| Photos (see all 11 | slideshow) |
| Isabelle Huppert | ... | Elizabeth / Betty | |
| Michel Serrault | ... | Victor | |
| François Cluzet | ... | Maurice Biagini | |
| Jean-François Balmer | ... | Monsieur K | |
| Jackie Berroyer | ... | Robert Chatillon | |
| Jean Benguigui | ... | Guadeloupe Gangster | |
| Mony Dalmès | ... | Signora Trotti (as Mony Dalmes) | |
| Thomas Chabrol | ... | Swiss Desk Clerk | |
| Greg Germain | ... | Chatty Man | |
| Nathalie Kousnetzoff | ... | Blond Woman | |
| Pierre Martot | ... | Conventioneer | |
| Eric Bonicatto | ... | Conventioneer | |
| Pierre-François Dumeniaud | ... | Conventioneer | |
| Yves Verhoeven | ... | Pickpocket | |
| Henri Attal | ... | Greek Vendor | |
| Gunther Germain | ... | Chatty Man's Friend | |
| Maurice Debranche | ... | Guadeloupe Taxi Driver | |
| Stefan Witschi | ... | Swiss Maitre d' | |
| Rodolphe Ittig | ... | Belgian Dentist | |
| Dodo Deer | ... | Hungarian Dentist | |
| Barbara M. Ahren | ... | Wife of Hungarian Dentist (as Barbara-Magdalena Ahren) | |
| Alexander Seibt | ... | Chair-Lift Worker | |
| James Hauduroy | ... | Barman at Hotel Waldhaus | |
| Elie Axas | ... | Flight Attendant | |
| Emmanuel Guttierez | ... | Barman at the Park Hotel | |
| Gilbert Laumord | ... | Tall Black Man | |
| Yvon Crenn | ... | Mafioso | |
| Marie Dubois | ... | Dedette | |
| Brygida Ochaim | ... | Dancer | |
| Philippe Dana | ... | Conventioneer | |
| rest of cast listed alphabetically: | |||
| Claude Chabrol | ... | Le croupier (uncredited) | |
| Gianfranco L'Amore | ... | Eccentric Swiss Hotelier (uncredited) | |
Directed by | |||
| Claude Chabrol | |||
Writing credits(in alphabetical order) | ||
| Claude Chabrol | writer | |
Produced by | |||
| Marin Karmitz | .... | producer | |
| Jean-Louis Porchet | .... | associate producer | |
| Gérard Ruey | .... | associate producer | |
Original Music by | |||
| Matthieu Chabrol | |||
Cinematography by | |||
| Eduardo Serra | (director of photography) | ||
Film Editing by | |||
| Monique Fardoulis | |||
Art Direction by | |||
| Françoise Benoît-Fresco | |||
Costume Design by | |||
| Corinne Jorry | |||
Makeup Department | |||
| Jean-Charles Bachelier | .... | key makeup artist: France | |
| Sonia Geneux | .... | makeup artist: Switzerland | |
| Thi-Loan Nguyen | .... | key makeup artist: France | |
| Thi Thanh Tu Nguyen | .... | makeup artist: France (as Thi-Thanh-Tu Nguyen) | |
| John Nollet | .... | key hair stylist: France | |
| Catherine Zingg | .... | hair stylist: Switzerland | |
Production Management | |||
| Philippe Baisadouli | .... | assistant unit manager: France | |
| Yvon Crenn | .... | production manager | |
| Xavier Grin | .... | unit manager: Switzerland | |
| Nathalie Kreuther | .... | post-production supervisor: France | |
| Catherine Pierrat | .... | unit manager: France | |
Art Department | |||
| Stefan Bachmann | .... | constructor: Switzerland | |
| Sabine Delouvrier | .... | prop buyer | |
| Pierre Galliard | .... | property master: France | |
| Ivan Niclass | .... | set decorator: Switzerland | |
| Jean-Paul Trincat | .... | construction manager: Switzerland | |
Sound Department | |||
| Edouard d'Heucqueville | .... | sound mix technician | |
| Christian Fontaine | .... | sound assistant: France | |
| Xavier Griette | .... | sound assistant: France | |
| André Naudin | .... | foley artist: France (as Andre Naudin) | |
| Gadou Naudin | .... | foley artist: France | |
| Julien Naudin | .... | foley artist: France | |
| Jean-Bernard Thomasson | .... | sound | |
| Claude Villand | .... | sound | |
Special Effects by | |||
| Dominique Colladant | .... | special effects: France | |
Camera and Electrical Department | |||
| Claude Atanassian | .... | chief electrician: France | |
| Jean Atanassian | .... | electrician: France | |
| Blaise Bauquis | .... | electrician: Switzerland | |
| Jean-Baptiste Dutreix | .... | key grip: France | |
| Sydney Gimenez | .... | electrician: Guadeloupe | |
| Nicolas Herdt | .... | first assistant camera: France | |
| Moune Jamet | .... | still photographer: France | |
| Dominique Robert | .... | co-key grip | |
| Eric Stitzel | .... | second assistant camera: Switzerland | |
| Charles Von Sury | .... | electrician: Switzerland | |
Costume and Wardrobe Department | |||
| Anne-Marie Castaño-Padovan | .... | wardrober: France | |
| Valérie De Buck | .... | dresser: Switzerland | |
| Paule Mangenot | .... | chief costumer: France | |
| Hélène Robin | .... | wardrober: France (as Helene Robin) | |
Editorial Department | |||
| Florence Poulain | .... | assistant editor: France | |
| Olivier Rossignol | .... | assistant editor: France | |
Other crew | |||
| Aurore Chabrol | .... | script supervisor | |
| Aline Corneille | .... | production secretary: France | |
| Monica Donati | .... | assistant press agent | |
| Harvey Drouelle | .... | production assistant | |
| Helene Platel | .... | administrator: Switzerland | |
| Florence Ruffetta | .... | production assistant: Switzerland | |
| Eva Simonet | .... | press agent | |
| Milenko Sofranac | .... | groupman: Switzerland | |
| Richard Verganzonez | .... | caterer: Guadeloupe | |
| Gisèle Vuillaume | .... | administrator: France | |
| Recent Posts (updated daily) | User |
|---|---|
| Subtitles? | bernie-122 |
| Where available for reasonable price? | mokovisual |
| why did she leave and come back at the end? | TomatoMacaroni |
![]() |
![]() |
![]() |
![]() |
![]() |
| Ocean's Twelve | Ocean's Eleven | The Score | Merci pour le chocolat | Gone in Sixty Seconds |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb France section | Add this title to MyMovies |
Although Betty (Isabelle Huppert, who was 43-years-old when the film was released) calls Victor (Michel Serrault, who was 69) "Papa" on occasion in this smooth and restrained thriller from Claude Chabrol, he is not her father by any means. The term is merely one of ironic affection. What they are are modern "gypsies" living on the fringes of society plying their ancient trade. Perhaps they were lovers in the past. Clearly they are a team, dependent upon one another. In particular what these small time con artists do is go to conventions, medical, dental, farm equipment salesman conventions, find a target and con the poor dupe out of some of his money.
Some. The film begins at a roulette table on the French Riviera with Betty stringing along a not entirely bright lawnmower salesman whom she invites for a drink. She slips some knockout drops into his drink and quickly invites him up to his room where, after he is out cold, Victor follows. They take some of his money. Victor insists on always playing it safe and using a rather strange but plausible psychology (which will figure later in the movie) of making the man think that perhaps he wasn't robbed, since if she had intended to rob him, would she have only taken part of the money out of his wallet? They do forge his signature on a check, but he will only find out about that later, and indeed might not be sure about how that happened.
So this is a small time con. Trouble begins for our vagabond thieves when Betty meets the CFO of a big corporation who is transferring five million Swiss francs in cash out of the country. She senses the chance for a big score, and after the mark falls in love with her (she thinks) she brings Victor into the scheme. With some tricky exchanges of the metal suitcase containing the money Betty and Victor end up over their heads in some very hot water.
The plot is a little on the unlikely side, as thriller plots tend to be, but the thing to keep in mind is the idea of taking only PART of the money. This is what fools the bad bad guys (as opposed to the good bad guys who are our vagabond duo, Betty and Victor).
Any movie starring the incomparable Isabelle Huppert (La Pianiste 2001; Merci pour le chocolat 2000; La dentelliere 1977, and many more ) is worth seeing and any movie directed by Claude Chabrol (Une affair de femmes 1988; Betty 1992; La ceremonie 1995, etc.) will have something of interest in it. Add a fine performance by Serrault, one of the great veterans of the French cinema, and "Rien ne va plus" is definitely worth seeing. However the role played by Huppert does not challenge her and Chabrol's more famous films (some of them also starring Huppert) are decidedly more interesting.
But see this for the lighthearted chemistry between Huppert who is sublimely fetching and Serrault who is clearly past the age of any pretension. Such a quasi-Platonic union based on the love that still warms the embers in a dying fire has become almost a staple of directors past their prime. See Claude Sautet's Nelly and Monsieur Arnaud (1995) which also featured Serrault for another example.