| Photos (see all 48 | slideshow) | Videos (see all 4 NEW) |
| Nicolas Cage | ... | Rick Santoro | |
| Gary Sinise | ... | Commander Kevin Dunne | |
| John Heard | ... | Gilbert Powell | |
| Carla Gugino | ... | Julia Costello | |
| Stan Shaw | ... | Lincoln Tyler | |
| Kevin Dunn | ... | Lou Logan | |
| Michael Rispoli | ... | Jimmy George | |
| Joel Fabiani | ... | Charles Kirkland | |
| Luis Guzmán | ... | Cyrus (as Luis Guzman) | |
| David Anthony Higgins | ... | Ned Campbell | |
| Mike Starr | ... | Walt McGahn | |
| Tamara Tunie | ... | Anthea | |
| Chip Zien | ... | Mickey Alter | |
| Michaella Bassey | ... | Tyler's Party Girl #2 | |
| Paul Joseph Bernardo | ... | Casino Security #1 | |
| Jernard Burks | ... | Tyler's Bodyguard | |
| Mark Camacho | ... | C.J. | |
| Desmond Campbell | ... | Arena Security | |
| Jean-Paul Chartrand | ... | Ring Announcer | |
| Chip Chuipka | ... | Zietz (Drunk) | |
| Deano Clavet | ... | Arena Security | |
| Tara Ann Culp | ... | Lady at Elevator | |
| Kelly Deadmon | ... | Blonde Reporter | |
| Frédérick De Grandpré | ... | College Boy #1 | |
| Adam C. Flores | ... | Jose Pacifico Ruiz | |
| George Fourniotis | ... | Blue Shirt #3 | |
| Christina Fulton | ... | Roundgirl | |
| Kenneth Glegg | ... | Referee | |
| Sébastien Delorme | ... | College Boy #4 (as Sebastien Delorme) | |
| Alain Goulem | ... | PPV Director | |
| Dean Hagopian | ... | Latecomer | |
| Jayne Heitmeyer | ... | Serena | |
| Eric Hoziel | ... | Rabat (Assassin) | |
| Byron Johnson | ... | College Boy #2 | |
| Guy Kelada | ... | Blue Shirt | |
| Sylvain Landry | ... | Remote Producer | |
| Cary Lawrence | ... | Powell's Aide | |
| Robert Norman | ... | FBI Agent | |
| Richard Lemire | ... | Agent #2 | |
| Christopher B. MacCabe | ... | Couple #2 (as Christopher Maccabe) | |
| Sylvain Massé | ... | Cop #1 | |
| William J. McKeon III | ... | Anthea's Cameraman | |
| Patrick McDade | ... | Lawyer (as Patrick F. McDade) | |
| Peter McRobbie | ... | Gordon Pritzker | |
| Christain Napoli | ... | Michael Santoro | |
| Lance E. Nichols | ... | Cop #3 | |
| Jason Nuzzo | ... | Coin Cup Grabber | |
| Patrick Parent | ... | Detective | |
| Peter Patrikios | ... | Coin Cup Decoy | |
| Jacynthe René | ... | Couple #1 | |
| Stephen Spreekmeester | ... | College Boy #3 | |
| Eva Tep | ... | Tyler's Party Girl #1 | |
| John Thaddeus | ... | Cop #2 | |
| Jim Whelan | ... | Mayor (as James Whelan) | |
| Brian Anthony Wilson | ... | Casino Security #2 (as Brian A. Wilson) | |
| Richard Zeman | ... | Agent #1 | |
| Gerard Max Desilus | ... | Tyler's Party Crash Guy | |
| rest of cast listed alphabetically: | |||
| Anthony Cancelliere | ... | Casino Security #4 (uncredited) | |
| Tom Detrik | ... | Spectator (uncredited) | |
| Michael Griffith | ... | Body Guard #1 (uncredited) | |
| Guy Létourneau | ... | Police officer (uncredited) | |
| Alex Nobles | ... | (uncredited) | |
| Melissa Palazzo | ... | Prostitute (uncredited) | |
| Mark Pricskett | ... | Photographer (uncredited) | |
| Andrew Semple | ... | Ringside Photographer (uncredited) | |
| Kevin Craig West | ... | Casino Security (uncredited) | |
Directed by | |||
| Brian De Palma | |||
Writing credits(WGA) | ||
| Brian De Palma | (story) & | |
| David Koepp | (story) | |
| David Koepp | (screenplay) | |
Produced by | |||
| Brian De Palma | .... | producer | |
| Jeff Levine | .... | associate producer | |
| Chris Soldo | .... | associate producer | |
| Louis A. Stroller | .... | executive producer | |
Original Music by | |||
| Ryûichi Sakamoto | |||
Cinematography by | |||
| Stephen H. Burum | |||
Film Editing by | |||
| Bill Pankow | |||
Casting by | |||
| Mary Colquhoun | |||
Production Design by | |||
| Anne Pritchard | |||
Art Direction by | |||
| James Fox | |||
| Isabelle Guay | |||
| Réal Proulx | |||
Set Decoration by | |||
| Daniel Carpentier | |||
Costume Design by | |||
| Odette Gadoury | |||
Makeup Department | |||
| Fern Buchner | .... | supervisimg makeup artist: Atlantic City | |
| Claudette B. Casavant | .... | makeup artist (as Claudette Casavant) | |
| Joseph Coscia | .... | hair stylist: Nicolas Cage (as Joe Coscia) | |
| Lucille Demers | .... | supervising makeup artist | |
| Carol F. Doran | .... | wigs: Atlantic City | |
| Réjean Forget | .... | supervising hair stylist (as Rejean Forget) | |
| Johanne Gravel | .... | makeup artist | |
| Ginette Lajeunesse | .... | assistant hair stylist | |
| Laurent Lalonde | .... | assistant hair stylist | |
| Catherine Lamey | .... | assistant makeup artist (as Catherine Lemay) | |
| Martin Lapointe | .... | hair stylist | |
| Karine Letourneau | .... | assistant makeup artist | |
| Renate Leuschner | .... | wigs: Atlantic City (as Renate Luschner) | |
| Peggy Nicholson | .... | supervising hair stylist: Atlantic City | |
| Danielle Ouellette | .... | assistant makeup artist | |
| James Post | .... | additional hair stylist: Atlantic City | |
| Marie Régimbald | .... | makeup artist (as Marie Regimbald) | |
| Benjamin Robin | .... | hair stylist: Gary Sinise | |
| Benjamin Robin | .... | makeup artist: Gary Sinise | |
| Allen Weisinger | .... | makeup artist: Nicolas Cage | |
| Rosemary Zurlo | .... | additional makeup artist: Atlantic City | |
Production Management | |||
| Catherine Bérubé | .... | assistant unit manager (as Catherine Berube) | |
| Alain Gagnon | .... | production manager: Canada | |
| Margaret Hilliard | .... | unit production manager | |
| Jimmy Kontos | .... | unit manager | |
| Kathleen McGill | .... | unit production manager: Canada (as Kathy Mcgill) | |
| Gilles Perreault | .... | unit manager | |
| Marie Portelance | .... | assistant unit manager | |
Second Unit Director or Assistant Director | |||
| Robert C. Albertell | .... | second assistant director: second unit (as Robert Albertell) | |
| Michelle Benoit | .... | third assistant director | |
| Lisa Bloom | .... | second second assistant director | |
| Greg Hale | .... | second assistant director: Atlantic City (as Gregory G. Hale) | |
| David Hamburger | .... | first assistant director: second unit (as David S. Hamburger) | |
| Jono Oliver | .... | second assistant director | |
| Eric Schwab | .... | second unit director | |
| Chris Soldo | .... | first assistant director | |
| Ian Stone | .... | third assistant director | |
| Dandy Thibaudeau | .... | third assistant director | |
| Jean-François Duplat | .... | third assistant director (uncredited) | |
Art Department | |||
| Claire Alary | .... | property buyer | |
| Jean-Philippe Atelier | .... | model maker | |
| Eric Bardin | .... | property person | |
| Michel Brochu | .... | construction coordinator | |
| Rejean Brochu | .... | construction supervisor | |
| Joseph Lang Browns | .... | draftsperson | |
| Marie Cailhier-Chartrand | .... | property person | |
| Kelly Canfield | .... | assistant property master: Atlantic City | |
| Teresa Carriker-Thayer | .... | art director: Atlantic City | |
| Michael Curry Sr. | .... | construction foreperson: Atlantic City (as Michael Curry) | |
| Gerald DeTitta | .... | lead man: Atlantic City (as Jerry De Titta) | |
| Rochelle Edelson | .... | scenic foreperson: Atlantic City | |
| Joan Finley | .... | assistant property person: Atlantic City | |
| Emmanuel Frechette | .... | draftsperson | |
| Alain Giguère | .... | head scenic painter (as Alain Giguere) | |
| Madeline Gonin | .... | art department assistant coordinator | |
| Denis Hamel | .... | property master | |
| Gay Howard | .... | art department coordinator: Atlantic City | |
| Barbara A. Kastner | .... | property master: Atlantic City (as Barbara Kastner) | |
| Hélène Lafrance | .... | assistant art director (as Héléne LaFrance) | |
| Raynald Langelier | .... | draftsperson | |
| Carl Lessard | .... | graphic designer | |
| Elizabeth Linn | .... | charge scenic: Atlantic City | |
| Jean Morin | .... | assistant art director | |
| Robert Parle | .... | assistant set decorator | |
| Chuck Potter | .... | assistant set decorator: Atlantic City (as Charles M. Potter) | |
| Beth A. Rubino | .... | set decorator: Atlantic City (as Beth Rubino) | |
| Dick Tice | .... | property master: second unit | |
| Melanie J. Baker | .... | assistant set decorator (uncredited) | |
| Erik Gosselin | .... | special creative props (uncredited) | |
| Michael Herlihy | .... | carpenter (uncredited) | |
| Scott P. Murphy | .... | assistant art director (uncredited) | |
| Clarissa Shanahan | .... | scenic artist (uncredited) | |
| Allen Stillman | .... | construction electric (uncredited) | |
Visual Effects by | |||
| Alia Agha | .... | 3D camera matchmover: ILM | |
| John Alagna | .... | optical effects supervisor | |
| Joakim Arnesson | .... | computer graphics artist: ILM | |
| Carl Assmus | .... | grip: ILM | |
| Charles Bailey | .... | supervising model maker: ILM (as Charlie Bailey) | |
| Bill Barr | .... | key grip: ILM (as William Barr) | |
| Adam Bennes | .... | effects technician: ILM | |
| Earl Beyer | .... | film scanning operator: ILM (as Earl Bever) | |
| Steve Braggs | .... | computer graphics supervisor: ILM | |
| Patrick Brennan | .... | digital compositor: ILM | |
| Eric Brevig | .... | visual effects supervisor | |
| Daniel Brimer | .... | visual effects production assistant: ILM | |
| Ronn Brown | .... | digital matte artist: ILM | |
| Cathy Burrows | .... | digital paint and roto artist: ILM | |
| Lanny Cermak | .... | 3D camera matchmover: ILM | |
| Robbie Clot | .... | effects technician: ILM (as Robert Clot) | |
| Tom Cloutier | .... | electrician: ILM | |
| Gail Currey | .... | senior staff: ILM | |
| Tabitha Dean | .... | visual effects editor: CFC | |
| Tom Debenham | .... | visual effects designer: CFC | |
| Adrian De Wet | .... | visual effects designer: CFC (as Adrian DeWet) | |
| Ron Diggory | .... | grip: ILM | |
| Giovanni Donovan | .... | model maker: ILM | |
| David S. Dranitzke | .... | production stage manager: ILM | |
| Eric Enderton | .... | software developer: ILM | |
| Chrissie England | .... | senior staff: ILM | |
| Brian Flora | .... | digital matte artist: ILM | |
| Joe Fulmer | .... | effects technician: ILM (as Joseph Fulmer) | |
| John Gazdik | .... | camera assistant: ILM | |
| Michael Gleason | .... | visual effects editor: ILM | |
| Susan Goldsmith | .... | digital compositor: ILM | |
| Craig Hammack | .... | computer graphics artist: ILM | |
| Pete Hanson | .... | studio manager: CFC | |
| Aaron Haye | .... | model maker: ILM | |
| John Helms | .... | computer graphics artist: ILM | |
| David Heron | .... | effects technician: ILM (as Dave Heron) | |
| Geoff Heron | .... | chief rigger and pyro technician: ILM | |
| Matt Heron | .... | effects technician: ILM | |
| Bill Hirsch | .... | computer systems engineer: ILM | |
| Edward Hirsh | .... | visual effects associate supervisor (as Edward T. Hirsh) | |
| Christopher Horvath | .... | computer graphics artist: ILM (as Christopher Encino Horvath) | |
| Jim Hourihan | .... | software developer: ILM | |
| Patrick Jarvis | .... | digital paint and roto artist: ILM | |
| Susan Kelly-Andrews | .... | digital paint and roto artist: ILM | |
| Wayne Kennedy | .... | digital modeler: ILM | |
| Marshall Richard Krasser | .... | digital compositor: ILM | |
| Hayden Landis | .... | computer graphics artist: ILM | |
| Angela Leaper | .... | effects video editor: ILM | |
| Daniel Lobl | .... | computer graphics technical assistant: ILM | |
| Keith London | .... | model maker: ILM | |
| Jacqueline M. Lopez | .... | visual effects producer (as Jacqueline Lopez) | |
| Roz Lowrie | .... | visual effects editor: CFC | |
| Alan Lynch | .... | model maker: ILM | |
| Margaret B. Lynch | .... | visual effects coordinator: ILM | |
| Jeff Mann | .... | senior staff: ILM | |
| Stuart T. Maschwitz | .... | conceptual and animatic artist: ILM | |
| Bill Mather | .... | digital matte artist: ILM | |
| Will Melick | .... | computer systems engineer: ILM (as Will Mellick) | |
| David Meny | .... | computer graphics artist: ILM | |
| Dan Michalske | .... | gaffer: ILM (as Danny Michalske) | |
| Jim Morris | .... | senior staff: ILM | |
| Katie Morris | .... | digital paint and roto artist: ILM | |
| Dave Murphy | .... | model maker: ILM | |
| Mark Nelmes | .... | visual effects designer: CFC | |
| Dan Nelson | .... | effects technician: ILM | |
| Alison O'Brien | .... | visual effects producer: CFC | |
| Vance Piper | .... | assistant camera: ILM | |
| Erich Rigling | .... | digital effects artist director: ILM (as Erich Rigling) | |
| Thomas Rosseter | .... | compositing supervisor: ILM (as Tom Rosseter) | |
| Christian Rouet | .... | software developer: ILM | |
| Eric Schafer | .... | software developer: ILM | |
| Dave Scott | .... | technical support: CFC | |
| Christa Starr | .... | computer graphics artist: ILM | |
| Damian Steel | .... | computer graphics artist: ILM | |
| Larry Tan | .... | digital modeler: ILM | |
| Pat Turner | .... | director of photography for miniatures: ILM (as Patrick Turner) | |
| Lam Van To | .... | information systems: ILM | |
| Bruce Vecchitto | .... | digital color timing supervisor: ILM | |
| Dave Watson | .... | electrician: ILM | |
| Marc Wilhite | .... | computer graphics research assistant: ILM | |
| Eran Yachdav | .... | model maker: ILM | |
| Habib Zargarpour | .... | digital wave research and development: ILM | |
| Casey Cannon | .... | computer graphics producer: BFTRE (uncredited) | |
| Vicki L. Engel | .... | visual effects (uncredited) | |
| Dan Glass | .... | visual effects designer (uncredited) | |
| Jiri Jacknowitz | .... | digital paint and roto arist: ILM (uncredited) | |
| Christian Kubsch | .... | visual effects sequence producer: ILM: Pier Destruction Sequence (uncredited) | |
| Kevin Phelan | .... | scanning and recoding producer: CFC (uncredited) | |
| M. Zachary Sherman | .... | digital effects artist (uncredited) | |
| Trevor Tuttle | .... | model maker (uncredited) | |
| Gail Wise | .... | video playback coordinator (uncredited) | |
Stunts | |||
| Bill Anagnos | .... | stunts (as William Anagnos) | |
| Stephen Bouffard | .... | stunts | |
| Peter Bucossi | .... | stunt coordinator | |
| Mike Chute | .... | stunts | |
| Mark Dillahunt | .... | stunts | |
| Alain Essen | .... | stunts | |
| Charlene Francique | .... | stunts | |
| Jimmy Gambina | .... | assistant fight coordinator (as James Gambina Jr.) | |
| Benoit Gauthier Jr. | .... | stunts | |
| Nathalie Girard | .... | stunts | |
| Patrick Kerton | .... | stunts | |
| Héléna Laliberté | .... | stunts | |
| Stéphane Lefebvre | .... | stunts (as Stephane Lefebvre) | |
| David McKeown | .... | stunts | |
| Mike Nomad | .... | stunt coordinator (as Michael Nomad) | |
| Alvin Powell | .... | stunts | |
| Michael Scherer | .... | stunt coordinator (as Mike Scherer) | |
| Eddie Yansick | .... | stunt coordinator | |
| Eddie Yansick | .... | stunt double: Nicolas Cage | |
| Alisa Christensen | .... | stunt double (uncredited) | |
Casting Department | |||
| Sig De Miguel | .... | casting assistant | |
| David H. Kramer | .... | voice casting (as David Kramer) | |
| Lucie Robitaille | .... | casting: Montreal | |
| Eric H. Sandberg | .... | casting supervisor: Atlantic City | |
| Randi Wells | .... | extras casting | |
| Mike Lemon | .... | extras casting (uncredited) | |
| Mark Christian Subias | .... | casting associate (uncredited) | |
Costume and Wardrobe Department | |||
| Marie-Etienne Bessette | .... | assistant wardrobe | |
| Rosalie Clermont-Bilodeau | .... | assistant wardrobe | |
| Ed Fincher | .... | costumer: second unit (as Edward Fincher) | |
| Sylvie Gagnon | .... | wardrobe | |
| Françoise Lecours | .... | wardrobe (as Francoise Lecours) | |
| Andrée Morin | .... | wardrobe | |
| Lyse Pomerleau | .... | wardrobe coordinator | |
| Gilda Texter | .... | key costumer: Atlantic City | |
Editorial Department | |||
| Meredith Apel | .... | apprentice film editor | |
| Patricia Bowers | .... | first assistant editor | |
| Rosmary Conte | .... | assistant film editor | |
| Dennis McNeill | .... | color timer (as Denny McNeill) | |
| Theresa Repola Mohammed | .... | negative cutter | |
| Andrew Weisblum | .... | assistant film editor | |
Music Department | |||
| Fernando Aponte | .... | music score consultant | |
| Bob Bornstein | .... | music preparation | |
| Steven Danenberg | .... | orchestra contractor | |
| Goh Hotoda | .... | music score consultant | |
| Nicholas Meyers | .... | music editor | |
| Ryûichi Sakamoto | .... | conductor | |
| Ryûichi Sakamoto | .... | orchestrator | |
| Yukikazu Suzuki | .... | orchestrator | |
| Sally Swisher | .... | assistant music editor | |
| Kevin Townend | .... | orchestrator | |
| Fernando Aponte | .... | score recordist (uncredited) | |
| John Moses | .... | musician: clarinetist (uncredited) | |
| Blair Tindall | .... | musician: English horn (uncredited) | |
Transportation Department | |||
| Henry S. Avelin | .... | transportation co-captain: Atlantic City (as Henry Avélin) | |
| Vito G. Balenzano | .... | driver: cast | |
| Mike Connelly | .... | transportation captain: second unit | |
| Kevin Keefe | .... | transportation captain: Atlantic City | |
| Daniel Matthews | .... | transportation coordinator | |
| Tim Parkinson | .... | transportation captain | |
| John Bober | .... | driver: cast (uncredited) | |
Other crew | |||
| Patrick Bensimmon | .... | assistant: Mr. Stroller | |
| Andrew Campbell | .... | weapons supplier: Atlantic City | |
| Glenn Cannon | .... | 24 frame video supervisor | |
| Jennifer Cossetto | .... | title designer | |
| Tara Ann Culp | .... | assistant: Mr. De Palma (as Tara Culp) | |
| Carey DePalma | .... | assistant location manager: Atlantic City (as Carey De Palma) | |
| Marie-Josée Dupont | .... | production coordinator | |
| Fred Gabrielli | .... | caterer: Atlantic City | |
| Yvonne M. Gabrielli | .... | craft service: Atlantic City (as Yvonne Gabrielli) | |
| Jimmy Gambina | .... | boxing choreographer (as James Gambina) | |
| Erica Goldstein | .... | assistant: Anne Pritchard | |
| Joie Gregory | .... | location manager: Atlantic City | |
| Matthew K. Grigsby | .... | assistant auditor | |
| George 'Skip' Henfling | .... | assistant accountant | |
| Donald Hudome | .... | production assistant: Atlantic City | |
| Lorraine Jamison | .... | unit publicist | |
| Jordan Kligerman | .... | production assistant: Atlantic City | |
| Barbara Komorowski | .... | assistant: Mr. De Palma | |
| Marco Kyris | .... | photo double: Rick Santoro | |
| Robert A. Levine | .... | unit publicist: Atlantic City | |
| Lynn Lewis Lovett | .... | script supervisor: second unit (as Lynn Lewis) | |
| Mario Luiz | .... | assistant: Mr. Cage | |
| Heather MacLean | .... | production secretary | |
| Gabrielle Mahler | .... | assistant: Mr. De Palma | |
| Irina Naydichev | .... | payroll auditor | |
| Carol Ness | .... | crowd extras coordinator | |
| Judd Nissen | .... | production travel: Atlantic City | |
| Sylvie Normandin | .... | assistant: Mr. Stroller | |
| Joanne Oboyski | .... | customs (as Joanne Oboyski-Battelene) | |
| Joanne Oboyski | .... | shipping (as Joanne Oboyski-Battelene) | |
| Joanne Oboyski | .... | travel liaison (as Joanne Oboyski-Battelene) | |
| Michael 'Mox' Pappas | .... | craft service: Atlantic City (as Michael Pappas) | |
| Panos Partheniou | .... | production auditor: Canada | |
| Gene Petersen | .... | technical advisor: Atlantic City | |
| Thomas Pilurs | .... | assistant: Mr. Sinise | |
| Philippe Pommier | .... | office production assistant | |
| Brigitte Renaud | .... | craft service | |
| Colette Richer | .... | caterer | |
| Todd Rowland | .... | assistant: Mr. Cage | |
| Sandra Maltz Saccio | .... | production coordinator: Atlantic City | |
| Yanie Salvas | .... | assistant production coordinator | |
| Nick Santoro | .... | assistant: Mr. Koepp | |
| Janice F. Sperling | .... | production coordinator | |
| Gene Strange | .... | first assistant auditor | |
| Claudine Strasser | .... | script supervisor | |
| Joni Tackette | .... | crowd extras assistant coordinator | |
| Victorine Tamafo | .... | production secretary | |
| Joan Thompson | .... | first assistant auditor: Atlantic City | |
| S. Kaye Thompson | .... | production assistant: Atlantic City | |
| Susan Towner | .... | production auditor | |
| Lynn Twentyman | .... | script supervisor: Atlantic City (as Lynne Twentyman) | |
| Lora Umphress | .... | assistant auditor: Atlantic City | |
| Peter Wasserman | .... | location coordinator: Atlantic City | |
| Carmen B. Weets | .... | assistant production coordinator: Atlantic City | |
| Michael Barnes | .... | financial legal services (uncredited) | |
| Lisa S. Beasley | .... | crowd promotion (uncredited) | |
| Pierre Cheminat | .... | office runner (uncredited) | |
| Paul Dupont | .... | safety coordinator (uncredited) | |
| Joseph G. Eckardt | .... | on-set production assistant (uncredited) | |
| Michelle Flowers | .... | production assistant (uncredited) | |
| Robert 'Rock' Galotti | .... | weapons specialist (uncredited) | |
| Pamela Hill | .... | stand-in: Carla Gugino (uncredited) | |
| Eric Lafrance | .... | head labourer (uncredited) | |
| Michael McBrien | .... | production assistant (uncredited) | |
| Geoff Murillo | .... | key set production assistant: additional photography (uncredited) | |
| Craig Nersesian | .... | assistant: Louis A. Stroller (uncredited) | |
| Wendy Scharfman | .... | adr loop group (uncredited) | |
| Maurice Schell | .... | adr loop group (uncredited) | |
| Art Smith Jr. | .... | production assistant: Atlantic City (uncredited) | |
| Michèle St-Arnaud | .... | location manager (uncredited) | |
| James Tamblyn | .... | computer playback operator (uncredited) | |
| David Torn | .... | textures & guitar (uncredited) | |
| Frank Venegas | .... | set production assistant (uncredited) | |
| Dave Young | .... | weapons handler (uncredited) | |
Thanks | |||
| John Cosentino | .... | thanks | |
| Andre La Fond | .... | thanks | |
| Pierre La France | .... | thanks | |
| Richard Santoro | .... | thanks | |
| Steve Sless | .... | thanks | |
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Overblown, overdirected, overacted: that's why I always enjoy DePalma's movies. He made the statement that the camera lies 24 times a second, and SNAKE EYES plays on that theme.
De Palma's camera is constantly in motion, roaming through the arena, casino , and hotel as if it had a life of its own. At the beginning of the film we watch Nick Santoro (Nicolas Cage) as he swims through the sewer (his words) that is the Atlantic City casino world. He tells us, "This isn't a beach town. It's a sewer. It's my sewer, I am the king."
It's literally a dark and stormy night. A hurricane (a tv reporter is pressured to refer to it as a 'tropical depression' on the air) is coming ashore, and 14,000 people are gathered at a casino complex to watch a prizefight.
There's a shooting during the fight, and Cage orders the exits sealed; who would go outside into a hurricane remains a mystery, but anyhow. There are two mysterious women involved in the incident, and as time passes he realizes that there were lots of people involved, possibly even his longtime friend Navy Commander Dunne (Gary Sinese) who is as straight-arrow as Cage's character is sleazy.
By the end of the story Cage is working toward redemption- even though during the early part of the film it's made clear that he sees everything as having a price.
There's one point where he is offered a million dollars to reveal where one of the women (she knows a lot- too much- about a defense contract, and was talking to the Secretary of Defense when he was shot) is hiding. And there 's a very real chance that he might give in, or be unable to protect her when the danger gets intense.
Men in De Palma's films have a way of failing to come through for women in critical situations. An executive couldn't save his wife in OBSESSION. A young actor couldn't protect a mysterious, beautiful woman in BODY DOUBLE. The nicest guy in school couldn't keep the outcast/prom queen CARRIE from humiliation and its awful consequences. In the superb BLOW OUT a movie soundman rescues a young woman from a sinking car early in the story, but is too late to save her from a madman at the film's conclusion.
So there is no guarantee of a happy ending. Self doubt weighs heavily in De Palma's films, and often people's best efforts are to no avail.
Admittedly David Koepp and De Palma's script is something of a problem. There's a complex conspiracy underfoot, and conspiracies are low on my list of compelling things- I got burned out on them in the seventies.
Far more compelling is the great fun that Cage has with his character. Boy, does he get to chew scenery here. Constantly in motion, talking on his cell phone (even during a hurricane; some of my friends can't use theirs when a cloud passes over the sun), interacting with the low life characters around the casino.
And, oh, does DePalma have fun with the whole thing. Of course, nothing is what it seems to be. He retells the action from the viewpoint of this or that character: we sometimes literally see what happened through that character's eyes. An important setpiece in which we finally see what really happened in clear perspective uses split screen imagery- and in the theatre where we saw SNAKE EYES the use of stereo sound was an integral part of the seperation of images.
For all the bravado of his performance, I was impressed with Cage's ability and willingness to share the screen with other actors. In some of the retellings he is a supporting character or featured extra, and as an actor he's more than willing to let our attention shift to someone else. A lesser actor might have been afraid of that shift of focus. Way to go, Nicolas. That's a real sign of maturity as an actor.
So did I buy into De Palma's bag of tricks? Yup, 100%. It's nice to see a movie that isn't afraid of the old razzle-dazzle. I do appreciate subtlety and complex ideas- that's why I'm a voracious reader. I really don't think I'd enjoy De Palma directing an adaptation of a Jane Austen novel or REMEMBRANCE OF THINGS PAST. The Merchant- Ivory people do that sort of thing so nicely. But it was nice to sit back for an hour and a half and let a master showman use illusion to fool us and let our eyes fool our brains.
On a five scale, Pops gives it four slot machines.