Jane Eyre (1997) (TV)

User Rating:

7.4/10   

Director:

Robert Young

Writers:

Charlotte Brontë (novel) and
Richard Hawley (writer)
(more)

Release Date:

19 October 1997 (USA)

Genre:

Drama | Romance

Plot:

Charlotte Bronte's classic novel is filmed yet again. The story of the Yorkshire orphan who becomes...

Plot Keywords:

Orphan | French | Governess | Gentleman | Clergyman

Cast

Deborah Findlay	...	Mrs. Reed
Laura Harling	...	Young Jane
Joanna Scanlan	...	Bessie
Ben Sowden	...	John Reed
Barbara Keogh	...	Miss Abbot
David Gant	...	Mr. Brocklehurst
Emily Joyce	...	Miss Temple
Gemma Eglinton	...	Helen Burns
Ruth Mitchell	...	Miss Scatchered
Dominique Belcourt	...	Anna
Samantha Morton	...	Jane Eyre
Gemma Jones	...	Mrs. Fairfax
Timia Berthome	...	Adele (as Timia Berthomé)
Hermione Gulliford	...	Sophie
Ciarán Hinds	...	Edward Rochester (as Ciaran Hinds)
Abigail Cruttenden	...	Blanche Ingram
Richenda Carey	...	Lady Ingram
Richard Hawley	...	Richard Mason
Val McLane	...	Grace Poole
Kay Mellor	...	Mrs. Cooper
Sophie Reissner	...	Bertha Rochester
Peter Wight	...	Clergyman
Rupert Penry-Jones	...	St John Rivers
Elizabeth Garvie	...	Diana Rivers
rest of cast listed alphabetically:
Yvonne Francas	...	Leah (uncredited)

Directed by
Robert Young

Writing credits
Charlotte Brontë		(novel)
Richard Hawley		writer
Kay Mellor		writer
Peter Wright		writer

Produced by
Greg Brenman	....	producer
Delia Fine	....	executive producer: A&E Television Networks
Sally Head	....	executive producer
Hugh Warren	....	line producer

Original Music by
Richard Harvey

Cinematography by
John McGlashan

Film Editing by
Anthony Ham

Casting by
Janey Fothergill

Production Design by
Stephen Fineren

Art Direction by
John Hill

Costume Design by
Susannah Buxton

Makeup Department
Elaine Davies	....	makeup assistant
Jan Sewell	....	hair designer
Jan Sewell	....	makeup designer
Sian Turner	....	makeup assistant

Second Unit Director or Assistant Director
Howard Arundel	....	first assistant director
Julie Davis	....	second assistant director
Barrie McCulloch	....	third assistant director

Art Department
Mark Collisson	....	construction manager
Danny Euston	....	props master
Patrick Rolfe	....	assistant art director
Mike Smith	....	production buyer

Sound Department
Tim Alban	....	dubbing mixer
Simon Gershon	....	dubbing editor
Mervyn Moore	....	boom operator
Alan O'Duffy	....	sound recordist

Special Effects by
Evan Green-Hughes	....	supervisor

Stunts
Andy Bradford	....	stunt coordinator
Peter Miles	....	stunt performer
Dinny Powell	....	stunt coordinator

Camera and Electrical Department
Archie Dawson	....	best boy
Paul Evemy	....	gaffer
Liam Murphy	....	focus puller
John Rake	....	grip
Tamara Tracz	....	clapper loader

Costume and Wardrobe Department
Liza Bracey	....	wardrobe assistant
Lee Clayton	....	costume cutter
Lee Clayton	....	tailor
Dan Grace	....	wardrobe assistant
Tessa Murray	....	costume assistant

Other crew
Gwenda Bagshaw	....	script executive
Roanna Benn	....	script editor
Sanne Craddick	....	production coordinator
Steve Dent	....	horse master
Josh Dynevor	....	location manager
Alan John	....	production accountant
Alison Lang	....	production secretary
Julia Richards	....	script supervisor
Jane Soans	....	location manager

Production Companies

• A&E Television Networks
• London Weekend Television (LWT)

Distributors

• Sandrew Film & Teater (1997) (Sweden) (VHS)
• Svenska Filminstitutet (SFI) (1997) (Sweden) (VHS)
• A&E Television Networks
• Elephant Films (2008) (France) (all media)

Other Companies

• Tru-Cut  negative cutting

Runtime:

108 min

Country:

UK

Language:

English | French

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby

Certification:

Finland:K-8 (video premiere) | Germany:6 | UK:PG

Filming Locations:

Knebworth House, Stevenage, Hertfordshire, England, UK

Company:

A&E Television Networks

Movie Connections:

Version of Jane Eyre (1944)

Soundtrack:

Nocturne in E-Flat Major, Op. 9, No. 2

A bit off...

While this is not the worse adaptation it did have its flaws which may keep the Jane Eyre fans cringing. Although shortened, I thought that the editing was reasonable. I didn't mind most the scenes they cut. I did find the updated dialogs annoying at times, because it often obscured the real motivations for the characters actions. I think that the writers of the screenplay were a bit uncomfortable with the religious undertones to Jane's goodness and for her leaving Edward.

Now I think that Ms. Morton did not understand her character at all. She plays the scene where she first learns who Edward is in a very haughty way. She seems to think that Jane is some feminist archetype, bold and sassy...when in reality Jane, because of years of oppression at Lowood knew "her place" yet, was so good, she answered Edward's questions truthfully...even if her answers seemed bold. In a way Jane of the book was like a bird in a cage, it is only after finding that Edward wanted her to truly be free to be herself that she spoke more freely in his presence. He freed her...(not a popular modern outlook but the book was written some time ago). Jane only speaks up as the story progresses because of Edwards goading her, and her own desire to finally have a voice. Miss Morton also make some rather unusual facial expressions, she smiles when she hears she will meet the elusive Mr. Rochester...why?... just got yelled at by the man...why would she smile about the prospect of meeting him?Weird. It is like this "Jane" read the book and knew what was going to happen next.Yikes.

Hind's Rochester at first felt spot on, moody...but then he just started yelling giving it a less than nuanced delivery. I would have fled, if I were Jane, because with all that yelling I would have been afraid of a man like that. I have seen him in the film "Persuasion" and found him wonderful...so perhaps direction was the problem.

Another cloying aspect to this production is the general "lightness" of Thornfield. I guess I prefer a somewhat dark and gloomy place that hints at the horror that burdens Mr. Rochester...but on this note I will say this is a personal preference of mine. Others may find the scenery and set decoration more fitting and proper than previous versions.

Did I hate this production? No. I think it does flow nicely. It has its high point in showing the passion. I also appreciate every telling of my favorite story. I do suggest that if you want to see a dark and mysterious version...try Orson Wells, or a more accurate version try the one with Timothy Dalton.