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| Philip Baker Hall | ... | Sydney | |
| John C. Reilly | ... | John | |
| Gwyneth Paltrow | ... | Clementine | |
| Samuel L. Jackson | ... | Jimmy | |
| F. William Parker | ... | Hostage | |
| Philip Seymour Hoffman | ... | Young Craps Player (as Phillip Seymour Hoffman) | |
| Nathanael Cooper | ... | Restroom Attendant | |
| Wynn White | ... | Waitress | |
| Robert Ridgely | ... | Keno Bar Manager | |
| Kathleen Campbell | ... | Keno Girl | |
| Michael J. Rowe | ... | Pit Boss | |
| Peter D'Allesandro | ... | Bartender | |
| Steve Blane | ... | Stickman | |
| Xaleese | ... | Cocktail Waitress | |
| Melora Walters | ... | Jimmy's Girl | |
| Jean Langer | ... | Cashier | |
| Andy Breen | ... | Groom | |
| Renee Breen | ... | Bride | |
| Jane W. Brimmer | ... | Aladdin Cashier | |
| Mark Pinizza | ... | Desk Clerk | |
| Richard Gross | ... | Floorman | |
| Cliff Keeley | ... | Aladdin Change Booth Attendant | |
| Carrie McVey | ... | El Dorado Cashier | |
| Truman Robbins | ... | Pastor (voice) (as Pastor Truman Robbins) | |
| Ernie Anderson | ... | Pants on Fire Person | |
| Wendy Weidman | ... | Pants on Fire Person | |
| Jason 'Jake' Cross | ... | Pants on Fire Person |
Directed by | |||
| Paul Thomas Anderson | |||
Writing credits(in alphabetical order) | ||
| Paul Thomas Anderson | written by | |
Produced by | |||
| Hans Brockmann | .... | executive producer | |
| François Duplat | .... | executive producer | |
| Robert Jones | .... | producer | |
| Daniel Lupi | .... | co-producer | |
| John S. Lyons | .... | producer (as John Lyons) | |
| Helene Mulholland | .... | associate producer | |
| Keith Samples | .... | executive producer | |
Original Music by | |||
| Jon Brion | |||
| Michael Penn | |||
Cinematography by | |||
| Robert Elswit | (director of photography) | ||
Film Editing by | |||
| Barbara Tulliver | |||
Casting by | |||
| Christine Sheaks | |||
Production Design by | |||
| Nancy Deren | |||
Art Direction by | |||
| Michael Krantz | |||
Set Decoration by | |||
| David A. Koneff | |||
Costume Design by | |||
| Mark Bridges | |||
Makeup Department | |||
| Lydia Milars | .... | key hair stylist | |
| Lydia Milars | .... | key makeup artist | |
| Alyson Murphy | .... | key hair stylist | |
| Alyson Murphy | .... | key makeup artist | |
Production Management | |||
| Daniel P. Collins | .... | unit manager (as Dan Collins) | |
| Craig Markey | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Wayne Gee | .... | second second assistant director | |
| Rip Murray | .... | first assistant director | |
| Toni Whiteman | .... | second assistant director | |
Art Department | |||
| Anthony Bashford | .... | lead man | |
| Steve Brennan | .... | set dresser | |
| Lloyd Brown | .... | on-set dresser | |
| T.C. Chappelow | .... | set dresser | |
| Mark Cocucci | .... | carpenter | |
| Tony Cocucci | .... | carpenter | |
| Tim Cohn | .... | set dresser | |
| Bob Cryderman | .... | construction foreman | |
| Mark Harrington | .... | property master | |
| Emily Hull | .... | assistant props | |
| Rob Lorentzen | .... | carpenter | |
| Martin Milligan | .... | on-set dresser | |
| Scott James Sasz | .... | construction coordinator | |
| Min Siegel | .... | art department coordinator (as Min D. Siegel) | |
| Stella Starlight | .... | scenic artist | |
| Michael S. Stencil | .... | scenic artist (as Michael Scott Stencil) | |
| Paula Williams | .... | assistant to the designer | |
Sound Department | |||
| Todd Beckett | .... | foley recordist | |
| John Brasher | .... | sound re-recording mixer | |
| Susan Demskey | .... | assistant sound editor | |
| Diana Eljabri | .... | foley assistant | |
| Jim Eustace | .... | foley assistant | |
| Eric Hoeschen | .... | adr mixer | |
| Eric Hoeschen | .... | foley mixer | |
| Marty Hutcherson | .... | sound re-recording mixer | |
| Carlos Isais | .... | sound recordist | |
| Richard King | .... | sound designer | |
| Kevin Kubota | .... | boom operator | |
| Cailey Milito | .... | foley assistant | |
| Tim O'Connell | .... | foley recordist | |
| Jeffrey R. Payne | .... | sound editor (as Jeffrey R. Paine) | |
| Doug Reed | .... | foley artist | |
| John Sievert | .... | foley artist | |
| Casey Stone | .... | additional recording engineer | |
| Virginia Storey | .... | foley artist | |
| Mark Weingarten | .... | production sound mixer (as Mark Deren) | |
| Stephen Barden | .... | dialogue editor (uncredited) | |
| Paula Fairfield | .... | sound effects editor (uncredited) | |
| Daniel Pellerin | .... | sound re-recording mixer (uncredited) | |
Special Effects by | |||
| Lou Carlucci | .... | special effects: FTS EFX, Inc. | |
Stunts | |||
| Bobby Burns | .... | stunt double: Mr. Hall (as Bobby Andrew Burns) | |
| Cliff Cudney | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Mike Booth | .... | electrician | |
| Kelly Clear | .... | gaffer | |
| Jason 'Jake' Cross | .... | grip | |
| Martha Fay | .... | best boy electric | |
| James Irons | .... | best boy grip (as James "Crash" Irons) | |
| Bob Ivanjack | .... | dolly grip | |
| Scott Medcalf | .... | electrician | |
| Michael Melvin | .... | additional electrician | |
| Steven Mesner | .... | camera loader | |
| Sean Hunter Moe | .... | second assistant camera | |
| Alan Parr | .... | dolly grip (as Al Parr) | |
| Stephen Pizzo | .... | additional electrician (as Stephen G. Pizzo) | |
| Michael G. Riba | .... | first assistant camera (as Michael Riba) | |
| Andy Shuttleworth | .... | steadicam operator | |
| David W. Slodki | .... | electrician (as David Slodki) | |
| Tim Soronen | .... | grip (as Tim 'Stuffy' Soronen) | |
| Rick Stribling | .... | key grip | |
| Nathan Sweet | .... | additional grip | |
| Mark Tillie | .... | still photographer | |
| Arthur D. Whitehead | .... | electrician (as Art Whitehead) | |
| Nersi Elahi | .... | grip electric (uncredited) | |
Casting Department | |||
| Marjorie Noble | .... | location casting (uncredited) | |
Costume and Wardrobe Department | |||
| Kathleen Huggans | .... | wardrobe supervisor | |
| Linda J. McCarthy | .... | assistant costume designer (as Linda McCarthy) | |
Editorial Department | |||
| Lin Coleman | .... | first assistant editor | |
| Phil Hetos | .... | color timer | |
| Lenge Hong | .... | assistant editor | |
| Fred Raskin | .... | post-production assistant | |
| Theresa Repola Mohammed | .... | negative cutter | |
| Stephen M. Rickert Jr. | .... | assistant editor (as Steve Rickert) | |
| Joan Sobel | .... | post-production assistant | |
| Dylan Tichenor | .... | post-production coordinator | |
Music Department | |||
| Rick Baptist | .... | musician: trumpet | |
| Stephen Fitzmaurice | .... | musician: alto horn (as Steve Fitzmaurice) | |
| Brian Foraker | .... | music mixer | |
| Brian Foraker | .... | music recordist | |
| Glen Hollman | .... | musician: upright bass | |
| Patrick Warren | .... | musician: chamberlin and keyboards | |
Transportation Department | |||
| Al Boone | .... | transportation captain | |
| Mike Clark | .... | driver (as Michael Clark) | |
| Geno Hart | .... | transportation coordinator | |
| Glenn Knowlton | .... | transportation co-captain | |
| Glen McRaven | .... | driver | |
| Ron Pope | .... | transportation office contact | |
| Jerry Snaiczuk | .... | additional driver (as Jerry Snajczuk) | |
| Chris Waldoch | .... | transportation co-captain (as Christopher Waldock) | |
| Brian Apt | .... | transportation office (uncredited) | |
Thanks | |||
| Amanda Anderson | .... | special thanks | |
| Ernie Anderson | .... | special thanks | |
| Joe Ball | .... | special thanks | |
| Stanley DeSantis | .... | very special thanks | |
| Alison Dickey | .... | special thanks (as Allison Dickey) | |
| Robert Downey Sr. | .... | special thanks: a prince | |
| Scott Frank | .... | special thanks | |
| Martin Gage | .... | special thanks | |
| Billy Gottlieb | .... | special thanks | |
| Todd Graff | .... | special thanks | |
| Carla Hacken | .... | special thanks | |
| Mark Halloran | .... | special thanks | |
| Robert Harvey | .... | special thanks (as Bob Harvey) | |
| Robin Holabird | .... | special thanks | |
| Perri Kipperman | .... | special thanks | |
| Rick Kurtzman | .... | special thanks | |
| Richard LaGravenese | .... | special thanks | |
| Michael Lazo | .... | special thanks | |
| John Lesher | .... | special thanks | |
| Lloyd Levin | .... | special thanks | |
| Kevin O'Shea | .... | special thanks | |
| Jarre Payne | .... | special thanks | |
| Richard Pryor | .... | special thanks | |
| Karyn Rachtman | .... | special thanks | |
| Michelle Satter | .... | special thanks | |
| Stacey Sher | .... | special thanks (as Stacy Sher) | |
| Andy Slater | .... | special thanks | |
| Leonard Torgan | .... | special thanks | |
| Barbara Tulliver | .... | extra special thanks: slavish devotion, support and guidance | |
| Steve Van Anda | .... | special thanks | |
| Wendy Weidman | .... | special thanks | |
| Joyce Wolfe | .... | special thanks | |
| Jeremy Zimmer | .... | special thanks | |
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| The Cooler | Kill Me Again | Fargo | Indecent Proposal | On Her Majesty's Secret Service |
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| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb USA section | Add this title to MyMovies |
Caught it last night on Belgian TV. A little gem. An old guy, superbly played by Baker Hall, trying to relive his youth by helping two young losers (O'Reilly and Paltrow) get their lives back together. Of course they'll never make it: once a loser, always a loser. But Sydney still has to try. The claustrophobic, rip-off world of casinos, anonymous 'luxury' hotels, sleazy motels, is superbly portrayed. Surely, after watching this film, nobody would ever want to visit Vegas. Paltrow is brilliant as the whore with zero self-esteem, ready to destroy her chance of a new start for the sake of 300 bucks; money is the only way of validating her self-destructive promiscuity. Samuel Jackson swaggers through the role of Satan as if born to it. The only jarring note, preventing this one getting a 9/10, is the stuff about Sydney wanting to atone for shooting the young guy's father. This feels like it was written in as an afterthought, by some dumb studio exec who'd missed the film's whole point: 'The tragedy of youth is old age' (Oscar Wilde).