Saving Private Ryan (1998)

User Rating:

8.5/10   

Director:

Steven Spielberg

Writer (WGA):

Robert Rodat (written by)

Release Date:

24 July 1998 (USA)

Genre:

Action | Drama | War

Tagline:

In the Last Great Invasion of the Last Great War, The Greatest Danger for Eight Men was Saving... One.

Plot:

Following the Normandy Landings, a group of US soldiers go behind enemy lines to retrieve a paratrooper whose brothers have been killed in action.

Plot Keywords:

Invasion | General | Normandy | Soldier | Army

Awards:

Won 5 Oscars. Another 52 wins & 53 nominations

US Showtimes:

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Cast

Tom Hanks	...	Capt. John H. Miller
Tom Sizemore	...	Sgt. Mike Horvath
Edward Burns	...	Pvt. Richard Reiben
Barry Pepper	...	Pvt. Daniel Jackson
Adam Goldberg	...	Pvt. Stanley Mellish
Vin Diesel	...	Pvt. Adrian Caparzo
Giovanni Ribisi	...	T-5 Medic Irwin Wade
Jeremy Davies	...	Cpl. Timothy P. Upham
Matt Damon	...	Pvt. James Francis Ryan
Ted Danson	...	Capt. Fred Hamill
Paul Giamatti	...	Sgt. Hill
Dennis Farina	...	Lt. Col. Anderson
Joerg Stadler	...	Steamboat Willie
Max Martini	...	Cpl. Henderson (as Maximilian Martini)
Dylan Bruno	...	Toynbe

MPAA:

Rated R for intense prolonged realistically graphic sequences of war violence, and for language.

Runtime:

170 min

Country:

USA

Language:

English | French | German | Czech

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

DTS | Dolby Digital | SDDS

Certification:

USA:R (certificate #35942) | Taiwan:GP | Malaysia:18SG (DVD release) | Malaysia:(Banned) (theatrical) | Philippines:PG-13 | Brazil:14 | USA:TV-MA (TV rating) | India:A | Argentina:16 | Australia:MA (re-rating on appeal) | Australia:R (original rating) | Canada:13+ (Quebec) | Canada:14A (Alberta/Ontario) | Canada:14 (Nova Scotia) | Canada:18A (British Columbia) | Canada:PA (Manitoba) | Chile:14 | Denmark:15 | Finland:K-14 (re-rating) | Finland:K-16 (original rating) | France:U | Germany:16 (bw) | Hong Kong:IIB | Iceland:16 | Ireland:15 | Israel:PG | Italy:VM14 | Mexico:B | Netherlands:16 | New Zealand:R15 | Norway:18 | Portugal:M/12 | Singapore:NC-16 (re-rating on appeal) | Singapore:R(A) (original rating) | South Korea:15 | Spain:13 | Sweden:15 | Switzerland:16 (canton of Geneva) | Switzerland:16 (canton of Vaud) | UK:15 | Singapore:M18 (DVD rating)

Filming Locations:

Calvados, France

Company:

Amblin Entertainment

Trivia:

The opening and closing of the film features a US flag backlit by the sun. This is exactly the same as a shot in Leni Riefenstahl's Tag der Freiheit - Unsere Wehrmacht (1935). In that film, a Nazi flag gently sways in the wind, with the sun shining through it from behind, rendering the flag somewhat translucent.

Goofs:

Factual errors: After the horrific D-Day scene, when Captain Miller gets his mission some days later, a panorama of the seascape shows no ships in view. The area ought to have been teeming with ships bringing more units to the front, supplying those already present, and protecting the supply line.

Quotes:

[first lines]
Ryan's son: [running to comfort his father] Dad?
[flashback to D-Day]
LCVP pilot: Clear the ramp! Thirty seconds. God be with ya!

Movie Connections:

Referenced in The Mangler 2 (2001) (V)

Soundtrack:

Solitude

Excellent despite some Spielberg slips into sentiment

During the Normandy landings during WW2 two brothers are killed. In another part of the world another of the Ryan brothers is killed in action, leaving their mother with one remaining son and three telegrams due to be delivered. A group of men, led by Captain Miller set out to reach Private Ryan and not only break him the news but to safely return him for return to the US.

What can I say – it is an excellent film despite some minor flaws. The plot is based on a real life situation during WW2 and allows for us to follow a group of men as they take part in the horrors (and humanity) of war. This is the film's strength and it is never stronger than in the first 25 minutes and, to a lesser extent, the final 20 minutes. The opening of the Normandy landing is simply pure emotional power and is really well done – it is so powerful that the actual plot itself is a bit of a letdown. I love Band of Brothers because the focus was on the war and what it was like to be involved rather than a sort of soap opera story. Here the plot is still very good but can't really follow that opening.

It also sinks into sentiment a tad too often. For example Ryan's mother lives in this sort of Norman Rockwell painting that is Spielberg's vision of middle America. Also there is a little too much use of gawkish dialogue as well – although it's hard to criticise the death scenes for being emotional, because they should be.

A minor flaw that is easy to get over is the lack of Brits. Like Band of Brothers (which had a few cockney accents) this is an AMERICAN film – so of course they will focus on the American experience. However it would have been nice to have some British (or any other) voices or faces among the Allies. I can understand why the film opens and closes with the stars and stripes and why the film focuses on the yanks but a little bit of perspective would be useful. There's nothing wrong with focus – but when it totally excludes huge bits of information then it's a problem. It always makes me think of the way that Michael Caine took his children back to the UK when they were taught in an US school that WW2 started in the 1940's (ie – when America joined).

However this is a minor flaw as, in fairness, it's an American film – why be surprised when it's focus is Americans! Of the cast Hanks is good – he is much more subtle than his Oscar roles where he played to the crowd. He benefits from having a great support cast of good actors, current actors, old faces, up and comers etc. Sizemore, Burns and Farina are the good current actors. Damon, Ribsi, Diesel, Martini etc are all very good on the way up – although Damon has one of the simplest characters. They may all be slight stereotypes of Americans but it's not a major flaw – just a screen writer wanting to cover all bases I think, although it does grate that they cover all these backgrounds but can't squeeze any other Allies in to the edges.

Overall it is excellent despite some stereotyping, US flag waving and the usual Spielberg love of sentimentality. Even if the actual plot is flimsy Spielberg expertly puts us as close to experiencing the horrors and the humanity within war as I hope we'll ever be.