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IMDb > Love! Valour! Compassion! (1997)
Love! Valour! Compassion!
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Love! Valour! Compassion! (1997)

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User Rating: 6.4/10 (1,498 votes)
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Overview

Director:
Joe Mantello
Writers (WGA):
Terrence McNally (play)
Terrence McNally (screenplay)
Release Date:
16 May 1997 (USA) more view trailer
Genre:
Comedy | Drama | Romance more
Tagline:
Eight men. One summer. Figure it out.
Plot:
Gregory invites seven friends to spend the summer at his large, secluded 19th-century home in upstate New York... more | add synopsis
Awards:
1 nomination more
NewsDesk:
Devito Sets Up Indie Unit (From Studio Briefing. 15 April 1998)
User Comments:
Fine ensemble cast sparks dynamic comedy-drama more

Cast

 (Complete credited cast)

Jason Alexander ... Buzz Hauser
Stephen Spinella ... Perry Sellars
Stephen Bogardus ... Gregory Mitchell
Randy Becker ... Ramon Fornos

John Benjamin Hickey ... Arthur Pape

Justin Kirk ... Bobby Brahms
John Glover ... John Jeckyll, James Jeckyll
more
Create a character page for: ?

Additional Details

MPAA:
Rated R for graphic nudity, some sexuality and strong language.
Runtime:
108 min
Country:
USA
Language:
English
Color:
Color
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Dolby Digital
Certification:
Canada:14A (Ontario) | USA:R (certificate #34857) | Iceland:12 | Australia:MA | France:U | Germany:16 | Hong Kong:III | Portugal:M/12 (video premiere) | Spain:18
MOVIEmeter: ?
V 6% since last week why?

Fun Stuff

Trivia:
The play was originally produced off-Broadway, New York City, on 11 October 1994, by the Manhattan Theatre Club, with funds provided by ATandT. more
Goofs:
Continuity: The amount of milk in a bottle does not match the amount of milk on the floor after the bottle is dropped and broken. more
Quotes:
Buzz: Just once I'd like to see a "West Side Story" where everybody gets it; the Jets and the Sharks, and Officer Krupke; or a "Sound of Music" where the entire Von Trapp family dies in a horrible alpine avalanche; or "A Funny Thing Happened on the Way to the Forum" where nothing happens, and it's not funny. more
Movie Connections:
References The Red Shoes (1948) more
Soundtrack:
Willkommen more

FAQ

This FAQ is empty. Add the first question.
2 out of 3 people found the following comment useful:-
Fine ensemble cast sparks dynamic comedy-drama, 10 January 2005
6/10
Author: Libretio

LOVE! VALOUR! COMPASSION!

Aspect ratio: 1.85:1

Sound format: Dolby Digital

This perceptive drama - written by Terrence McNally, adapted from his award-winning Broadway play - starts out as a warm-hearted examination of the lives and loves of eight middle-class gay men during three eventful weekends at the isolated country home of ageing dancer Stephen Bogardus and his blind, youthful boyfriend Justin Kirk (ANGELS IN America). As it progresses, however, McNally's snappy screenplay begins to expose the faults in his principal characters, as well as their virtues, leading inevitably to fireworks and revelations. Set in a beautiful lakeside house somewhere in upstate New York (filmed in Quebec, though you wouldn't know it), director Joe Mantello - also responsible for the original Broadway production - and cinematographer Alik Sakharov take full advantage of the area's natural beauty, moulding a defiantly cinematic template from the material's inherent staginess.

All but one of the fine ensemble cast was culled from the stage version, including Stephen Spinella and John Benjamin Hickey as a staid yuppie couple, and Randy Becker (LIE DOWN WITH DOGS) as the handsome young stud whose overt sex appeal creates emotional tension in a household dominated by middle-aged men. However, the film is virtually stolen by "Seinfeld"s Jason Alexander (in a role essayed by Nathan Lane on-stage) as the archetypal Broadway-loving queen who lives in fear of his HIV status and masks his anxiety with outrageous humor, and John Glover in dual roles as English twins, one of them noble and humane (and dying of an AIDS-related illness), the other a mean-tempered bitch of the highest order. McNally's script finds something deeper than mere stereotype in these disparate characters, and he examines the many ways in which they love each other, despite their differences. The full-frontal nudity which characterized the original stageplay (causing a minor stir at the time) has been toned down for the film, but not completely erased, and Becker in particular seems entirely at ease during his frequent nude scenes.

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