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Kundun (1997)
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Overview
User Rating:
Director:
Writer (WGA):
Melissa Mathison (written by)
Release Date:
25 December 1997 (USA)
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Tagline:
The destiny of a people lies in the heart of a boy. more
Plot:
From childhood until adulthood, Tibet's 14th dalai lama deals with Chinese oppression and other problems. full summary | add synopsis
Awards:
Nominated for 4 Oscars.
Another 5 wins
&
4 nominations
more
NewsDesk:
(24 articles)
Happy Birthday, Martin Scorsese: Wake-Up Video
(From MTV Newsroom. 17 November 2009, 7:00 AM, PST)
Scorsese to Receive Honorary Golden Globe
(From ReelzChannel. 13 November 2009, 1:21 PM, PST)
(From MTV Newsroom. 17 November 2009, 7:00 AM, PST)
Scorsese to Receive Honorary Golden Globe
(From ReelzChannel. 13 November 2009, 1:21 PM, PST)
User Comments:
An exceptional film which refuses to compromise its artistic values
more (107 total)
Cast
(Cast overview, first billed only)| Tenzin Thuthob Tsarong | ... | Dalai Lama (Adult) | |
| Gyurme Tethong | ... | Dalai Lama (Age 12) | |
| Tulku Jamyang Kunga Tenzin | ... | Dalai Lama (Age 5) | |
| Tenzin Yeshi Paichang | ... | Dalai Lama (Aged 2) | |
| Tencho Gyalpo | ... | Mother | |
| Tenzin Topjar | ... | Lobsang (5-10) | |
| Tsewang Migyur Khangsar | ... | Father | |
| Tenzin Lodoe | ... | Takster | |
| Geshi Yeshi Gyatso | ... | Lama of Sera | |
| Losang Gyatso | ... | The Messenger (as Lobsang Gyatso) | |
| Sonam Phuntsok | ... | Reting Rimpoche | |
| Gyatso Lukhang | ... | Lord Chamberlain | |
| Lobsang Samten | ... | Master of the Kitchen | |
| Jigme Tsarong | ... | Taktra Rimpoche (as Tsewang Jigme Tsarong) | |
| Tenzin Trinley | ... | Ling Rimpoche |
Additional Details
MPAA:
Rated PG-13 for violent images.
Parents Guide:
Runtime:
134 min
Country:
Color:
Color (Technicolor)
Aspect Ratio:
2.35 : 1 more
Sound Mix:
Certification:
Iceland:12 |
Hungary:14 |
Canada:PG (Ontario) |
USA:PG-13 (certificate #35670) |
Norway:11 |
Brazil:12 |
Australia:PG |
Finland:K-12 |
France:U |
Germany:6 |
Portugal:M/12 |
Singapore:PG |
Sweden:11 |
Switzerland:12 (canton of Geneva) |
Switzerland:12 (canton of Vaud) |
UK:12 |
South Korea:12
Filming Locations:
Company:
Fun Stuff
Trivia:
The Dalai Lama and his family were portrayed by actual relatives of the Dalai Lama himself, now living in refugee in Dalamsala as well as abroad. Tenzin Thuthob Tsarong who played the adult Dalai Lama is his grand nephew.
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Goofs:
Revealing mistakes: When Kundun is dreaming that he is surrounded by monks slaughtered by the Chinese, the "dead" monk closest to him moves his eyelids.
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Quotes:
[hearing the Chinese propaganda loudspeakers blaring outside]
Dalai Lama: They have taken away our silence.
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Dalai Lama: They have taken away our silence.
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Movie Connections:
Featured in The Cutting Edge: The Magic of Movie Editing (2004)
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FAQ
This FAQ is empty. Add the first question.more (107 total)
Message Boards
Discuss this movie with other users on IMDb message board for Kundun (1997)| Recent Posts (updated daily) | User |
|---|---|
| this movie was the FAIL! | yongke_yu |
| kundun/ 7 years in tibet | rynlrntT |
| Tiber | SickBoyo |
| symbolism? | tekia412 |
| English | alexander12061978 |
| Fast edits | pirate266 |
Recommendations
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"Kundun" is one of those rare masterpieces that unfortunately might be run over by more Hollywood acceptable films like "Titanic" and "Seven Years in Tibet" (both films that I still admire). While these films were great, their primary purpose seemed to be entertainment alone. Scorsese creates a work out of the bounds of traditional films; "Kundun" is at once a spiritual journey, a compelling story despite its downplayed action, and a delight for the eyes and ears. It is both entertainment and art. The audience isn't captivated by dramatic action, but simply because it is so beautiful. At the same time, it doesn't produce the slightly sleepy sensation other artistic works like "The Last Emperor of China" can, despite their beauty (I personally loved "Last Emperor"). Not once was I tempted to turn away from the screen.
Scorsese mixes symbolic images and a subtle yet emotionally stirring soundtrack into a non-traditional plot structure, creating an exotic and spiritual vision meeting the demands of its eastern inspiration.
I am not a historian, so I cannot speak about its accuracy, though from what I can tell, Scorsese did his homework. Even if that were not true, this film is not meant as a documentary. It has the same emotional power of the finest art, with a simplicity and directness which keeps it from being pretentious. If you add to this historical accuracy, all the better. But it is not meant to influence via facts but via emotion.
Even those viewers who don't normally sit through credits will most likely do so, simply for the chance to let the film soak in. You need the time to digest everything you've been shown and to sit in contemplative peace. This is a film that inspires and delights. It is the film I wish I could have created. Scorsese has certainly produced the best film of the year, if not more.