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Directed by | |||
| Guy Ritchie | |||
Writing credits(in alphabetical order) | ||
| Guy Ritchie | writer | |
Produced by | |||
| Stephen Marks | .... | executive producer | |
| Georgia Masters | .... | co-producer | |
| Peter Morton | .... | executive producer | |
| Angad Paul | .... | executive producer | |
| Sebastian Pearson | .... | associate producer | |
| Jan Roldanus | .... | associate producer | |
| Trudie Styler | .... | executive producer | |
| Steve Tisch | .... | executive producer | |
| Ronaldo Vasconcellos | .... | line producer | |
| Matthew Vaughn | .... | producer | |
| Jon Slan | .... | executive producer (uncredited) | |
Original Music by | |||
| David A. Hughes | |||
| John Murphy | |||
Cinematography by | |||
| Tim Maurice-Jones | |||
Film Editing by | |||
| Niven Howie | |||
Casting by | |||
| Celestia Fox | |||
| Guy Ritchie | |||
Production Design by | |||
| Iain Andrews | |||
| Eve Mavrakis | |||
Set Decoration by | |||
| Jacalyn Hyman | |||
Costume Design by | |||
| Stephanie Collie | |||
Makeup Department | |||
| Rebekah McVitie | .... | makeup artist | |
| Linda A. Morton | .... | hair stylist supervisor | |
| Linda A. Morton | .... | makeup supervisor | |
| Ros Peat | .... | makeup artist | |
| Catherine Scoble | .... | makeup designer | |
Production Management | |||
| Adam Bohling | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Ben Burt | .... | third assistant director | |
| David Reid | .... | first assistant director | |
| Daniel Toland | .... | second assistant director | |
| Sean Guest | .... | additional first assistant director (uncredited) | |
Art Department | |||
| Alex Chandon | .... | props | |
| Phil Donoghue | .... | special props and effects | |
| Rupert Gartrell | .... | stand-by carpenter | |
| Nick Gottschalk | .... | art department assistant | |
| Shay Leonard | .... | props | |
| Simon Morrissey | .... | property master | |
| Hannah Moseley | .... | assistant art director | |
| Susie Plant | .... | props runner | |
| Fanny Taylor | .... | prop buyer | |
Sound Department | |||
| Tony Anscombe | .... | adr recordist | |
| Matthew Collinge | .... | sound designer | |
| Steve Cook | .... | sound supervisor | |
| Henry Dobson | .... | sound re-recording mixer | |
| Arthur Fenn | .... | boom operator (as Arthur Turner) | |
| Simon Hayes | .... | sound recordist (as Simon 'Purple' Hayes) | |
| Scott Jones | .... | foley recordist | |
| Marc Lawes | .... | foley editor | |
| Claire Mahoney | .... | foley artist (as Clare Mahoney) | |
| Graham McCarthy | .... | assistant sound re-recording mixer | |
| Danny Sheehan | .... | supervising sound editor | |
| Jez Spencer | .... | foley editor | |
| Jason Swanscott | .... | foley artist | |
Special Effects by | |||
| Casper Lailey | .... | special effects technician | |
| Ken Lailey | .... | special effects supervisor | |
| Alastair Vardy | .... | special effects technician | |
Visual Effects by | |||
| Martin Body | .... | rostrum cameraman | |
| Rob Gordon | .... | digital online editor | |
| Courtney Vanderslice | .... | head of production: Cinesite | |
| Paul Lambert | .... | digital artist (uncredited) | |
Stunts | |||
| Richard Graydon | .... | stunts | |
| Sy Hollands | .... | stunt driver (as Sy Holland) | |
| Glenn Marks | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Ray Bateman | .... | generator operator | |
| Dean Kennedy | .... | best boy | |
| Jake Marcuson | .... | clapper loader | |
| Richard Oxley | .... | electrician | |
| Sebastian Pearson | .... | still photographer | |
| Peter Wignall | .... | camera operator | |
| Terry Williams | .... | camera grip | |
Casting Department | |||
| Emma Buckley | .... | casting assistant | |
| Louis Elman | .... | adr voice casting | |
Costume and Wardrobe Department | |||
| Sue Coates | .... | dresser | |
| Lisa Shanley | .... | assistant costume designer | |
Editorial Department | |||
| Heather Clarke | .... | post-production coordinator | |
| Martin McGlone | .... | color grader | |
| Matt Reed | .... | assistant editor | |
Music Department | |||
| Nicola Fletcher | .... | music supervisor | |
| Daniel L. Griffiths | .... | additional score production | |
| Laurence Kaye | .... | music supervisor | |
| Ian Neil | .... | music supervisor | |
| Greg Francis | .... | orchestrator (uncredited) | |
| Mark Hinton Stewart | .... | assistant music supervisor (uncredited) | |
Other crew | |||
| Charles Bodycomb | .... | armorer | |
| Dan Cadan | .... | production runner | |
| Ayo Davis | .... | production assistant | |
| Lyn Gaskin | .... | set runner | |
| Kathy Hughes | .... | script supervisor | |
| Jessica Kirsh | .... | unit publicist | |
| Johanna Pilgrim | .... | assistant to producer | |
| Jules Powell | .... | runner | |
| Andrew Rosen | .... | production assistant: Paragon/Handmade | |
| Christina Shadick | .... | location accountant | |
| Tina Shadick | .... | assistant production accountant | |
| Eddie Standish | .... | location manager | |
| Karen Walter | .... | production accountant | |
| Julian Weaver | .... | on-set rigger | |
| Laura Zatloukal | .... | production assistant | |
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| News articles | IMDb top 250 movies | IMDb Comedy section |
| IMDb UK section | Add this title to MyMovies |
I've avoided this movie for sometime now. Firstly because friends told me that it was 'Pulp Fiction'-ish (and boy do I hate that movie). Secondly, because its British and although I'm from South East London myself and love British television comedies, I have rarely found British humour well translated onto the big screen. Normally it is toned down to plain slap-stick goofy uncomplicated Inspector Cleuseau type humour tailored for American audiences.
But to find not just British, but straight-faced East London cockney-slang and swear filled humour in a really stylish movie was a revelation.
I have always believed that British humor, especially East London humor is much more sophisicated than American humour. Maybe the reason why American audiences have been more forthcoming with LS&2SB is that despite the accent, they finally 'get it' without having to have it remade into an American version, ala Faulty Towers and Threes company and other British comedies. Yet, I believe Tom Cruise is remaking the movie with an American cast. I suppose for those who just cannot understand English unless its spoken in an American accent. That is really a shame as there are so many diverse accents all around the world and LS&2SB could not have been done in any accent other than cockney.
Still, there are bits only the British will get, like the scene with the three guys pouncing on the traffic warden in the back of the van. That scene had me clutching my sides. Only someone living in London can feel true loathing for a traffic warden, the most hated person in Britain.
Cinemtography was superb. I wont go into who's already done the slow-mo's and stop action argument. It is near impossible to do anything in a movie today that has not already been done. You can either do nothing - or do whatever you can as long as it suits the mood and the flow of the movie, and Guy Ritchie just cannot be faulted. He projects the seedy, thin laned, miserable weathered London, yet with such style that you want to see more. The camera work could not have been better. Just see the projection of Eddy's unsteady, light-headed wooziness as he gets up from the gambling table having lost everything and owing even more. Brilliant.
The Soundtrack was as diverse and yet brilliant as I have ever heard in a movie. I dont want to look like waving the Union Jack here, but this movie shows that the British have a more diverse taste in music. From Reggae, to Ska, to Rock, to Mikis Theodorakis every track played just added to the scene showed.
In short, LS&2SB is a movie that just does not stop for a second, is full of refreshing humour, filmed with style, has a lively soundtrack, some violence thrown in for good measure, and a story with more twists and turns than a bowlfull of spaghetti.
Dont let this movie slip you by. You'll either love it, or hate it.
If this movie was not British, I'd give it an 8/10, but since it is, it gets 9/10 from me.
Favourite dialogue: Rory Breaker: If you hold back anything, I'll kill ya. If you bend the truth or I think your bending the truth, I'll kill ya. If you forget anything I'll kill ya. In fact, you're gonna have to work very hard to stay alive, Nick. Now do you understand everything I've said? Because if you don't, I'll kill ya.