| Photos (see all 25 | slideshow) | Videos |
| Ian Holm | ... | Mitchell Stevens | |
| Caerthan Banks | ... | Zoe Stevens | |
| Sarah Polley | ... | Nicole Burnell | |
| Tom McCamus | ... | Sam Burnell | |
| Gabrielle Rose | ... | Dolores Discolt | |
| Alberta Watson | ... | Risa | |
| Maury Chaykin | ... | Wendell | |
| Stephanie Morgenstern | ... | Allison | |
| Kirsten Kieferle | ... | Stewardess | |
| Arsinée Khanjian | ... | Wanda | |
| Earl Pastko | ... | Hartley | |
| Simon Baker | ... | Bear | |
| David Hemblen | ... | Abbott | |
| Bruce Greenwood | ... | Billy | |
| Sarah Rosen Fruitman | ... | Jessica | |
| Marc Donato | ... | Mason | |
| Devon Finn | ... | Sean | |
| Fides Krucker | ... | Klara | |
| Magdalena Sokoloski | ... | Young Zoe | |
| James D. Watts | ... | Young Mitchell | |
| Brooke Johnson | ... | Mary | |
| Allegra Denton | ... | Jenny | |
| Peter Donaldson | ... | Schwartz | |
| Russell Banks | ... | Dr. Robeson | |
| rest of cast listed alphabetically: | |||
| Mychael Danna | ... | Live band harmonium player (uncredited) | |
Directed by | |||
| Atom Egoyan | |||
Writing credits | ||
| Russell Banks | (novel) | |
| Atom Egoyan | (screenplay) | |
Produced by | |||
| Sandra Cunningham | .... | line producer | |
| Atom Egoyan | .... | producer | |
| Camelia Frieberg | .... | producer | |
| Andras Hamori | .... | executive producer | |
| Robert Lantos | .... | executive producer | |
| David J. Webb | .... | associate producer (as David Webb) | |
Original Music by | |||
| Mychael Danna | |||
Cinematography by | |||
| Paul Sarossy | |||
Film Editing by | |||
| Susan Shipton | |||
Production Design by | |||
| Phillip Barker | |||
Art Direction by | |||
| Kathleen Climie | |||
Set Decoration by | |||
| Patricia Cuccia | |||
Costume Design by | |||
| Beth Pasternak | |||
Makeup Department | |||
| Gérald Altenburg | .... | assistant hair stylist (as Gerald Altenburg) | |
| Sylvain Cournoyer | .... | makeup artist | |
| Debra Johnson | .... | hair stylist | |
| Stephen Lynch | .... | assistant makeup artist: British Columbia | |
| Mary Monforte | .... | assistant makeup artist | |
Production Management | |||
| Roberta Pazdro | .... | production manager: British Columbia (as Roberta J. Pazdro) | |
| Simone Urdl | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Bruno Bryniarski | .... | second assistant director | |
| Cassandra Cronenberg | .... | trainee assistant director | |
| Andy Mikita | .... | first assistant director: British Columbia aerial unit | |
| Tracey Poirier | .... | second assistant director: British Columbia aerial unit | |
| Mary Sylwester | .... | third assistant director | |
| David J. Webb | .... | first assistant director (as David Webb) | |
Art Department | |||
| Peter Atto | .... | set dresser | |
| Peter Bell | .... | set apprentice | |
| Larry Burkam | .... | art department assistant: British Columbia | |
| Larry Burkam | .... | set dresser: British Columbia | |
| Peter Cosco | .... | first assistant art director | |
| Darryl Dennis Deegan | .... | lead set dresser | |
| Sandy Glud | .... | set buyer | |
| Kate Greenaway | .... | illustrator: Pied Piper book | |
| Alexandra Hooper | .... | lead set dresser | |
| Mark Hunter | .... | propman | |
| Keith McCully | .... | construction supervisor | |
| Peter Miskimmin | .... | propman | |
| Daniel Olson | .... | art department apprentice | |
| Michele Witt | .... | photographic artworks | |
| Jon P. Goulding | .... | set designer (uncredited) | |
Sound Department | |||
| Eric Apps | .... | adr recordist: Casablanca | |
| Colin Baxter | .... | sound assistant | |
| Ray Campbell | .... | sound assistant | |
| Andreas Carlsson | .... | sound trainee | |
| Tim J. Carroll | .... | stereo sound consultant: Dolby | |
| Bernie Cisternas | .... | sound recording engineer | |
| Sue Conley | .... | dialogue editor | |
| Steve Copley | .... | foley mixer (as Steve Copely) | |
| Keith Elliott | .... | sound re-recording mixer | |
| James A. Gore | .... | foley assistant | |
| Anna Gronau | .... | sound trainee | |
| David Horton | .... | boom operator | |
| Peter Kelly | .... | sound re-recording mixer | |
| Goro Koyama | .... | foley artist | |
| Bob Lacivita | .... | adr recordist: The Complex | |
| Andy Malcolm | .... | foley artist | |
| Ron Malligers | .... | foley assistant (as Ron Mellegers) | |
| Steve Munro | .... | adr recordist: Trackworks (as Steven Munro) | |
| Steve Munro | .... | sound designer | |
| Steve Munro | .... | sound recording engineer (as Steven Munro) | |
| Daniel Pellerin | .... | sound re-recording mixer | |
| Ross Redfern | .... | sound recordist | |
| Ron Searles | .... | sound recording engineer | |
| Greg Shim | .... | adr recordist: DeLuxe | |
| David Drainie Taylor | .... | adr editor | |
| Tony Van den Akker | .... | foley mixer (as Tony Van Den Akker) | |
| Sharon Zupancic | .... | foley assistant | |
Special Effects by | |||
| Curtis Bradshaw | .... | special effects assistant: British Columbia | |
| Robert Moon | .... | key special effects technician: British Columbia | |
| Teo Moon | .... | special effects assistant: British Columbia | |
| Dawn Rivard | .... | special effects shop | |
| Jeff Skochko | .... | special effects technician | |
| Michael Kavanagh | .... | special effects coordinator (uncredited) | |
| Jason Wells | .... | special effects crew (uncredited) | |
Visual Effects by | |||
| Dennis Berardi | .... | digital film scanning and recording: Cine-Byte Imaging Inc. (uncredited) | |
| Frank Falcone | .... | visual effects supervisor (uncredited) | |
| Sean Montgomery | .... | visual effects (uncredited) | |
| Persis Reynolds | .... | visual effects producer: TOPIX (uncredited) | |
Stunts | |||
| Marc Akerstream | .... | stunt consultant: British Columbia | |
| Bill Ferguson | .... | stunt consultant: British Columbia | |
| Rick Pearce | .... | stunt coordinator: British Columbia | |
| Rick Pearce | .... | stunts: British Columbia | |
| Bryan Renfro | .... | stunts (as Brian Renfro) | |
| Peter Szkoda | .... | stunt coordinator | |
| Claire Webb | .... | stunts: British Columbia (as Clarie Webb) | |
| Rob Wilton | .... | stunt coordinator: British Columbia | |
| Rob Wilton | .... | stunt double: Dolores, British Columbia | |
Casting Department | |||
| Megan Conacher | .... | extras casting | |
| Suzanne Leslie | .... | extras casting: British Columbia | |
Costume and Wardrobe Department | |||
| Pat Blow | .... | costume assistant: British Columbia | |
| Patricia Boulden | .... | assistant costume designer | |
| Joan Boyko | .... | costumer | |
| Alex Reda | .... | assistant costume designer | |
Editorial Department | |||
| Chris Hinton | .... | color timer: DeLuxe | |
| Janis Kanigan | .... | color timer: British Columbia | |
| Paul Winestock | .... | first assistant editor | |
| Tai Zimmer | .... | apprentice editor | |
| Dov Samuel | .... | assistant editor (uncredited) | |
Music Department | |||
| David Archer | .... | musician: sackbut | |
| Anne Bourne | .... | musician: cello, backing vocals | |
| Tim Clement | .... | musician: acoustic electric guitar | |
| Al Cross | .... | musician: drums | |
| Mychael Danna | .... | music arranger: songs | |
| Mychael Danna | .... | musician: harmonium and acoustic guitar | |
| Kim Deschamps | .... | musician: pedal steel, electric bass, acoustic guitar | |
| David Eallis | .... | musician: bells, percussion | |
| Michael Franklin | .... | musician: shawm, krumhorn, recorder | |
| David Greenberg | .... | musician: vielle | |
| Ben Grossman | .... | musician: percussion | |
| Gary Honess | .... | assistant recording engineer | |
| Alison Mackay | .... | musician: vielle, recorder | |
| Terry McKenna | .... | musician: lute | |
| Alison Melville | .... | musician: recorder | |
| Hossein Omoumi | .... | musician: Persian ney | |
| Greg Robertson | .... | assistant recording engineer | |
| Dante Winkler | .... | assistant recording engineer | |
| Ron Korb | .... | musician: flute (uncredited) | |
Transportation Department | |||
| Denise Anderson | .... | driver: British Columbia | |
| Zoe Black | .... | driver: British Columbia | |
| Martin Boon | .... | driver | |
| Brian Brennan | .... | picture car coordinator: British Columbia | |
| Richard Chilton | .... | transportation coordinator: British Columbia | |
| Paul Davies | .... | driver | |
| Rosemary Dell | .... | driver: British Columbia | |
| Shawn Doyle | .... | driver: British Columbia | |
| Harold Felhauer | .... | driver: British Columbia | |
| Mike Giles | .... | driver: British Columbia | |
| Frank Guadagno | .... | driver: British Columbia | |
| Al Izumi | .... | driver | |
| Nancy Jackson | .... | driver: British Columbia | |
| Viola Janzen | .... | driver: British Columbia | |
| Janelle Kelly | .... | driver: British Columbia | |
| Ryan Kosmynka | .... | driver: British Columbia | |
| Herb Langill | .... | driver: British Columbia | |
| Evan Siegel | .... | transportation coordinator | |
| Bill Sims | .... | driver | |
| Bob Snape | .... | transportation captain: British Columbia (as Robert Snape) | |
| Gary Strachan | .... | driver: British Columbia | |
| Andres Vosu | .... | transportation captain | |
| Matt West | .... | driver | |
Thanks | |||
| Margaret Atwood | .... | thanks | |
| Kavita 'Bad Cavity' Bhatia | .... | musical thanks | |
| Jack Blum | .... | thanks | |
| John Buchan | .... | thanks | |
| Sharon Corder | .... | thanks | |
| Lara Fitzgerald | .... | musical thanks | |
| Marc Glassman | .... | thanks | |
| Bill House | .... | special thanks | |
| Peter Jones | .... | musical thanks | |
| Victor Loewy | .... | special thanks | |
| Michèle Pétin | .... | thanks (as Michèle Halberstadt) | |
| Larissa Remedios | .... | musical thanks | |
| Julia Tait | .... | thanks | |
| Vandana Taxali | .... | musical thanks | |
| Chase Twichell | .... | thanks | |
| Leo Van Tine | .... | thanks: Merritt Search & Rescue | |
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| City of Shoulders and Noses | The Outsiders | A Map of the World | Cidade de Deus | Loverboy |
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I re-watched The Sweet Hereafter on video last night, and am still haunted by it today. It is structured so that you know some of the basic tragic plot near the beginning. This caused my eyes to water at some of the beautiful lyrical overhead tracking shots of the school bus winding through the snow covered roads of the Pacific northwest.
The film switches between the time that the lawyer arrives in town to "help" the families receive compensation, and to days just prior to the accident. We witness a loving "hippie" couple who has adopted a beautiful Native American boy, a loving mother of a school phobic learning disabled boy, and a widower who loves his two children a great deal and sees them off to school by following them in his truck. This same widower is having an affair with the mother of the school phobic--she is unhappily married to a "pig" of a husband. Complicating matters is the father who obviously loves his teenage daughter in Lolita-like fashion.
Part of the theme of The Sweet Hereafter is similar to Magnolia--accidents do happen--perhaps no one at fault... or perhaps all the adults had some part in it without anyone being at fault, as only the innocent children were killed.
The town had changed... tragedy has taken away the town's joy and innocence. The parents are no longer open with each other, but guarded, suspicious... in deep grief.
The lawyer is little more than an ambulance chaser, attempting to profit off their tragedy. Yet, he, too is a tragic figure who has already "lost" his daughter--
He had saved her when she was a baby, yet she has now turned away from him... and his feelings are now ambivalent towards her--he is a grief-stricken, defeated father, who vascillates between wanting to talk with his daughter on his cell phone and deciding to cut her off.
The story of the Pied Piper is interweaved between various events in the movie to give greater depth to the story. There's also a great scene in the movie between the lawyer and the garage mechanic, who has lost his two children, that shows that the theme is much broader than the literal story:
"I'm telling you this because... we've all lost our children, Mr. Ansel. They're dead to us. They kill each other in the streets. They wander comatose in shopping malls. They're paralyzed in front of televisions. Something terrible has happened that's taken our children away. It's too late. They're gone."
This movie isn't for everyone. It's a serious, layered piece with a lot of melancholy. The kind of fare that film critics can love, but Academy voters will avoid. But what it strives to accomplish is done very well. And it will stay with you long after the final scenes have appeared.