| Photos (see all 29 | slideshow) |
| Carlo Cecchi | ... | Nicolo Bussotti (Cremona) | |
| Irene Grazioli | ... | Anna Bussotti (Cremona) | |
| Anita Laurenzi | ... | Cesca (Cremona) | |
| Tommaso Puntelli | ... | Apprentice (Cremona) | |
| Samuele Amighetti | ... | Boy (Cremona) | |
| Jean-Luc Bideau | ... | Georges Poussin (Vienna) | |
| Aldo Brugnini | ... | Assistant (Cremona) | |
| Christoph Koncz | ... | Kaspar Weiss (Vienna) | |
| Clotilde Mollet | ... | Antoinette Pussin (Vienna) | |
| Florentín Groll | ... | Anton von Spielmann (Vienna) | |
| Johannes Silberschneider | ... | Father Richter (Vienna) | |
| Rainer Egger | ... | Brother Christophe (Vienna) | |
| Paul Koeker | ... | Brother Gustav (Vienna) | |
| Wolfgang Böck | ... | Brother Michael (Vienna) | |
| Josef Mairginter | ... | Brother Franz (Vienna) | |
| Johan Gotsch | ... | Funeral Monk (Vienna) | |
| Geza Hosszu-Legocky | ... | Gypsy Violonist (Vienna) | |
| David Alberman | ... | Gypsy Violonist (Vienna) | |
| Arthur Denberg | ... | Prince Mansfeld (Vienna) | |
| Andrzej Matuszewiski | ... | Gypsy Violonist (Vienna) | |
| Jason Flemyng | ... | Frederick Pope (Oxford) | |
| Greta Scacchi | ... | Victoria Byrd (Oxford) | |
| Eva Marie Bryer | ... | Sara (Oxford) | |
| Dimitri Andreas | ... | Gypsy Father (Oxford) | |
| David Gant | ... | Conductor (Oxford) | |
| Sai-Kit Yung | ... | Manservant (Oxford) (as Stuart Ong) | |
| Sylvia Chang | ... | Xiang Pei (Shanghai) | |
| Zifeng Liu | ... | Chou Yuan (Shanghai) (as Zi Feng Liu) | |
| Hong Tao | ... | Comrade Chan Gong (Shanghai) | |
| Xio Fei Han | ... | Young Ming (Shanghai) | |
| Zheng Wei Tan | ... | Guard (Shanghai) (as Zeng Wei Tan) | |
| Zhi Qing Zhou | ... | Senior Policeman (Shanghai) | |
| Xiaoshuai Wang | ... | Junior Policeman (Shanghai) | |
| Zhi Qiao | ... | Elderly Woman (Shanghai) | |
| Kun Qi Cao | ... | Deputy (Shanghai) | |
| Rei Yang | ... | Young Xian Pei (Shanghai) | |
| Lidou | ... | Pawnbroker (Shanghai) | |
| Samuel L. Jackson | ... | Charles Morritz (Montréal) | |
| Colm Feore | ... | Auctioneer (Montréal) | |
| Monique Mercure | ... | Mme. Leroux (Montréal) | |
| Don McKellar | ... | Evan Williams (Montréal) | |
| Ireneusz Bogajewicz | ... | Mr. Ruselsky (Montréal) | |
| Julian Richings | ... | Nicolas Olsberg (Montréal) | |
| Russell Yuen | ... | Older Ming (Montréal) | |
| Sandra Oh | ... | Madame Ming (Montréal) | |
| Paula de Vasconcelos | ... | Suzanne (Montréal) | |
| Rémy Girard | ... | Customs Agent (Montréal) | |
| Marie-Josée Gauthier | ... | Hotel Concierge (Montréal) | |
| Dany Laferrière | ... | Cabby (Montréal) | |
| Dorothée Berryman | ... | Secretary (Montréal) | |
| David La Haye | ... | Handler (Montréal) | |
| Gregory Hlady | ... | Coat Attendant (Montréal) | |
| Herman Meckler | ... | Registrar (Montréal) | |
| Sheena Macdonald | ... | Ruselsky's Companion (Montréal) | |
| Jody Shapiro | ... | Autograph Seeker (Montréal) | |
| rest of cast listed alphabetically: | |||
| James Bradford | ... | Stagehand (Montréal) | |
| Joshua Bell | ... | Violinist (Oxford) (uncredited) | |
| Sylvia Stewart | ... | Security guard (uncredited) | |
Directed by | |||
| François Girard | |||
Writing credits | ||
| Don McKellar | (written by) & | |
| François Girard | (written by) | |
Produced by | |||
| Niv Fichman | .... | producer | |
| Daniel Iron | .... | co-producer | |
| Giannandrea Pecorelli | .... | co-producer | |
| Barbara Shrier | .... | line producer | |
Original Music by | |||
| John Corigliano | |||
Cinematography by | |||
| Alain Dostie | |||
Film Editing by | |||
| Gaétan Huot | |||
Casting by | |||
| Deirdre Bowen | |||
| Andrea Kenyon | |||
Production Design by | |||
| François Séguin | |||
Art Direction by | |||
| Martyn John | |||
Set Decoration by | |||
| Judy Farr | |||
Costume Design by | |||
| Renée April | |||
Makeup Department | |||
| Kathy Ducker | .... | assistant makeup artist: Oxford | |
| Pat Hay | .... | makeup artist: Oxford | |
| Meinir Jones-Lewis | .... | assistant makeup artist: Oxford | |
| Serge Morache | .... | second key hair stylist | |
| Cécile Rigault | .... | assistant makeup artist | |
| Petra Schaumann | .... | assistant hair stylist: Oxford | |
| Suzanne Stokes-Munton | .... | hair stylist: Oxford | |
| Micheline Trépanier | .... | makeup artist: Montreal | |
| Nathalie Trépanier | .... | makeup artist | |
| Adolf Uhrmacher | .... | makeup artist: Vienna | |
Art Department | |||
| Will Ayres | .... | stand-by props | |
| Mick Boleyn | .... | construction manager | |
| Cecile Braemer | .... | assistant production designer | |
| Rejean Brochu | .... | construction supervisor | |
| Marianne Carter | .... | assistant production designer | |
| Denis Caspar | .... | graphic artist | |
| Jamie Knutson | .... | swing | |
| Eric Lafrance | .... | carpenter | |
| Rebecca Loncraine | .... | assistant art director | |
| Luciano Magagnini | .... | property master | |
| Collin Niemi | .... | assistant art director | |
| Raymond Perry | .... | property master (as Ray Perry) | |
| Darren Reynolds | .... | stand-by props | |
| Claudio Villa | .... | property master | |
Sound Department | |||
| Jocelyn Caron | .... | foley recordist (as Jo Caron) | |
| Jérôme Décarie | .... | foley artist | |
| Bernard Gariépy Strobl | .... | sound re-recording mixer | |
| Claude La Haye | .... | sound engineer | |
| Claude La Haye | .... | sound | |
| Benoit Leduc | .... | foley assistant | |
| Lawrence Manchester | .... | additional engineering | |
| Tchae Measroch | .... | foley assistant | |
| Antoine Morin | .... | sound effects editor | |
| Dominik Pagacz | .... | sound effects assistant editor | |
| Guy Pelletier | .... | dialogue editor | |
| Guy Pelletier | .... | sound editor | |
| Francis Péloquin | .... | boom operator | |
| Marcel Pothier | .... | sound mixer | |
| Marcel Pothier | .... | sound | |
| Hans Peter Strobl | .... | sound mixer | |
| Hans Peter Strobl | .... | sound | |
| Katrina Walsh | .... | adr coordinator | |
Visual Effects by | |||
| Dominic Daigle | .... | CGI animator | |
| Frank D'Iorio | .... | digital compositor: Buzzimage Group | |
| Mathieu Dupuis | .... | digital compositor: Buzz Image Group | |
| Jamie Hallett | .... | optical cameraman | |
| François Lord | .... | digital effects artist | |
| Andre U. Montambeault | .... | digital compositor | |
| Robin Tremblay | .... | computer graphics animator (Miscellaneous crew, Special Effects) | |
| Robin Tremblay | .... | visual effects matte painting | |
| Mark Tureski | .... | optical effects (uncredited) | |
Stunts | |||
| Jere Gillis | .... | stunts | |
Camera and Electrical Department | |||
| Werner Bacciu | .... | grip: Italy | |
| Stefano Biscaro | .... | key grip | |
| Daniel Chrétien | .... | gaffer | |
| Daniel Chrétien Jr. | .... | additional electrician: Montréal | |
| Jean-Maurice de Ernsted | .... | key grip | |
| Francesco Di Giacomo | .... | second assistant camera | |
| Sylvaine Dufaux | .... | additional camera operator: "b" camera | |
| Sylvaine Dufaux | .... | first assistant camera: "a" camera | |
| Julie Garceau | .... | video assist operator | |
| Gernot 'Niki' Griedl | .... | electrician | |
| David Jerrett | .... | electrician | |
| Kimber Lee Jerrett | .... | best girl electric: Vienna | |
| Andrea Lotici | .... | assistant electrician: Cremona, Italy | |
| Bob Marshak | .... | still photographer | |
| Denis-Noel Mostert | .... | Steadicam operator | |
| Alberto Rogante | .... | gaffer | |
| Salvatore Scala | .... | assistant electrician: Cremona, Italy | |
| Bernhard Schober | .... | grip | |
| Federico Scoponi | .... | assistant grip: Cremona, Italy | |
| Takashi Seida | .... | still photographer | |
| Richard Wagner | .... | assistant camera: Vienna | |
Casting Department | |||
| Nadia Cavalli | .... | additional casting: Cremona, Italy | |
| Jennifer Duffy | .... | casting assistant | |
| Rita Forzano | .... | additional casting | |
| Mary Selway | .... | additional casting | |
| Randi Wells | .... | extras casting | |
Costume and Wardrobe Department | |||
| Claudette Lilly | .... | costume assistant | |
| Thomas Oláh | .... | costume coordinator | |
| Ros Ward | .... | wardrobe coordinator | |
Editorial Department | |||
| Louis-Philippe Rathé | .... | assistant editor | |
Music Department | |||
| Joshua Bell | .... | music consultant | |
| Joshua Bell | .... | musician: solo violin | |
| Alison Booth | .... | music production coordinator | |
| Peter Cho | .... | music production coordinator | |
| John Corigliano | .... | orchestrator | |
| François Girard | .... | executive music producer | |
| Matthias Gohl | .... | music producer | |
| Joel Iwataki | .... | music mixer | |
| Joel Iwataki | .... | music recordist | |
| Todd Kasow | .... | music editor | |
| Guy Pelletier | .... | music editor | |
| Esa-Pekka Salonen | .... | conductor | |
Other crew | |||
| Jean-François Aubin | .... | production assistant | |
| Charles Beare | .... | violin builder | |
| Francesco Bini | .... | assistant choreographer: Cremona, Italy | |
| Lorenzo Carnevali | .... | assistant choreographer: Cremona, Italy | |
| Francis Choquette | .... | production assistant | |
| Carmela Compagnone | .... | production accountant | |
| Rebecca Cotterill | .... | production coordinator: Oxford | |
| Alana Cymerman | .... | assistant location manager | |
| Julie Cyrenne | .... | assistant production accountant | |
| Hélène Grimard | .... | production accountant (as Hélène Gallizzi) | |
| Irene Iversen | .... | second continuity: Vienna | |
| Kristjan Järvi | .... | assistant: Esa-Pekka Salonen | |
| Marie La Haye | .... | continuity | |
| Johanne Pelletier | .... | production coordinator | |
| Helen Pratt | .... | production coordinator: Oxford | |
| Michèle St-Arnaud | .... | location manager | |
| Rebecca Starr | .... | voice-over: Anna's theme | |
| Fran Weston | .... | production assistant | |
| Patrik Attenhofer | .... | production assistant (uncredited) | |
Thanks | |||
| Jonathan Weisgal | .... | special thanks | |
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this movie, like a book of short stories, can hook you once and annoy you the next. The segments follow a violin for 3 centuries obviously shooting for a wide range of settings, thus a wide range of stories and characters. But they are all much different. The Red Violin will be rewarding for those who pay attention, and a pain for those who don't, because the transaction of the violin from person to person isn't smooth, whoever is not willing to pay attention should steer clear. I definitely recommend it to all big movie buffs, because those willing to see it, should. I really enjoyed Don Mcellars work before, and this is no different. Some segments, like 'Vienna' are very enjoyable and sad (in a good way, like bambi's mom getting shot) well some like 'Oxford' are dark and depressing. You may not leave thinking it's spectacular, but ya gotta respect it. Thumbs up.