| Photos (see all 24 | slideshow) | Videos (see all 2 NEW) |
| Sean Penn | ... | Eddie | |
| Kevin Spacey | ... | Mickey | |
| Robin Wright Penn | ... | Darlene | |
| Chazz Palminteri | ... | Phil | |
| Garry Shandling | ... | Artie | |
| Anna Paquin | ... | Donna | |
| Meg Ryan | ... | Bonnie | |
| Gianna Ranaudo | ... | Susie (as Gianna Renaudo) | |
| David Fabrizio | ... | Store Manager | |
| Kenny Vance | ... | Singer | |
| Michaline Babich | ... | Receptionist | |
| Elaine Corral Kendall | ... | TV Anchor (as Elaine Corral) | |
| Sharon Tay | ... | TV Reporter | |
| Frank Somerville | ... | TV Anchor | |
| Bob Jimenez | ... | Newscaster | |
| Piers Mackenzie | ... | Dry Cleaner | |
| Penelope Allen | ... | Dry Cleaner | |
| Lisa Ristorucci | ... | Cashier | |
| Igor Hiller | ... | Little Billy | |
| Curt Skaggs | ... | Cowboy | |
| Nathalie Canessa-White | ... | Miranda (as Nathalie Lake) | |
| Bud Cox | ... | Priest | |
| Peter Siteri | ... | Poet | |
| Laura Brownson | ... | Vicki |
Directed by | |||
| Anthony Drazan | |||
Writing credits(WGA) | ||
| David Rabe | (play) | |
| David Rabe | (screenplay) | |
Produced by | |||
| Carl Colpaert | .... | executive producer | |
| Anthony Drazan | .... | producer | |
| Richard N. Gladstein | .... | producer | |
| David Hamburger | .... | producer (as David S. Hamburger) | |
| H. Michael Heuser | .... | executive producer | |
| Nicholas Paleologos | .... | executive producer | |
| Lila Yacoub | .... | production executive: FilmColony | |
| Frederick Zollo | .... | executive producer | |
Original Music by | |||
| David Baerwald | |||
| Steve Lindsey | |||
Cinematography by | |||
| Changwei Gu | |||
Film Editing by | |||
| Dylan Tichenor | |||
Casting by | |||
| David Rubin | |||
Production Design by | |||
| Michael D. Haller | |||
Art Direction by | |||
| Derek R. Hill | |||
Costume Design by | |||
| Mary Claire Hannan | |||
Makeup Department | |||
| Marta Camer | .... | makeup artist | |
| Catherine Childers | .... | hair stylist | |
| Sid Curry | .... | hair stylist: Ms. Ryan | |
| Denise Dellavalle | .... | makeup artist (as Denise Della Valle) | |
| Kimberly Greene | .... | makeup department head | |
| Barbara Olvera | .... | key hair stylist | |
| Lutz Wesemann | .... | makeup artist: Ms. Ryan | |
Production Management | |||
| Debbie Hayn-Cass | .... | production manager | |
| Peter Mavromates | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Marco Londoner | .... | second assistant director | |
| David 'Wex' Wechsler | .... | first assistant director | |
Art Department | |||
| Emilio R. Aramendia | .... | assistant property master (as Emilio Armendia) | |
| Eric J. Bates | .... | property master | |
| Andy Friend | .... | storyboard artist | |
| Rick Kyker | .... | assistant property master | |
| John Micheletos | .... | swing person | |
| Helen Gene Nichols | .... | assistant art director | |
| Mark Palmer | .... | swing gang: Los Angeles | |
| Joe Pfaltzgraf | .... | lead man: Los Angeles | |
| Charles Swenson | .... | storyboard artist (as Chuck Swenson) | |
| Benton E. Tedlie | .... | swing gang: Los Angeles (as Benton Tedlie) | |
| Elizabeth Tullis | .... | scenic artist | |
| Don Watson | .... | lead man | |
Sound Department | |||
| Christopher Boatwright | .... | cable person | |
| Frank Canonica | .... | supervising sound recordist: mix stage | |
| David A. Cohen | .... | dialogue editor | |
| Don Coufal | .... | boom operator | |
| Steve Fontana | .... | foley recordist | |
| Gary Holland | .... | cable person | |
| Michael Kirchberger | .... | supervising sound editor | |
| Edward McCloud | .... | sound intern | |
| Jeremy Molod | .... | assistant sound editor | |
| Marnie Moore | .... | foley walker | |
| Margie O'Malley | .... | foley walker | |
| David Parker | .... | sound re-recording mixer | |
| Jim Pasque | .... | machine room operator (as James Pasque) | |
| Frank Rinella | .... | foley recordist | |
| Larry Schalit | .... | assistant sound effects editor | |
| Michael Semanick | .... | sound re-recording mixer | |
| Daniel Sperry | .... | stereo sound consultant: Dolby | |
| Hamilton Sterling | .... | sound effects recordist | |
| Dianna Stirpe | .... | adr editor | |
| Dianna Stirpe | .... | dialogue editor | |
| Roy Waldspurger | .... | assistant sound editor | |
| Jennifer L. Ware | .... | sound effects editor | |
| Jeff Wexler | .... | sound mixer | |
Stunts | |||
| Robin Lynn Bonaccorsi | .... | stunt double: Meg Ryan | |
| Rocky Capella | .... | stunt coordinator | |
| Lisa Dempsey | .... | stunts | |
| Jeff Mosley | .... | stunts | |
Casting Department | |||
| Beau Bonneau | .... | extras casting | |
| Beau Bonneau | .... | location casting | |
| Rachel Flanagan | .... | casting assistant (as Rachel Schadt) | |
| Scott French | .... | casting assistant | |
| Barbara Harris | .... | adr voice casting | |
| Ronna Kress | .... | casting associate | |
| Melanie Miller | .... | casting assistant | |
| Jeff Olan | .... | extras casting | |
Costume and Wardrobe Department | |||
| Gloria Iglesias | .... | wardrobe production assistant (as Gloria A. Iglesias) | |
| Michael Nielsen | .... | wardrobe supervisor | |
| Mary Elizabeth Still | .... | on-set costumer | |
Editorial Department | |||
| Lawson Brown | .... | post-production assistant | |
| Chris Maybach | .... | assistant editor: avid | |
| Mike Mertens | .... | color timer | |
| Danny Miller | .... | second assistant editor | |
| Fred Raskin | .... | assistant film editor | |
| Tatiana S. Riegel | .... | second editor | |
| Joan Sobel | .... | first assistant editor | |
Music Department | |||
| Bunny Andrews | .... | music editor | |
| Eric Anest | .... | music programmer | |
| Eric Anest | .... | musician: keyboards | |
| David Baerwald | .... | musician: guitar, keyboards and electric bass | |
| Jim Cox | .... | musician: organ and piano | |
| John Ferraro | .... | musician: drums | |
| David Goldblatt | .... | musician: piano | |
| Smokey Hormel | .... | musician: guitars | |
| Mark Isham | .... | musician: trumpet | |
| Kris Kellow | .... | musician: keyboards | |
| Larry Klein | .... | musician: bass | |
| Steve Lindsey | .... | musician: keyboards | |
| Steve Lindsey | .... | score producer | |
| Eric Persing | .... | music programmer | |
| John Pierce | .... | musician: electric bass | |
| David Raven | .... | musician: drums | |
| Amanda Scheer-Demme | .... | music supervisor | |
| David Torn | .... | musician: guitars | |
| Waddy Wachtel | .... | musician: guitars | |
Transportation Department | |||
| Jim Chesney | .... | transportation coordinator | |
| J. Armin Garza II | .... | driver: camera car | |
| Scotty Goudreau | .... | driver captain | |
| John R. Lopez | .... | driver | |
| Brian Joseph Moore | .... | driver | |
Thanks | |||
| Michael D. Haller | .... | dedicatee (as Michael Haller) | |
| Avram 'Butch' Kaplan | .... | special thanks | |
| Denis Leary | .... | thanks | |
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| Permanent Midnight | Blow | Sullivan's Travels | Short Cuts | Laurel Canyon |
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This is definitely not a movie for everyone. Heavy drug use, discomfiting sexual situations, bad language, violence, a talky, "stagey" atmosphere, and generally despicable characters. Even if you like the actors involved, this may still not be the movie for you (my aunt rented it for my uncle and herself on the strength of Kevin Spacey's name, and he still hasn't forgiven her).
Having said that, I really liked this movie. I never saw the play, but when I read through it, I thought it was the most misogynistic piece of garbage I had ever encountered. Seeing it on screen, though, was a completely different experience. I felt that I understood what the playwright was trying to get at: namely, that this is a piece about how "Eddie, through the death of Phil, is saved from being Mickey." In short, a spiritual redemption of sorts.
Performances are uniformly strong. I have never been a big Sean Penn fan, but I thought he did a more than competent job with Eddie, particularly in the later scenes where he veers between arrogance and pathos. Kevin Spacey seemed uncomfortable with some aspects of the dialogue (i.e. "blah blah blah" etc.), but otherwise did his usual masterful job, in a role which raises the same questions that many of us would like to ask of him.
The role of Donna was, I felt, disfigured by the many cuts in the script--she is more of a victim than a wanton, IMHO--thus, the best thing I can say about Anna Paquin's performance is that she did well with what she was given. I had no strong objections to any of the other casting choices, except for Meg Ryan as Bonnie, who apparently cannot even play a stripper without resorting to her usual cutesy mannerisms.
FWIW, I liked the director's technical choice of "opening" the scenes by putting the conversations on cell phones, etc. However, I would have willingly sacrificed some of the added dialogue for some of the original lines that got cut. Final analysis: I thoroughly enjoyed this movie, and plan to buy it when it comes out on video,