| Photos (see all 8 | slideshow) | Videos (see all 2 NEW) |
| Randee Allen | ... | Waitress | |
| Arija Bareikis | ... | Daphne | |
| Justin Barreto | ... | Young Jake | |
| Chris Bauer | ... | Jerry | |
| Nicholas Bourgeois | ... | Young Warren | |
| Tom Cumler | ... | Man at Train Station | |
| Blythe Danner | ... | Lena | |
| Hope Davis | ... | Margaret | |
| Christopher Duva | ... | Tom | |
| Kelsey Gunn | ... | Young Leigh | |
| Laurel Holloman | ... | Leigh | |
| Brian Kerwin | ... | Elliot | |
| James LeGros | ... | Cezanne | |
| Julianne Moore | ... | Mia | |
| Polly Pelletier | ... | Young Mia | |
| Pam Jack | ... | Bookstore Woman (as Pamela Polhemus) | |
| Michael Rupert | ... | Warren's Psychiatrist | |
| Roy Scheider | ... | Hal | |
| Michael Vartan | ... | Jake | |
| Noah Wyle | ... | Warren |
Directed by | |||
| Bart Freundlich | |||
Writing credits | ||
| Bart Freundlich | (written by) | |
Original Music by | |||
| David Bridie | |||
| John Phillips | |||
Cinematography by | |||
| Stephen Kazmierski | (director of photography) | ||
Film Editing by | |||
| Ken J. Sackheim | |||
| Kate Williams | |||
Casting by | |||
| Douglas Aibel | |||
| Christine Sheaks | |||
Production Design by | |||
| Susan Bolles | |||
Art Direction by | |||
| John McFarlane | |||
Set Decoration by | |||
| Catherine Pierson | |||
Costume Design by | |||
| Lucy W. Corrigan | |||
Makeup Department | |||
| Deborah Cross | .... | additional makeup assistant | |
| Gianna Sparacino | .... | key hair designer | |
| Tracy Warbin | .... | key makeup artist | |
Production Management | |||
| Ross Katz | .... | post-production supervisor | |
| Jake Myers | .... | unit manager | |
| Natascha Tillmanns | .... | production manager | |
Art Department | |||
| Pamela Berkeley | .... | charge scenic | |
| Brian Buteau | .... | set dresser | |
| Pamela Chodosh | .... | scenic artist | |
| Lisa Frantz | .... | property master | |
| Hector M. Gonzalez | .... | scenic artist (as Héctor González) | |
| Shannon Hart | .... | scenic artist | |
| Paul Hausman | .... | carpenter | |
| Mame James | .... | assistant set decorator | |
| Dianne Kalemkeris | .... | assistant props | |
| Cailin Kavanaugh | .... | art department intern | |
| Mary Jane Schepers | .... | scenic artist | |
| Jeff Taylor | .... | lead man | |
| Nate Thibodeau | .... | art department intern | |
Sound Department | |||
| Stephen Altobello | .... | assistant sound editor | |
| Tim J. Carroll | .... | stereo sound engineer: Dolby | |
| Jesse Feigelman | .... | location sound mixer | |
| Steve Hamilton | .... | supervising sound editor | |
| Andrew Kris | .... | adr engineer (as Andy Kris) | |
| Leo Madrazo | .... | foley artist | |
| Kelly Neese | .... | additional boom operator | |
| David Novack | .... | post-production sound mixer | |
| James Palumbo | .... | apprentice sound editor (as James M. Palumbo) | |
| Jennifer Ralston | .... | sound effects editor | |
| Peter Schneider | .... | location sound mixer | |
| Juan Carlos Zaldívar | .... | dialogue editor | |
Stunts | |||
| Christopher Derek Lee | .... | stunt coordinator (as Christopher Lee) | |
Camera and Electrical Department | |||
| Joe Arcidiacono | .... | assistant camera | |
| Joe Arcidiacono | .... | camera operator: "b" camera | |
| Janice Arthur | .... | Steadicam operator | |
| David Bryant | .... | best boy grip | |
| Casey Campbell | .... | best boy electric | |
| Jason Carter | .... | additional assistant camera | |
| Trish Clark | .... | second assistant camera | |
| Scott Crawford | .... | additional assistant camera | |
| Bill Foley | .... | still photographer (as William Foley) | |
| Michael Fornasiero | .... | grip | |
| Matt Foster | .... | additional electrician | |
| J. Alan Hostetter | .... | gaffer (as Alan Hostetter) | |
| John Kiley | .... | additional electrician | |
| Peter Letzelter-Smith | .... | additional electrician | |
| Jayson Lobozzo | .... | additional grip | |
| Manuel Malle | .... | still photographer | |
| Charles Papert | .... | Steadicam operator | |
| Antonio Rossi | .... | second assistant camera | |
| Kurt Schwarz | .... | key grip | |
| Jason Summers | .... | third electrician | |
| John Tanzer | .... | camera loader | |
Casting Department | |||
| Jordan Beswick | .... | casting associate | |
| Dee Cooke | .... | local casting | |
| Laurie Gershon | .... | extras casting | |
Costume and Wardrobe Department | |||
| Marie Abma | .... | wardrobe supervisor | |
| Pamela Kezal | .... | wardrobe assistant | |
| Laura Jean Shannon | .... | assistant costume designer | |
Editorial Department | |||
| Laurie Butler | .... | first assistant editor | |
| Dalton Helms | .... | first assistant editor | |
| David Pultz | .... | color timer | |
| Hurin Veis | .... | second assistant editor | |
Music Department | |||
| David Abuiso | .... | musician: double bass | |
| David Bridie | .... | musician: piano, keyboard and vocals | |
| Andrew Carswell | .... | musician: mandolin and tin whistle | |
| Hannah Cooper | .... | musician: oboe | |
| Robin Gador | .... | musician: bass | |
| Steve Hamilton | .... | music editor | |
| Zar Hanley | .... | assistant music engineer | |
| Michael Hill | .... | music supervisor | |
| Peter Luscombe | .... | musician: drums | |
| Tracy McKnight | .... | music supervisor | |
| Helen Mountfort | .... | musician: cello and harmonica | |
| Greg O'Shea | .... | assistant music engineer | |
| John Phillips | .... | musician: acoustic and electric guitars | |
| Simon Polinski | .... | music engineer | |
| Simon Polinski | .... | music mixer | |
Transportation Department | |||
| William McGrath | .... | driver | |
| William O'Brien | .... | transportation captain | |
Other crew | |||
| Dave Bennett | .... | office intern | |
| Gregory Blois | .... | electronic press kit crew | |
| Vanessa E. Cooper | .... | set intern | |
| Nicole Duryea | .... | additional production assistant | |
| Rick Eichler | .... | office intern | |
| Alfa Erma | .... | office intern | |
| Paola Freccero | .... | unit publicist | |
| Cliff Fuller | .... | office production assistant | |
| Bill Garvey | .... | additional production assistant | |
| Laurie Gershon | .... | product placement/clearances | |
| Hilary Duval Hall-Allred | .... | stand-in | |
| Douglas Hall | .... | location assistant | |
| Melissa Hanson | .... | set intern | |
| Elizabeth Heeden | .... | film conform assistant | |
| Greg Hudson | .... | electronic press kit crew | |
| Katie Hutchins | .... | office intern | |
| Chiemi Karasawa | .... | script supervisor | |
| Anne Kauffman | .... | assistant: Mr. Freundlich | |
| Myron I. Kerstein | .... | film conform assistant (as Myron Kerstein) | |
| Michael Kimball | .... | stand-in | |
| Michele Larocca | .... | film conform assistant | |
| Sig Libowitz | .... | assistant to producers | |
| Chip Liscombe | .... | office intern | |
| Harley Forrest Logan | .... | production assistant | |
| Joline Lord | .... | stand-in | |
| Pietro Lorino Jr. | .... | production accountant | |
| Jon Marcus | .... | assistant production coordinator | |
| Jennifer Murphy | .... | craft service | |
| Neil Orlowski | .... | production assistant | |
| William Perkins | .... | production coordinator | |
| Guy H. Rocourt II | .... | production assistant (as Guy Rocourt II) | |
| Andrew Saxe | .... | location manager | |
| Patrick Sheedy | .... | post-production accountant | |
| Tracy Skillin | .... | location scout | |
| Amanda Slater | .... | key set production assistant | |
| Joan Stein | .... | office intern | |
| Noreen Ward | .... | post-production accountant | |
| Christine Welker | .... | assistant location manager | |
| Shawn Wilson | .... | assistant accountant | |
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As those who can personally relate to this story well understand, not all stories about damaged families can have resolution and closure. The Myth of Fingerprints is quite honest in that regard. The story provides some explanation of what happened but not why, much like real life. What we do get is richly painted characters provided by strong performances, good writing, and good direction who tell us their story and allow us to draw our own conclusions. It's well worth the effort for those who appreciate a drama that doesn't take short cuts and permits the characters to tell their own stories instead of spoon feeding the audience and neatly wrapping everything up like an unwanted birthday present.