| Photos (see all 148 | slideshow) | Videos (see all 10) |
Directed by | |||
| James Cameron | |||
Writing credits(WGA) | ||
| James Cameron | (written by) | |
Produced by | |||
| James Cameron | .... | producer | |
| Pamela Easley | .... | associate producer (as Pamela Easley Harris) | |
| Al Giddings | .... | co-producer | |
| Grant Hill | .... | co-producer | |
| Jon Landau | .... | producer | |
| Sharon Mann | .... | co-producer | |
| Rae Sanchini | .... | executive producer | |
Original Music by | |||
| James Horner | |||
Cinematography by | |||
| Russell Carpenter | (director of photography) | ||
Film Editing by | |||
| Conrad Buff IV | (as Conrad Buff) | ||
| James Cameron | |||
| Richard A. Harris | |||
Casting by | |||
| Mali Finn | |||
Production Design by | |||
| Peter Lamont | |||
Art Direction by | |||
| Martin Laing | |||
| Charles Dwight Lee | (supervising art director) (as Charles Lee) | ||
Set Decoration by | |||
| Michael Ford | |||
Costume Design by | |||
| Deborah Lynn Scott | (as Deborah L. Scott) | ||
Makeup Department | |||
| Isabel Amezcua | .... | assistant hair stylist | |
| Deborah Ball | .... | crowd hair supervisor | |
| Laura Borselli | .... | key makeup artist: Halifax contemporary shoot (as Laura Borzelli) | |
| Anita E. Brabec | .... | additional makeup artist | |
| Greg Cannom | .... | old Rose special effects makeup | |
| Raul Covarrubias | .... | assistant hair stylist | |
| Georgia Dunn | .... | assistant hair stylist | |
| Polly Earnshaw | .... | makeup artist | |
| Tina Earnshaw | .... | key makeup artist | |
| Humberto Escamilla | .... | additional makeup artist | |
| Kay Georgiou | .... | key hair stylist | |
| Mel Gibson | .... | additional makeup artist | |
| Betty Glasow | .... | hair stylist | |
| Esperanza Gómez | .... | assistant hair stylist | |
| John Henry Gordon | .... | hair stylist | |
| Debbie Gower | .... | additional makeup artist | |
| Sian Grigg | .... | makeup artist (as Sian Griegg) | |
| Michael Gutierrez | .... | assistant hair stylist | |
| Luis Horcacitas | .... | assistant hair stylist | |
| Carlos Horcasitas | .... | assistant hair stylist | |
| Laurel Kelly | .... | assistant hair stylist | |
| Rebecca Lafford | .... | makeup artist | |
| Christine Leaustic | .... | assistant hair stylist | |
| Catherine Leblanc | .... | assistant hair stylist | |
| Vincenzo Mastrantonio | .... | makeup artist (as Enzo Mastrantonio) | |
| Lisa McDevitt | .... | makeup artist | |
| Thelma Miller | .... | crowd hair supervisor | |
| Michael Mosher | .... | makeup artist | |
| Teresa Patterson | .... | additional makeup artist | |
| Guadalupe Pérez | .... | additional makeup artist (as Guadalupe Perez P.) | |
| Giulio Pezza | .... | makeup artist | |
| Guadalupe Ramirez | .... | assistant hair stylist | |
| Martha Ramos | .... | assistant hair stylist | |
| Toni Riki | .... | additional makeup artist | |
| Diyan Rodgers | .... | additional makeup artist (as Diyan Rogers) | |
| Raúl Sarmiento | .... | additional makeup artist (as Raul Sarmiento Pina) | |
| Zoe Tahir | .... | hair stylist | |
| Simon Thompson | .... | key hair stylist | |
| Annie Townsend | .... | key hair stylist: Halifax contemporary shoot (as Ann Townsend) | |
| Melinda Dunn | .... | assistant hair stylist (uncredited) | |
| Erwin H. Kupitz | .... | wig maker: Billy Zane (uncredited) | |
| Paula Le Mieux | .... | assistant makeup artist (uncredited) | |
| Susan Nealon | .... | hair stylist (uncredited) | |
Production Management | |||
| Dana Belcastro | .... | production supervisor: Escondido tank shoot | |
| Kevin De La Noy | .... | unit manager (as Kevin DeLaNoy) | |
| Grant Hill | .... | unit production manager | |
| Mark Indig | .... | assistant unit production manager | |
| Lisa Dennis Kennedy | .... | post-production supervisor (as Lisa Ann Dennis) | |
| Jon Landau | .... | unit production manager | |
| Michael Levine | .... | additional production supervisor | |
| Sharon Mann | .... | unit production manager | |
| Giedra Rackauskas | .... | production supervisor (as Gig Rackauskas) | |
| Anna Roth | .... | unit production manager | |
Art Department | |||
| Florentino Aguilar | .... | construction group head | |
| Luis Altamirano | .... | construction group head | |
| Doreen Austria | .... | graphic designer | |
| Roger Beaudoin | .... | steel fabrication supervisor | |
| Rufus Best | .... | assistant construction coordinator | |
| Graham Blinco | .... | construction foreman: Halifax contemporary shoot | |
| Graham Blinco | .... | stagehand (as Graham John Blinco) | |
| Stephen Bourgeois | .... | welding foreman | |
| Lewis Bowen | .... | scenic foreman (as Louis Bowen) | |
| Vinnie Bowen | .... | construction foreman | |
| Daniel R. Bradette | .... | property master: Halifax contemporary shoot (as Daniel Bradette) | |
| John Bratton | .... | set dresser | |
| Chris Brown | .... | construction supervisor | |
| John Brown | .... | leadman: Halifax contemporary shoot | |
| Lloyd Burke Jr. | .... | welding foreman | |
| Marco Carranza | .... | drapes assistant | |
| Eugenio Casta | .... | junior set designer | |
| Lucia Castaneda | .... | construction office coordinator | |
| Gustavo Castellanos | .... | props assistant | |
| Marcus Cetani | .... | scenic foreman | |
| Marienus Cetani Sr. | .... | lead scenic (as M. Dominic Cetani) | |
| John B. Clarey III | .... | steel fabrication supervisor (as J. Barney Clarey) | |
| Laureen Clarke | .... | construction office coordinator (as Laureen A. Clarke) | |
| Dave Coldham | .... | head plasterer (as David Coldham) | |
| Carlos Colina | .... | welding foreman | |
| Harvey T. Collins | .... | construction buyer | |
| William Les Collins | .... | construction coordinator (as W. Les Collins) | |
| Thom Colwell | .... | art department supervisor | |
| Derek Creedon | .... | supervising storekeeper | |
| Derek Dawson | .... | construction supervisor | |
| Salvador De Gante | .... | construction group head | |
| James N. Delaplane | .... | scenic foreman (as James Delaplane) | |
| Rodney Delaplane | .... | scenic foreman | |
| Peter Duffy | .... | welding foreman (as Peter D. Duffy) | |
| Bob Eames | .... | construction foreman: Halifax contemporary shoot (as Robert Eames) | |
| Enrique Estévez | .... | assistant set dresser (as Enrique Estevez) | |
| Bernard Faye | .... | key scenic: Halifax contemporary shoot (as Brenard Faye) | |
| Elizabeth K. Fisher | .... | scenic foreman (as Elizabeth Fisher) | |
| T. Kevin Fisher | .... | assistant construction coordinator | |
| Peter Francis | .... | set designer | |
| Annie Fuller | .... | assistant props: Halifax contemporary shoot (as Ann Fuller) | |
| Francisco García | .... | junior set designer (as Francisco Garcia) | |
| Sergio Fuentes Garcia | .... | construction group head | |
| Antonio Godínez | .... | props assistant | |
| Luisa Gomez da Silva | .... | assistant art department coordinator (as Luisa Gomez De Silva) | |
| David Gomez Frias | .... | construction group head | |
| Felix Manuel Perez Gonzalez | .... | construction group head (as Felix Perez) | |
| José González | .... | scenic foreman (as Jose Gonzales) | |
| Tony Graysmark | .... | construction coordinator | |
| Randal R. Groves | .... | construction foreman (as Randall Groves) | |
| Martin Gutierrez | .... | props assistant | |
| Jim Hanson | .... | construction foreman | |
| Jeremy Harford | .... | construction gang boss | |
| Charlotte Harper | .... | art department coordinator: Halifax contemporary shoot | |
| Paul J. Hayes | .... | assistant construction coordinator (as Paul Hayes) | |
| Steve Hedinger | .... | signwriter | |
| Gary Ixer | .... | floor propman | |
| Jose Jimenez | .... | scenic artist assistant | |
| Lynn A. Johanson | .... | scenic foreman (as Lynn Johanson) | |
| Cheryl C. Johnson | .... | lead scenic (as Cheryl Johnson) | |
| Robin Jones | .... | construction gang boss | |
| Carl Keller | .... | scenic foreman | |
| Philip Keller | .... | storyboard artist (as Phil Keller) | |
| Martin Kingsley | .... | supervising dress propman (as Martin G. Kingsley) | |
| John Kirsop | .... | construction supervisor | |
| Danny Kiser | .... | construction gang boss | |
| Hilary Klym | .... | set builder | |
| Jesus LaBastida | .... | construction group head (as Jesus Labastida) | |
| Robert W. Laing | .... | additional art director (as Bob Laing) | |
| Neil Lamont | .... | additional art director | |
| Steven Lawrence | .... | assistant art director (as Steve Lawrence) | |
| Alvin Licoan | .... | welder | |
| Joseph Livolsi | .... | welder (as Joe Livolsi) | |
| Margarito López | .... | construction group head (as Margarito Lopez) | |
| Scott MacFarlane | .... | construction coordinator: Halifax contemporary shoot (as Scott McFarlane) | |
| Patrick H. Malisauskas | .... | welding foreman | |
| Mark A. Mancinelli | .... | plaster foreman | |
| James Marks | .... | steel rigger gang boss | |
| Ramiro Martinez Landeros | .... | props assistant (as Ramiro Martinez L.) | |
| Francisco Martinez Rivera | .... | construction group head | |
| Dominic Masters | .... | set designer | |
| Antonio Mata | .... | propmaster | |
| Ian C. McArthur | .... | welder | |
| Marilyn McAvoy | .... | stand-by painter | |
| Mark McCarthy | .... | construction foreman | |
| Federico Medina | .... | construction group head | |
| Arturo Mendez | .... | head signwriter | |
| Carlos Mendez | .... | construction group head | |
| David Mosall | .... | construction gang boss (as Dave Mosall) | |
| Ricardo Nájera | .... | construction group head (as Ricardo Najera) | |
| Cleo Nethersole | .... | drapes master | |
| Rick Newsome | .... | storyboard artist | |
| Marco Niro | .... | set designer | |
| Manuel Ordaz López | .... | drapes assistant (as Manuel Ordaz) | |
| Jesus Osorio | .... | drapes assistant | |
| Ricardo Osorio | .... | drapes assistant | |
| Andrew Palmer | .... | chargehand propman (as Andy Palmer) | |
| John Palmer | .... | supervising dress propman | |
| Richard Pecora | .... | welding foreman | |
| Mark Petrak | .... | assistant construction coordinator | |
| Miguel Pineda | .... | construction buyer | |
| Moises Pineda | .... | production buyer | |
| Pierrette Pretty | .... | art department assistant: Halifax contemporary shoot (as Pierette Pretty) | |
| Genessa Goldsmith Proctor | .... | lead scenic | |
| Eric Ramsey | .... | storyboard artist | |
| Bill Rea | .... | art director: Escondido tank shoot | |
| Richard Roberts | .... | assistant set decorator | |
| Rafael Rodrigues Palacios | .... | construction group head | |
| David Romero | .... | welder | |
| Héctor Romero | .... | assistant art director (as Hector Romero) | |
| Claude Roussel | .... | set decorator: Halifax contemporary shoot | |
| Ali Rubenstein | .... | set decorator: Halifax contemporary shoot | |
| Steven Sallybanks | .... | scenic artist (as Steve Sallybanks) | |
| Jaime Sánchez | .... | construction group head | |
| Andrés Santana | .... | props assistant (as Andres Santana) | |
| Gerald Scaife | .... | construction estimator | |
| John Eric Seay | .... | welding foreman | |
| Amanda Selling | .... | art department coordinator (as Amanda Sallybanks) | |
| Sasha Sergejewski | .... | assistant props: Halifax contemporary shoot (as Sasha Sergetewski) | |
| Rosalind Shingleton | .... | assistant set decorator | |
| Jason Shurko | .... | set decorator: Halifax contemporary shoot | |
| David Sutherland | .... | co-head carpenter: Halifax | |
| Paul Taggart | .... | supervising plasterer | |
| Mario Torres | .... | props assistant | |
| Daniel Walker | .... | scenic foreman | |
| Dave Westcott | .... | lead scenic interiors (as David Westcott) | |
| Barry Wilkinson | .... | propmaster | |
| Ben Wilkinson | .... | floor propman | |
| Jamie Wilkinson | .... | chargehand propman | |
| Simon Wilkinson | .... | supervising floor propman | |
| Peter Williams | .... | construction foreman: Halifax contemporary shoot | |
| Adrian Zamudio | .... | props assistant | |
| Andrew Ackland-Snow | .... | art direction: ship exterior (uncredited) | |
| Carlos Benassini | .... | set designer (uncredited) | |
| Jon Billington | .... | set designer (uncredited) | |
| Aprile Lanza Boettcher | .... | scenic artist (uncredited) | |
| Pierre Bohanna | .... | supervising modeler (uncredited) | |
| Shane Buckallew | .... | plasterer (uncredited) | |
| Joseph Calta | .... | gang boss (uncredited) | |
| James Cameron | .... | artist: Jack's sketches (uncredited) | |
| John B. Clarey III | .... | steel superintendent (uncredited) | |
| Sandi Cook | .... | assistant art director (uncredited) | |
| Pia Corti | .... | assistant plasterer (uncredited) | |
| Craig T. Currie | .... | model maker (uncredited) | |
| Fred Evans | .... | sculptor (uncredited) | |
| Mark Fenlason | .... | leadman (uncredited) | |
| Mark Fenlason | .... | rigging props (uncredited) | |
| Bill Hay | .... | model maker (uncredited) | |
| Richard E. Kruder | .... | tool crib gang boss (uncredited) | |
| Thomas W. Lay Jr. | .... | production illustrator (uncredited) | |
| Deborah Marsh | .... | construction auditor (uncredited) | |
| Doug J. Meerdink | .... | set designer (uncredited) | |
| David Pirinelli | .... | set dresser (uncredited) | |
| William A. Purcell | .... | art department research (uncredited) | |
| Eric Rosenberg | .... | graphic artist (uncredited) | |
| Gordon Sangster | .... | lead carpenter: Halifax (uncredited) | |
| Christian Scheurer | .... | conceptual artist (uncredited) | |
Sound Department | |||
| Tony Anscombe | .... | adr mixer | |
| John H. Arrufat | .... | dialogue editor (as J.H. Arrufat) | |
| Michael Axinn | .... | assistant sound editor | |
| Chris Barron | .... | machine room operator (as Christopher Barron) | |
| Brendan Beebe | .... | audio systems operator | |
| Jessica Bellfort | .... | assistant sound editor | |
| Tom Bellfort | .... | supervising sound editor | |
| Beau Borders | .... | assistant sound editor | |
| Christopher Boyes | .... | sound designer | |
| Christopher Boyes | .... | sound re-recording mixer | |
| Joan Chamberlain | .... | sound recordist | |
| Richard Corwin | .... | adr editor (as Richard G. Corwin) | |
| Scott Curtis | .... | foley editor | |
| Donovan Dear | .... | boom operator (as Donavan Dear) | |
| Dean Drabin | .... | adr mixer | |
| Sean England | .... | sound mix technician | |
| Tammy Fearing | .... | foley editor | |
| Harriet Fidlow | .... | adr editor (as Harriet Fidlow Winn) | |
| Sue Fox | .... | adr editor (as Suzanne Fox) | |
| Douglas Ganton | .... | sound mixer: Halifax contemporary shoot (as Doug Ganton) | |
| Jonathan Greber | .... | digital audio transferer | |
| Scott Guitteau | .... | sound effects editor | |
| Ann Hadsell | .... | sound recordist | |
| Marni L. Hammett | .... | transfer supervisor | |
| Robin Harlan | .... | foley artist | |
| Lora Hirschberg | .... | sound re-recording mixer | |
| David L. Horton Jr. | .... | foley editor (as Dave Horton Jr.) | |
| Tom Johnson | .... | sound re-recording mixer | |
| David Kelson | .... | additional sound mixer | |
| Scott Koué | .... | supervising assistant sound editor | |
| Lee Lemont | .... | adr editor | |
| Scott Levy | .... | sound re-recordist | |
| Cindy Marty | .... | adr editor | |
| Darren McQuade | .... | sound recordist | |
| Shannon Mills | .... | assistant sound designer | |
| Sarah Monat | .... | foley artist | |
| Al Nelson | .... | sound re-recordist | |
| Jonathan Null | .... | supervising assistant adr editor | |
| Jim Osburn | .... | second boom operator (as Jimmy Osburn) | |
| Mark Pendergraft | .... | sound re-recordist | |
| Richard Quinn | .... | dialogue editor | |
| Michael Rivo | .... | digital audio transferer | |
| Gary Rizzo | .... | sound mix technician (as Gary A. Rizzo) | |
| Steve Romanko | .... | machine room operator | |
| Ronald G. Roumas | .... | sound re-recordist (as Ronald C. Roumas) | |
| Brian Ruberg | .... | adr mixer | |
| Gary Rydstrom | .... | sound re-recording mixer | |
| Claire Sanfilippo | .... | dialogue editor | |
| Christopher Scarabosio | .... | sound effects editor | |
| Jurgen Scharpf | .... | sound mix technician | |
| Dee Selby | .... | digital audio transferer | |
| Tony Sereno | .... | sound mix technician | |
| Randy Singer | .... | foley mixer: Paramount (as Randy K. Singer) | |
| Thomas W. Small | .... | supervising foley editor (as Thomas Small) | |
| Kent Sparling | .... | sound mix technician | |
| Cary Stratton | .... | sound recordist | |
| Gary Summers | .... | sound re-recording mixer | |
| John Torrijos | .... | video services (as John 'JT' Torrijos) | |
| Reynald Trudel | .... | boom operator: Halifax contemporary shoot (as Reynald Trudell) | |
| David E. Turner | .... | machine room operator (as David Turner) | |
| Mark Ulano | .... | sound mixer | |
| Ethan Van der Ryn | .... | sound effects editor (as Ethan Van Der Ryn) | |
| Christian von Burkleo | .... | video services (as Christian Von Burkleo) | |
| Hugh Waddell | .... | supervising adr editor | |
| Mary Works | .... | assistant sound editor | |
| Gwendolyn Yates Whittle | .... | dialogue editor | |
| David Abrahamsen | .... | sound (uncredited) | |
| Christian Boatsman | .... | digital sound technician (uncredited) | |
| Catherine Harper | .... | foley artist (uncredited) | |
| Patrushkha Mierzwa | .... | additional sound utility (uncredited) | |
| Santiago Núñez | .... | cable person (uncredited) | |
| John Soukup | .... | sound transfer (uncredited) | |
Visual Effects by | |||
| Frank Aalbers | .... | digital ship artist: Digital Domain | |
| Victor Abbene | .... | chief lighting technician: visual effects and additional photography, Digital Domain | |
| Mimi Abers | .... | digital compositor: Digital Domain | |
| Jon Aghassian | .... | character integration artist: Digital Domain | |
| Robin Akin | .... | digital animator: Digital Domain (as Robin Finn) | |
| Jon Alexander | .... | digital effects compositing supervisor: ILM | |
| Scott Alexander | .... | model builder: lifeboats/large scale sinking miniatures | |
| Tim Alexander | .... | digital effects artist: ILM | |
| Eric Algren | .... | visual effects art department production assistant | |
| Tony Anderson | .... | motion control gaffer: Digital Domain | |
| Bernd Angerer | .... | character animator: Digital Domain | |
| Nathan Arbuthnott | .... | special effects technician: Digital Domain | |
| Hunter Athey | .... | digital artist: VIFX | |
| Frank Ayre | .... | model builder: lifeboats/large scale sinking miniatures | |
| Michael Backauskas | .... | visual effects editor: Digital Domain | |
| Jeffrey Edward Baksinski | .... | character integration artist: Digital Domain (as Jeff Basinski) | |
| Craig Barron | .... | visual effects supervisor: Matte World Digital | |
| Glen Baumbach | .... | assistant visual effects editor | |
| Peter Baustaedter | .... | digital matte painter: Digital Domain | |
| Mat Beck | .... | visual effects supervisor: Light Matters | |
| Thad Beier | .... | visual effects: Hammerhead Productions | |
| Miles Bellas | .... | digital artist | |
| Dennis Bennett | .... | digital artist: VIFX | |
| Lee Berger | .... | model shoot producer: VIFX | |
| Bill Black | .... | visual effects editor: 4-Ward Productions | |
| David Bleich | .... | digital paraphernalia artist: Digital Domain | |
| Scott Bogunia | .... | Inferno artist: VIFX | |
| Robyn Breen | .... | assistant visual effects coordinator | |
| Mark A. Brown | .... | chief technologist: VIFX | |
| Mark Brown | .... | digital stunt sequence supervisor: Digital Domain | |
| John Bruno | .... | visual effects consultant | |
| C. Mitchell Bryan | .... | model builder: lifeboats/large scale sinking miniatures (as Mitch Bryan) | |
| Cheryl Budgett | .... | CG supervisor: VIFX | |
| Sonja Burchard | .... | digital compositor: Digital Domain | |
| Cathy Burrows | .... | rotoscope artist: ILM (as Cathy M. Burrow) | |
| Andre Bustanoby | .... | motion capture supervisor: Digital Domain | |
| Larry Butcher | .... | digital compositor: Digital Domain | |
| Donald S. Butler | .... | digital effects artist: ILM | |
| Matthew E. Butler | .... | data integration supervisor: Digital Domain (as Matthew 'Teal' Butler) | |
| Kirk Cadrette | .... | computer animator: POP Film | |
| D. Walt Cameron | .... | Inferno artist: VIFX (as Walt Cameron) | |
| Jodi Campanaro | .... | compositor: Light Matters | |
| Casey Cannon | .... | visual effects producer: BFTRE | |
| Bryan H. Carroll | .... | visual effects editor (as Bryan Carroll) | |
| Dave Carson | .... | visual effects supervisor: ILM | |
| Mike Castillo | .... | digital artist: Cinesite | |
| Camille Cellucci | .... | visual effects producer | |
| Alan Chan | .... | digital ship artist: Digital Domain | |
| Jim Chizmar | .... | visual effects key grip | |
| Miles Clayton | .... | model builder: lifeboats/large scale sinking miniatures | |
| Chad E. Collier | .... | scanning and recording operator: Digital Domain | |
| Rafael Colon | .... | digital artist: VIFX | |
| Tim 'Timco' Conway | .... | motion control operator: Digital Domain (as Tim Conway) | |
| James Cook | .... | rigging supervisor: 4-Ward Productions | |
| Chris Cortese | .... | character texture painter: Digital Domain | |
| Filippo Costanzo | .... | digital paraphernalia artist: Digital Domain (as Fillipo Constanzo) | |
| John Michael Courte | .... | digital paraphernalia artist: Digital Domain (as John Courte) | |
| Stéphane Couture | .... | character animator: Digital Domain (as Stephane Couture) | |
| Joyce Cox | .... | visual effects producer: VIFX (as Joyce Weisiger) | |
| Jon Craig | .... | model builder: lifeboats/large scale sinking miniatures | |
| David Crawford | .... | digital compositor: POP Film | |
| Judith Crow | .... | digital effects supervisor: Digital Domain | |
| Lisa Dackermann | .... | digital compositor: Cinesite | |
| Carolyn Daley | .... | model maker: Digital Domain | |
| Andrea D'Amico | .... | visual effects producer: POP Film | |
| Charles Darby | .... | digital matte painter: Digital Domain | |
| Melissa Darby | .... | digital effects coordinator: Digital Domain | |
| Jim Davidson | .... | model maker: 4-Ward Productions | |
| C. Marie Davis | .... | visual effects executive producer: CIS | |
| Dennis Davis | .... | digital compositor: Digital Domain | |
| Chris Dawson | .... | motion control camera operator | |
| Francisco De Jesus | .... | digital paraphernalia artist: Digital Domain (as Francisco Dejesus) | |
| Martine DeLage | .... | character animator: Digital Domain (as Martine Delage) | |
| Chris Del Conte | .... | digital visual effects coordinator: Cinesite | |
| Aaron Dem | .... | digital visual effects producer: Cinesite | |
| Krystyna Demkowicz | .... | visual effects producer: Matte World Digital | |
| Karl Denham | .... | digital ship artist: Digital Domain | |
| Patrick Denver | .... | model maker foreman: VIFX | |
| Mark DeSousa | .... | 3D tracking: VIFX (as Mark de Sousa) | |
| Jamie Dixon | .... | visual effects: Hammerhead Productions | |
| Jeff Doran | .... | digital effects artist: ILM | |
| Crystal Dowd | .... | visual effects producer: Digital Domain | |
| John J. Downey | .... | special effects technician: Digital Domain (as John Downey) | |
| Kathy Draper | .... | production coordinator: 4-Ward Productions | |
| Hank Driskill | .... | digital ocean software: Digital Domain | |
| David Drzewiecki | .... | visual effects director of photography: VIFX (as Dave Drzewiecki) | |
| Joe Dubs | .... | digital artist: Cinesite (as Joe Dubbs) | |
| Rick Dunn | .... | lead compositor: Digital Domain | |
| Gus Duron | .... | film coordinator: VIFX | |
| Timothy Eaton | .... | visual effects editor: ILM (as Tim Eaton) | |
| Elaine Edford | .... | executive producer: 4-Ward Productions | |
| Michael Edland | .... | character integration artist: Digital Domain (as Mike Edland) | |
| Jonathan Egstad | .... | digital compositor: Digital Domain | |
| Leslie Ekker | .... | model supervisor: Digital Domain | |
| Gregory Elwood | .... | digital artist: VIFX (as Gregory Ellwood) | |
| Christopher Evans | .... | chief digital matte artist: Matte World Digital (as Chris Evans) | |
| Michael Everett | .... | gaffer: VIFX | |
| Sean Andrew Faden | .... | data integration digital artist: Digital Domain (as Sean Faden) | |
| Bill Feightner | .... | technical supervisor: CIS Hollywood | |
| Ed Felix | .... | physical effects coordinator: VIFX | |
| Mark Felt | .... | lead Inferno artist: VIFX | |
| Bob Fernley | .... | digital imaging supervisor: Cinesite | |
| Kelly Fischer | .... | digital artist: VIFX | |
| Lucio I. Flores | .... | digital ocean software: Digital Domain (as Lucio Flores) | |
| Rachel Fondiller | .... | assistant production coordinator: Digital Domain | |
| Mark O. Forker | .... | digital compositing supervisor: Digital Domain (as Mark Forker) | |
| Gordon Forkert | .... | lead model maker: Digital Domain | |
| Dan Foster | .... | visual effects production manager: VIFX | |
| Crystal Foth | .... | visual effects coordinator: BFTRE | |
| Mark Franco | .... | visual effects executive producer: Rainmaker Digital | |
| Michael J. Frick | .... | rotoscope artist: Digital Domain (as Mike Frick) | |
| Jammie Friday | .... | MIR sequence compositing supervisor: Digital Domain (as Jamie Friday) | |
| Bob Froehlig | .... | systems manager: VIFX | |
| Jorge Fuentes | .... | shop supervisor: 4-Ward Productions | |
| Gian Ganziano | .... | Avid support: VIFX | |
| Gonzalo Garramuno | .... | character animator: Digital Domain | |
| Jason Gaudio | .... | assistant visual effects editor | |
| Gloria Geary | .... | digital artist: VIFX (as Gloria J. Geary) | |
| Jennifer German | .... | digital compositor: POP Film | |
| John Gibson | .... | digital ocean artist: Digital Domain | |
| Tom Gleason | .... | model builder: lifeboats/large scale sinking miniatures | |
| Susan Goldsmith | .... | rotoscope artist: ILM | |
| Joseph Goldstone | .... | scanning and recording: Digital Domain | |
| Bryan Greenberg | .... | camera operator: 4-Ward Productions | |
| Caroleen Green | .... | digital matte artist: Matte World | |
| Bryan Grill | .... | lead compositor: Digital Domain | |
| Abra Grupp | .... | digital compositor: Cinesite | |
| David Gutman | .... | digital artist: VIFX | |
| Cynthia Halliburton | .... | coordinator: Digital Domain | |
| Craig Halperin | .... | digital compositor: Digital Domain | |
| Craig Hammack | .... | digital effects artist: ILM | |
| David Hanks | .... | digital effects matchmover: ILM | |
| Howard Harnett | .... | stage technician: 4-Ward Productions | |
| Jordan Harris | .... | digital artist: BFTRE | |
| John Hart | .... | character texture painter: Digital Domain | |
| Simon Haslett | .... | lead compositor: Digital Domain | |
| Don Hastings | .... | special effects technician: Digital Domain | |
| John Heller | .... | Inferno artist: VIFX | |
| Claas Henke | .... | key compositor: Digital Domain | |
| Nicole Herr | .... | digital compositor: Cinesite | |
| Jeff Heusser | .... | digital compositing supervisor: CIS Hollywood | |
| Matt 'Chief' Hightower | .... | CG technical supervisor: POP Film (as Matt Hightower) | |
| Brian Holden | .... | composite artist: BFTRE | |
| Michael Holdridge | .... | model builder: lifeboats/large scale sinking miniatures (as Mike Holdridge) | |
| Richard E. Hollander | .... | visual effects supervisor: VIFX (as Richard Hollander) | |
| Christopher Holsey | .... | scanning and recording: Digital Domain | |
| Chris Holt | .... | associate visual effects producer: Light Matters | |
| Uel Hormann | .... | digital artist: VIFX | |
| Christopher Horvath | .... | digital compositor: Matte World Digital | |
| Adam Howard | .... | digital compositing supervisor: POP Film | |
| Chris Howard | .... | Inferno artist: VIFX | |
| Jen Howard | .... | digital artist: VIFX (as Jennifer Howard) | |
| Sean Hyun-In Lee | .... | Inferno artist: VIFX | |
| Nick Ilyin | .... | 3D tracking: VIFX | |
| Hitoshi Inoue | .... | visual effects editor: BFTRE | |
| Rusty Ippolito | .... | digital ship artist: Digital Domain | |
| Yukiko Ishiwata | .... | composite artist: BFTRE | |
| David Isyomin | .... | digital ocean artist: Digital Domain | |
| Kevin Ivey | .... | second assistant cameraman: VIFX | |
| Christopher Ivins | .... | digital artist: VIFX | |
| Gary Jackemuk | .... | digital compositor: Digital Domain | |
| Evan Jacobs | .... | miniatures: Vision Crew Unlimited | |
| Kevan Jenson | .... | video assist: VIFX (as Kevan Jensen) | |
| Hilery Johnson | .... | digital artist: Cinesite | |
| Paul D. Johnson | .... | motion control operator: VIFX (as Paul Johnson) | |
| Andy Jones | .... | digital stunt sequence supervisor: Digital Domain | |
| Kenneth Jones | .... | visual effects supervisor: CIS Hollywood (as Dr. Ken Jones) | |
| Rimas Juchnevicius | .... | digital artist: VIFX | |
| Nikos Kalaitzidis | .... | digital ocean artist: Digital Domain | |
| Jeffrey Kalmus | .... | color grading supervisor: Digital Domain | |
| Michael Kanfer | .... | digital compositing supervisor: Digital Domain | |
| Alan Kapler | .... | digital paraphernalia artist: Digital Domain | |
| Mark David Katchur | .... | stage production manager: Digital Domain (as Mark Katchur) | |
| Tom Kennedy | .... | visual effects producer: ILM | |
| Richard Kidd | .... | digital ocean supervisor: Digital Domain | |
| Mikella Kievman | .... | digital effects coordinator: Digital Domain | |
| John Kilkenny | .... | visual effects producer: Digital Domain | |
| Terry W. King | .... | special effects technician: Digital Domain (as Terry King) | |
| Aaron Kirsch | .... | first assistant camera: Digital Domain | |
| Paul Kirwan | .... | digital compositor: Digital Domain (as Paul Kirwin) | |
| Karen Klein | .... | rotoscope supervisor: Cinesite | |
| Gene Kozicki | .... | digital effects production manager: VIFX | |
| Zsolt Krajcsik | .... | digital ocean artist: Digital Domain | |
| Marshall Richard Krasser | .... | digital effects artist: ILM | |
| Markus Kurtz | .... | digital paraphernalia artist: Digital Domain (as Marcus Kurtz) | |
| Michael La Fave | .... | 3D tracking: VIFX (as Michael LaFave) | |
| Mike Lamb | .... | digital rotoscoping: VIFX | |
| Garrett Lam | .... | digital artist: VIFX | |
| Travis Langley | .... | technical operations: BFTRE | |
| Donna Langston | .... | visual effects consultant | |
| Giancarlo Lari | .... | character animator: Digital Domain | |
| Mark A. Lasoff | .... | digital effects supervisor: Digital Domain (as Mark Lasoff) | |
| Jennifer Law-Stump | .... | digital effects artist: Pacific Title Digital | |
| Hae-Jeon Lee | .... | character animator: Digital Domain | |
| James Do Young Lee | .... | digital artist: VIFX | |
| Sunny Lee | .... | character animator: Digital Domain | |
| Robert Legato | .... | visual effects supervisor | |
| Mary Leitz | .... | lead 2D compositor: VIFX | |
| Dan Lemmon | .... | character integration artist: Digital Domain | |
| Andy Lesniak | .... | digital ship artist: Digital Domain | |
| Candace Lewis | .... | Inferno artist: VIFX | |
| Mark Tait Lewis | .... | digital artist: Cinesite (as Mark Lewis) | |
| Erik Liles | .... | compositor: Light Matters | |
| Van Ling | .... | visual effects supervisor: BFTRE | |
| Brad Lipson | .... | gaffer: special effects | |
| Kenneth Littleton | .... | digital compositing supervisor: POP Film (as Ken Littleton) | |
| Dawn Llewellyn | .... | visual effects editor: CIS Hollywood | |
| Christine Lo | .... | lead morph artist: Digital Domain | |
| Dave Lockwood | .... | digital compositor: Digital Domain | |
| Daniel Loeb | .... | character supervisor: Digital Domain | |
| Franklin Londin | .... | digital paraphernalia artist: Digital Domain | |
| Liz Lord | .... | digital artist: VIFX | |
| Treena Loria | .... | digital compositor: Digital Domain | |
| Scott Lukowski | .... | model maker: Digital Domain | |
| Martha Snow Mack | .... | digital matte painter: Digital Domain (as Martha Mack) | |
| Daniel Ma | .... | motion capture animator: Digital Domain (as Dan Ma) | |
| Allyse Manoff | .... | digital effects coordinator: Digital Domain | |
| Don Mariano | .... | model maker: Digital Domain | |
| Rebecca Marie | .... | visual effects: Hammerhead Productions | |
| Marcel Martinez | .... | digital compositor: Cinecite | |
| Steve Mate | .... | visual effects editor: Cinesite | |
| Joe Matza | .... | senior producer: CIS Hollywood | |
| Charlie May | .... | video assist: VIFX | |
| Keith McCabe | .... | digital artist: VIFX | |
| Don McCall | .... | key grip: VIFX | |
| Laura McDermott | .... | digital effects coordinator: Digital Domain | |
| W. Regan McGee | .... | 2D animator | |
| Bill McGill | .... | motion control operator: VIFX | |
| Sean McPherson | .... | lead 2D compositor: VIFX | |
| Charles Meredith | .... | digital compositor: Digital Domain | |
| Douglas Miller | .... | miniatures: Vision Crew Unlimited | |
| Glen David Miller | .... | digital artist | |
| Kenny Mirman | .... | visual effects art director: Digital Domain (as Kenneth Mirman) | |
| Bekki Misiorowski | .... | visual effects assistant accountant: Digital Domain | |
| Marcus Q. Mitchell | .... | character integration software: Digital Domain (as Marcus Mitchell) | |
| Suzanne Mitus-Uribe | .... | digital artist: CIS Hollywood | |
| Gary Molyneux | .... | visual effects grip | |
| Jack Mongovan | .... | rotoscope lead artist: ILM | |
| Steve R. Moore | .... | visual effects editor | |
| Zeke Morales | .... | film coordinator: Blue Sky/VIFX | |
| Zeke Morales | .... | visual effects editor: VIFX | |
| Danny Mudgett | .... | digital artist: CIS Hollywood | |
| Karen M. Murphy | .... | digital effects producer: Digital Domain | |
| Ken Musgrave | .... | digital ocean software: Digital Domain | |
| Howie Muzika | .... | lead rotoscope artist: Digital Domain | |
| Kathleen Myers | .... | model builder: lifeboats/large scale sinking miniatures | |
| Chris Nakayama | .... | model builder: lifeboats/large scale sinking miniatures | |
| Erik Nash | .... | visual effects director of photography: Digital Domain | |
| Craig Newman | .... | digital department manager: VIFX | |
| Tom Nicolai | .... | model maker: Digital Domain | |
| Mark Noel | .... | special effects coordinator: Digital Domain | |
| Gary Nolin | .... | production manager: VIFX | |
| Ed Nottoli | .... | motion control camera assistant: VIFX | |
| David Novak | .... | key grip: Digital Domain | |
| Candida Nunez | .... | data integration digital artist: Digital Domain | |
| Peter Nye | .... | digital ship artist: Digital Domain | |
| Harry O'Connor | .... | location manager: Digital Domain | |
| Gregory Oehler | .... | digital artist: CIS Hollywood | |
| George Oliver | .... | digital artist: Cinesite | |
| Jeff Olm | .... | digital compositor: Digital Domain | |
| Shawna Olwen | .... | character modeller: Digital Domain | |
| Mike O'Neal | .... | data integration lead: Digital Domain | |
| Mark Oppenheimer | .... | first assistant director: VIFX | |
| Rocco Passionino | .... | character integration artist: Digital Domain | |
| Edie Paul | .... | visual effects: Hammerhead Productions | |
| Richard A. Payne | .... | digital ship extension supervisor: Digital Domain (as Richard A. Payne Jr.) | |
| Christopher C. Pearson | .... | assistant camera: VIFX (as Christopher Pearson) | |
| Bob Peishel | .... | digital system coordinator: CIS Hollywood | |
| Cristin Pescosolido | .... | digital compositor: Cinesite | |
| Price Pethel | .... | compositing consultant: Digital Domain | |
| Brian Peyatt | .... | 2D coordinator | |
| Ethan Phillips | .... | visual effects CLT: VIFX | |
| Franco Pietrantonio | .... | data integration digital artist: Digital Domain | |
| Alan Pilkington | .... | model maker: Digital Domain | |
| Josh Pines | .... | scanning supervisor: ILM (as Joshua Pines) | |
| Darren Poe | .... | digital ocean artist: Digital Domain | |
| Lisa L. Pollaro | .... | digital compositor: Cinesite (as Lisa Pollaro) | |
| Corinne Pooler | .... | digital artist: Cinesite (as Corrine Pooler) | |
| Jerry Pooler | .... | digital visual effects supervisor: Cinesite | |
| Kelly Port | .... | digital paraphernalia supervisor: Digital Domain | |
| Alicia G. Powers | .... | production coordinator: VIFX (as Alicia Powers) | |
| Alan Precourt | .... | digital technical assistant: Digital Domain | |
| David Prescott | .... | digital paraphernalia artist: Digital Domain | |
| Brennan Prevatt | .... | key compositor: Digital Domain (as Brent Prevatt) | |
| Lauren Pritchard | .... | assistant production coordinator: Digital Domain | |
| Alex Sandor Rabb | .... | digital ocean artist: Digital Domain (as Sandor Rabb) | |
| Scott Rader | .... | key compositor: Digital Domain | |
| Brandon Ramos | .... | Mechanical Effects Artist | |
| Jay Randall | .... | character animator: Digital Domain | |
| Linda Renaud | .... | assistant visual effects editor: Digital Domain | |
| Jim Rider | .... | motion control operator: Digital Domain (as James Rider) | |
| Brian Ripley | .... | lead model maker: Digital Domain | |
| Edwin Rivera | .... | CG supervisor: VIFX | |
| Eugene P. Rizzardi | .... | model crew chief: Digital Domain (as Gene Rizzardi) | |
| Barry Robertson | .... | CG technical supervisor: POP Film | |
| Doug Roble | .... | motion editing and tracking software: Digital Domain | |
| Mike Roby | .... | digital artist: VIFX | |
| Christopher Roda | .... | character animator: Digital Domain (as Chris Roda) | |
| César Romero | .... | Inferno artist: VIFX (as Cesar Romero) | |
| Jim Rothrock | .... | digital ocean software: Digital Domain | |
| Marc Rubone | .... | digital artist: VIFX | |
| Marian Rudnyk | .... | digital rotoscoping: VIFX | |
| Chris Ryan | .... | lead Inferno artist: VIFX | |
| Scott Salsa | .... | mechanical engineer: Digital Domain | |
| Steve J. Sanchez | .... | 2D animator | |
| Rick Sander | .... | digital artist: VIFX | |
| Mike Sanders | .... | motion capture animator: Digital Domain (as Michael Sanders) | |
| David Santiago | .... | data integration lead: Digital Domain | |
| John E. Sasaki | .... | digital compositor: Digital Domain (as John Sasaki) | |
| Roger Sassen | .... | gaffer: VIFX (as Roger Saasen) | |
| Andrea Scholer | .... | key compositor: Digital Domain (as Andrea Sholer) | |
| Candice Scott | .... | digital compositor: POP Film | |
| Donovan Scott | .... | digital compositor: Digital Domain | |
| Lisa Scott | .... | digital effects coordinator: Digital Domain (as Lisa Harriman Scott) | |
| Marc Scott | .... | digital compositor: Digital Domain | |
| Som Shankar | .... | computer animator: POP Film | |
| Tom Shaughnessy | .... | motion control camera assistant: VIFX | |
| Mark A. Shelton | .... | visual effects director of photography: 4-Ward Productions (as Mark Shelton) | |
| Mark A. Shelton | .... | visual effects producer: 4-Ward Productions (as Mark Shelton) | |
| Toshi Shiozawa | .... | digital ocean artist: Digital Domain | |
| Ron Shock | .... | digital compositor: Digital Domain | |
| Umesh Shukla | .... | character integration supervisor: Digital Domain | |
| Cybele Sierra | .... | digital artist: VIFX | |
| Fred Simon | .... | visual effects | |
| Dennis Skotak | .... | supervisor/director of photography: 4-Ward Productions | |
| Robert Skotak | .... | visual effects supervisor: 4-Ward Productions | |
| Jane Slater | .... | script supervisor: VIFX | |
| Heather Smith | .... | associate visual effects producer: ILM | |
| Keith W. Smith | .... | character animator: Digital Domain (as Keith Smith) | |
| Kenneth Smith | .... | color timing supervisor: ILM | |
| Kurt E. Soderling | .... | visual effects camera operator (as Kurt Soderling) | |
| Fumihiko Sori | .... | character animator: Digital Domain | |
| Aliza Sorotzkin | .... | character animator: Digital Domain (as Liza Sorotzkin) | |
| Frederic Soumagnas | .... | character integration artist: Digital Domain | |
| Kimberly Spear | .... | production assistant: Cinesite | |
| Lisa Spence | .... | digital effects coordinator: Digital Domain (as Lisa Spence Lissak) | |
| Bill Spitzak | .... | CG technical supervisor: Digital Domain | |
| Chris Springfield | .... | data integration lead: Digital Domain | |
| Sean Stanek | .... | assistant visual effects coordinator | |
| Dottie Starling | .... | model maker: Digital Domain | |
| David Stearn | .... | digital compositor: Digital Domain (as David Stern) | |
| George Stevens | .... | model crew chief: Digital Domain | |
| Colin Strause | .... | 3D supervisor: Light Matters | |
| Greg Strause | .... | compositing supervisor: Light Matters | |
| Daryll Strauss | .... | character integration software: Digital Domain | |
| Kyle Strawitz | .... | digital paraphernalia artist: Digital Domain | |
| David Sullivan | .... | digital rotoscoping: VIFX | |
| Jon Tanimoto | .... | Inferno artist: VIFX | |
| Andrew Taylor | .... | digital artist: VIFX | |
| Fred Tepper | .... | digital ship model lead: Digital Domain | |
| Jim Thibo | .... | motion control camera assistant: VIFX | |
| Cari Thomas | .... | visual effects line producer: Digital Domain | |
| Jim Thomson | .... | Avid editor: VIFX | |
| K. Susan Thurmond | .... | visual effects production coordinator: Digital Domain (as Susan Thurmond) | |
| Blerime Topalli | .... | visual effects coordinator | |
| Antonio Torres | .... | digital rotoscoping: VIFX | |
| Derick Tortorella | .... | technical operations: BFTRE | |
| R. Gern Trowbridge | .... | best boy electric: Digital Domain (as Robert 'Gern' Trowbridge) | |
| Aristomenis Tsirbas | .... | digital artist | |
| Zachary Tucker | .... | data integration digital artist: Digital Domain (as Zack Tucker) | |
| James Valentine | .... | digital artist: Cinesite | |
| Paul Van Camp | .... | digital ocean artist: Digital Domain | |
| Ted Van Dorn | .... | lead model maker: Digital Domain (as Ted Van Doorn) | |
| Carey Villegas | .... | night compositing supervisor: Digital Domain | |
| Christopher Walsh | .... | character animator: Digital Domain (as Chris Walsh) | |
| Jon Warren | .... | miniatures: Vision Crew Unlimited | |
| Jim Weisiger | .... | visual effects director of photography: Blue Sky/VIFX | |
| Ray Welker | .... | accountant: Digital Domain | |
| Byron Werner | .... | rotoscope artist: Digital Domain | |
| Michael Wheelwright | .... | model builder: lifeboats/large scale sinking miniatures (as Mike Wheelwright) | |
| Edson Williams | .... | compositing supervisor: Light Matters | |
| Thomas Woessner | .... | model maker: Digital Domain (as Tom Woessner) | |
| Jonathan Wood | .... | digital artist: VIFX | |
| Dean Wright | .... | visual effects production manager: Digital Domain | |
| Keiji Yamaguchi | .... | character animator: Digital Domain | |
| Robert Yamamoto | .... | visual effects wrangler (as Rob Yamamoto) | |
| Tsz 'Gee' Yeung | .... | digital artist: VIFX | |
| Gary Young | .... | model builder: lifeboats/large scale sinking miniatures | |
| Tonia Young | .... | rotoscope artist: Digital Domain (as Tonia Young-Bilderbeck) | |
| Serkan Zelzele | .... | digital artist: VIFX (as Serkan Zelezele) | |
| Lou Zutavern | .... | pre-vis pred model: Titanic deep dive | |
| Lori Agostino | .... | model maker (uncredited) | |
| Grant Anderson | .... | technical director (uncredited) | |
| Kenneth Au | .... | digital compositor (uncredited) | |
| Johnathan R. Banta | .... | digital artist (deleted scenes) (uncredited) | |
| Andy Barrios | .... | rotoscope artist: Rainmaker Digital (uncredited) | |
| Brian Begun | .... | scanning and recording technician: POP Film (uncredited) | |
| Grant Boucher | .... | digital Titanic technical supervisor (uncredited) | |
| Greg Bradner | .... | systems (uncredited) | |
| Shawn Broes | .... | visual effects editor (uncredited) | |
| Eric Brown | .... | model maker (uncredited) | |
| Patrick Clancey | .... | supervising compositor: The Post Group (uncredited) | |
| Thomas Clary | .... | digital production manager: POP Film (uncredited) | |
| Grady Cofer | .... | Inferno artist (uncredited) | |
| Chris DeAngelis | .... | visual effects editor: EFilm (uncredited) | |
| Dario De Gregorio | .... | visual effects coordinator (uncredited) | |
| Paolo deGuzman | .... | digital rotoscope/textures: Digital Domain (uncredited) | |
| Valerie Delahaye | .... | 3D manager: Digital Domain (uncredited) | |
| Julian de la Pena | .... | electrician: visual effects lighting (uncredited) | |
| Feliciano di Giorgio | .... | digital artist: Digital Domain (uncredited) | |
| Jim DiNunzio | .... | software engineer: Digital Domain (uncredited) | |
| Rob Doolittle | .... | visual effects offline video editor (uncredited) | |
| Colin Drobnis | .... | digital compositor (uncredited) | |
| Christopher Duddy | .... | visual effects director of photography (uncredited) | |
| Curtis Edwards | .... | digital artist: Digital Domain (uncredited) | |
| Curtis Edwards | .... | digital effects artist (uncredited) | |
| Eric Gambini | .... | intern: MOCO (uncredited) | |
| Tim Gibbons | .... | digital effects artist (uncredited) | |
| Manuel Rey Gonzalez | .... | 2D compositor and digital nature tools: RenderWorld (uncredited) | |
| Karen E. Goulekas | .... | digital compositor: Digital Domain (uncredited) | |
| Glen Gustafson | .... | digital effects color correction: Efilm (uncredited) | |
| Andrew M. Harvey | .... | digital color grader (uncredited) | |
| Jason Hill | .... | digital compositor: RanchWorks Unlimited (uncredited) | |
| L. Matt Hill | .... | post production assistant (uncredited) | |
| George A. Hock | .... | visual effects gaffer (uncredited) | |
| John Hoffman | .... | model maker: Vision Crew Unlimited (uncredited) | |
| Chris Holmes | .... | digital compositor (uncredited) | |
| Cynthia Hyland | .... | rotoscope artist (uncredited) | |
| Joni Jacobson | .... | digital composite supervisor (uncredited) | |
| Jay Mark Johnson | .... | visual effects (uncredited) | |
| Michael Karp | .... | video assist (uncredited) | |
| Bill Kent | .... | visual effects supervisor: Hollywood Digital (uncredited) | |
| Richard Kilroy | .... | matte artist (uncredited) | |
| Christian Kubsch | .... | visual effects producer preproduction: Digital Domain (uncredited) | |
| Vincent Lavares | .... | tape operator (uncredited) | |
| Michael Lawler | .... | visual effects cameraman (uncredited) | |
| Gus Lopez | .... | motion capture (uncredited) | |
| Mark Alan Loso | .... | compositor (uncredited) | |
| Joe Mandia | .... | digital artist (uncredited) | |
| Richard Ivan Mann | .... | visual effects producer: Hollywood Digital (uncredited) | |
| Michael A. McFadden | .... | visual effects grip (uncredited) | |
| Valerie McMahon | .... | digital artist (uncredited) | |
| Scott Medcalf | .... | electrician: visual effects tank unit (uncredited) | |
| Hal Miles | .... | digital compositor (uncredited) | |
| Tony Moffett | .... | model maker (uncredited) | |
| Frank Montoya | .... | best boy grip: visual effects unit (uncredited) | |
| Trevor Murray | .... | model maker (uncredited) | |
| Aaron Pfau | .... | lead digital artist (uncredited) | |
| Brett Phillips | .... | model maker: Digital Domain (uncredited) | |
| Rick Rische | .... | matte artist: 4-Ward (uncredited) | |
| Paul Rivera | .... | digital compositing supervisor: Matte World Digital (uncredited) | |
| Olivier Sarda | .... | digital compositor (uncredited) | |
| Bill Schaeffer | .... | digital paint and rotoscope artist (uncredited) | |
| Jennifer Lee Scheer | .... | technology coordinator (uncredited) | |
| Robert Scopinich | .... | digital compositor (uncredited) | |
| Steven J. Scott | .... | digital compositor: The Post Group (uncredited) | |
| M. Zachary Sherman | .... | digital effects artist (uncredited) | |
| Robert Small | .... | 3D tracking and photogrammetry (uncredited) | |
| David J. Smith | .... | production assistant: Digital Domain (uncredited) | |
| Doyle Smith | .... | digital artist (uncredited) | |
| Stephen Sobisky | .... | project manager: Viewpoint Datalabs (uncredited) | |
| Joel Stirnkorb | .... | grip: visual effects unit (uncredited) | |
| Scott Stokdyk | .... | digital artist (uncredited) | |
| Edward Svetlik | .... | sculptor and computer special effects (uncredited) | |
| Joe Takai | .... | production software supervisor (uncredited) | |
| Chad Taylor | .... | Sabre artist: ILM (uncredited) | |
| Jerry Tessendorf | .... | computer graphics water developer (uncredited) | |
| Tristan Tom | .... | technical support: Cinesite (uncredited) | |
| Jim Towler | .... | model maker (uncredited) | |
| Alex Tropiec Jr. | .... | digital compositor: Digital Domain (uncredited) | |
| Ed Ulbrich | .... | visual effects executive producer: Digital Domain (uncredited) | |
| Grant Viklund | .... | digital technical assistant (uncredited) | |
| Michael Walters | .... | model maker (uncredited) | |
| Tamara Watts Kent | .... | digital effects producer: Digital Domain vendors (uncredited) | |
| David Weitzberg | .... | production support: DD (uncredited) | |
| Lauralee Wiseman | .... | lead technical support: PTD (uncredited) | |
| Kieran Woo | .... | production controller: Digital Domain (uncredited) | |
| Leon Xiao | .... | chief systems administrator (uncredited) | |
| Lope Yap Jr. | .... | visual effects producer (uncredited) | |
| Susumu Yukuhiro | .... | model maker (uncredited) | |
Camera and Electrical Department | |||
| René Acosta | .... | rigging electrician (as Rene Torres Acosta) | |
| Carolyn Adams | .... | grip: Halifax contemporary shoot | |
| Jeff Adams | .... | key grip: Halifax contemporary shoot | |
| John Adamson | .... | grip: Halifax contemporary shoot | |
| Benito Aguilar | .... | rigging electrician (as Benito Aguilar Perez) | |
| Scotty Allan | .... | gaffer: Halifax contemporary shoot (as Scotty Allen) | |
| Mike Amorelli | .... | rigging gaffer | |
| Paul Amorelli | .... | rigging best boy electric | |
| Daniel Anaya | .... | grip | |
| Allan Angus | .... | generator operator: Halifax contemporary shoot | |
| Ricardo Arvizu | .... | grip | |
| Fernando Fernandez Arzote | .... | rigging grip | |
| Tom Baker | .... | electrician | |
| Jose L. Barajas P. | .... | rigging electrician | |
| Jamie Barber | .... | first assistant camera: Halifax contemporary shoot | |
| Guy Norman Bee | .... | camera operator | |
| Tony Bendt | .... | grip | |
| Kirk Bloom | .... | second assistant camera | |
| Paul Bolton | .... | best boy: Halifax contemporary shoot | |
| Dan Bonnin | .... | crane operator: Akela crane | |
| John Bonnin | .... | crane operator: akela crane | |
| Arthur R. Botham | .... | generator operator (as Buddy Botham) | |
| Glenn Brown | .... | camera production assistant | |
| Mitch Bryan | .... | assistant video assist operator | |
| Malcolm Bryce | .... | lamp operator | |
| John Buckley | .... | gaffer | |
| Bruce Byall | .... | grip | |
| Alvardo Bortolini Camacho | .... | rigging grip | |
| Cesar Camacho | .... | lamp operator | |
| James Cameron | .... | director of photography: Titanic deep dive | |
| James Cameron | .... | special camera equipment designer | |
| Mike Cameron | .... | special deep ocean camera system (as Michael Cameron) | |
| Luis Canedo | .... | rigging electrician (as Jose L. Canedo) | |
| Rosalio Cano Ordoñez | .... | rigging best boy electric (as Rosalio Cano) | |
| Bruce Carothers | .... | rigging grip | |
| Javier Sanchez Carrera | .... | rigging electrician | |
| Angel Sanches Castro | .... | lamp operator | |
| Michael P. Catanzarite | .... | grip (as Mike Catanzarite) | |
| Joaquin Cervera | .... | second assistant camera: "b" camera | |
| Doug Chartier | .... | dolly grip (as Douglas Chartier) | |
| Paul Cheung | .... | lamp operator | |
| Paul Ciancetta | .... | lighting technician: Musco lights | |
| Jake Clarke | .... | best boy: Halifax contemporary shoot | |
| Jayson Clute | .... | second assistant camera: "b" camera, Halifax contemporary shoot | |
| Marc Cole | .... | Steadicam operator (as Marcus Cole) | |
| Marc Cole | .... | camera operator: "a" camera, second unit (as Marcus Cole) | |
| Keith Collea | .... | video playback operator | |
| Tim Collins | .... | rigging best boy grip (as Timothy Collins) | |
| Yvonne Collins | .... | second assistant camera: Halifax contemporary shoot | |
| Kevin Cook | .... | grip | |
| Robert Harold Cooper | .... | rigging foreman | |
| Raúl Cortés | .... | rigging grip (as Raul Cortes) | |
| Gustavo Covarrubias | .... | key grip: Mexico | |
| Jorge Covarrubias | .... | grip (as Jorge Covarrubias Garcia) | |
| Ricardo Covarrubias | .... | dolly grip | |
| Roman Covarrubias | .... | rigging electrician | |
| Felipe De Jesus Gutierrez | .... | rigging electrician | |
| Caleb Deschanel | .... | director of photography: Halifax contemporary shoot | |
| Cylvan Desrouleaux | .... | second assistant camera: Halifax contemporary shoot (as Cylvan DesRouleaux) | |
| Michael Dronge | .... | grip | |
| Brian Dzyak | .... | additional second assistant camera | |
| Steven C. Eakins | .... | generator operator | |
| Jorge Enriquez | .... | lamp operator | |
| Romel Esquivel | .... | rigging grip | |
| Anders Falk | .... | director of photography: documentary | |
| Michael J. Fowler | .... | video technician: Halifax contemporary shoot (as Michael Fowler) | |
| Gary Fredrickson | .... | lamp operator | |
| J.P. Gabriel | .... | underwater lighting | |
| J.P. Gabriel | .... | underwater lighting: Escondido tank shoot | |
| Alfredo Luna Galindo | .... | rigging electrician | |
| Manuel García | .... | lamp operator (as Manual Garcia G.) | |
| Darcy Gasparovic | .... | second assistant camera: "b" camera, Halifax contemporary shoot | |
| Sergio Gonsalez | .... | lamp operator | |
| Ismael 'Izzy' Gonzalez | .... | rigging best boy electric | |
| Jesus A. Gonzalez | .... | rigging best boy electric | |
| Mark Goodwin | .... | gaffer: Escondido tank shoot | |
| Dylan Goss | .... | assistant camera: aerial unit (as Dylan M. Gross) | |
| Bill Greenberg | .... | rigging best boy electric | |
| Khan Griffith | .... | lamp operator | |
| Todd Griffith | .... | rigging grip | |
| Harold Groshon | .... | lamp operator (as Hal Groshon) | |
| Tony Guerin | .... | first assistant camera: "b" camera, Halifax contemporary shoot | |
| Roberto Gutierrez | .... | rigging electrician | |
| Jon Haney | .... | lamp operator | |
| John Harmon | .... | rigging grip | |
| Jonathan McCrea Harmon | .... | generator operator | |
| Daniel Hegarty | .... | crane operator: Technocrane | |
| Albert Hennen | .... | loader: Halifax contemporary shoot | |
| Marcos Hernandez | .... | grip | |
| Saul Dominguez Hernandez | .... | rigging electrician | |
| Rick Herres | .... | rigging grip | |
| Ron Hoffman | .... | lamp operator | |
| Mark Hryma | .... | assistant camera: Wescam camera | |
| Carlos Chacon Inota | .... | rigging electrician | |
| Mark Jackson | .... | first assistant camera | |
| Joaquin Alcantara Jimenez | .... | rigging electrician | |
| Rick Johnson | .... | crane operator: Akela crane | |
| Richard Jones | .... | rigging grip | |
| Eugene B. Kerry | .... | best boy grip (as Eugene Brian Kerry) | |
| Gary Kingston | .... | grip (as Gary 'Gard T' Kingston) | |
| Steve Koster | .... | camera operator: Wescam camera, Halifax contemporary shoot | |
| Dennis M. Kuneff | .... | rigging grip (as Dennis Kuneff) | |
| Jesus LaBastida | .... | grip (as Jesus Labastida) | |
| Chuck Lapp | .... | electrician: Halifax contemporary shoot | |
| Enrique Lara | .... | lamp operator | |
| Luis Sanchez Lara | .... | lamp operator | |
| Jason Leeds | .... | lamp operator | |
| Edgar Hurtado Lopez | .... | rigging electrician | |
| Marcelino Luna | .... | rigging grip | |
| Jim MacCammon | .... | gaffer: Halifax contemporary shoot | |
| Forbes MacDonald | .... | first assistant camera: "b" camera, Halifax contemporary shoot | |
| Kevin MacNeil | .... | grip: Halifax contemporary shoot (as Kevin McNeil) | |
| Gerardo Manjarrez | .... | first assistant camera: "b" camera | |
| Marc Marino | .... | lamp operator | |
| Anthony T. Marra II | .... | key grip: Escondido tank shoot (as Tony Marra) | |
| Leonardo M. Marron | .... | lamp operator | |
| Néstor Martínez | .... | rigging electrician (as Nestor Martinez Villanueva) | |
| William R. Mayberry | .... | lamp operator (as Bill Mayberry) | |
| Gordon McIver | .... | grip | |
| Jack E. McLean Jr. | .... | rigging best boy electric (as Jack McLean) | |
| Cesar Rojo Medina | .... | rigging grip | |
| Héctor Medina | .... | camera loader (as Hector Medina) | |
| Marc Meisenheimer | .... | lamp operator | |
| Manuel Perez Mendosa | .... | rigging grip | |
| Carlos Mendoza | .... | rigging grip (as Carlos Mendoza Campos) | |
| Rolando Michel | .... | lamp operator | |
| Paul Mitcheltree | .... | best boy rigging: Halifax contemporary shoot (as Paul Mitchelltree) | |
| Lloyd Moriarity | .... | key grip | |
| Salvador Gutierrez Morreno | .... | lamp operator | |
| Julio Reyes Munoz | .... | rigging grip | |
| Todd Murchie | .... | rigging gaffer: Halifax contemporary shoot | |
| J. Michael Muro | .... | Steadicam operator (as Jim Muro) | |
| J. Michael Muro | .... | camera operator (as Jim Muro) | |
| Edis Mustafovski | .... | electrician | |
| Kelly Myrstol | .... | underwater lighting: Escondido tank shoot | |
| Salvador Orendain | .... | rigging grip (as Salvador Orendain Estrada) | |
| Harald Ortenburger | .... | camera operator: second camera, Halifax contemporary shoot | |
| Eduardo Oviedo | .... | lamp operator (as Eduardo J. Oviedo) | |
| Vince Pace | .... | underwater lighting: Escondido tank shoot | |
| George Palmer | .... | vfx camera unit: key grip | |
| Ismael Parades | .... | rigging grip (as Ismael Paredes) | |
| Jason Parrillo | .... | lamp operator | |
| John Paszkiewicz | .... | camera operator: additional photography, Digital Domain | |
| Pedro Pedraza | .... | rigging grip | |
| Patricio Pereda | .... | grip | |
| Roberto Pichardo | .... | lamp operator | |
| Jesse Pogoler | .... | rigging best boy electric | |
| Rick Rader | .... | best boy grip (as Rick 'Slick' Rader) | |
| Charley Reffitt | .... | crane operator: akela crane | |
| Ron Renzetti | .... | dolly grip: Halifax contemporary shoot | |
| Horace Reynolds | .... | crane operator: akela crane | |
| Juan Jose Casillas Rivera | .... | lamp operator | |
| Heather R. Roberts | .... | first assistant camera (as Heather Roberts) | |
| Chip Robinson | .... | generator operator | |
| Juan Carlos Rodríguez | .... | rigging grip | |
| Alfredo Audel Roman | .... | rigging grip | |
| Scott Ronnow | .... | camera loader | |
| Guillermo Rosas | .... | camera operator: "b" camera (as Guillermo 'Memo' Rosas) | |
| Carlos Sánchez | .... | lamp operator (as Carlos Sanchez) | |
| Enrique Sánchez | .... | best boy electric (as Enrique Sanchez) | |
| Humberto Sánchez | .... | grip (as Humberto Sanchez) | |
| Jose Luis Sanchez | .... | lamp operator | |
| Ralph Sanders | .... | lamp operator | |
| Reyes Santamaría V. | .... | rigging best boy electric (as Reyes Santamaria) | |
| Ron Santoyo | .... | grip | |
| Aaron Schneider | .... | director of photography: second unit (as Aaron E. Schneider) | |
| Philip Sloan | .... | rigging key grip | |
| Bob Snowdon | .... | grip | |
| Kurt E. Soderling | .... | camera operator: Wescam camera (as Kurt Soderling) | |
| Joaquín Solano | .... | rigging grip (as Andres Joaquin Solano) | |
| Cesar R. Solis | .... | second assistant camera: "b" camera | |
| Jorge F. Solorio | .... | rigging electrician | |
| Everardo Pereda Solorzano | .... | rigging grip | |
| John M. Stephens | .... | director of photography: second unit (as John Stephens) | |
| Ward Swan | .... | electrician: Halifax contemporary shoot | |
| Randy Tambling | .... | key grip: Halifax contemporary shoot | |
| Charles A. Tamburro | .... | pilot: camera helicopter, Halifax contemporary shoot (as Chuck Tamburro) | |
| Rene Tannos | .... | lamp operator | |
| John Trapman | .... | camera operator: Wescam camera | |
| Marco A. Leon Tupia | .... | lamp operator | |
| Susan Turcot | .... | dimmer board operator (as Susan A. Turcot) | |
| Roy Unger | .... | director of photography: second unit | |
| Joseph A. Unsinn | .... | video technician: Halifax contemporary shoot (as Joe Unsinn) | |
| Jorge Gonzalez Uribe | .... | rigging electrician | |
| Juan J. Valencia | .... | lamp operator (as Juan Jose Valencia) | |
| Marco Vallarino | .... | lamp operator | |
| Antonio Vargas | .... | rigging best boy grip (as Antonio Vargas Perez) | |
| Leopoldo Vega Alvarado | .... | rigging electrician | |
| Allan Vincent | .... | electrician: Halifax contemporary shoot | |
| Glenn Wade | .... | grip | |
| Scott Warner | .... | video playback: Halifax contemporary shoot | |
| John W. Weeks | .... | best boy electric (as John Weeks) | |
| Merie Weismiller Wallace | .... | still photographer (as Merie W. Wallace) | |
| Chuck Weiss | .... | video assist operator | |
| Paul Wilkowsky | .... | grip | |
| Randy Wimberg | .... | underwater lighting: Escondido tank shoot | |
| Steven J. Winslow | .... | camera technician: Wescam camera | |
| R. Michael Yope | .... | lamp operator (as Michael Yope) | |
| Robert Zullo | .... | grip | |
| Claudette Barius | .... | additional still photographer: pre-production (uncredited) | |
| Steve Bellen | .... | assistant camera (uncredited) | |
| Ariel Benarroch | .... | first assistant camera: second unit (uncredited) | |
| Hans Bjerno | .... | aerial director of photography (uncredited) | |
| Jeremy Braben | .... | aerial camera operator (uncredited) | |
| Julian Del Valle | .... | balloon lighting supervisor (uncredited) | |
| Thomas Enright | .... | set lighting technician: second unit (uncredited) | |
| Jim Gordon | .... | grip (uncredited) | |
| Edward A. Gutentag | .... | assistant camera (uncredited) | |
| Scott Hamilton | .... | underwater cinematographer (uncredited) | |
| Mike Harwood | .... | electrician (uncredited) | |
| Joe Hill | .... | grip (uncredited) | |
| Chase Jazzborne | .... | electrician (uncredited) | |
| Douglas Kirkland | .... | still photographer (uncredited) | |
| Amy La Licata | .... | assistant camera (uncredited) | |
| Jordan Lapsansky | .... | electrician (uncredited) | |
| Kyle T. MacDowell | .... | electrician (uncredited) | |
| Michael L. May | .... | camera operator (uncredited) | |
| Paul J. Morra | .... | assistant camera (uncredited) | |
| Ron Newburn | .... | lamp operator (uncredited) | |
| Eric Schmitz | .... | deep sea camera support (uncredited) | |
| Leonard Seagal | .... | lighting supervisor (uncredited) | |
| Tim Speed | .... | electrician (uncredited) | |
| Vincent Torres | .... | grip (uncredited) | |
| Greg Ulrich | .... | assistant camera (uncredited) | |
| Christopher Wiggins | .... | second assistant camera: second unit (uncredited) | |
Animation Department | |||
| Nathalie Gonthier | .... | 2-D animator | |
| Daniel Robichaud | .... | animation supervisor: Digital Domain | |
| Aristomenis Tsirbas | .... | simulation sequence animator | |
Casting Department | |||
| Edna Arriola | .... | assistant casting coordinator | |
| Amy Caton-Ford | .... | extras casting | |
| John Dunsworth | .... | extras casting: Halifax contemporary shoot | |
| Gemma Gonzalez | .... | extras casting assistant | |
| Chucho Guerrero | .... | extras casting coordinator | |
| Jorge Guerrero | .... | assistant casting coordinator | |
| Magui Jimenez | .... | casting associate | |
| Gemma Joffroy | .... | casting associate | |
| Rudy Joffroy | .... | casting associate (as Rodolfo 'Rudy' Joffroy) | |
| Tina Kerr | .... | extras casting (as Tina Louise Kerr) | |
| Gilly Poole | .... | casting: London | |
| Deedra Ricketts | .... | extras casting | |
| Jesus Ignacio Santana | .... | casting associate | |
| Emily Schweber | .... | casting associate | |
| Suzanne Smith | .... | casting: London (as Suzanne Crowley) | |
| Franklyn Warren | .... | extras casting | |
Editorial Department | |||
| Roger Barton | .... | associate editor | |
| Scott Beebe | .... | negative breakdown | |
| Daniel Boccoli | .... | editorial apprentice (as Daniel Robert Boccoli) | |
| David Broberg | .... | first assistant editor | |
| Paula Catania | .... | post-production controller | |
| David Crowther | .... | additional assistant editor | |
| James Durante | .... | additional assistant editor | |
| Matthew Goodman | .... | post-production assistant | |
| Ignacio Guzmán | .... | editorial production assistant (as Ignacio Guzman) | |
| Alex Hepburn | .... | additional assistant editor | |
| Ladd Lanford | .... | first assistant editor | |
| John Morrisey | .... | additional assistant editor | |
| Dan Muscarella | .... | color timer | |
| Mary Nelson-Duerrstein | .... | negative cutter | |
| Warren Paeff | .... | additional assistant editor | |
| Edgar Pavon | .... | additional assistant editor | |
| David Rennie | .... | assistant editor | |
| Titanic | .... | editor: visual effects | |
| Paul M. Wagner | .... | additional assistant editor (as Paul Wagner) | |
| Nicole Wilder | .... | post-production coordinator: Skywalker Sound and Lightstorm Entertainment | |
| Kevin Greutert | .... | assistant editor (uncredited) | |
| Alex Nikolic | .... | tvc editor: Yugoslavia (uncredited) | |
| Jim Passon | .... | color timer (uncredited) | |
Music Department | |||
| John Altman | .... | historical music advisor | |
| John Altman | .... | music arranger: period music | |
| Andy Bass | .... | assistant music engineer | |
| Bob Bornstein | .... | music preparation | |
| Don Davis | .... | additional orchestrator | |
| Sandy DeCrescent | .... | orchestra contractor | |
| Nancy Fogarty | .... | assistant music editor | |
| Simon Franglen | .... | musician: instrumental solo | |
| Randy Gerston | .... | music supervisor | |
| Jim Henrikson | .... | supervising music editor | |
| Tony Hinnigan | .... | musician: cello solo | |
| James Horner | .... | music producer | |
| James Horner | .... | musician: instrumental solo | |
| James Horner | .... | orchestrator | |
| Michal Lali Kagan | .... | music coordinator | |
| Randy Kerber | .... | musician: instrumental solo | |
| Lesley Langs | .... | assistant music editor | |
| David Marquette | .... | assistant music engineer | |
| Shawn Murphy | .... | music recordist | |
| Shawn Murphy | .... | scoring engineer | |
| Joe E. Rand | .... | music editor | |
| Eric Rigler | .... | musician: instrumental solo | |
| Amy Rosen | .... | music coordinator | |
| Jay Selvester | .... | assistant music engineer | |
| Ian Underwood | .... | musician: instrumental solo | |
| James Horner | .... | conductor (uncredited) | |
| Tommy Johnson | .... | musician: tuba soloist (uncredited) | |
Transportation Department | |||
| Larry Alicata | .... | driver | |
| Tom Briggs | .... | driver | |
| Jose Castillo | .... | driver | |
| Hugo Chew | .... | transportation co-captain | |
| Arturo Curiel | .... | transportation captain | |
| Rose Echeverria | .... | driver (as Rosemary Echeverria) | |
| Wayne Edwards | .... | driver | |
| William Esparza | .... | driver | |
| Rigoberto Gonzalez | .... | driver (as Rigo Gonzalez) | |
| Thomas A. Gordon | .... | transportation coordinator (as Tom Gordon) | |
| Roger Hanna | .... | transportation coordinator | |
| Raymond E. Kehoe | .... | driver | |
| Bob Limon | .... | driver | |
| Juan Lopez | .... | driver | |
| Angelo J. Orefice | .... | driver (as Angelo Orefice) | |
| Rocky Reed | .... | transportation captain (as Rockey Reed) | |
| Julian Saavedra | .... | driver | |
| Hector Salomon | .... | transportation co-captain | |
| Steve Schultz | .... | driver | |
| Lorne Taylor | .... | transportation captain: Halifax contemporary shoot | |
| Lori Ann Bellefontaine | .... | driver: cast (uncredited) | |
| Alfonso Paredes | .... | driver: Mexico City (uncredited) | |
Other crew | |||
| Jorge Acosta | .... | production assistant | |
| Eddie Adolph | .... | assistant accountant | |
| Anthony Allegre | .... | production coordinator: Titanic deep dive | |
| Nora Alvarez | .... | studio doctor (as Nora Alvarez, M.D.) | |
| Armando Amador | .... | production accountant: Mexico | |
| Enriqueta 'Queta' Amador | .... | assistant accountant (as Enriqueta Amador) | |
| James B. Anderson | .... | life guard | |
| Charlie Arneson | .... | aquatic researcher | |
| Charlie Arneson | .... | aquatic supervisor | |
| Lisa Atkinson | .... | pre-production consultant: China/Mexico | |
| Larry Babitz | .... | caterer: Deluxe (as Larry Babbitz) | |
| Tim Bailes | .... | marine consultant | |
| Brett Baker | .... | photo double: Leonardo DiCaprio | |
| Jose Manuel Ballesteros | .... | caterer | |
| Sheryl Benko | .... | production assistant | |
| Matt Bilski | .... | production assistant | |
| Tony Bixby | .... | life guard | |
| Bobby Blyle | .... | set production assistant | |
| Kit Bonner | .... | naval consultant | |
| Kevin Botham | .... | fixture electric | |
| Brian Bradeley | .... | marine mechanic (as Brian Bradley) | |
| Kenneth Patrick Brady | .... | production assistant | |
| Keri Bruno | .... | set production assistant | |
| Geoff Burdick | .... | production associate | |
| Mike Cameron | .... | technology supervisor: Titanic deep dive (as Michael Cameron) | |
| Craig Cannold | .... | accounting estimator | |
| Cecilia Cardwell | .... | studio teacher | |
| George A. Cassell III | .... | set production assistant (as George A. Cassell) | |
| Vince Catlin | .... | lead design engineer: Titanic deep dive | |
| Robert L. Catron | .... | assistant: Grant Hill (as Robert Catron) | |
| Bundy Chanock | .... | set medic: San Francisco unit | |
| Robert Cheung | .... | fixture electric (as Rob Cheung) | |
| Todd Cogan | .... | production assistant | |
| Iram Collantes | .... | production assistant (as Iram Collantes Lopez) | |
| Andre Combs | .... | craft service | |
| Kyle Cookmeyer | .... | production assistant | |
| Maritza Corrales | .... | guardian: children | |
| Rick Courtney | .... | set production assistant | |
| Stephanie Cramer | .... | travel coordinator | |
| Shelley Crawford | .... | script supervisor | |
| Jeff Cree | .... | video crew: Titanic deep dive (as Jeffrey Cree) | |
| Rafael Cuervo | .... | set coordinator | |
| Jon Dodson | .... | video crew: Titanic deep dive | |
| Joe Donaldson | .... | marine tank/crane supervisor | |
| Paule A. Drissi | .... | head beader | |
| Jeff Duda | .... | water system engineer | |
| Fernanda Echeverria | .... | housing coordinator | |
| Rick Eggers | .... | caterer: Deluxe | |
| Dinah Englund | .... | production assistant | |
| Leisa Ettinger | .... | assistant coordinator: Halifax contemporary shoot | |
| Janette Evans | .... | assistant accountant | |
| Karen G. Fairbank | .... | attorney (as Karen Fairbank) | |
| Mary Jane Faris | .... | assistant accountant | |
| L. Douglas Fenton | .... | medical coordinator | |
| Duncan Ferguson | .... | special engineer | |
| Bill Fine Jr. | .... | practical electric supervisor (as Bill Fine) | |
| Bob Fisher | .... | fixture electric | |
| Damien Fitzpatrick | .... | dive master: additional production support (as Damian Fitzpatrick) | |
| Mark Flaherty | .... | travel coordinator | |
| Tim Floreen | .... | assistant accountant (as Timothy Joseph Floreen) | |
| Richard Fraser | .... | marine coordinator: Halifax contemporary shoot | |
| Louis G. Friedman | .... | production executive | |
| Nicole Furia | .... | production controller | |
| Juan Carlos Garrido | .... | union production assistant | |
| Shawn Gillespie | .... | first assistant accountant (as Shawn K. Gillespie) | |
| Travis Gleason | .... | life guard | |
| Bill Glesne | .... | marine technician | |
| Samuel Lugo Gomez | .... | production assistant | |
| Matthew Goodman | .... | production assistant | |
| Kathy Grant | .... | accountant: Titanic deep dive | |
| Yvette Gurza | .... | set production assistant | |
| Leonard Harris | .... | scaffolding engineer | |
| Steve Harvey | .... | practical electric supervisor | |
| Justin Heath | .... | scaffolding engineer | |
| Harry Heeks | .... | key scaffolding engineer | |
| Susan Hegarty | .... | dialect coach | |
| Carol Henry | .... | financial: Lightstorm | |
| Patrick Hibler | .... | craft service | |
| Dawn Higginbotham | .... | production assistant | |
| Nancy Hobson | .... | assistant: James Cameron | |
| Lynne Hockney | .... | 1912 etiquette coach | |
| Lynne Hockney | .... | choreographer | |
| Eve Light Honthaner | .... | production coordinator: Los Angeles (as Eve Honthaner) | |
| Hal Hopkins | .... | assistant accountant | |
| Christopher Hyssong | .... | production assistant | |
| Matthew Jackson | .... | life guard | |
| Matthew Johnson | .... | production assistant | |
| Lance Julian | .... | marine coordinator | |
| Harry L. Julian Sr. | .... | marine rigger (as Harry Julian) | |
| Campbell Katz | .... | assistant: Marty Katz | |
| Richard Katzenson | .... | caterer: Deluxe | |
| Marty Katz | .... | production consultant | |
| Chad Keller | .... | production assistant | |
| Sharon King | .... | milliner | |
| Andrew Kirby | .... | site engineer | |
| Nicole Kolin | .... | location manager | |
| Wayne Lamkay | .... | production assistant | |
| Eric Layne | .... | assistant accountant | |
| Jeffrey N. Ledda | .... | senior technician/ROV pilot: Titanic deep dive | |
| Benjamin Lewis | .... | life guard | |
| Seth Lieberman | .... | caterer: Deluxe | |
| Paul Littleton | .... | production assistant | |
| Christian Lobos | .... | shipping assistant | |
| Ana Maria Lomeli | .... | receptionist | |
| Vanessa Armanino Lopez | .... | production assistant | |
| Don Lynch | .... | historian: Titanic | |
| Lance MacDonald | .... | assistant to choreographer (as Lance Macdonald) | |
| Andrei Mahankov | .... | set production assistant | |
| Felipe Mariscal | .... | union production assistant (as Felipe L. Mariscal) | |
| Ken Marschall | .... | historian: titanic visuals | |
| Ed W. Marsh | .... | documentarian | |
| Ivan Martin del Campo | .... | production assistant to producer | |
| Jason Maxey | .... | tower crane flagman | |
| Christopher Mayhem | .... | production assistant | |
| Jimmie Mayo | .... | marine safety officer: Halifax contemporary shoot (as Jimmy Mayo) | |
| Bertram McCann | .... | boat operator | |
| Bertram McCann | .... | second unit coordinator | |
| Andrew McInnes | .... | location manager: Halifax contemporary shoot | |
| Heather McIntosh | .... | accounting estimator | |
| Elizabeth McMullan | .... | animal trainer (as Elizabeth McMullen) | |
| Bertha Medina | .... | script supervisor: second unit | |
| Eric Meech | .... | life guard | |
| Eric Melville | .... | practical electric supervisor | |
| Lance Mendoza | .... | life guard | |
| Karen Mertzel | .... | craft service | |
| Wm. Scott Millard | .... | ROV technician: Escondido tank shoot (as Scott Millard) | |
| Valerie Moore | .... | technology coordination assistant: Titanic deep dive | |
| Karla Morash | .... | production coordinator: Halifax contemporary shoot | |
| Michael Morgenthal | .... | assistant accountant | |
| Julie Ann Moyeda | .... | assistant accountant | |
| Christina Musrey | .... | stage production coordinator: Digital Domain | |
| J. Nahar Nahar | .... | production assistant | |
| Manuel Nieto | .... | filtration technician | |
| Juan Pablo Noval | .... | production assistant | |
| Thomas O'Donnell | .... | nightsun technician (as Thomas Barr O'Donnell) | |
| Kirsten Osthus | .... | milliner | |
| Vince Pace | .... | video crew: Titanic deep dive | |
| Hugo Baylon Payan | .... | location assistant | |
| Al Perry | .... | marine technician | |
| Stacy Perskie | .... | production assistant | |
| Eileen Peterson | .... | unit publicist | |
| Albert 'Jay' Pitkethly | .... | assistant accountant | |
| Stacy Plavoukos | .... | key production coordinator | |
| Frank Powell | .... | life guard | |
| Sandra Laura Ramos | .... | tailor shop supervisor | |
| Carla Raygoza | .... | assistant production coordinator | |
| Mario Alberto Reboreda | .... | union production chief (as Mario A. Reboreda) | |
| Matt Reitsma | .... | textile artist | |
| Mayda Renizzi-Holt | .... | production accountant | |
| Jose Reyes | .... | tank technician | |
| Bebe Reynolds | .... | assistant: Karen Fairbank | |
| Paul 'Sled' Reynolds | .... | animal trainer (as Sled Reynolds) | |
| Patrick Richardson | .... | lifeguard supervisor | |
| Steve Richards | .... | machinist | |
| Al Rives | .... | production: Lightstorm | |
| Laurel Robinson | .... | assistant coordinator: Halifax contemporary shoot | |
| Margo Romano | .... | assistant accountant | |
| Jim Roper | .... | practical electric supervisor | |
| Julio Diaz Rosado | .... | production assistant | |
| John Ross | .... | ROV technician: Escondido tank shoot | |
| M. Ross-Michaels | .... | assistant accountant (as M. Ross Michaels) | |
| Melissa Rudman | .... | production secretary: Los Angeles | |
| William Russell | .... | life guard | |
| Angie Ryan | .... | assistant accountant | |
| Ken Ryan | .... | production controller | |
| Fran Saidman | .... | housing coordinator | |
| Esteban Sanchez | .... | production assistant | |
| Gayle Sandler | .... | production accountant | |
| Perry Santos | .... | assistant: James Cameron | |
| Cynthia Scrima | .... | assistant: Jon Landau (as Cynthia Ann Scrima) | |
| Patrick Shiffrar | .... | construction accountant | |
| Dave Skinner | .... | scaffolding engineer (as David Skinner) | |
| Paul Skinner | .... | scaffolding engineer | |
| Bobby L. Smith | .... | fixture electric (as Bob Smith) | |
| Bob Smith | .... | fixture electric | |
| Joanie Spates | .... | production accountant | |
| Nick Spetsiotis | .... | assistant marine coordinator | |
| Gregg Stuart | .... | assistant accountant | |
| Rosanna Sun | .... | assistant production coordinator | |
| Andrew Sykes | .... | scaffolding engineer | |
| Korin A. Tarin | .... | first assistant accountant | |
| Korin A. Tarin | .... | post-production accountant | |
| Greg Tash | .... | diver: additional production support (as Gregg Tash) | |
| Mark Thurlow | .... | underwater communications: Escondido tank shoot | |
| Louis Paul Tocchet | .... | set production assistant (as Louis Tocchet) | |
| Ana Manuela Torres | .... | assistant: Simon Crane | |
| Mike Trainotti | .... | production: Lightstorm | |
| Ernesto Trejo | .... | union doctor (as Ernesto Trejo, M.D.) | |
| Kim E.F. Troy | .... | assistant: Rae Sanchin | |
| Belinda Uriegas | .... | production coordinator | |
| Fernando Uriegas | .... | on-set production assistant: Mexico City | |
| Fernando Uriegas | .... | production coordinator: Mexico City | |
| Florisse Vazquez | .... | assistant: Indig/Mann | |
| Martin Verdugo | .... | filtration manager | |
| Emilio Vidaurreta | .... | production assistant | |
| Christian von Burkleo | .... | video services: Skywalker Sound | |
| Ken Walsh | .... | coast guard: Halifax contemporary shoot | |
| Gary Watson | .... | scaffolding engineer | |
| Roy Weatherly | .... | scaffolding engineer | |
| Judy Weaver | .... | assistant accountant (as Judi Weaver) | |
| Larry Webber | .... | tower crane operator | |
| Lloyd Welder | .... | ROV technician: Escondido tank shoot | |
| Kevin White | .... | caterer: Deluxe | |
| Ralph B. White | .... | technology coordinator: Titanic deep dive (as Ralph White) | |
| Josephine Willes | .... | milliner (as Josephine Willis) | |
| Randy Wimberg | .... | video crew: Titanic deep dive | |
| Francisco Leonardo Yáñez | .... | local labor coordinator (as Francisco Yañez) | |
| DeAnne Zarkowski | .... | animal trainer (as Deann Zarkowski) | |
| Edward L. Zubritsky | .... | safety officer (as Edward Zubritsky) | |
| Ian Abercrombie | .... | adr loop group (uncredited) | |
| Melinda Allen | .... | assistant: James Cameron (uncredited) | |
| Mauricio Ballesteros | .... | catering coordinator (uncredited) | |
| Carol Sue Byron | .... | additional production accountant (uncredited) | |
| Mark Edwards | .... | life guard (uncredited) | |
| Drew H. Fash | .... | photo services (uncredited) | |
| James Flint | .... | assistant to production supervisor (uncredited) | |
| Tara Foran | .... | assistant accountant (uncredited) | |
| Joseph Greco | .... | staff assistant (uncredited) | |
| Jason Gurvitz | .... | production assistant (uncredited) | |
| Adrienne King | .... | looping voices (uncredited) | |
| Paul Kruhm | .... | location services: EastWest Locations (uncredited) | |
| Anne Lockhart | .... | adr voice group (uncredited) | |
| Chris Miller | .... | technical consultant (uncredited) | |
| John Reed | .... | consultant (uncredited) | |
| Tony Rudenko | .... | computer graphic artist (uncredited) | |
| Ivor Shier | .... | helicopter pilot (uncredited) | |
| Douglas Underdahl | .... | technical designer (uncredited) | |
| Joan Washington | .... | dialogue coach: pre-production (uncredited) | |
| Troy Waters | .... | assistant marine coordinator (uncredited) | |
| Crystal Weaver | .... | staff production coordinator (uncredited) | |
| Andy Weder | .... | model shop (uncredited) | |
Thanks | |||
| Hugo Torres Chabert | .... | special thanks (as Mayor Hugo Torres Chabert) | |
| Roberto Curiel | .... | thanks | |
| Silvia Hernandez Enriquez | .... | special thanks | |
| Esaul Lopez | .... | special thanks | |
| Yolanda Lopez | .... | special thanks | |
| Tom McCluskie | .... | special thanks | |
| Anatoly M. Sagalevitch | .... | special thanks: Titanic deep dive (as Dr. Anatoly M. Sagalevitch) | |
| Hector Teran Teran | .... | special thanks | |
| Juan Tintos | .... | special thanks | |
| Recent Posts (updated daily) | User |
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It's really quite odd. When Titanic first came out,the reviews were mixed but the public generally loved it,those who disliked the film were definitely in the minority. Over the years,it has became somewhat fashionable to slag Titanic off,even if a great many of those people who did so were probably amongst those who made it such an enormous hit in the cinemas. Titanic is flawed,definitely,sometimes greatly so. However,it's also a tremendous achievement for it's director James Cameron. Mixing a real disaster with romance is harder to do than some might think. Maybe he did have a right to say "I'm king of the world" when the film won Best Picture at the Oscars. Just once.
The modern day opening is excellent,making effective use of some of Cameron's real footage he took of the sunken Titanic. There is a real sense of mystery. Than we flash back to the Titanic being boarded,and the film stalls just a little for around two hours. The attention to detail is amazing {even all the cutlery matched,you know} and there is nothing wrong with an extremely slow build up to action-think of The Seven Samourai. However,the central romance between Leo and Kate is often badly written and unconvincing. For a start Kate's Rose would certainly not have done two things she does in the film as quickly as she did {Obviously thousands of teenage girls seeing the film in 1997 would disagree with my views}. We also have to suffer Cameron constantly labouring the point that the poor people on the ship are better than the rich people.
However,the final 80 or so minutes,detailing the sinking,is simply brilliant film making. The suspense is built expertly,even though we know what will happen,and climaxes with some technical shots which are still impressive. Perhaps there is a little two much emphasis on the central couple,but there are some truly moving moments,and it really feels true,although of course Cameron did play with the facts a little here and there,as at least one descendant of one of the survivors has pointed out. The following sequence involving the boats is extremely haunting,with some especially good use of sound. As for the final scene,it does manage to be pretty moving,it's schmaltzy but it works {though hardly original,think of Somewhere In Time and various 40s romantic fantasies}.
Titanic has some excellent use of CGI {watch out for the transitions from present to the past on the sunken ship} and one glaringly bad special effect-the iceberg which looks like polystyrene. James Horner's best selling score is really quite poor and only occasionally brings the emotion it should do. Performances are generally excellent and sometimes succeed in overcoming some thin characterisation {such as Billy Zane as Rose's fiancée,who even has to suffer with far too much eye make up!}
Overall Titanic is still worth seeing,and sometimes it really does hit the heights that it should. It succeeds more than it fails,which is impressive in a film as ambitious as this.