at Crackle

| Photos (see all 35 | slideshow) | Videos (see all 5) |
| Mark Wahlberg | ... | Melvin Smiley | |
| Lou Diamond Phillips | ... | Cisco | |
| Christina Applegate | ... | Pam Shulman | |
| Avery Brooks | ... | Paris | |
| Bokeem Woodbine | ... | Crunch | |
| Antonio Sabato Jr. | ... | Vince | |
| China Chow | ... | Keiko Nishi | |
| Lainie Kazan | ... | Jeanne Shulman | |
| Elliott Gould | ... | Morton Shulman | |
| Sab Shimono | ... | Jiro Nishi | |
| Robin Dunne | ... | Gump | |
| Lela Rochon | ... | Chantel | |
| Danny Smith | ... | Video Store Kid | |
| Joshua Peace | ... | Lance | |
| David Usher | ... | Sergio | |
| Hardee T. Lineham | ... | Accountant | |
| Gerry Mendicino | ... | Slave Trader | |
| Robert Eaton | ... | Pimp (as Robert Vernon Eaton) | |
| John Stoneham Sr. | ... | Pimp | |
| Nicola Jones | ... | Blonde | |
| Alexa Gilmour | ... | Aly - Keiko's Friend | |
| John Stocker | ... | Sid Mussberger - The Neighbor | |
| Cotton Mather | ... | Moe | |
| Derrek Peels | ... | Windbush | |
| Tig Fong | ... | Kaya | |
| Danny Lima | ... | Aaron - The Limo Driver | |
| Morgan Freeman | ... | Boy in Hotel Lobby | |
| Giovahann White | ... | Paris' Son | |
| Robert Hannah | ... | Paris' Driver (as Bobby Hannah) | |
| rest of cast listed alphabetically: | |||
| Terrence Baker | ... | Guard (uncredited) | |
| Matt Birman | ... | Theater Thug (uncredited) | |
| Jordan-Patrick Marcantonio | ... | Extra (uncredited) | |
| Layton Morrison | ... | Guard (uncredited) | |
Directed by | |||
| Kirk Wong | (as Che-Kirk Wong) | ||
Writing credits(WGA) | ||
| Ben Ramsey | (written by) | |
Produced by | |||
| Terence Chang | .... | executive producer | |
| John M. Eckert | .... | executive producer | |
| Roger Garcia | .... | co-producer | |
| Victor McGauley | .... | co-producer | |
| Craig Perry | .... | co-producer | |
| Wesley Snipes | .... | producer | |
| John Woo | .... | executive producer | |
| Warren Zide | .... | producer | |
Original Music by | |||
| Graeme Revell | |||
Cinematography by | |||
| Danny Nowak | (director of photography) | ||
Film Editing by | |||
| Robin Russell | |||
| Pietro Scalia | |||
Casting by | |||
| Roger Mussenden | |||
Production Design by | |||
| Taavo Soodor | |||
Art Direction by | |||
| Craig Lathrop | |||
| Andrew M. Stearn | (as Andrew Stearn) | ||
Set Decoration by | |||
| Enrico Campana | |||
Costume Design by | |||
| Margaret Mohr | |||
Makeup Department | |||
| James D. Brown | .... | key hair stylist | |
| Paula Fleet | .... | assistant hair stylist | |
| Donald Mowat | .... | key makeup artist (as Donald J. Mowat) | |
| Edelgard K. Pfluegl | .... | assistant makeup artist (as Edelgard Pfluegl) | |
| Colin Penman | .... | special makeup effects artist (uncredited) | |
Production Management | |||
| John M. Eckert | .... | unit production manager | |
| Pasia Schonberg | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Patrick Arias | .... | third assistant director | |
| Jeff J.J. Authors | .... | first assistant director (as Jeff Authors) | |
| Chris Baillie | .... | dgc trainee | |
| Harley Cohen | .... | dgc trainee | |
| G. Michael Currie | .... | assistant director | |
| Eric S. Potechin | .... | second assistant director (as Eric Potechin) | |
Art Department | |||
| John Bannister | .... | scenic artist | |
| Ronald Bunt | .... | head carpenter (as Ron Bunt) | |
| David Orin Charles | .... | second lead set dresser | |
| Sheila Church | .... | art department coordinator | |
| Janet Cormack | .... | scenic artist | |
| Jim Craig | .... | storyboard artist (as James Craig) | |
| Malcolm Davis | .... | storyboard artist | |
| David DeMarinis | .... | set dresser | |
| Barry Isenor | .... | second assistant art director | |
| Mari Laughlen | .... | assistant property master | |
| John Mackenzie | .... | construction coordinator (as John MacKenzie) | |
| Linda McClelland | .... | assistant set decorator (as Linda McLelland) | |
| Melissa Morgan | .... | head painter | |
| Jeff Poulis | .... | property master (as Jeffrey W. Poulis) | |
| David Ritchie | .... | property buyer | |
| Jonathan Savan | .... | leadman (as D. Jonathan Savan) | |
| Robert S. Smith | .... | stand-by carpenter | |
| Jacques-Alexander Veilleux | .... | on-set dresser (as Jacques A. Veilleux) | |
| Peter Legault | .... | carpenter (uncredited) | |
Sound Department | |||
| Stephen Barden | .... | dialogue editor (as Steve Barden) | |
| Tom Bjelic | .... | sound effects editor | |
| Terry Burke | .... | foley artist | |
| Keith Elliott | .... | sound re-recording mixer (as Keith Elliot) | |
| Douglas Ganton | .... | production sound mixer | |
| Sandy Gendler | .... | sound designer | |
| David Giammarco | .... | adr supervisor | |
| Mark Gingras | .... | sound effects editor | |
| Wayne Griffin | .... | supervising sound editor | |
| Andy Koyama | .... | sound re-recording mixer | |
| Goro Koyama | .... | foley artist | |
| Andy Malcolm | .... | foley artist | |
| Anna Malkin | .... | assistant sound editor | |
| Ron Malligers | .... | foley mixer (as Ron Mellegers) | |
| Mark L. Mangino | .... | sound effects editor | |
| Michael O'Farrell | .... | supervising sound editor | |
| Ron Stermac | .... | cable person | |
| Brad Thornton | .... | sound re-recording mixer | |
| Reynald Trudel | .... | boom operator | |
| Tony Van den Akker | .... | foley mixer (as Tony Van Den Akker) | |
| Don White | .... | sound re-recording mixer | |
| Gren-Erich Zwicker | .... | assistant sound editor | |
| Randolph Saucedo | .... | sound recordist (uncredited) | |
Special Effects by | |||
| Jason Board | .... | effects key | |
| Marcel Caissie | .... | special effects technician | |
| Kaz Kobielski | .... | special effects supervisor | |
| Joseph P. Mercurio | .... | special effects key (as Joseph Mercurio) | |
| Tony Vandenecker | .... | assistant special effects key | |
| Mark Rice | .... | special effects technician (uncredited) | |
| Troy Rundle | .... | aerial rigging technician (uncredited) | |
Visual Effects by | |||
| Berj Bannayan | .... | software engineer | |
| Jesse Bradstreet | .... | visual effects | |
| Bret Culp | .... | senior animator: C.O.R.E. Digital Pictures | |
| Colin Cunningham | .... | senior 3D animator: C.O.R.E. Digital Pictures | |
| Robbi Hinds | .... | director of photography: miniatures and visual effects | |
| Nick Hsieh | .... | compositor: C.O.R.E. Digital Pictures | |
| Kelvin Kanagaraj | .... | effects animator | |
| Warren J.W. Leathem | .... | animator | |
| Stephen Price | .... | visual effects executive producer: C.O.R.E. Digital | |
| Kelley Ray | .... | visual effects supervisor: SPI | |
| Michael Lennick | .... | motion control (uncredited) | |
| Paul McGhee | .... | film scanning and recording (uncredited) | |
| Ray McMillan | .... | motion control (uncredited) | |
Camera and Electrical Department | |||
| Scotty Allan | .... | gaffer | |
| Laurence Bortnick | .... | second assistant camera | |
| Carlo Campana | .... | dolly grip | |
| Roger Finlay | .... | first assistant camera | |
| David Harcourt | .... | aerial rigger | |
| John Holosko | .... | director of photography: second unit/helicopter unit | |
| David Kellner | .... | best boy (as Dave Kellner) | |
| Mike Kirilenko | .... | key grip (as Michael Kirilenko) | |
| Bruce Macaulay | .... | still photographer | |
| Ted Overton | .... | first assistant camera: second camera | |
| Peter Rosenfeld | .... | camera operator | |
| Ray Wong Che Wai | .... | camera operator: "b" camera (as Ray Che-Wai Wong) | |
| Ron Yolevsky | .... | second grip | |
| Robbi Hinds | .... | director of photography: second unit (uncredited) | |
Casting Department | |||
| Maria Armstrong | .... | casting: Canada | |
| Karen Church | .... | casting associate: Los Angeles | |
| Jeff Marshall | .... | casting associate: Canada | |
| Jane Rogers | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Quita Alfred | .... | wardrobe supervisor | |
| Pauline Chung | .... | wardrobe assistant | |
| Linda Petty | .... | key wardrobe | |
Editorial Department | |||
| Shelley Croft | .... | second assistant film editor | |
| Chris Hinton | .... | color timer | |
| Russell Langille | .... | second assistant film editor | |
| Catherine Rankin | .... | negative cutter | |
| Ron Wisman Jr. | .... | first assistant film editor | |
| Chisako Yokoyama | .... | first assistant film editor | |
| Vaughan Killin | .... | co-color timer (uncredited) | |
| Fulvio Valsangiacomo | .... | assistant editor (uncredited) | |
Music Department | |||
| Mark Curry | .... | scoring mixer (as Mark Currie) | |
| Pilar McCurry | .... | music supervisor | |
| Denise Okimoto | .... | assistant music editor | |
| David E. Russo | .... | orchestrator (as David Russo) | |
| Melodee Sutton | .... | music coordinator | |
| Brian Williams | .... | music designer | |
| Joshua Winget | .... | music editor | |
| Ashley Revell | .... | assistant music editor (uncredited) | |
Transportation Department | |||
| Fred Ionson | .... | transportation captain | |
| Bruce Raymer | .... | transportation captain | |
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When you watch this movie,you can't return it to the videostore because it's great.This is an action comedy and it will laugh you to death. There is enough action and humor in this movie,and great actors but still,...I don't know what but there something missing.If you see Pulp Fiction,you will know what I'm talking about.
Melvin Smiley, a successful young hit-man, is living a normal all-day life for his Jewish fiancé Pam, but kills for money in Paris' organization. In addition, he has a relationship with a beauty from the neighborhood and gets bothered by a pimply video store guy, because he did not return "King Kong Lives" for two weeks. He and his three teammates Cisco, Crunch and Vince one day decide to kidnap the daughter of super-rich businessman Jiro Nishi - off the record. What they do not know, is that Jiro just went completely bankrupt due to a successes movie production, and, even worse, that his daughter Keiko is the god-daughter of Paris, the boss of the kidnappers. He and his men are now searching for the kidnappers in order to grind them up properly. Meanwhile, handcuffed Keiko falls in love with killer Melvin while both preparing a kosher meal in order to satisfy Pam's visiting parents, who are out of the house with Pam - with a body in the trunk.
And when I remember of Christina Applegate,...Mmmmmmmmmmmm! I would rather recommend you Pulp Fiction,because it's more funnier and more tens than this film!But you must see this one too!