| Photos (see all 2 | slideshow) |
| Elon Gold | ... | Paul | |
| Jean Louisa Kelly | ... | Laura | |
| Michael Kelly | ... | Fisher | |
| Jonathan LaPaglia | ... | Stan | |
| Amanda Peet | ... | Julia | |
| Sybil Temtchine | ... | Kate (as Sybil Temchen) |
Directed by | |||
| Andres Heinz | |||
Writing credits(in alphabetical order) | ||
| Robert Ackerman | writer (as Robert Weston Ackerman) | |
Produced by | |||
| Joan Firestone | .... | associate producer | |
| Richard Firestone | .... | associate producer | |
| David Nickoll | .... | producer | |
| D.J. Paul | .... | executive producer | |
Original Music by | |||
| Joel Goodman | |||
Cinematography by | |||
| Stephen Kazmierski | |||
Film Editing by | |||
| Adam Lichtenstein | |||
Casting by | |||
| Beth Melsky | |||
Production Design by | |||
| Dean Taucher | |||
Art Direction by | |||
| John Corba | |||
Costume Design by | |||
| Joan Fedyszyn | |||
Makeup Department | |||
| Kym Coates | .... | hair stylist | |
| Martel Thompson | .... | key makeup artist | |
Production Management | |||
| Amanda Back | .... | production manager | |
| Ted Fitzgerald | .... | production supervisor | |
| Jamie May | .... | production manager | |
Second Unit Director or Assistant Director | |||
| David Measer | .... | assistant director | |
| Will Shepard | .... | second second assistant director | |
Art Department | |||
| Ivan Hurzeler | .... | property master | |
| Paul Kineke | .... | set construction | |
| Robert Lietar | .... | additional props | |
Sound Department | |||
| Ted Gannon | .... | sound designer | |
| Daniel R. Kramer | .... | supervising sound editor | |
| Joseph Penna | .... | sound designer (as Joe Penna) | |
| Theresa Radka | .... | sound mixer | |
| Lisa Van Houten | .... | boom operator | |
Camera and Electrical Department | |||
| Peter Abraham | .... | Steadicam operator | |
| David Ariniello | .... | key grip | |
| Cesar Baptista | .... | grip | |
| Riad Deeb | .... | additional grip | |
| Matthew W. Flannery | .... | second assistant camera | |
| Christopher B. Green | .... | first assistant camera | |
| James Harker | .... | additional electrician | |
| Chris Karlof | .... | best boy electric (as Chris Karloff) | |
| Chris Lally | .... | electrician | |
| Arthur E. Marcolin | .... | best boy grip (as Artur Marcolin) | |
| Scott Miller | .... | electrician | |
| Francis A. Porter | .... | camera loader | |
| Tanya Ryno | .... | still photographer | |
| Nathan Thoma | .... | best boy electric | |
| James Thorne | .... | gaffer (as Jim Thorne) | |
Casting Department | |||
| Nancy Frigand | .... | casting associate | |
Costume and Wardrobe Department | |||
| Nina De Palma | .... | assistant costume designer | |
Editorial Department | |||
| Elliott Gamson | .... | negative cutter | |
| Vicki Koppel | .... | editorial manager | |
| Rik Kyser | .... | colorist | |
| David Pultz | .... | color timer | |
| Michael Yetter | .... | negative cutter | |
Music Department | |||
| Joel Goodman | .... | orchestrator | |
| Bradley Kaplan | .... | music supervisor | |
| Monc | .... | composer: songs | |
| Greg Spotts | .... | music supervisor | |
| Paul Vazquez | .... | assistant recording engineer | |
Other crew | |||
| Rob Issen | .... | title designer | |
| Scott Kramer | .... | production assistant | |
| David Levin | .... | accountant | |
| Finnian Murray | .... | assistant to director | |
| Jason Nash | .... | film runner | |
| Samantha Scharff | .... | production assistant | |
| Allison Shigo | .... | production assistant | |
| Hank Thomas | .... | production assistant | |
| Mark Weston | .... | location manager | |
| Heather Wood | .... | script supervisor | |
Thanks | |||
| Scott Bergman | .... | special thanks | |
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| Fantastic Four | Eternal Sunshine of the Spotless Mind | Keep the River on Your Right: A Modern Cannibal Tale | Clerks. | Enemies: A Love Story |
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| Full cast and crew | Company credits | External reviews |
| IMDb USA section | Add this title to MyMovies |
I saw this a few years ago and it has STAYED with me. Not only is the cinematography excellent, but Amanda Peet shines. So does the entire ensemble. You watch this movie, rapt, riveted, and laughing about bonobos' sex lives, and then suddenly you feel sobered and you're soul searching and wondering whether you, like these characters, can truly account for each passing birthday. It's really a movie about growing up, like it or not, and how hard that can be. That's one reason why I loved the scene, at the beginning, of children jumping into a beautiful lake.
At the end it's the adults who plunge in. I think the filmmakers are trying to say that we all have a childlike spirit within us that keeps us young but also sometimes keeps us from growing up.
I totally recommend