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Directed by | |||
| John Carpenter | |||
Writing credits(WGA) | ||
| John Steakley | (novel "Vampire$") | |
| Don Jakoby | (screenplay) | |
Produced by | |||
| Don Jakoby | .... | co-producer | |
| Sandy King | .... | producer | |
| Barr B. Potter | .... | executive producer (as Barr Potter) | |
| David Rodgers | .... | creative producer | |
Original Music by | |||
| John Carpenter | |||
Cinematography by | |||
| Gary B. Kibbe | (director of photography) | ||
Film Editing by | |||
| Edward A. Warschilka | |||
Casting by | |||
| Reuben Cannon | |||
| Eddie Dunlop | |||
Production Design by | |||
| Thomas A. Walsh | |||
Art Direction by | |||
| Kim Hix | |||
Set Decoration by | |||
| David Schlesinger | |||
Costume Design by | |||
| Robin Michel Bush | |||
Makeup Department | |||
| Enid Arias | .... | hair stylist | |
| Howard Berger | .... | special makeup effects | |
| Jill Cady | .... | makeup artist | |
| Jill Crosby | .... | hair stylist | |
| Chris Hanson | .... | special makeup effects artist | |
| Monica Kenyon | .... | special makeup effects artist | |
| Robert Kurtzman | .... | special makeup effects | |
| Gregory Nicotero | .... | special makeup effects | |
| Douglas Noe | .... | special makeup effects artist | |
| Scott Patton | .... | special makeup effects artist | |
| Janna Phillips | .... | makeup artist | |
| Laurel Van Dyke | .... | hair stylist | |
| Alan Friedman | .... | makeup department head (uncredited) | |
Production Management | |||
| Kim Kurumada | .... | unit production manager | |
Art Department | |||
| Mike Blaze | .... | property master | |
| Lou Boggs | .... | propmaker | |
| Noah Bradley | .... | carpenter | |
| Stan Cockerell | .... | assistant property master | |
| Joe Del Monte | .... | construction coordinator | |
| Jeanne Develle | .... | assistant set decorator | |
| Josh Miller | .... | props | |
| Gary Petersen | .... | construction gang boss | |
| Ernest M. Sanchez | .... | lead man | |
| Sean Sobczak | .... | props | |
| Christopher Windisch | .... | construction foreman | |
Sound Department | |||
| Joseph F. Brennan | .... | boom operator | |
| Andy Brokmeyer | .... | utility sound | |
| Michael C. Casper | .... | sound re-recording mixer | |
| John Dunn | .... | supervising sound editor | |
| Ezra Dweck | .... | sound re-recording mixer | |
| Christopher Flick | .... | foley editor | |
| Hank Garfield | .... | sound | |
| Douglas Hinton | .... | assistant sound editor | |
| Paul Holzborn | .... | foley artist | |
| James Morioka | .... | first assistant sound editor | |
| Rick Owens | .... | foley artist | |
| Victoria Rose Sampson | .... | supervising adr editor | |
| Bill Meadows | .... | dubbing recordist (uncredited) | |
Special Effects by | |||
| Gene Grigg | .... | special effects | |
| Jason Gustafson | .... | special effects foreman | |
| Kenn Jenkins | .... | special effects assistant | |
| Scott Kodrik | .... | special effects technician | |
| Casey Pritchett | .... | special effects second man | |
| Corey Pritchett | .... | special effects | |
| Darrell Pritchett | .... | special effects coordinator | |
| Darrell Pritchett | .... | special effects | |
| Wayne Toth | .... | special effects makeup | |
Visual Effects by | |||
| Jennifer Law-Stump | .... | digital effects artist: Pacific Title Digital | |
Stunts | |||
| Joe Bucaro III | .... | stunts | |
| Jennifer Caputo | .... | stunts | |
| Carl Ciarfalio | .... | stunts | |
| Jeffrey J. Dashnaw | .... | stunts | |
| Jeff Della Penna | .... | stunts | |
| Lori Dillen | .... | stunts | |
| Donna Evans | .... | stunts | |
| Tommy J. Huff | .... | stunts | |
| Brian Imada | .... | assistant stunt coordinator | |
| Jeff Imada | .... | stunt coordinator | |
| Steven Ito | .... | stunts | |
| Tatsuro Koike | .... | stunts | |
| Steven Lambert | .... | stunts | |
| Steve Martinez | .... | stunts | |
| Rita Minor | .... | stunts | |
| Linda Perlin | .... | stunts | |
| Jimmy N. Roberts | .... | stunts | |
| Mario Roberts | .... | stunts | |
| Michael M. Vendrell | .... | stunts | |
| Danny Weselis | .... | stunts | |
| Cris Thomas-Palomino | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Ron Cardarelli | .... | key grip | |
| David M. Dunlap | .... | director of photography: second unit | |
| Hank Herrera | .... | grip | |
| Leonard E. Hoffman | .... | electrician | |
| Neil Jacobs | .... | still photographer | |
| Dan Jones | .... | electrician | |
| Leo J. Napolitano | .... | camera operator | |
| Ray Ortega | .... | electrician | |
| Brad Peterman | .... | first assistant camera | |
| Keith Roverud | .... | best boy | |
| Thomas J. Ruffner | .... | dolly grip | |
| Jack S. Schlosser | .... | gaffer | |
| George Stephenson | .... | camera operator | |
| Jeff Neumann | .... | camera operator (uncredited) | |
| Alan Swain | .... | rigging electrician (uncredited) | |
Casting Department | |||
| Ronnie Hollis | .... | extras casting | |
Costume and Wardrobe Department | |||
| Joe Diaz | .... | costumer | |
Editorial Department | |||
| Craig Brown | .... | apprentice editor | |
| Mato | .... | color timer | |
| Sharon McGeeney | .... | negative cutter | |
| Richard B. Molina | .... | assistant editor | |
| Richmond Riedel | .... | assistant editor | |
Music Department | |||
| E. 'Bucket' Baker | .... | musician: percussion | |
| Jeffrey Baxter | .... | musician: guitars | |
| John Carpenter | .... | musician: rhythm guitar and synthesizers | |
| Steve Cropper | .... | musician: lead guitar | |
| Donald Dunn | .... | musician: bass (as Donald V. 'Duck' Dunn) | |
| Paul Mirkovich | .... | conductor | |
| Paul Mirkovich | .... | orchestrator | |
| Bruce Robb | .... | music engineer | |
| Bruce Robb | .... | music mixer | |
| Bruce Robb | .... | music producer | |
| Bruce Robb | .... | music supervisor | |
| Bruce Robb | .... | musician: Hammond B3 organ/piano/percussion | |
| Joe Robb | .... | musician: saxophone | |
| Rick Shlosser | .... | musician: drums | |
| Bruce Robb | .... | music arranger (uncredited) | |
| Bruce Robb | .... | music contractor (uncredited) | |
| Bruce Robb | .... | music editing (uncredited) | |
Transportation Department | |||
| Dana Schisler | .... | driver | |
Other crew | |||
| Doug Acton | .... | set medic | |
| Benu Bhandari | .... | script supervisor | |
| Kelli L. Bright | .... | production coordinator | |
| Karin Costa | .... | assistant to director | |
| James Deeth | .... | helicopter pilot | |
| Michael Dellheim | .... | location manager | |
| Carol Green | .... | unit publicist | |
| Glenn Nicol | .... | production accountant | |
| Michael Papac | .... | armorer | |
| Teofilo Sanchez | .... | set medic | |
| George Stapleton | .... | animal trainer | |
| Lawrence Tolle | .... | production assistant | |
| Joshua Vancil | .... | assistant location scout | |
| Joshua Vancil | .... | assistant sound stage location manager | |
| Mark D. Wray | .... | set medic | |
| Melodee Spevack | .... | adr voice (uncredited) | |
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John Carpenter is America's greatest living director of westerns. Although "Vampires" is his first literal western, JC's been turning out 1st rate original westerns from "Assault on Precinct 13" to "They Live" and "Escape From New York" to "The Thing". Even though these movies don't take place in the west, they have all the ingredients of a good western: the lone hero/outlaw, the seige or attack, the showdown, and plenty of action. "Vampires" takes place and was filmed in the southwest (filmed in Sante Fe, NM). Carpenter's DP Gary Kibbe captures some nice wide John Ford-ish western vistas, and Carpenter's minimalist score capture the desolate, hard nature of the place. The real asset of this film is its cast, especially James Woods as the insanely tough and foul-mouthed slayer Jack Crow. He really does some inspired improvised riffs, and when he's not kicking ass Woods has a lot of fun with it all. Jack Crow is a classic Carpenter hero: all man, flinty eyed & completely alone, and Woods plays this unsympathetic character with such a quick wit you can't help but admire the guy. Thomas Ian Griffith plays a great Valek, the master vampire whom Jack has sworn to slay. Griffith plays the character completely straight, and it works extremely well. Griffith is an imposing figure, and you get a real sense of the nobility & savagery of Valek's character. Compared to Woods, Griffith underplays his role, but still commands a very real presence of power & evil. Carpenter stretches the $20 million dollar budget well, but you can sometimes "see the zipper down the monster's back". Despite a few fake looking wounds or rubbery stakes, Carpenter delivers a polished & stylish film, on par with movies costing 10 times as much (better in some cases). I believe Carpenter works best with a little larger budget, but he should stay away from the typical Hollywood giant budget, he works best with a smaller production. "Vampires" is a treat for any Carpenter fan, and hopefully marks the beginning of a new standard in his films.