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Directed by | |||
| Gary Ross | |||
Writing credits(WGA) | ||
| Gary Ross | (written by) | |
Produced by | |||
| Allen Alsobrook | .... | co-producer | |
| Robin Bissell | .... | associate producer | |
| Andy Borowitz | .... | co-producer | |
| Susan Borowitz | .... | co-producer | |
| Bob Degus | .... | producer (as Robert J. Degus) | |
| Michael De Luca | .... | executive producer | |
| Jon Kilik | .... | producer | |
| Edward Lynn | .... | co-producer | |
| Mary Parent | .... | executive producer | |
| Gary Ross | .... | producer | |
| Steven Soderbergh | .... | producer | |
| Allison Thomas | .... | co-producer | |
Original Music by | |||
| Randy Newman | |||
Cinematography by | |||
| John Lindley | |||
Film Editing by | |||
| William Goldenberg | |||
Casting by | |||
| Ellen Lewis | |||
| Debra Zane | |||
Production Design by | |||
| Jeannine Claudia Oppewall | (as Jeannine Oppewall) | ||
Art Direction by | |||
| William Arnold | (supervising art director) (as Bill Arnold) | ||
| Dianne Wager | |||
Set Decoration by | |||
| Jay Hart | |||
Costume Design by | |||
| Judianna Makovsky | |||
Makeup Department | |||
| Janice Alexander | .... | assistant hair stylist | |
| Jennifer Bell | .... | assistant hair stylist | |
| Susan A. Cabral | .... | key makeup artist | |
| Richard Dean | .... | makeup consultant | |
| Carolyn Elias | .... | key hair stylist (as Carol L. Elias) | |
| Joe Hailey | .... | assistant makeup artist | |
| Bruce Hutchinson | .... | additional assistant makeup artist | |
| Gigi Williams | .... | makeup artist (uncredited) | |
Production Management | |||
| Allen Alsobrook | .... | unit production manager | |
| Carla Fry | .... | executive in charge of production | |
| Ric Keeley | .... | post-production supervisor | |
Art Department | |||
| G. Roger Abell | .... | set dresser | |
| Carl Aldana | .... | illustrator | |
| Peter Allen | .... | paint decorator | |
| Pantelis M. Anastasis | .... | paint gang boss | |
| Linda C. Azevedo | .... | construction accountant (as Linda Azevedo) | |
| P. Scott Bailey | .... | lead man (as Patrick Scott Bailey) | |
| Jim Bandsuh | .... | illustrator | |
| Leslie N. Beattie | .... | set dresser | |
| Dennis R. Bianchi | .... | signwriter | |
| Marc Bissaillon | .... | carpenter gang boss | |
| Russell Bobbitt | .... | property master | |
| Tracy Bobbitt | .... | assistant property master (as Tracy Kirk-Bobbitt) | |
| Max E. Brehme | .... | swing gang | |
| Rick Broderman | .... | paint gang boss | |
| Ashley Burnham | .... | art department coordinator | |
| Javier Carrillo | .... | construction foreman | |
| Ontiveros Charles | .... | labor foreman | |
| Lisa D. Clampitt | .... | art department production assistant (as Lisa Clampitt) | |
| Timothy J. Cleary | .... | signwriter | |
| Stephanie Cooney | .... | paint decorator gang boss | |
| Francis N. 'Lucky' Costello | .... | stand-by painter (as Frank 'Lucky' Costello) | |
| Joe Couillard | .... | sign supervisor | |
| William Davidson | .... | construction foreman (as Roscoe Davidson) | |
| John Davies | .... | paint gang boss | |
| Dave DeGaetano | .... | construction coordinator (as Dave Degaetano) | |
| Tim Donelan | .... | swing gang | |
| Michael R. Driscoll | .... | set dresser (as Michael Driscoll) | |
| Randy Eriksen | .... | assistant props | |
| Andy Flores | .... | paint foreman (as A.R. Flores) | |
| Carolyn Fox | .... | painter: Mr. Johnson's paintings of Betty | |
| Connie Gage | .... | signwriter | |
| John A. Gomez | .... | signwriter | |
| Will Grant | .... | swing gang | |
| Chris Grantz | .... | set dresser (as H. Chris Grantz) | |
| Ross Gunnell | .... | labor gang boss | |
| Robert M. Hagman | .... | carpenter foreman | |
| Danny Haskell | .... | labor gang boss | |
| John K. Hill | .... | labor foreman | |
| Sean Hood | .... | set dresser | |
| Jack Johnson | .... | illustrator | |
| Jack Kerner | .... | signwriter | |
| Jonas Kirk | .... | carpenter gang boss (as C. Jonas Kirk) | |
| Leslie Kolbeins | .... | carpenter gang boss | |
| Julia K. Levine | .... | set designer | |
| Raphael Lopez | .... | paint gang boss | |
| John Lozano | .... | labor gang boss | |
| Roger Luna | .... | plasterer gang boss | |
| Raul D. Marmol | .... | carpenter foreman | |
| R. Patrick McGee | .... | swing gang (as Robert Patrick McGee) | |
| Andy Mentzer | .... | paint gang boss | |
| Robert Montano | .... | plasterer gang boss | |
| Len Morganti | .... | storyboard artist | |
| Troy Alan Peters | .... | on-set dresser (as Troy Peters) | |
| Mark Poll | .... | set designer | |
| Steven Rigamat | .... | general foreman (as Steve Rigamat) | |
| David Robbie | .... | plaster foreman | |
| John Root | .... | sign painter | |
| David Saltzman | .... | assistant property master | |
| Aaron Sanchez | .... | plasterer gang boss | |
| Michael Sanchez | .... | plaster foreman | |
| Sal Sanchez | .... | plaster foreman | |
| Antonio Santelli | .... | paint decorator gang boss | |
| Mark Satterfield | .... | labor foreman | |
| Dan Schulz | .... | swing gang | |
| Doug Sieck | .... | swing gang (as Douglas Sieck) | |
| Danielle Simpson | .... | set dressing buyer | |
| John Slatsky | .... | set dresser (as John J. Slatsky) | |
| Dawn Snyder | .... | set designer | |
| Paul Stanwyck | .... | head scenic painter (as Paul J. Stanwyck) | |
| Robert L. Thompson | .... | carpenter foreman | |
| Mindy R. Toback | .... | set designer (as Mindi Toback) | |
| Greg Villalva | .... | construction foreman | |
| Timothy S. Wiles | .... | swing gang (as Tim Wiles) | |
| Randall D. Wilkins | .... | set designer (as Randy Wilkins) | |
| Walter Zingelewicz | .... | paint gang boss (as Walter M. Zingelewicz) | |
| David B. Clark | .... | painter (uncredited) | |
| Jim C. Johnson | .... | set dresser (uncredited) | |
| Jeff Khachadoorian | .... | carpenter (uncredited) | |
| Lou Mouneu Sr. | .... | plasterer (uncredited) | |
| Victor M. Shannon | .... | plasterer (uncredited) | |
| Chris Vigeant | .... | set laborer (uncredited) | |
| Bob Warner | .... | painter (uncredited) | |
Special Effects by | |||
| Milt Alvarez | .... | producer: Planet Blue | |
| Dan Clark | .... | machine room technician: Editel | |
| Michael Gaspar | .... | special effects | |
| Melissa Hagman | .... | director of graphics: Editel | |
| Shannon Koczera | .... | dailies telecine: Editel | |
| Richard Moc | .... | systems administrator: Editel | |
| Gregory Nussbaum | .... | machine room technician: Editel | |
| Dan Placencio | .... | telecine assistant: Editel | |
| Barbara Rider | .... | general manager: Editel | |
| Eric Rylander | .... | special effects coordinator | |
| Steve Shea | .... | dailies coordinator: Editel | |
| Al Walton | .... | president: Editel | |
| Christine Onesky | .... | special effects (uncredited) | |
| Gary Zink | .... | special effects (uncredited) | |
Visual Effects by | |||
| Jason Adams | .... | lightning recorder operator: Cinesite Digital Imaging | |
| Amirouche Allaoua | .... | production assistant: Pleasantville Visual Effects | |
| Angela Angove | .... | scanning and recording producer: Cinesite Digital Imaging | |
| Travis Baumann | .... | digital effects artist: CFC | |
| Karel Beck | .... | digital color artist: Pleasantville Visual Effects | |
| Jenny Behnke | .... | data I/O operator: CFC | |
| Susana Bentsen | .... | digital artist: Cinesite Digital Studios (as Susana Slaughter) | |
| Stella Bogh | .... | digital effects artist: CFC | |
| Rik Bomberger | .... | computer support: Cinesite Digital Imaging | |
| Logan Breit | .... | visual effects editor | |
| Shawn Broes | .... | digital effects editor: Cinesite Digital Imaging | |
| Bruce Bullock | .... | scanning coordinator: Cinesite Digital Imaging | |
| Floyd Burks | .... | lightning recorder operator: Cinesite Digital Imaging | |
| Sean Callan | .... | data I/O supervisor: Pleasantville Visual Effects | |
| George Callins | .... | lightning recorder operator: Cinesite Digital Imaging | |
| Ozzie Carmona | .... | color compositing: Pleasantville Visual Effects | |
| Richard Cassel | .... | spirit datacine colorist: Cinesite Digital Imaging | |
| Dale Caughey | .... | recording engineer: Cinesite Digital Imaging | |
| Estee Chandler | .... | visual effects producer: Pleasantville Visual Effects (as estee chandler) | |
| Ryan Chan | .... | production assistant: Pleasantville Visual Effects | |
| Glenn Clyatt | .... | digital color artist: Pleasantville Visual Effects | |
| Jerry Clyatt | .... | digital color artist: Pleasantville Visual Effects | |
| Bill Coffin | .... | Inferno artist: Editel (as Bill Coffin) | |
| Vicki Collins | .... | video color artist: Pleasantville Visual Effects | |
| Nicolle Cornute | .... | data I/O operator: CFC | |
| Erin M. Cullen | .... | digital artist: Cinesite Digital Studios | |
| Chris DeAngelis | .... | editor: EFilm (as Christopher DeAngelis) | |
| Matt Dessero | .... | digital effects artist: CFC | |
| Hugo Dominguez | .... | senior digital color artist: Pleasantville Visual Effects | |
| Jake Doran | .... | production assistant: Pleasantville Visual Effects | |
| Jason Dost | .... | lightning recorder operator: Cinesite Digital Imaging | |
| Joe Dubs | .... | digital artist: Cinesite Digital Studios | |
| Susan Evans | .... | digital effects artist: CFC | |
| Lola Feiner | .... | color timer: Hollywood Film & Video | |
| Bob Fernley | .... | digital imaging supervisor: Cinesite Digital Imaging | |
| Fortunato Frattasio | .... | digital effects artist: CFC (as Fortunato Fratassio) | |
| Janet Freedland | .... | senior digital color artist: Pleasantville Visual Effects | |
| Mike Frevert | .... | digital artist: Cinesite Digital Studios | |
| David Fuhrer | .... | digital artist: CFC (as Dave Fuhrer) | |
| Susan Fuller | .... | digital color production manager: Pleasantville Visual Effects | |
| Gil Gagnon | .... | executive producer: Cinesite Digital Studios | |
| Dawn Gates | .... | digital color artist: Pleasantville Visual Effects | |
| Alain Germain | .... | lightning recorder operator: Cinesite Digital Imaging | |
| Tim Gibbons | .... | digital artist: Cinesite Digital Studios | |
| Mark Girard | .... | datacine engineer: Cinesite Digital Imaging | |
| Andrew Goldstein | .... | digital artist: Cinesite Digital Studios | |
| Gilbert Gonzales | .... | digital artist: Cinesite Digital Studios | |
| Nicolle Gray | .... | data I/O operator: CFC | |
| Glen Gustafson | .... | lightning recorder operator: Cinesite Digital Imaging (as Glen Gustufson) | |
| Bruce Halstead | .... | digital color correction: EFilm | |
| Max Harris | .... | Inferno artist: Editel | |
| Christine Lojko Haslett | .... | editor: EFilm | |
| David Hays | .... | senior producer: EFilm | |
| Carrie Holecek | .... | producer: EFilm | |
| Mark Hopper | .... | digital color artist: Pleasantville Visual Effects | |
| Carl Jacobson | .... | lightning recorder operator: Cinesite Digital Imaging | |
| Marvin Jones | .... | digital color artist: Pleasantville Visual Effects | |
| Lisa Kahatriya | .... | rotoscope artist: Pleasantville Visual Effects | |
| Ron Kallsen | .... | senior digital compositor: Pleasantville Visual Effects | |
| Timothy Keller | .... | senior digital color artist: Pleasantville Visual Effects | |
| Karen Klein | .... | rotoscope supervisor: Cinesite Digital Studios | |
| Don Lee | .... | Inferno artist: Editel | |
| Dan Levitan | .... | digital artist: Cinesite Digital Studios | |
| Mark Tait Lewis | .... | digital artist: Cinesite Digital Studios (as Mark Lewis) | |
| Carl Loeffler | .... | technical director: CFC | |
| Matt Magnolia | .... | visual effects editorial: CFC | |
| Julius Magodo | .... | digital artist: Cinesite Digital Studios | |
| Thomas Mathai | .... | data manager: EFilm | |
| George McCarthy | .... | visual effects assistant editor | |
| Nathan McGuinness | .... | digital compositing artist: Planet Blue | |
| Alex Moradian | .... | president: Hollywood Film & Video | |
| Marc G. Nanjo | .... | digital paint artist: Pleasantville Visual Effects | |
| Son Kim Nguyen | .... | production assistant: Pleasantville Visual Effects (as Son Nguyen) | |
| George Oliver | .... | digital artist: Cinesite Digital Studios (as George Edwin Oliver Jr.) | |
| Gregory Plotkin | .... | visual effects assistant editor | |
| Corinne Pooler | .... | digital paint supervisor: Cinesite Digital Studios | |
| Mark Robben | .... | digital compositor: Editel | |
| Stanton Rutledge | .... | color effects software consultant: Pleasantville Visual Effects | |
| Kevin Schwab | .... | lightning recorder supervisor: Cinesite Digital Imaging | |
| Wayne A. Shepherd | .... | previsualization compositor: Editel (as Wayne Shepherd) | |
| Janette Shew | .... | visual effects producer: Editel | |
| Wally Shidler | .... | film technician: Hollywood Film & Video | |
| Janek Sirrs | .... | visual effects consultant: Pleasantville Visual Effects | |
| Thomas J. Smith | .... | digital effects supervisor: Cinesite | |
| Tomme B. Stanley | .... | data I/O operator: CFC (as Tomme Stanley) | |
| Dave St. Clair | .... | technical director: EFilm | |
| Mark Sullivan | .... | digital matte paintings: Compound Eye | |
| Jessica Trento | .... | digital effects producer: Cinesite Digital Studios | |
| James Valentine | .... | rotoscope artist: Pleasantville Visual Effects | |
| Bronwyn Waddington | .... | visual effects coordinator: Pleasantville Visual Effects | |
| John Watson | .... | data I/O operator: CFC | |
| Chris Watts | .... | visual effects supervisor | |
| Jennifer Weinberg | .... | digital color production manager: Pleasantville Visual Effects | |
| Sly West | .... | recording coordinator: Cinesite Digital Imaging | |
| Lauralee Wiseman | .... | facility manager: Pleasantville Visual Effects | |
| Janet Yale | .... | producer: CFC | |
| Raymond Yeung | .... | chief scientist: Pleasantville Visual Effects | |
| Raymond Yeung | .... | software development: Pleasantville Visual Effects | |
| Jackson Yu | .... | datacine I/O operator: Cinesite Digital Imaging | |
| Robert Chapin | .... | visual effects (uncredited) | |
| Tim T. Cunningham | .... | visual effects (uncredited) | |
| Tim Jacobsen | .... | visual effects coordinator (uncredited) | |
| Vincent Lavares | .... | technical assistant supervisor (uncredited) | |
| Valerie McMahon | .... | digital artist (uncredited) | |
| Matt Merkovich | .... | digital artist (uncredited) | |
| Cristin Pescosolido | .... | digital compositor (uncredited) | |
| Tristan Tom | .... | technical support: Cinesite (uncredited) | |
Stunts | |||
| Jacob Chambers | .... | stunts | |
| Chris O'Hara | .... | stunts | |
| Chris O'Hara | .... | utility stunts | |
| Ernie F. Orsatti | .... | stunt coordinator (as Ernie Orsatti) | |
| Noon Orsatti | .... | stunts | |
| Eddie Yansick | .... | stunts | |
Camera and Electrical Department | |||
| Chris Ahern | .... | lamp operator (as Christopher Ahern) | |
| Mathias Aschkynazo | .... | video assist operator | |
| Gary A. Beaird | .... | grip (as Gary 'Bullet' Beaird Jr.) | |
| Craig Brown | .... | grip | |
| Aaron Bryson | .... | camera loader | |
| Mark Burnett | .... | video engineer | |
| Kyle Carden | .... | grip | |
| Richard L. Carden | .... | dolly grip (as Rick Carden) | |
| Ted Chu | .... | first assistant camera: "a" camera | |
| Joseph P. Clem | .... | lamp operator (as Joseph Clem) | |
| Henry Cline | .... | camera operator: "b" camera | |
| Raul Colletta | .... | video playback operator | |
| Rick Colosimo | .... | grip | |
| Chris Culliton | .... | lamp operator | |
| John L. Dardis | .... | lamp operator (as John Dardis) | |
| Willie E. Dawkins | .... | lamp operator (as Willie Dawkins) | |
| Douglas A. Degrazzio | .... | video playback operator (as Doug DeGrazzio) | |
| Craig Doobie | .... | key rigging grip | |
| Ross Dunkerley | .... | lamp operator | |
| Kenneth Estes | .... | video playback operator | |
| Ken Ferris | .... | camera operator: "a" camera | |
| Joseph Graham | .... | key rigging grip | |
| Thad Hall | .... | lamp operator (as Thaddeus Hall) | |
| Brent Lon Hershman | .... | second assistant camera: "a" camera | |
| Steve Hoch | .... | grip | |
| Jay Johnson | .... | best boy electric | |
| Roger C. Johnson | .... | video assist operator (as Roger Johnson) | |
| Lawrence Karman | .... | camera operator: "b" camera | |
| Joe Kelly | .... | grip | |
| Ronald Kline | .... | rigging best boy electric | |
| Patricia Lee | .... | rigging gaffer | |
| Lonnie Leslie | .... | grip | |
| Rob Lewbel | .... | rigging best boy electric | |
| Mark A. Lindsay | .... | lamp operator (as Mark Lindsay) | |
| Mark Marcom | .... | video playback operator (as Mark L. Marcum) | |
| Bruce McCleery | .... | gaffer (as Robert Bruce McCleery) | |
| Stephen McGehee | .... | lamp operator | |
| Jess Mexia | .... | grip | |
| Glenn E. Moran | .... | lamp operator (as Glenn Moran) | |
| Ralph Nelson | .... | still photographer | |
| Paul Plannette | .... | first assistant camera: "b" camera (as Paul Planette) | |
| Christopher Prampin | .... | rigging gaffer | |
| Chris Reddish | .... | lamp operator | |
| Rusty Reilly | .... | best boy grip | |
| Alex Rodriguez | .... | lamp operator | |
| Art Schwab | .... | first assistant camera: "b" camera | |
| Jim Shelton | .... | key grip | |
| Michael Shugrue | .... | video playback operator (as Michael Shugrve) | |
| David W. Slodki | .... | lamp operator (as Dave Slodki) | |
| Jeffrey P. Soderberg | .... | rigging gaffer (as Jeff Soderberg) | |
| Tim Speed | .... | lamp operator | |
| Baird Steptoe | .... | first assistant camera (as Baird Steptoe Sr.) | |
| Ira Toles | .... | video playback operator (as Ira D. Toles) | |
| Susan Turcot | .... | lamp operator | |
| Kristopher Van Over | .... | second assistant camera: "a" camera (as Kristopher Vanover) | |
| Wilma Wong | .... | camera loader | |
| Wilma Wong | .... | second assistant camera: "b" camera | |
| John Young | .... | camera loader | |
| John Young | .... | second assistant camera: "b" camera | |
| James W. Apted | .... | assistant camera (uncredited) | |
| Camille Freer | .... | additional second assistant camera (uncredited) | |
| Bradley Richard | .... | second assistant camera: second unit (uncredited) | |
Animation Department | |||
| Michael Southard | .... | color effects designer | |
Casting Department | |||
| David Anthony | .... | extras casting | |
| Judy Cook | .... | extras casting | |
| Jane DeVries Cooper | .... | casting assistant | |
| Barbara Harris | .... | voice casting | |
| Vivian Hasbrouk | .... | casting assistant (as Vivian Lynn Hasbrouk) | |
| Lise Hayden | .... | casting assistant (as Lisa Hayden) | |
| Terri Taylor | .... | casting assistant | |
| Chadwick Cohn | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Charlene Amateau | .... | costumer | |
| Betty Besio | .... | costumer (as Elizabeth Besio) | |
| Cynthia Black | .... | key costumer: women | |
| Roberto Carneiro | .... | costumer | |
| Sharon Iris Crall | .... | costumer: women | |
| David Davenport | .... | key costumer: men | |
| Dallas D. Dornan | .... | costumer | |
| Marina Marit | .... | costumer | |
| Kathy Monderine | .... | costumer | |
| Parker Poole | .... | costumer (as C. Parker Poole) | |
| Jerry M. Ross | .... | costumer | |
| Eric H. Sandberg | .... | costume supervisor (as Eric Sandberg) | |
| Ivette Silberman | .... | costumer | |
| Michael Tereschuk | .... | cutter/fitter | |
| Lisa Tomczeszyn | .... | assistant costume designer | |
| Debbie Travis | .... | costumer (as Deborah Lynn Travis) | |
| Randy Manion | .... | wardrobe production assistant (uncredited) | |
| Jerry Ross | .... | wardrobe (uncredited) | |
| Roland Sanchez | .... | wardrobe assistant (uncredited) | |
Editorial Department | |||
| Michel Aller | .... | assistant editor | |
| Jennifer Neysa Jew | .... | assistant editor | |
| Robert Komatsu | .... | associate editor | |
| Jody Levin | .... | executive in charge of post-production | |
| Ray Neapolitan | .... | assistant editor | |
| Jim Passon | .... | color timer | |
| Siobhan Prior | .... | apprentice editor | |
| Jay Vinitsky | .... | post-production coordinator | |
| D. Todd Deeken | .... | post-production services: New Line (uncredited) | |
| Adam C. Frank | .... | assistant editor (uncredited) | |
| Michael J. Harker | .... | post-production consultant: pre-production (uncredited) | |
| Jim O'Hagan | .... | on-line editor (uncredited) | |
| Mike Sowa | .... | digital color timer (uncredited) | |
Music Department | |||
| Christopher Brooks | .... | music editor (as Chris Brooks) | |
| Lisa Brown | .... | music coordinator | |
| Bruno Coon | .... | music editor | |
| Don Davis | .... | orchestrator | |
| Sandy DeCrescent | .... | music contractor | |
| James Flamberg | .... | music editor (as Jim Flamberg) | |
| Bonnie Greenberg | .... | music supervisor | |
| Mark Kaufman | .... | music clearance executive | |
| Jay B. Richardson | .... | music editor | |
| Dennis S. Sands | .... | music scoring mixer (as Dennis Sands) | |
| Dana Sano | .... | music executive | |
| Lori Silfen | .... | music business affairs executive | |
| Bruno Coon | .... | composer: additional music (uncredited) | |
Thanks | |||
| Brent Lon Hershman | .... | dedicatee | |
| Gail Ross | .... | dedicatee | |
| J.T. Walsh | .... | dedicatee | |
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I like this film. It's different. It invites the viewer to think about, and ponder, concepts like morality and values, stereotypes, fear, and social change. Each person will come away with his or her own interpretation of the film's "meaning". And this "meaning" will be consistent, no doubt, with the viewer's own life experiences, values, and belief system.
I consider "Pleasantville" to be a quasi-sci-fi film, one that I think Aldous Huxley and Rod Serling would both approve of.
The film does seem to get bogged down in the middle. It overplays the sex angle. And I could wish for more 1950's rock and roll music. But the acting is fine, especially the performance of Joan Allen. And the lighting is very well done.
Overall, I was pleasantly surprised that a film made in the last ten years could be as original, as cerebral, and as under-stated as "Pleasantville".