| Photos (see all 92 | slideshow) | Videos (see all 2 NEW) |
| Michael Jai White | ... | Al Simmons / Spawn | |
| John Leguizamo | ... | Clown / Violator | |
| Martin Sheen | ... | Jason Wynn | |
| Theresa Randle | ... | Wanda Blake | |
| Nicol Williamson | ... | Cogliostro | |
| D.B. Sweeney | ... | Terry Fitzgerald | |
| Melinda Clarke | ... | Jessica Priest | |
| Miko Hughes | ... | Zack | |
| Sydni Beaudoin | ... | Cyan | |
| Michael Papajohn | ... | Glen, Zack's Dad | |
| Frank Welker | ... | The Devil Malebolgia (voice) | |
| Robia LaMorte | ... | XNN Reporter (as Robia La Morte) | |
| John Cothran Jr. | ... | African Liaison | |
| Caroline Gibson | ... | News Anchor | |
| Tony Haney | ... | African Liaison | |
| Marc Robinson | ... | Punk | |
| Darryl Warren | ... | Security Guard | |
| Chris Coppola | ... | Punk | |
| Mike Akrawi | ... | Foreign Dignitary | |
| Jay Caputo | ... | Punk #3 | |
| Romeo Akrawi | ... | Foreign Dignitary | |
| Jack Coleman | ... | Doctor | |
| Laura Stepp | ... | Angela | |
| Garrison Singer | ... | Anesthesiologist | |
| Todd McFarlane | ... | Bum | |
| rest of cast listed alphabetically: | |||
| Angelie Almendare | ... | Diplomat's Wife (uncredited) | |
| Anthony Genovese | ... | Bearded TV News Anchor (uncredited) | |
| Stewart Lew | ... | Clown on top of building (uncredited) | |
Directed by | |||
| Mark A.Z. Dippé | |||
Writing credits(WGA) | ||
| Todd McFarlane | (comic book) | |
| Alan B. McElroy | (screen story) (as Alan McElroy) and | |
| Mark A.Z. Dippé | (screen story) | |
| Alan B. McElroy | (screenplay) (as Alan McElroy) | |
Produced by | |||
| Alan C. Blomquist | .... | executive producer | |
| Adrianna A.J. Cohen | .... | co-executive producer | |
| Terry Fitzgerald | .... | associate producer | |
| Clint Goldman | .... | producer | |
| Todd McFarlane | .... | executive producer | |
| Brian Witten | .... | co-executive producer | |
Original Music by | |||
| Graeme Revell | |||
Cinematography by | |||
| Guillermo Navarro | |||
Film Editing by | |||
| Todd Busch | (End Credits) | ||
| Michael N. Knue | |||
Casting by | |||
| Bruce H. Newberg | |||
| Mary Jo Slater | |||
Production Design by | |||
| Philip Harrison | |||
Art Direction by | |||
| Eric Orbom | |||
Set Decoration by | |||
| Dena Roth | |||
Costume Design by | |||
| Daniel J. Lester | (as Dan Lester) | ||
Makeup Department | |||
| David LeRoy Anderson | .... | special makeup effects key artist: John Leguizamo | |
| Howard Berger | .... | animatronic creature effects | |
| Howard Berger | .... | special makeup effects | |
| Norman Cabrera | .... | special makeup effects artist | |
| Donna Cicatelli-Lewis | .... | key makeup artist | |
| Greg Funk | .... | special makeup effects artist | |
| Chris Hanson | .... | special makeup effects artist | |
| Robert Kurtzman | .... | animatronic creature effects | |
| Robert Kurtzman | .... | special makeup effects | |
| Gregory Nicotero | .... | animatronic creature effects | |
| Gregory Nicotero | .... | special makeup effects | |
| Cristina Patterson Ceret | .... | contact lens technician (as Cristina Patterson) | |
| Cindy J. Williams | .... | makeup artist (as Cindy Jane Williams) | |
| Bill Zahn | .... | makeup effects crew | |
| Gabriella Pollino | .... | hair stylist (uncredited) | |
Production Management | |||
| Daryl Kass | .... | unit production manager | |
| Claire O'Brien | .... | post-production supervisor | |
Art Department | |||
| Fanée Aaron | .... | set designer | |
| Karen Agresti | .... | buyer | |
| Sharon E. Alshams | .... | set designer | |
| Richard F. Anderson | .... | set dresser | |
| Robert A. Blackburn | .... | construction coordinator | |
| Joseph Calta | .... | stand-by painter | |
| TyRuben Ellingson | .... | conceptual designer | |
| Marc Gabbana | .... | concept artist | |
| Robert Greenfield | .... | leadman | |
| Ron Greenwood | .... | property master | |
| Michael Holcomb | .... | painter | |
| Travis Huffman | .... | propmaker | |
| Dorn Merrill Kennison | .... | set designer | |
| Carolyn Lassek | .... | on-set dresser | |
| Barry Lehrman | .... | set designer | |
| P.K. MacCarthy | .... | storyboard artist | |
| Adam Martyn | .... | moldmaker-fiberglasser | |
| Peter Pace | .... | concept designer | |
| William H. Phen Jr. | .... | propmaker foreman | |
| Mark Weissenfluh | .... | leadman | |
| Helen Wilson | .... | upholsterer | |
| Mark Pacella | .... | conceptual artist (uncredited) | |
Special Effects by | |||
| Chris Brenczewski | .... | special effects technician | |
| Evan Campbell | .... | sculptor | |
| Christian Eubank | .... | special effects technician | |
| Larry Odien | .... | mechanical effects | |
| Jon Thackery | .... | special effects technician | |
| Wayne Toth | .... | special effects | |
Visual Effects by | |||
| Sandra Almond | .... | visual effects producer | |
| Lisa Atkinson | .... | digital production manager | |
| Ken Banks | .... | visual effects | |
| Berj Bannayan | .... | software engineer | |
| Alan Barnett | .... | digital effects supervisor: Sight Effects | |
| Anders J.L. Beer | .... | animator: BFtR | |
| David Biedny | .... | visual effects supervisor: IDIG Inc. | |
| Constance Bracewell | .... | CGI animator | |
| Bruce Branit | .... | digital effects artist | |
| Brian Brecht | .... | CG staff: ILM | |
| Ronn Brown | .... | matte artist | |
| Nathalie Buce | .... | animator | |
| Michelle Butler | .... | production coordinator: SBS | |
| Sonia Calvert | .... | digital compositor: Cinesite | |
| Casey Cannon | .... | visual effects producer: BFTRE | |
| Glenn Cannon | .... | computer graphic artist | |
| Tom Capizzi | .... | computer animator | |
| Daniel Chuba | .... | visual effects: Hammerhead Productions (as Dan Chuba) | |
| Marc Chu | .... | character animator: ILM | |
| Gregory Creaser | .... | visual effects editorial: Digital Magic | |
| Colin Cunningham | .... | 3D animator: C.O.R.E. Digital Pictures | |
| Melissa Davies | .... | digital effects supervisor: Sight Effects | |
| Jamie Dixon | .... | visual effects supervisor: Hammerhead Productions | |
| James Doherty | .... | digital modeler | |
| Bernard Edlington | .... | shader artist | |
| John Ford Jr. | .... | digital artist | |
| Russell Frazier | .... | digital compositor: title sequence | |
| Gil Gagnon | .... | vice president/head of production: Cinesite | |
| Angela Giannoni | .... | visual effects: title sequence | |
| Scott Gordon | .... | digital effects designer | |
| Richard Grandy | .... | technical director | |
| Susan Greenhow | .... | visual effects coordinator | |
| Orin Green | .... | compositor | |
| Mary Beth Haggerty | .... | digital artist | |
| Tim Harrington | .... | character animator: ILM | |
| Jordan Harris | .... | digital animator | |
| Rudy Hassen | .... | digital effects supervisor: Sight Effects | |
| B. Ian Hayden | .... | digital effects artist | |
| Christophe Hery | .... | visual effects co-supervisor: ILM | |
| Diane Holland | .... | digital effects liason: ILM | |
| Dave R. Howe | .... | digital artist | |
| Ian Hulbert | .... | animator: Rhythm & Hues | |
| Alex Jaeger | .... | concept/storybaord artist: ILM | |
| Arthur Jeppe | .... | digital artist: Santa Barbara Studios | |
| Bruce Jones | .... | visual effects producer | |
| Michael Kaelin | .... | technical assistant: SBS | |
| Wayne Kennedy | .... | digital modeler: ILM | |
| Greg Killmaster | .... | technical director | |
| Jeanmarie King | .... | visual effects coordinator | |
| Karen Klein | .... | roto supervisor | |
| Christian Kubsch | .... | animation and visual effects producer: ILM | |
| Roger Kupelian | .... | digital artist | |
| Ali Laventhol | .... | digital compositor | |
| Scott Leberecht | .... | visual effects art director | |
| Stewart Lew | .... | chief digital model supervisor: ILM | |
| Jim Livolsi | .... | digital production manager: title sequence | |
| Scott Lukowski | .... | model maker | |
| Darren Lurie | .... | digital effects designer | |
| Jason MacLeod | .... | computer graphics artist | |
| Michele Maples | .... | visual effects producer: Cinesite | |
| Terrence Masson | .... | visual effects | |
| David Meny | .... | digital effects artist | |
| Todd Mesher | .... | digital compositor | |
| Richard Miller | .... | sculptor | |
| David Manos Morris | .... | CG matchmove artist | |
| Brian Moylan | .... | digital compositing artist | |
| Greg Notzelman | .... | digital artist | |
| George Oliver | .... | rotoscope | |
| David Parsons | .... | character animator | |
| Eddie Pasquarello | .... | digital compositor | |
| Tom C. Peitzman | .... | visual effects producer | |
| Stephen Price | .... | visual effects executive producer: C.O.R.E. Digital | |
| Paul Patrick Quinn | .... | visual effects producer | |
| Kevin Reuter | .... | digital effects artist | |
| Matt Rhodes | .... | software development | |
| Jay Riddle | .... | visual effects supervisor | |
| Kathi Samec | .... | systems manager: SBS | |
| Debra Sanderson | .... | visual effects video editor/clearance | |
| Trish Schutz-Krause | .... | animator: ILM | |
| Ralph Sevazlian | .... | digital artist: C.O.R.E. Digital pictures | |
| Jimi Simmons | .... | director of visual effects | |
| Douglas James Smith | .... | digital effects artist | |
| Brian Sorbo | .... | digital effects technical assistant: ILM | |
| Matthew Talbot-Kelly | .... | digital animator | |
| Jonathan Taylor | .... | director of photography: visual effects unit | |
| Lucy Taylor | .... | compositor | |
| Stephanie Taylor | .... | visual effects coordinator | |
| Peter G. Travers | .... | digital effects designer | |
| Alan Trombla | .... | software research and development | |
| Dennis Turner | .... | animation supervisor: ILM | |
| Courtney Vanderslice | .... | head of production: Cinesite | |
| Yon Van Kline | .... | visual effects editor: Santa Barbara Studios | |
| John 'JW' Warner | .... | key grip: visual effects unit | |
| Bill Westenhofer | .... | technical director: Rhythm & Hues | |
| Kelly Wilcox | .... | computer graphics animator | |
| Lance Wilhoite | .... | visual effects compositor | |
| Steve 'Spaz' Williams | .... | visual effects supervisor | |
| Habib Zargarpour | .... | visual effects co-supervisor: ILM | |
| Chris DeAngelis | .... | visual effects editor: EFilm (uncredited) | |
| Mark Edwards | .... | visual effects coordinator: EFilm (uncredited) | |
| Louis Katz | .... | animatic artist (uncredited) | |
| Tim Ketzer | .... | computer graphics animator: Cinesite (uncredited) | |
| Garrick McLaughlin | .... | technical assistant: Western Images (uncredited) | |
| Matt Merkovich | .... | digital artist (uncredited) | |
| Stephen Sobisky | .... | 3D modeling producer (uncredited) | |
| Jason Wardle | .... | CG Animator (uncredited) | |
| R. Christopher White | .... | digital artist (uncredited) | |
Animation Department | |||
| Richard Bennett | .... | background designer | |
| Matthew Talbot-Kelly | .... | animator | |
| Mark Wendell | .... | animator | |
Casting Department | |||
| Jennifer Bender | .... | extras casting | |
Editorial Department | |||
| Steve Ansell | .... | assistant editor | |
| Todd Busch | .... | first assistant editor | |
| Anthony J. Camaioni | .... | apprentice editor | |
| Joe Fineman | .... | post-production consultant | |
| Mike Mertens | .... | color timer | |
| Joëlle Taar | .... | assistant editor | |
| Neil Eric Wenger | .... | assistant editor | |
Music Department | |||
| George Acogny | .... | music supervisor | |
| Joe Fischer | .... | music coordinator: Album music | |
| Paul Haslinger | .... | additional orchestrator | |
| Graeme Revell | .... | orchestrator | |
| Happy Walters | .... | music supervisor | |
| Brian Williams | .... | music designer | |
| Joshua Winget | .... | music editor | |
| Ashley Revell | .... | assistant music editor (uncredited) | |
Transportation Department | |||
| Scott Doyle | .... | transportation | |
| Theresa M. Roehner | .... | driver | |
Other crew | |||
| Robin Anderson | .... | script supervisor | |
| Laurie Arnow-Epstein | .... | construction accountant | |
| Gerard Averill | .... | assistant location manager | |
| Jimmy Badstibner | .... | production assistant | |
| Brian Bero | .... | suit fabricator: Spawn suit | |
| Ericka Bryce | .... | construction medic | |
| Unjoo Lee Byars | .... | main title producer | |
| Anthony J. Camaioni | .... | production assistant | |
| Glenn Cannon | .... | computer and video playback supervisor | |
| Glenn Cannon | .... | on-set playback supervisor: Banned from the Ranch Entertainment | |
| Kyle Cooper | .... | title designer | |
| Andrea Fellers | .... | photo double | |
| Tracy Gossett | .... | assistant to executive producer | |
| Derrick Goulet | .... | assistant accountant | |
| Sissy Grover | .... | playback coordinator | |
| Eric Hedayat | .... | location manager | |
| Christopher Kahn | .... | assistant production coordinator | |
| Harriet Katz-Stevens | .... | first assistant accountant | |
| Harry Lu | .... | weapons master | |
| Hilary Momberger | .... | script supervisor | |
| Christopher Raimo | .... | production associate | |
| Christina Rollo | .... | office production assistant | |
| Eric Schafer | .... | software development: Industrial Light & Magic | |
| Bill H. Schwocho | .... | craft service | |
| John Semedik | .... | assistant accountant | |
| Steven E. Simon | .... | set production assistant | |
| Eric Smith | .... | title designer | |
| Tony Swatton | .... | armorer | |
| Alan Tuskes | .... | makeup effects crew: K.N.B. EFX Group Inc. | |
| Robert West | .... | assistant to producer | |
| Deborah Wuliger | .... | unit publicist | |
| Donald E. Wygal | .... | production assistant (as Don Wygal) | |
| Matthew Goodman | .... | production associate (uncredited) | |
| Jerry Macaluso | .... | combat suit designer and builder: "Priest" (uncredited) | |
| Scott Strozier | .... | stand-in (uncredited) | |
Thanks | |||
| Russell Frazier | .... | acknowledgment: for D.Rez Hollywood | |
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"Spawn" is a special effects spectacle unlike anything before it. It has some dazzling CGI effects to complement its dark tone and breathe life into the Gothic fantasy, and wondrous cinematography to carry it out. Unfortunately, that's all it has to offer, which is a real shame, because this had the potential to be one hell (pun intended) of a movie.
As a reader of "Spawn" comics and collector of "Spawn" merchandise (and affiliated McFarlane Toys products), I saw at an early age how "Spawn" revolutionized the comics industry with its mystical premise, graphic visuals, Heaven vs. Hell battle theme and gratuitous sex and violence, and while such gusto has been embraced by fans, this 1997 film adaptation of Todd McFarlane's popular underground comic, directed by Mark A.Z. Dippe', is rated "PG-13" (subsequent home video versions were of the "R"-rated director's cut, which contained additional footage), the watered-down violence more cartoonish than graphic. In short, in the comic book world, Spawn is not like anything else out there.
The story is that the demon Malebolgia needs fresh souls for his ever-growing army of undead soldiers to lead an eventual conquest of Earth, and then, Heaven, in what will eventually bring about Armageddon. All Malebolgia needs is a general for his army, and, Holy Lazarus, recently deceased CIA operative Al Simmons (newcomer Michael Jai White) has just the extra-crispy corpse for the job.
See, Simmons was set up by his insane former employer Jason Wynn (Martin Sheen) after making a bargain with Malebolgia's go-to guy and Earthbound lieutenant, the pudgy, disgusting Clown (John Leguizamo, completely unrecognizable in his get-up), to kill Simmons so that he would be sent to Hell. While in Hell (which looks like a CGI version of a Marilyn Manson concert on steroids), Simmons makes a deal with Malebolgia to lead his army, in exchange for one last chance to see his wife Wanda Blake (Theresa Randle), who is now married to his best friend Terry Fitzgerald (D.B. Sweeney) and together the two now have a young daughter named Cyan (Sydni Beaudoin).
Back on Earth and unaware that five years have passed, Simmons has a burnt-to-a-crisp visage that doesn't sit well with people not accustomed to undead soldiers from Hell. He establishes sympathetic links with the homeless denizens of alley Rat City, chiefly young Zack (Miko Hughes), and is watched over by the Godsend Cogliostro (Nicol Williamson). When Simmons's body comes out of its larval stage and transforms him into a "Hellspawn," a being with an endoplasmic and invincible suit of armor, he sees his chance to use these new powers to exact vengeance on Wynn, his lethal vixen Jessica Priest (Melinda Clarke), reunite with Wanda, and seek a way to break out of his agreement with Hell.
As stated earlier, "Spawn" is one hell of a special effects spectacle, and it looks great, but a lot goes wrong in too many places. I was dazzled to see one of my favorite superheroes on the screen nearly 10 years ago as an impressionable pre-teen. Now at 21, I am sorely disappointed by what I see today. "Spawn" still could have been good, even without with the full-on graphic content and Heaven & Hell mysticism of the source material. While a largely accurate reflection of the comics, it still gives more credence to my assertion that this is "Spawn"-lite. Presumably, studio bosses weren't keen on marketing a Hellbound superhero to the masses, so measures were probably taken to make the vehicle more accessible. (Take my advice and stick to the animated HBO miniseries.)
On the plus side, Michael Jai White makes an efficient hero and this remains the actor's most well-known part. We do feel his pain (even if it seems forced at times), his quips, and overall faithful portrayal of the character. Sheen makes for a coolly sadistic madman but it's Leguizamo who steals the show. His gross-out-humor, maggot-munching portrayal of the Clown is just what takes this movie out of the dregs and into full-blown camp territory. Lastly, the soundtrack, a mix of heavy metal and techno, does have some pretty wicked sounds.
It's easy to see that only core fans will want to stick with this picture. It had such a great chance to be something unlike anything else out there. With the comic book craze still in full swing in Hollywood, "Spawn" seems forgotten, or at the very least, sitting on the sidelines. But "Spawn," to me, seems to be an example of mis-marketing, a brilliant idea gone haywire. Maybe it should have stayed in Hell, where it belongs.
5/10