... | music editing (uncredited) | |
Transportation Department | |||
| Dana Schisler | .... | driver | |
Other crew | |||
| Doug Acton | .... | set medic | |
| Benu Bhandari | .... | script supervisor | |
| Kelli L. Bright | .... | production coordinator | |
| Karin Costa | .... | assistant to director | |
| James Deeth | .... | helicopter pilot | |
| Michael Dellheim | .... | location manager | |
| Carol Green | .... | unit publicist | |
| Glenn Nicol | .... | production accountant | |
| Michael Papac | .... | armorer | |
| Teofilo Sanchez | .... | set medic | |
| George Stapleton | .... | animal trainer | |
| Lawrence Tolle | .... | production assistant | |
| Joshua Vancil | .... | assistant location scout | |
| Joshua Vancil | .... | assistant sound stage location manager | |
| Mark D. Wray | .... | set medic | |
| Melodee Spevack | .... | adr voice (uncredited) | |
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I was puzzled by the low rating "Vampires" got, it's my favorite movie of 1998/99. Why do I give the date in that manner? I was (un)fortunate enough to see this movie in the uncut version (as shown in France), in the US version and just a few weeks ago in the German one.
But first things first -- I am female and I have read so many reviews and comments telling me, that I, as a woman, should feel disgust at the alleged misogynous undertone of "Vampires". I am sorry, but in none of the three versions I saw did I feel, hear or see anything which might support this allegation! Crow hated practically everyone except for Montoya and the first priest, Montoya -- while quipping left and right -- behaved quite kindly towards Lee's hooker except where she directly caused him to react violently and none of the other oneliners warrant, IMO, even a raised eyebrow regarding that special topic.
Let me add that I also am not religious, with my own perceptive view of enough past wrongs done by the Catholic church, so that any of the soi-disant "hate" directed at that church is in my opinion well-founded given the plot. Callan's explanation of how he views god, as well as several other references by Crow and Montoya underline the basic belief of the vampire hunters while maintaining their no-nonsense attitude.
With that back to why I liked the movie so much: it is in its own way as stark and streamlined as the best samples of its genre; the cinematography is just perfect with the right mixture of visual and non-visual storytelling; the dialogue is engagingly humorous throughout, feels real and allows each character his or her own voice; there are several deeply moving scenes, either visually or characterwise moving, which will stay with the audience; there are enough novelties incorporated to make this rendition of the vampire theme fresh and quite frankly, I liked Carpenter's score a lot too.
What wins me completely over is the very obvious fun all the actors had with their roles. James Woods was perfect as sardonic, illusion-free Crow and his brushing "campiness" with the tip of a finger, yet withdrawing just in time, is priceless. Daniel Baldwin makes the most of his character's arc, nicely underplaying his role, while he still manages to convey Montoya's journey by minimal changes of expression or voice. The final scene couldn't have been done any better. Sheryl Lee gives what I consider one of the strongest supports I've seen in quite a few years, whether by male or female actors, especially when you count in the scarcity of means she's handed over. Ian Griffith had several fine moments and the entire supporting cast was refreshing in their non-Hollywoody realistic, natural look and acting. The overall impression was of people enjoying what they're expertly doing.
An advice to the German audience, I noted while watching the dubbed release that the translation killed practically every single punch line and nearly all of the humor. And it *could* have been translated properly. The voice actors dubbing for Woods and Baldwin did so without recreating even a tenth of what both actors put into their voices in the original version. I do think that some of the disappointment expressed there is due the extremely low quality of the translation and dubbing. See the movie in its original language. I also can't see any reason for the loss of those scenes which were cut out of the US release when compared to the French one. The movie loses quite some strength this way.