| Photos (see all 49 | slideshow) | Videos (see all 3) |
| Mel Gibson | ... | Porter | |
| Gregg Henry | ... | Val Resnick | |
| Maria Bello | ... | Rosie | |
| David Paymer | ... | Arthur Stegman | |
| Bill Duke | ... | Det. Hicks | |
| Deborah Kara Unger | ... | Mrs. Lynn Porter | |
| John Glover | ... | Phil | |
| William Devane | ... | Carter | |
| Lucy Liu | ... | Pearl (as Lucy Alexis Liu) | |
| Jack Conley | ... | Det. Leary | |
| Kris Kristofferson | ... | Bronson | |
| Mark Alfa | ... | Johnny's Friend #2 | |
| Kwame Amoaku | ... | Radioman | |
| Justin Ashforth | ... | Michael, Bartender #1 | |
| Len Bajenski | ... | Fairfax Bodyguard #1 | |
| Kate Buddeke | ... | Counter Girl | |
| Price Carson | ... | Bronson's Heavy #1 | |
| Roddy Chiong | ... | Chow's Thug #2 | |
| Art Cohan | ... | Bronson's Heavy #2 | |
| Andrew Cooper | ... | Whipping Boy | |
| James Deuter | ... | Tailor | |
| Doc Duhame | ... | Fatboy | |
| David Dunard | ... | Doctor | |
| Nathan Effron | ... | Johnny's Friend #1 | |
| Tom Equin | ... | Razor Clean #1 | |
| Brian Heinberg | ... | Bartender #2 | |
| Alex Henteloff | ... | Varrick's Manager | |
| Jeff Imada | ... | Chow's Bodyguard | |
| Michael Park Ingram | ... | Chow's Thug #1 (as Michael Ingram) | |
| Robert Kim | ... | Chow's Courier | |
| Robert Kurcz | ... | Oakwood Arms Manager | |
| Turk Muller | ... | Black Suit | |
| Chet Nichols | ... | Oakwood Arms Tough #1 | |
| George O'Mara | ... | Driver | |
| Yasen Peyankov | ... | Panhandler | |
| Ed Pfeifer | ... | Edward Johnson | |
| Katrina Phillips | ... | Bank Teller | |
| Freddy Rodríguez | ... | Punk Messenger | |
| Michael Skewes | ... | Fairfax Bodyguard #2 | |
| Alex Skuby | ... | Oakwood Arms Tough #2 | |
| Trevor St. John | ... | Johnny Bronson | |
| Lee Stepp | ... | Bar Patron | |
| Daniel Patrick Sullivan | ... | Razor Clean #2 | |
| Tedd Taskey | ... | Waiter | |
| Manu Tupou | ... | Pawnbroker | |
| Marc Vann | ... | Gray | |
| rest of cast listed alphabetically: | |||
| Yûichi Hibi | ... | Gang | |
| Elizabeth Berridge | ... | Hooker in Bar (uncredited) | |
| Michael Chinn | ... | Mr. Obvious (uncredited) | |
| James Coburn | ... | Justin Fairfax (uncredited) | |
| Joe DeVito | ... | Bank Patron (uncredited) | |
| Dani Miura | ... | School Girl (uncredited) | |
| David Tweet | ... | Haskell (uncredited) | |
| Jovanna Vitiello | ... | Waitress (uncredited) | |
Directed by | |||
| Brian Helgeland | |||
| John Myhre | (reshoots) (uncredited) | ||
Writing credits | ||
| Donald E. Westlake | (novel "The Hunter") (as Richard Stark) | |
| Brian Helgeland | (screenplay) and | |
| Terry Hayes | (screenplay) theatrical cut | |
Produced by | |||
| Bruce Davey | .... | producer | |
| Stephen McEveety | .... | executive producer | |
Original Music by | |||
| Chris Boardman | |||
Cinematography by | |||
| Ericson Core | (director of photography) | ||
Film Editing by | |||
| Kevin Stitt | |||
Casting by | |||
| Marion Dougherty | |||
Production Design by | |||
| Richard Hoover | |||
Art Direction by | |||
| Troy Sizemore | |||
Set Decoration by | |||
| Sandy Struth | |||
Costume Design by | |||
| Ha Nguyen | |||
Makeup Department | |||
| Jennifer Bell | .... | hair stylist | |
| Mindy Hall | .... | makeup artist | |
| Julie Hewett | .... | makeup artist | |
| Medusah | .... | hair stylist | |
| Matthew W. Mungle | .... | special makeup prosthetics | |
| Carrey Gibbons | .... | makeup artist (uncredited) | |
Production Management | |||
| Jim Lemley | .... | unit production manager | |
| Pamela Thur | .... | production manager: New York | |
Second Unit Director or Assistant Director | |||
| Mark Cotone | .... | first assistant director | |
| Jennifer D'Angelo Kircher | .... | second assistant director: second unit | |
| Vince Duque | .... | dga trainee | |
| Forrest L. Futrell | .... | first assistant director: second unit | |
| Franklyn Gottbetter | .... | additional second second assistant director: Chicago | |
| Jayson Merrill | .... | second second assistant director: Chicago | |
| Laura Nisbet | .... | second assistant director | |
| Mic Rodgers | .... | second unit director | |
Art Department | |||
| Ayenne J. Applebaum | .... | lead scenic artist (as Ayenne Applebaum) | |
| George Atamian | .... | swing gang | |
| Luc Bamberger | .... | swing gang | |
| Adam L. Barker | .... | plaster foreman | |
| Jenny Baum | .... | on-set dresser | |
| Victor Bazaz | .... | swing gang | |
| Rick Bioni | .... | assistant property master | |
| Chris Carriveau | .... | lead man | |
| Kenneth Carriveau | .... | swing gang | |
| Harry Conrad Chitwood | .... | construction coordinator (as Conrad Chitwood) | |
| Daniel B. Clancy | .... | set decorator: Chicago | |
| Gina B. Cranham | .... | set designer | |
| William Dambra | .... | assistant props: Chicago | |
| Cece Destefano | .... | art department coordinator: Chicago (as Cecele DeStefano) | |
| Barry Franenberg | .... | property master | |
| Joanna S. Frank | .... | art department assistant: Chicago (as Joanna Mickey) | |
| Brenner Hugh Harris | .... | swing gang | |
| Ronald O. Jaynes | .... | construction foreman | |
| John P. Kenny III | .... | construction coordinator: Chicago | |
| Quentin Matthys | .... | on-set dresser: Chicago | |
| Caty Maxey | .... | art director: Chicago | |
| Mark Meloccaro | .... | construction estimator | |
| John Mikels | .... | stand-by painter: Chicago | |
| S. Quinn | .... | art department coordinator | |
| Adam Scher | .... | set designer | |
| Brent White | .... | stand-by painter | |
| Tim Wilp | .... | head painter: Chicago | |
| Jason Wolf | .... | assistant property master | |
| Anthony Joseph Fatigato | .... | painter (uncredited) | |
| Terry Kempf | .... | property maker (uncredited) | |
| Mike Monckton | .... | lead signwriter (uncredited) | |
| Steven C. Voll | .... | general foreman: re-shoot (uncredited) | |
| Jack White | .... | food stylist (uncredited) | |
Sound Department | |||
| John K. Adams | .... | sound editor | |
| Bobbi Banks | .... | dialogue editor (as Bobbie Banks) | |
| Bill W. Benton | .... | sound re-recording mixer | |
| Beth Bergeron | .... | dialogue editor | |
| Dave Bergstrom | .... | sound re-recording stage engineer | |
| Keith Bilderbeck | .... | sound editor | |
| Trip Brock | .... | dialogue editor | |
| Weldon Brown | .... | adr mixer | |
| Chris Carpenter | .... | sound re-recording mixer | |
| Michael Chandler | .... | sound editor | |
| Dominique Decaudain | .... | foley artist | |
| Dean Drabin | .... | narration mixer | |
| Stephanie Flack | .... | dialogue editor | |
| Cindy Jo Hinkleman | .... | assistant sound editor | |
| Jon Johnson | .... | sound supervisor | |
| Rick Kline | .... | sound re-recording mixer | |
| Bill Meadows | .... | sound recordist | |
| Geoffrey Patterson | .... | production sound mixer (as Geoffrey Lucius Patterson) | |
| Miguel Rivera | .... | sound editor | |
| Kyle Rochlin | .... | foley mixer | |
| Carolyn Sauer | .... | adr recordist | |
| Solange S. Schwalbe | .... | dialogue editor (as Solange Schwalbe) | |
| Edward M. Steidele | .... | foley artist (as Ed Steidele) | |
| Mark Steinbeck | .... | boom operator (as Mark D. Steinbeck) | |
| Bruce Stubblefield | .... | sound supervisor | |
| Thomas Thoms | .... | utility sound technician (as Thomas P. Thoms) | |
| Robert Troy | .... | dialogue editor | |
| Tim Webb | .... | sound recordist | |
| Ben Wilkins | .... | sound editor | |
| Jeffrey A. Williams | .... | utility sound technician: Chicago (as Jeff Williams) | |
| Chris Winter | .... | assistant sound editor | |
| Gary Coppola | .... | foley mixer (uncredited) | |
| Earl Martin | .... | foley recordist (uncredited) | |
Special Effects by | |||
| Michael Ahasay | .... | special effects technician: Chicago (as Mike Ahasay) | |
| Blair Foord | .... | special effects technician (as Blair F. Foord) | |
| Frank Krenmuller | .... | special effects technician: Chicago | |
| Bob Stoker | .... | special effects supervisor | |
| Mario Vanillo | .... | special effects technician | |
Visual Effects by | |||
| Janet Quen | .... | digital effects artist | |
| Brian Begun | .... | digital effects compositor: POP Film (uncredited) | |
| Mark Spatny | .... | visual effects production manager (uncredited) | |
Stunts | |||
| Raymond W. Beal | .... | stunts | |
| Tobiasz Daszkiewicz | .... | stunts | |
| Angela Devita | .... | stunts | |
| Kenny Endoso | .... | stunts | |
| James Fierro | .... | stunts | |
| Joe Gaspar | .... | stunts | |
| Lance Gilbert | .... | stunts | |
| Tim Gilbert | .... | stunts | |
| Matt Johnston | .... | stunts | |
| Rick Le Fevour | .... | stunts | |
| Billy D. Lucas | .... | stunts (as Billy Lucas) | |
| Daniel Maldonado | .... | stunts | |
| John Meier | .... | stunts | |
| Linda Perlin | .... | stunts | |
| Jimmy N. Roberts | .... | stunts | |
| Mic Rodgers | .... | stunt coordinator | |
| Pat Romano | .... | stunts | |
| Mark Roscoe | .... | stunts | |
| James Ryan | .... | stunts | |
| Bobby Stuart | .... | stunts (as Bob Stuart) | |
| Keith Tellez | .... | stunts | |
| Mic Rodgers | .... | stunt double: Mr. Gibson (uncredited) | |
Casting Department | |||
| Terrence Harris | .... | casting associate | |
| Douglas Wright | .... | casting associate | |
| Byron Crystal | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Charlene Amateau | .... | set costumer | |
| Patrick Caulfield | .... | set costumer: Chicago | |
| Gretchen Gain | .... | set costumer: Chicago | |
| Kimberly Guenther | .... | costume supervisor | |
| Molly Mitchell | .... | key costumer | |
Editorial Department | |||
| Dennis McNeill | .... | color timer (as Denny McNeill) | |
| Peter McNulty | .... | assistant editor: avid | |
| Theresa Repola Mohammed | .... | negative cutter | |
| Frank G. Urioste | .... | apprentice editor | |
| Marianne Urioste | .... | first assistant editor | |
| David Tweet | .... | assistant film editor (uncredited) | |
Music Department | |||
| Mendel Baylitz | .... | musician: sophistifunk band | |
| Greg Bissonette | .... | musician: sophistifunk band | |
| Chris Boardman | .... | orchestrator | |
| Luis Conte | .... | musician: sophistifunk band | |
| David Culiner | .... | executive in charge of music: Icon Productions | |
| Arlene Fishbach | .... | music clearances | |
| Steve Forman | .... | musician: sophistifunk band | |
| John Goux | .... | musician: guitar solos | |
| Jim Harrison | .... | supervising music editor | |
| Brian Mann | .... | assistant music producer | |
| John Richards | .... | scoring mixer | |
| William Ross | .... | orchestrator | |
| Michael T. Ryan | .... | supervising music editor | |
| Neil Stubenhaus | .... | musician: sophistifunk band | |
| Jeanette Surga | .... | additional music editor | |
| Frank Wolf | .... | scoring mixer | |
| Patti Zimmitti | .... | orchestra contractor | |
| Thomas Vicari | .... | music scoring mixer (uncredited) | |
Transportation Department | |||
| Charley Bob Burnham | .... | transportation coordinator | |
| James F. Hogan | .... | transportation captain: Chicago | |
| Brenda Ryan | .... | driver | |
| Lee Stepp | .... | transportation captain | |
| Gina August | .... | driver (uncredited) | |
| Michael R. Cairo | .... | driver: Chicago second unit (uncredited) | |
| Michael Forte | .... | driver: Mel Gibson (uncredited) | |
| Jody Kreinbrink | .... | transportation (uncredited) | |
| Brita McCollough | .... | driver (uncredited) | |
| Thomas O'Donnell | .... | mobile lighting operator (uncredited) | |
| Robert Wallace | .... | driver (uncredited) | |
Thanks | |||
| Michael Segal | .... | special thanks | |
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Mel (as Parker aka Porter) is a bad guy who comes across as a good guy because everyone else in this flic is even more nasty than he is. It's a simple play on perspective not often utilized in the movies. Usually, the hero is A HERO, white hat and all, even with a few quirks or deficiencies to his character. Not so, here. And the key to the whole picture is buying into Mel as a bad man, all despite his many years in heroic roles beforehand. It works very well, especially in the beginning, where it really needed to. There's an early scene during the credits where Mel forces himself to smile in a mirror, as preparation for putting forth his 'best face' to a teller at a bank. One gets the impression this really is a man unaccustomed to smiling, a sour, angry man. The early scenes also recall the beginning of "Miami Blues," that being a criminal swooping into town and wasting no time in bringing a little terror & hardship on certain select bystanders. There's a danger, in a film sense, of satirizing such moments too much, to the point of slapstick comedy - rather than dark comedy, which it really is. But Mel doesn't mess around here: he means business, bashing scum left & right, and blowing 'em away as he moves up the ladder of an organized crime organization. The rest of the cast is top-notch, by the way. The casting directors must have had a field day on this one. Then Mel himself is beaten; the whole theme of the movie seems to be about pain: how much one can stand; how much one can dish out. It ends up being very cathartic. The cinematography also helps this picture: the photography is quite stark,ultra-crisp, adding to the 'punch' of the whole show. The lines on Mel's face are deeper than ever; he seems to carry years of pain there. And years of guilt, maybe.