IMDb > Out of Sight (1998)
Out of Sight
Quicklinks
Top Links
trailers and videosfull cast and crewtriviaofficial sitesmemorable quotes
Overview
main detailscombined detailsfull cast and crewcompany creditstv schedule
Awards & Reviews
user commentsexternal reviewsnewsgroup reviewsawardsuser ratingsparents guiderecommendationsmessage board
Plot & Quotes
plot summarysynopsisplot keywordsAmazon.com summarymemorable quotes
Fun Stuff
triviagoofssoundtrack listingcrazy creditsalternate versionsmovie connectionsFAQ
Other Info
merchandising linksbox office/businessrelease datesfilming locationstechnical specslaserdisc detailsDVD detailsliterature listingsNewsDesk
Promotional
taglines trailers and videos posters photo gallery
External Links
showtimesofficial sitesmiscellaneousphotographssound clipsvideo clips

Out of Sight (1998) More at IMDbPro »

Photos (see all 103 | slideshow) Videos (see all 12)
Out of Sight (1998) -- A career bank robber breaks out of jail and shares a moment of mutual attraction with a US Marshall he has kidnapped.
Out of Sight (1998) -- Jack has to get into a fist fight after he runs out of bullets.
Out of Sight (1998) -- Revived public interest in the presidential campaign is a good thing, says Bob Schieffer.  But he worries that the media's focus needs to return to the war in Iraq and the rising death toll there.
Out of Sight (1998) -- A career bank robber breaks out of jail and shares a moment of mutual attraction with a US Marshall he has kidnapped.
Out of Sight (1998) -- MattTrailer.com - Trailer (Flash)

Overview

User Rating:
7.2/10   35,905 votes
MOVIEmeter: ?
Down 13% in popularity this week. See why on IMDbPro.
Director:
Writers (WGA):
Elmore Leonard (novel)
Scott Frank (screenplay)
Contact:
View company contact information for Out of Sight on IMDbPro.
Release Date:
26 June 1998 (USA) more
Tagline:
Opposites attract.
Plot:
A career bank robber breaks out of jail and shares a moment of mutual attraction with a US Marshall he has kidnapped. full summary | full synopsis
Awards:
Nominated for 2 Oscars. Another 11 wins & 6 nominations more
User Comments:
Yes, that's right...this movie is "Out of Sight". more (281 total)

Cast

  (Cast overview, first billed only)
Create a character page for: ?

Additional Details

MPAA:
Rated R for language and some strong violence.
Runtime:
123 min
Country:
Language:
Color:
Aspect Ratio:
1.85 : 1 more
Certification:
Filming Locations:
Company:

Fun Stuff

Trivia:
In November 2008, Entertainment Weekly magazine ranked Out of Sight (1998) as #1 in their list of sexiest movies ever. more
Goofs:
Continuity: The holes that Karen shoots in the trunk of the car have disappeared by the time she gets out. more
Quotes:
Jack Foley: Where's your sunglasses? Did somebody finally step on them for you? more
Movie Connections:
Soundtrack:
You Got It more

FAQ

This FAQ is empty. Add the first question.
50 out of 64 people found the following comment useful.
Yes, that's right...this movie is "Out of Sight"., 15 December 2004
8/10
Author: P Carr (pavel@fan.com) from Topeka, KS

When released in 1998, "Out of Sight" was Steven Soderburgh's most mainstream film to date, after he burst onto the indie scene a decade earlier with "Sex, Lies, and Videotape". Based upon the novel by Elmore Leonard ("Get Shorty", "Jackie Brown"), the movie tells the tale of odd couple Jack Foley (George Clooney), a career criminal, and federal marshall Karen Sisco (Jennifer Lopez). After a unique first encounter, their paths continue intersecting, with various degrees of intent, to comprise the bulk of the story.

Similar to the Soderburgh-helmed "Ocean's Eleven", "Out of Sight" blends the standard apples and oranges of genres into a delicious smoothie. This is a drama, minus the driving intensity, light-hearted enough to pass as a comedy. It's a comedy, but not of the HAHA sort. The humor lies in things like Clooney's glances, JLo's relationship dilemmas, the paradox of Ving Rhames' self-righteous thief, and the sheer absurdity of Don Cheadle's gangsta. It's also a romance and a cop-and-robber story, but neither love nor crime is the whole point. All of these pieces unite to form a fantastic puzzle of a picture.

The tasty complexity is further deepened by the non-linear storytelling technique. Flashing backward here and there throughout the film is a good choice because the viewer can only fully understand the previous events with the 20/20 vision of hindsight. Plus it eliminates what could have been a painful first half hour of exposition, instead spreading the backstory through the rest of the film.

The stylistic singular color palettes for different locations that Soderburgh later used magnificently in "Traffic" are present here as well. From bright sun-drenched Florida to the ice cold blues of Detroit, this technique serves as virtual atmosphere, allowing one to determine the geography even without the convenience of titles. In a non-linear film like this, that ease in recognizing time and place facilitates comprehension of what is happening when. Unique among Soderburgh's work (to my recollection) is the film's use of occasional freeze frames. Stopping the picture for just a second or two, Soderburgh gently identifies poignant moments, obvious or not, allowing an extra moment to deservedly linger on them.

With the high technical accomplishments, the acting almost doesn't matter, but the slightly understated method works wonders. Clooney is his usual suave self, complete with snappy dialogue and a cornucopia of confidence. In a role that "Enough" can only dream about, JLo almost looks like a real actress (joke). She is absent her too-common ditziness and easily holds her own, despite being a tad too glamorous. Rhames, Cheadle, and Albert Brooks are their usual solid selves, playing parts both similar and drastically different from their wheelhouses. Everyone seems to have perspective in their parts, not utilizing excessive gravity or levity, but rather hitting the appropriate notes as they inhabit their roles to perfection. Ultimately you believe all of these actors in their parts, even if JLo's skirts are entirely too short for a federal agent.

Like "Ocean's Eleven", "Out of Sight" is a very good film, merging quality in all aspects of film-making into a fully enjoyable two hour experience. The main themes of crime and love are basic, so the movie doesn't soar to remarkable heights. But if you're looking for a brilliantly made film that you might have missed on its theatrical run, espy Out of Sight and settle in for a quirkily involving night. If you saw it a few years back, check it out again to see Soderburgh's foundation for his own excellence.

Bottom Line: A wholly absorbing movie that serves as a film-making clinic of brilliance. 8 of 10.

Was the above comment useful to you?
more (281 total)

Message Boards

Discuss this movie with other users on IMDb message board for Out of Sight (1998)
Recent Posts (updated daily)User
The worst commentary track ever ? klintoneastwood
Song? After Fight The Power Part 2 GFunkEra
Far better than both Jackie Brown and Get Shorty luks-11
Isiah Washington Has The Best Line In This Film. ChairmanOfTheBored
Buddy and Road Dogs Question. SPOILER brennannuts
Could not find this movie in any store.... jberglund73
more

Recommendations

If you enjoyed this title, our database also recommends:
- - - - -
Du rififi chez les hommes Deadly Is the Female Kiss Kiss Bang Bang Pulp Fiction American Psycho
IMDb User Rating:
IMDb User Rating:
IMDb User Rating:
IMDb User Rating:
IMDb User Rating:
Show more recommendations

Related Links

Full cast and crew Company credits External reviews
News articles IMDb Comedy section IMDb USA section
Add this title to MyMovies

You may report errors and omissions on this page to the IMDb database managers. They will be examined and if approved will be included in a future update. Clicking the 'Update' button will take you through a step-by-step process.