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Directed by | |||
| Guy Ritchie | |||
Writing credits | ||
| Guy Ritchie | (written by) | |
Produced by | |||
| Stephen Marks | .... | executive producer | |
| Georgia Masters | .... | co-producer | |
| Peter Morton | .... | executive producer | |
| Angad Paul | .... | executive producer | |
| Sebastian Pearson | .... | associate producer | |
| Jan Roldanus | .... | associate producer | |
| Trudie Styler | .... | executive producer | |
| Steve Tisch | .... | executive producer | |
| Ronaldo Vasconcellos | .... | line producer | |
| Matthew Vaughn | .... | producer | |
| Jon Slan | .... | executive producer (uncredited) | |
Original Music by | |||
| David A. Hughes | |||
| John Murphy | |||
Cinematography by | |||
| Tim Maurice-Jones | (director of photography) | ||
Film Editing by | |||
| Niven Howie | |||
Casting by | |||
| Celestia Fox | |||
| Guy Ritchie | |||
Production Design by | |||
| Iain Andrews | |||
| Eve Mavrakis | |||
Set Decoration by | |||
| Jacalyn Hyman | (as Jacalyn [Jack] Hyman) | ||
Costume Design by | |||
| Stephanie Collie | |||
Makeup Department | |||
| Elle Cossington | .... | haircutter: Nick Moran, Mahogany Designs Ltd. | |
| Rebekah McVitie | .... | makeup artist | |
| Linda A. Morton | .... | hair supervisor | |
| Linda A. Morton | .... | makeup supervisor | |
| Ros Peat | .... | makeup artist | |
| Robyn Robbins | .... | haircutter: Dexter Fletcher, Mahogany Designs Ltd. | |
| Catherine Scoble | .... | chief hair designer | |
| Catherine Scoble | .... | chief makeup designer | |
Production Management | |||
| Adam Bohling | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Ben Burt | .... | third assistant director | |
| David Reid | .... | first assistant director (as David 'Disco' Reid) | |
| Daniel Toland | .... | second assistant director | |
| Sean Guest | .... | additional first assistant director (uncredited) | |
Art Department | |||
| Alex Chandon | .... | props hand (as Alex 'Jackie' Chandon) | |
| Phil Donoghue | .... | special props and effects | |
| Rupert Gartrell | .... | stand-by carpenter | |
| Nick Gottschalk | .... | art department assistant | |
| Shay Leonard | .... | props hand | |
| Simon Morrissey | .... | props master | |
| Hannah Moseley | .... | assistant art director | |
| Susie Plant | .... | props runner | |
| Fanny Taylor | .... | props buyer | |
| Julian Weaver | .... | on-set advance rigger | |
Sound Department | |||
| Tony Anscombe | .... | adr recordist | |
| Matthew Collinge | .... | sound designer | |
| Matthew Collinge | .... | sound effects | |
| Steve Cook | .... | sound supervisor | |
| Henry Dobson | .... | sound re-recording mixer | |
| Arthur Fenn | .... | boom operator (as Arthur Turner) | |
| Arthur Fenn | .... | sound maintenance engineer (as Arthur Turner) | |
| Simon Hayes | .... | sound recordist (as Simon 'Purple' Hayes) | |
| Scott Jones | .... | adr recordist | |
| Marc Lawes | .... | foley editor | |
| Claire Mahoney | .... | foley artist (as Clare Mahoney) | |
| Graham McCarthy | .... | assistant sound re-recording mixer | |
| Danny Sheehan | .... | supervising sound editor | |
| Jez Spencer | .... | foley editor | |
| Jason Swanscott | .... | foley artist | |
Special Effects by | |||
| Casper Lailey | .... | special effects technician (as Caspar Lailey) | |
| Ken Lailey | .... | special effects supervisor | |
| Alastair Vardy | .... | special effects technician (as Alistair Vardy) | |
Visual Effects by | |||
| Martin Body | .... | rostrum cameraman | |
| Rob Gordon | .... | digital online editor | |
| Courtney Vanderslice | .... | head of production: Cinesite | |
| Paul Lambert | .... | digital artist (uncredited) | |
Stunts | |||
| Richard Graydon | .... | stuntman | |
| Sy Hollands | .... | stunt driver (as Sy Holland) | |
| Glenn Marks | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Ray Bateman | .... | generator operator (as Ray 'Basher' Bateman) | |
| Catharine Brown | .... | camera trainee | |
| Andy Duncan | .... | gaffer (as Andrew Duncan) | |
| Matthew Hale | .... | focus puller (as Mathew Hale) | |
| Dean Kennedy | .... | best boy | |
| Jake Marcuson | .... | clapper loader | |
| Richard Oxley | .... | electrician | |
| Sebastian Pearson | .... | still photographer | |
| Peter Wignall | .... | Steadicam operator: "a" camera | |
| Peter Wignall | .... | camera operator | |
| Terry Williams | .... | camera grip | |
Casting Department | |||
| Emma Buckley | .... | assistant casting director | |
| Louis Elman | .... | adr voice casting | |
Costume and Wardrobe Department | |||
| Sue Coates | .... | dresser | |
| Lisa Shanley | .... | assistant costume designer (as Lisa Stanley) | |
Editorial Department | |||
| Heather Clarke | .... | post-production coordinator | |
| Martin McGlone | .... | color grader | |
| Matt Reed | .... | assistant editor | |
Music Department | |||
| Nicola Fletcher | .... | music supervisor | |
| Daniel L. Griffiths | .... | additional score production | |
| Laurence Kaye | .... | music supervisor | |
| Ian Neil | .... | music supervisor | |
| Greg Francis | .... | orchestrator (uncredited) | |
| Mark Hinton Stewart | .... | assistant music supervisor (uncredited) | |
Transportation Department | |||
| Martin Alylmore | .... | driver (as Martin Aylemore) | |
| John Beach | .... | driver | |
| John Botton | .... | driver | |
| Frank Church | .... | driver | |
| Debbie Holland | .... | driver | |
| Javid Kahn | .... | driver | |
| Carlos Peres | .... | driver (as Carlos 'Senna' Peres) | |
| John Quinn | .... | driver | |
| John Stone | .... | driver | |
| Roger Sturtridge | .... | driver | |
| Mark White | .... | transportation | |
| Chris Williams | .... | driver | |
Other crew | |||
| Charles Bodycomb | .... | armourer (as Charlie Bodycomb) | |
| Dan Cadan | .... | runner | |
| Heather Clarke | .... | production assistant | |
| Ayo Davis | .... | production assistant | |
| Lyn Gaskin | .... | set runner (as Lyn P Gaskin) | |
| Gwendoline Hayat | .... | production coordinator (as Gwenda Hayat) | |
| Kathy Hughes | .... | script supervisor | |
| Albert James | .... | security: High Risk Security | |
| Jessica Kirsh | .... | unit publicist: Spirit Publicity | |
| Lucy Knight | .... | set runner | |
| Johanna Pilgrim | .... | assistant to producer and director | |
| Jules Powell | .... | set runner (as Jules Digby) | |
| Andrew Rosen | .... | production assistant: Paragon/Handmade | |
| Tina Shadick | .... | location accountant (as Christina Shadick) | |
| Brian Shemmings | .... | health and safety: H&S Advisory Service | |
| Eddie Standish | .... | location manager | |
| Karen Walter | .... | production accountant | |
| Laura Zatloukal | .... | production assistant | |
Thanks | |||
| Barry Bloom | .... | with thanks to | |
| Kathy Ceaton | .... | acknowledgment: this film would not have been possible without the help of | |
| Robert Clark | .... | with thanks to | |
| Lucy Currie | .... | acknowledgment: this film would not have been possible without the help of | |
| Janet de Botton | .... | acknowledgment: this film would not have been possible without the help of (as Janet De Botton) | |
| Rebecca Green | .... | acknowledgment: this film would not have been possible without the help of | |
| Holly Greet | .... | thanks: the costume department wish to thank | |
| Lenny McLean | .... | in memory of: The Guv'nor | |
| Vinay Melwani | .... | with thanks to | |
| Leon Morgan | .... | acknowledgment: this film would not have been possible without the help of | |
| Kate Myers | .... | with thanks to | |
| Taha Ali Reza | .... | acknowledgment: this film would not have been possible without the help of (as Taha Alireza) | |
| Jane Sutor | .... | with thanks to | |
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| Cidade de Deus | Snatch. | In Bruges | Pulp Fiction | Layer Cake |
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Incredibly funny and entertaining story of four young "criminals" out for big money. This is one of the most intelligently written stories I've ever seen. If you like to write screenplays, let this one take you for a spin. Very fast paced film with great editing techniques and a hilarious cast and storyline thats sure to entertain, as long as you can handle the accents. Great cinematography as well. This story will send you through a cork screw. See it once, then see it again to see what you missed.