| Photos (see all 10 | slideshow) |
| Carol Kane | ... | Dorine Douglas | |
| Molly Ringwald | ... | Kim Poole | |
| Jeanne Tripplehorn | ... | Norah Reed | |
| Barbara Sukowa | ... | Virginia Wingate | |
| Michael Imperioli | ... | Daniel Birch | |
| David Thornton | ... | Gary Michaels | |
| Mike Hodge | ... | Mr. Landau | |
| Alice Drummond | ... | Carlotta Douglas | |
| Florina Rodov | ... | Receptionist | |
| Jason Brill | ... | Delivery Man | |
| Eddie Malavarca | ... | Brian | |
| Doug Barron | ... | Ted | |
| Linda Powell | ... | Naomi | |
| Albert Macklin | ... | Brad | |
| Michelle Hurst | ... | Kate | |
| Paula Cale | ... | Paula | |
| Harley Kaplan | ... | Steve | |
| Marla Sucharetza | ... | Mrs. Gary Michaels | |
| Marceline Hugot | ... | Young Carlotta Douglas | |
| Wayne Maxwell | ... | Jimmy the Homeless Man | |
| Julia McIlvaine | ... | Linda, Girl Scout #1 | |
| Cleopatra St. John | ... | Girl Scout #2 | |
| Danny Morgenstern | ... | Ted's Secretary | |
| Timothy Stickney | ... | Paramedic #1 (as Timothy D. Stickney) | |
| Christopher Tracy | ... | Paramedic #2 | |
| rest of cast listed alphabetically: | |||
| Ben Affleck | ... | Man in Office (scenes deleted) | |
| Rachel Aviva | ... | Young Dorine Douglas (uncredited) | |
| John D. Bair | ... | Office Delivery Man (uncredited) | |
| Eric Bogosian | ... | Peter Douglas (uncredited) | |
| Cindy Sherman | ... | Woman Photographer (uncredited) | |
Directed by | |||
| Cindy Sherman | |||
Writing credits(in alphabetical order) | ||
| Todd Haynes | additional dialogue (uncredited) | |
| Tom Kalin | writer | |
| Elise MacAdam | writer | |
| Cindy Sherman | story | |
Original Music by | |||
| Evan Lurie | |||
Cinematography by | |||
| Russell Lee Fine | |||
Film Editing by | |||
| Merril Stern | |||
Production Design by | |||
| Kevin Thompson | |||
Art Direction by | |||
| Ford Wheeler | |||
Set Decoration by | |||
| Amy Beth Silver | |||
Costume Design by | |||
| Todd Thomas | |||
Makeup Department | |||
| Evelyn Ortman | .... | hair stylist | |
| Evelyn Ortman | .... | makeup artist | |
Production Management | |||
| Blair Breard | .... | unit production manager | |
| John J. Leonard | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Cindy Craig | .... | second assistant director | |
| Jude Gorjanc | .... | first assistant director | |
| Victoria Robinson | .... | second second assistant director | |
Art Department | |||
| Andrea Stanley | .... | construction coordinator | |
Sound Department | |||
| Evan T. Chen | .... | assistant sound editor | |
| Ajae Clearway | .... | apprentice sound editor | |
| Neil Danziger | .... | sound mixer | |
| Mick Gormany | .... | sound editor | |
| George A. Lara | .... | foley mixer | |
| Adam Lerner | .... | apprentice sound editor | |
| Jennifer Martinez | .... | boom operator | |
| Sylvia Menno | .... | sound editor | |
| David Novack | .... | sound re-recording mixer | |
| Eliza Paley | .... | sound | |
| Paul P. Soucek | .... | co-supervising sound editor | |
| Brian Vancho | .... | foley artist | |
Special Effects by | |||
| Rob Benevides | .... | special effects makeup | |
| Drew Jiritano | .... | special effects coordinator | |
| Rodney Sterbenz | .... | special effects makeup assistant | |
Stunts | |||
| Victor Chan | .... | stunts | |
| John Copeman | .... | stunts | |
| David S. Lomax | .... | stunts (as David Lomax) | |
| Steve Mack | .... | stunts | |
| David Shumbris | .... | stunts | |
| Manny Siverio | .... | stunts | |
Camera and Electrical Department | |||
| Lloyd Handwerker | .... | assistant camera | |
| Teri Kennedy | .... | second second assistant camera | |
| Philip J. Martinez | .... | best boy electric | |
| Kristy Tully | .... | gaffer | |
Costume and Wardrobe Department | |||
| Lisa Dorr | .... | wardrobe assistant | |
| Andrea Swistak | .... | wardrobe supervisor | |
Editorial Department | |||
| Myron I. Kerstein | .... | assistant editor | |
| Jessica Levin | .... | assistant editor | |
| Yvette Mattern | .... | assistant editor | |
| Hilary Peabody | .... | assistant editor (as Hillary Peabody) | |
| Nelson Ryland | .... | assistant editor | |
| Damon Skinner | .... | assistant editor | |
| Patricia Sztaba | .... | negative matcher | |
| Stan Sztaba | .... | negative matcher | |
Music Department | |||
| Randall Poster | .... | music supervisor | |
| Recent Posts (updated daily) | User |
|---|---|
| The soundtrack | LucasVB |
| Extra Body | sleff-1 |
| I have a question | jt251987 |
| So.. Is it me? | bloodstained_memory |
| This movie is hysterical!! | planotomkat |
|
|
|
|
|
| Body Double | Black Christmas | Buffalo Soldiers | Single White Female | City of Shoulders and Noses |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
| Add this title to MyMovies |
The first question that would come to mind would be whether Carol Kane could play a psycho successfully. And after seeing this film, I would have to say I still don't know because the very tame screenplay didn't allow her to be a well developed psychotic, nor did it allow any other sort of development for any other aspect of this film.
The storyline here is very typical. It involves Carol Kane (with very odd penciled in eyebrows) as an awkwardly mousy, hardworking magazine editor in a drab and depressing looking office building where she gets picked on daily. Then, without any time wasted, the inevitable psycho switch gets flipped and she starts killing off her coworkers.
I know that may sound to most like your typical fun slasher, but in fact, it can't even be considered a slasher. Actually, I really don't know what genre to categorize this film in because it dips it's toes in a couple different sub-genres without ever fully concentrating on any one area, therein lying the problem. The resulting film just doesn't quite work. At the start, it seemed to be heading into satire territory with office politics and such, but quickly falls flat because of a major lack of humor. As it went on, it then seemed I was in for a slasher, but all of the murders take place off screen, giving us no chase sequences, creative deaths or gore. Then I expected it to take a turn into suspense, but was left with no tension or any sort of character development whatsoever, so I never cared for anyone or anything enough to ever get involved in the storyline. The writers just didn't seem to know what they really wanted, which kind of left the final product in limbo. And it's pretty disappointing because the photographer turned director, Cindy Sherman, seemed to have talent and would have benefited greatly if it were a straight up thriller.
So what were we meant to feel during this film? It wasn't smart, funny, thrilling or even bloody. Were we supposed to hate and fear Kane? Or were we supposed to root for her? The whole film felt just as awkward as she looked and felt just as drab and boring as the office building looked, which leaves us with no reason to ever want to visit. I would compare this to later films, such as Love Object and the Willard remake, both of which used the same plot techniques, yet executed them in a much more entertaining fashion. Office Killer isn't a terrible film. I give the director and cast credit for trying. But it's just so lifeless that I can't recommend you wasting your time with it.