The 13th Warrior (1999)

Director:

John McTiernan

Writers (WGA):

Michael Crichton (novel)
William Wisher Jr. (screenplay) ...

Release Date:

27 August 1999 (USA)

Genre:

Action | Adventure | Fantasy

Tagline:

Fear reigns.

Plot:

In AD 922, an important emissary who is banished from his homeland. The nomadic outcast comes across...

Plot Keywords:

Viking | Arab | Warrior | Battle | Beowulf

Awards:

2 wins & 1 nomination

Cast

  (Cast overview, first billed only)

Antonio Banderas	...	Ahmed Ibn Fahdlan
Vladimir Kulich	...	Buliwyf
Dennis Storhøi	...	Herger - Joyous (as Dennis Storhoi)
Daniel Southern	...	Edgtho - Silent
Neil Maffin	...	Roneth
John DeSantis	...	Ragnar - Dour (as John Desantis)
Clive Russell	...	Helfdane - Fat
Mischa Hausserman	...	Rethel - Archer
Oliver Sveinall	...	Haltaf - Boy
Asbjørn 'Bear' Riis	...	Halga - Wise (as Asbjorn Riis)
Richard Bremmer	...	Skeld - Superstitious
Tony Curran	...	Weath - Musician
Albie Woodington	...	Hyglak - Quarrelsome
Omar Sharif	...	Melchisidek
Erick Avari	...	Caravan Leader (as Eric Avari)

Also Known As:

Eaters of the Dead (USA) (working title)
The Thirteenth Warrior
The Vikings (USA) (working title)

MPAA:

Rated R for bloody battles and carnage.

Runtime:

102 min

Country:

USA

Language:

English | Latin

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

DTS | Dolby Digital | SDDS

Certification:

Malaysia:18SG | Germany:12 | USA:R (No. 36499) | Netherlands:16 | Argentina:13 | Australia:MA | Canada:13+ (Quebec) | Canada:14A (Alberta/Manitoba) | Canada:18A (British Columbia) | Canada:18 (Nova Scotia) | Canada:AA (Ontario) | Chile:14 | Finland:K-16 | France:U | Hong Kong:IIB | Iceland:16 | Ireland:18 | New Zealand:R16 | Norway:15 | Peru:14 | Portugal:M/12 | Singapore:NC-16 | South Korea:18 | Spain:13 | Sweden:15 | UK:15 | Philippines:PG-13 | Brazil:14

Filming Locations:

British Columbia, Canada

Company:

Touchstone Pictures

Trivia:

In accordance with the book, John McTiernan's version of the Wendol's mother was an old woman, which was filmed with veteran actress Susan Willis. When Michael Crichton took over and did the reshoots, it was decided that brutally killing off an old lady did not reflect very well on the heroes. Crichton decided after the fact to make her younger, sleeker and tougher. In the final released film, Wendol's mother is played by actress Kristen Cloke (uncredited), but the final credits still list Susan Willis as the Wendol's mother (although she is nowhere to be seen in the final cut).

Goofs:

Continuity: The rope Edgtho slides down connecting the tree to the watchtower suddenly appears.

Quotes:

Ahmed Ibn Fahdlan: They think they are bears... they want us to think they are bears... hey, how do you hunt a bear?
Weath the Musician: Chase it down with dogs. What...?
Ahmed Ibn Fahdlan: How do you hunt a bear in winter?
Herger the Joyous: Go in its cave with spears.
Ahmed Ibn Fahdlan: Where is a cave?
Weath the Musician: [realizing] It's in the earth.
[Edgtho returns from scouting]
Edgtho the Silent: The next glen, many fires.
Buliwyf: [shouts] Is there a cave?

Movie Connections:

Featured in "Troldspejlet: (#23.2)" (2000)

Good enough for what it is, fascinating for what it could have been.

This is an extremely well crafted film, but a poorly edited one. Much like The Ghost and the Darkness it has such a winning historical concept that it is easy to forgive a little narrative incoherency from time to time. This film is a bit muddled when it comes to plot and characterization but hits all the right notes in terms of creating an adventurous spirit and thrilling action sequences. Jerry Goldsmith's score is a real high point, as is the cinematography. This is an absolutely wonderful film to get all caught up in on a lonely night because it makes you feel as if you are on the journey with Banderas' character. It is an action thriller that is actually...thrilling. In particular the scene with the "fire dragon" is one of the more memorable battle sequences I have seen in any movie, and I really mean that. The only negative aspects of the film are the feeling that a lot of scenes were left on the editing room floor, which is true, and if there was ever a film that really deserved a director's cut this is certainly one of them so long as Jerry Goldsmith's music (the soul of the picture) remains in. (Greame Revell composed a score for the unreleased longer version, which I have heard and in no way compares to Goldsmith's thunderous adventure music). The lavish costumes, set designs, memorable characters, and brilliant camera work somehow allow this film to overcome its editorial handicaps. All being said, this is a film well worth watching.