| Photos (see all 8 | slideshow) | Videos |
| Jacob Sewell | ... | Bunny Boy | |
| Nick Sutton | ... | Tummler | |
| Lara Tosh | ... | Girl in Car | |
| Jacob Reynolds | ... | Solomon | |
| Darby Dougherty | ... | Darby | |
| Chloë Sevigny | ... | Dot (as Chloe Sevigny) | |
| Carisa Glucksman | ... | Helen | |
| Jason Guzak | ... | Skinhead #1 | |
| Casey Guzak | ... | Skinhead #2 | |
| Wendall Carr | ... | Huntz | |
| James Lawhorn | ... | Cowboy #1 | |
| James Glass | ... | Cowboy #2 | |
| Ellen M. Smith | ... | Ellen | |
| Charles Matthew Coatney | ... | Eddie | |
| Harmony Korine | ... | Boy on Couch | |
| Bryant L. Crenshaw | ... | Midget | |
| Daniel Martin | ... | Jarrod | |
| Nathan Rutherford | ... | Karl | |
| Max Perlich | ... | Cole | |
| Bernadette Resha | ... | Cassidey | |
| Linda Manz | ... | Solomon's Mother | |
| Donna Brewster | ... | Albino Woman | |
| James David Glass | ... | Tummler's Father | |
| Mark Gonzales | ... | Chair Wrestler | |
| Berniece M. Duvall | ... | Grandmother (as Berniece N. Duvall) | |
| Kristi Faye Randolph | ... | Deaf Woman | |
| William Dickinson | ... | Deaf Man | |
| Bill Evans | ... | Bald Guy | |
| Jeffery Baker | ... | Terry | |
| James Baker | ... | Phelipo | |
| Rose Shephard | ... | Woman in Bed |
Directed by | |||
| Harmony Korine | |||
Writing credits | ||
| Harmony Korine | (written by) | |
Produced by | |||
| Stephen Chin | .... | executive producer | |
| Scott Macaulay | .... | co-producer | |
| Robin O'Hara | .... | co-producer | |
| Ruth Vitale | .... | executive producer | |
| Cary Woods | .... | producer | |
Cinematography by | |||
| Jean-Yves Escoffier | |||
Film Editing by | |||
| Christopher Tellefsen | |||
Casting by | |||
| Lyn Richmond | |||
Production Design by | |||
| David Doernberg | |||
Art Direction by | |||
| Amy Beth Silver | |||
Set Decoration by | |||
| Amy Beth Silver | |||
Costume Design by | |||
| Chloë Sevigny | |||
Makeup Department | |||
| Mia Thoen | .... | makeup artist | |
Production Management | |||
| Kelly MacManus | .... | executive in charge of production | |
| Lisa Rosenstein | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Angelique Bones | .... | second assistant director | |
| James Clauer | .... | second unit director | |
| Randy Fletcher | .... | first assistant director | |
Art Department | |||
| George E. Boyd | .... | carpenter | |
| Anthony Gasparro | .... | property master | |
| Macon Murphree | .... | assistant props | |
| Robert Owen | .... | carpenter | |
| George R. Rabasca | .... | carpenter | |
| Andrea Stanley | .... | assistant art director | |
Sound Department | |||
| Steve Borne | .... | sound designer | |
| Bradford L. Hohle | .... | sound engineer: Dolby | |
| Leo Madrazo | .... | foley artist | |
| Brian Miksis | .... | sound mixer | |
| Branka Mrkic | .... | dialogue editor | |
| Aaron J. Rudelson | .... | boom operator (as Aaron Rudelson) | |
| Reilly Steele | .... | sound re-recording mixer | |
| Melissa Zaroff | .... | sound editor | |
Camera and Electrical Department | |||
| Bruce Birmelin | .... | still photographer | |
| Brian 'Buzz' Buzzelli | .... | best boy grip (as Brian Buzzelli) | |
| Geb Byers | .... | first assistant camera: 24 frame video | |
| Suzanne Carter | .... | gaffer | |
| Howard Davidson | .... | grip: 24 frame video | |
| Christopher Di Croce | .... | company grip | |
| Luke Eder | .... | additional assistant camera | |
| Randall Falcon | .... | camera loader | |
| Jay Feather | .... | additional assistant camera | |
| Dave Fortino | .... | dolly grip (as David Fortino) | |
| Jacques Jouffret | .... | Steadicam operator | |
| Dean Mathers | .... | assistant key grip | |
| Michelle McKinley | .... | first assistant camera | |
| Dee Nichols | .... | key grip | |
| Heather Norton | .... | second assistant camera: 24 frame video | |
| Thomas Ostrowski | .... | gaffer: 24 frame video | |
| Nathan Wilson | .... | second assistant camera | |
Casting Department | |||
| Nicole Hennessey | .... | casting associate | |
Editorial Department | |||
| April Blair | .... | post-production assistant | |
| Rodney Evans | .... | assistant editor | |
| Chris Hinton | .... | colorist | |
| Brent Kaviar | .... | post-production services | |
| Sara King | .... | executive in charge of post-production | |
| Fabian Marquez | .... | post-production coordinator | |
| Craig Marsden | .... | assistant film editor | |
| Misako Shimizu | .... | first assistant editor | |
Music Department | |||
| Anne Kugler | .... | music consultant | |
| Christopher S. Parker | .... | music clearance | |
| Randall Poster | .... | music supervisor | |
| Robin Urdang | .... | music coordinator | |
Transportation Department | |||
| Steve T. Goforth | .... | transportation coordinator | |
Other crew | |||
| Joshua Balog | .... | production assistant | |
| Claire Best | .... | production executive | |
| Sean Casey | .... | production assistant | |
| Catherine Choi | .... | assistant: Independent Picture | |
| James Clauer | .... | location manager | |
| Alex David | .... | assistant office coordinator: New York (as Alexander David) | |
| Joshua Elrod | .... | production assistant | |
| Lyle Gamm | .... | production assistant | |
| Elizabeth Heeden | .... | film conformist | |
| Michael Johnson | .... | production auditor | |
| Molly Johnson | .... | assistant: Independent Picture | |
| Ernie Karpeles | .... | animal coordinator | |
| Jeff Kohr | .... | production assistant | |
| James A. McCann II | .... | assistant production office coordinator | |
| Tanoa Parks | .... | location auditor | |
| Monika Petrillo | .... | script supervisor (as Monika von Manteuffel) | |
| Alec Raffin | .... | assistant: Independent Picture | |
| Lizzie Schwartz | .... | assistant: Independent Picture (as Elizabeth Schwartz) | |
| Craig Seti | .... | video dailies supervisor: Magno Video | |
| Joshua Michael Stevens | .... | production assistant (as Joshua Stevens) | |
| Tiffany Thomas | .... | production assistant | |
| Joe Violante | .... | dailies supervisor: Technicolor | |
| Cordelia Wheelock | .... | assistant locations | |
| Heidi Winston | .... | production coordinator | |
Thanks | |||
| Liz Manne | .... | special thanks | |
| Burt Reynolds | .... | special thanks | |
| Recent Posts (updated daily) | User |
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| Why did you decide to watch Gummo? | jacob_sigo |
| DVD Question | mysteriousbluebox |
| Bunny Boy = Christ? | JacobEsau |
| The argument | mojo_60s |
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I will admit that the reason I rented this movie was because of the numerous reviews that I read about how unbelievably bad and pointless this film was. It only took me a few minutes to realize why so many critics hated it, which was the very reason I liked this film.
Gummo is a classic case of style over substance. If you're looking for plot development, you'd better go rent Good Will Hunting or something like that. But if you want to see a movie that is cutting-edge and well ahead of its time, then rent this one. I praise the director for simply doing something different.
What impressed me the most about this film was the framing of one memorable image after another. I think Director Korine was trying to leave people with impressions and feelings. Whether you like this film or not, its impossible to forget. Plus, this film has what I think is one of the greatest lines in recent movie history. A little girl, holding a picture of Burt Reynolds with the mouth ripped out, chants incessantly, "I want a moustache, dammit!"
This movie is worth the three bucks to rent it if nothing more than to see the scene where a fat redneck takes out his aggression on a kitchen chair while his friends cheer him on. It's more frightening than anything in the Scream series.