| Photos (see all 5 | slideshow) |
| Jayce Bartok | ... | Pony | |
| Amie Carey | ... | Sooze | |
| Nicky Katt | ... | Tim | |
| Ajay Naidu | ... | Nazeer Choudhury | |
| Parker Posey | ... | Erica | |
| Giovanni Ribisi | ... | Jeff | |
| Samia Shoaib | ... | Pakeesa Choudhury | |
| Dina Waters | ... | Bee-Bee | |
| Steve Zahn | ... | Buff | |
| Kitt Brophy | ... | Sooze's Mom | |
| Jonn Cherico | ... | Shopping Channel Host | |
| Keith Preusse | ... | Officer Chip | |
| Eric Park | ... | Officer Gary | |
| William Martin Hayes | ... | Scuff | |
| Bill Wise | ... | George the Limo Driver | |
| M.J. Lin | ... | Restaurant Hostess | |
| rest of cast listed alphabetically: | |||
| Peter Atherton | ... | Extra (uncredited) | |
| Ryan Wickerham | ... | Patron (uncredited) | |
Directed by | |||
| Richard Linklater | |||
Writing credits(WGA) | ||
| Eric Bogosian | (play) | |
| Eric Bogosian | (screenplay) | |
Produced by | |||
| Ginger Sledge | .... | line producer | |
| John Sloss | .... | executive producer | |
| Anne Walker-McBay | .... | producer | |
Cinematography by | |||
| Lee Daniel | (director of photography) | ||
Film Editing by | |||
| Sandra Adair | |||
Casting by | |||
| Alycia Aumuller | |||
| Judy Henderson | |||
Production Design by | |||
| Catherine Hardwicke | |||
Art Direction by | |||
| Seth Reed | |||
Set Decoration by | |||
| Keith Fletcher | |||
Costume Design by | |||
| Melanie Armstrong Fletcher | (as Melanie Armstrong) | ||
Makeup Department | |||
| Candi Duke | .... | key makeup artist | |
| Sharon McDonald | .... | hair intern | |
| Sharon McDonald | .... | makeup intern | |
| Kelly Nelson | .... | hair stylist | |
Production Management | |||
| Amy Lowrey | .... | post-production supervisor | |
Art Department | |||
| Peter Atherton | .... | art department assistant | |
| Robert Andrew Blackwood | .... | construction coordinator | |
| Bart Brown | .... | set dresser | |
| Nathan Calhoun | .... | carpenter | |
| Jonn Cherico | .... | graphics designer | |
| Vicki Dempsey | .... | property intern (as Vicki B. Dempsey) | |
| Keith Donnelly | .... | art department assistant | |
| Melinda Briana Epler | .... | creator of Sooze's artwork (as Melinda Epler) | |
| Krista Ernst | .... | lead scenic artist | |
| Matt Frederick | .... | art department intern (as Matt Frederick) | |
| Stanford Gilbert | .... | property master (as Stanford S. Gilbert) | |
| Joe Herlocker | .... | set dresser | |
| Jason Jurica | .... | property intern | |
| Gary Ledyard | .... | lead man | |
| Caitlin Maloney | .... | art department coordinator | |
| Darren Patnode | .... | carpenter | |
| Mark Wallace | .... | first assistant property master | |
Sound Department | |||
| Dana Austin | .... | adr recordist (as Dana Johnson-Porter) | |
| Dana Austin | .... | foley recordist (as Dana Johnson-Porter) | |
| Gregg Barbanell | .... | foley artist | |
| Wayne Bell | .... | sound effects editor | |
| Michael J. Broomberg | .... | foley artist (as Michael Broomberg) | |
| Robert Deschaine | .... | adr mixer | |
| Robert Deschaine | .... | foley mixer | |
| Eric Friend | .... | foley editor | |
| Stan Ginsel | .... | assistant sound editor | |
| Tom Hammond | .... | supervising sound editor | |
| Christian Moore | .... | dialogue editor | |
| Jennifer Murphy | .... | location sound mixer | |
| Larry Seyer | .... | sound re-recording mixer | |
| David A. Smith | .... | boom operator (as David Allen Smith) | |
| Scott Streetman | .... | cable puller | |
| Peter Waggoner | .... | adr recordist | |
Stunts | |||
| Walter Strait | .... | stunt coordinator | |
Casting Department | |||
| Robyn Knoll | .... | casting associate: Los Angeles | |
| Robyn Levinson | .... | casting associate: New York | |
| Sharon Levy | .... | casting assistant: New York | |
| Gabriel R. Martinez | .... | location casting intern | |
| Lizzie Curry Martinez | .... | location casting (as Lizzie Curry Martínez) | |
| James Pantone | .... | casting associate: Los Angeles | |
| Lisa Pantone | .... | casting associate: Los Angeles | |
| Ellen Stader | .... | location casting assistant | |
Costume and Wardrobe Department | |||
| Lee Hunsaker | .... | set costumer | |
| Janice Janacek | .... | wardrobe supervisor (as Janice Janecek) | |
Editorial Department | |||
| Gena Bleier | .... | assistant editor (as Gena Beth Bleier) | |
| Mark Coffey | .... | assistant editor: avid (as Mark C. Coffey) | |
| Mo Henry | .... | negative cutter | |
| Cherie King | .... | apprentice editor | |
| Eric A. Lewy | .... | first assistant editor | |
| Nerissa Oden | .... | second assistant editor | |
| David Orr | .... | color timer | |
| Guy Sappington | .... | assistant editor | |
Music Department | |||
| Carol Sue Baker | .... | music services | |
| Bill Carter | .... | music coach: "Pony" | |
| Christopher S. Parker | .... | assistant music coordinator (as Chris Parker) | |
| Randall Poster | .... | music supervisor | |
| Robin Urdang | .... | music coordinator | |
| Lee Ranaldo | .... | musician: guitar (uncredited) | |
| Steve Shelley | .... | musician: drums (uncredited) | |
Transportation Department | |||
| Ronnie D. Chambers | .... | driver (as Ronald D. Chambers) | |
| Joe Dye | .... | driver: honeywagon (as Joe N. Dye) | |
| Cecil D. Evans | .... | transportation coordinator | |
| Joe Fiske | .... | driver | |
| Charles Lee Hackett | .... | driver | |
| Lonnie Nelson | .... | driver (as Lonnie D. Nelson) | |
| Charles W. Rice | .... | driver: production van | |
| Jay Wylie | .... | driver production assistant (as Joseph W. Wylie) | |
Thanks | |||
| André Bishop | .... | thanks | |
| Jo Bonney | .... | thanks | |
| Anne Cattaneo | .... | thanks | |
| Robert Falls | .... | thanks | |
| Brian Flaherty | .... | thanks | |
| Jeremy Fox | .... | thanks | |
| Bernard Gersten | .... | thanks | |
| Greg Groogan | .... | thanks | |
| Ethan Hawke | .... | thanks | |
| Deb Lewis | .... | thanks | |
| Robert Riley | .... | thanks | |
| Michael Uppendahl | .... | thanks | |
| Mark Vandermeulen | .... | thanks | |
| Harry Webster | .... | thanks | |
| Beth Wichterich | .... | thanks | |
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I first saw subUrbia in probably 1997, and since then I have shared it with countless people and watched it plenty myself. Its not the sort of movie that you can put in, and then not really watch, to me it requires a bit more concentration. At th same time, the events that unfold for the characters in this movie always strike me. Another major bonus with this film is the issues it takes the time and consideration to cover, sexism, racism, classism, urban sprawl, the third world, and more... Its not a movie for people that don't want to see that ugly side of humans, but then all too often in day to day life the suburbs serve to show the ugly side of humans. Not a movie for children, and I wouldn't watch it with my grandma! Its a powerful and real story of life past high school, but not dealing with college. Of life feeling stuck, trapped, sometimes defeated in your current place, here suburbia. Its not a movie that offers a ton of hope, but its a powerful movie nonetheless!