Gummo (1997)

Director:

Harmony Korine

Writer:

Harmony Korine (written by)

Release Date:

17 October 1997 (USA)

Genre:

Drama

Tagline:

Prepare to visit a town you'd never want to call home.

Plot:

Lonely residents of a tornado-stricken Ohio town wander the deserted landscape trying to fulfill their boring, nihilistic lives.

Plot Keywords:

Teenager Nudity | Ensemble Film | Anti Social | Tennis | Nonlinear Timeline

Awards:

4 wins & 2 nominations

Cast

Jacob Reynolds	...	Solomon
Nick Sutton	...	Tummler
Lara Tosh	...	Girl in Car
Jacob Sewell	...	Bunny Boy
Darby Dougherty	...	Darby
Chloë Sevigny	...	Dot
Carisa Glucksman	...	Helen
Jason Guzak	...	Skinhead #1
Casey Guzak	...	Skinhead #2
Wendall Carr	...	Huntz
James Lawhorn	...	Cowboy #1
James Glass	...	Cowboy #2
Ellen M. Smith	...	Ellen
Charles Matthew Coatney	...	Eddie
Harmony Korine	...	Boy on Couch
Bryant L. Crenshaw	...	Midget
Daniel Martin	...	Jarrod
Nathan Rutherford	...	Earl
Max Perlich	...	Cole
Bernadette Resna	...	Cassiday
Linda Manz	...	Solomon's Mom
Donna Brewster	...	Albino Woman
James David Glass	...	Tummler's Father
Mark Gonzales	...	Chair Wrestler
Berniece M. Duvall	...	Grandmother
Kristi Faye Randolph	...	Deaf Woman
William Dickinson	...	Deaf Man
Bill Evans	...	Bald Guy
Jeffery Baker	...	Terry
James Baker	...	Phelipe
Rose Shephard	...	Woman in Bed

Directed by
Harmony Korine

Writing credits
Harmony Korine		(written by)

Produced by
Stephen Chin	....	executive producer
James Clauer	....	associate producer
Scott Macaulay	....	co-producer
Robin O'Hara	....	co-producer
Ruth Vitale	....	executive producer
Cary Woods	....	producer

Cinematography by
James Clauer
Jean-Yves Escoffier

Film Editing by
Christopher Tellefsen

Casting by
Lyn Richmond

Production Design by
David Doernberg

Art Direction by
Amy Beth Silver

Set Decoration by
Amy Beth Silver

Costume Design by
Chloë Sevigny

Makeup Department
Mia Thoen	....	makeup artist

Production Management
Kelly MacManus	....	executive in charge of production
Lisa Rosenstein	....	unit manager

Second Unit Director or Assistant Director
Angelique Bones	....	second assistant director
James Clauer	....	second unit director

Art Department
George E. Boyd	....	carpenter
Anthony Gasparro	....	property master
Macon Murphree	....	assistant props
Robert Owen	....	carpenter
George R. Rabasca	....	carpenter
Andrea Stanley	....	assistant art director

Sound Department
Steve Borne	....	sound designer
Bradford L. Hohle	....	sound engineer: Dolby
Leo Madrazo	....	foley artist
Brian Miksis	....	sound mixer
Branka Mrkic	....	dialogue editor
Aaron J. Rudelson	....	boom operator (as Aaron Rudelson)
Reilly Steele	....	sound re-recording mixer
Melissa Zaroff	....	sound editor

Camera and Electrical Department
Bruce Birmelin	....	still photographer
Brian 'Buzz' Buzzelli	....	best boy grip (as Brian Buzzelli)
Geb Byers	....	first assistant camera: 24 frame video
Suzanne Carter	....	gaffer
Howard Davidson	....	grip: 24 frame video
Christopher Di Croce	....	company grip
Luke Eder	....	additional assistant camera
Randall Falcon	....	camera loader
Jay Feather	....	additional assistant camera
Dave Fortino	....	dolly grip (as David Fortino)
Jacques Jouffret	....	steadicam operator
Dean Mathers	....	assistant key grip
Michelle McKinley	....	first assistant camera
Dee Nichols	....	key grip
Heather Norton	....	second assistant camera: 24 frame video
Thomas Ostrowski	....	gaffer: 24 frame video
Nathan Wilson	....	second assistant camera

Casting Department
Nicole Hennessey	....	casting associate

Editorial Department
April Blair	....	post-production assistant
Rodney Evans	....	assistant editor
Chris Hinton	....	colorist
Brent Kaviar	....	post-production services
Sara King	....	executive in charge of post-production
Fabian Marquez	....	post-production coordinator
Craig Marsden	....	assistant film editor
Misako Shimizu	....	first assistant editor

Music Department
Roger Beaujard	....	composer: song "Skin Peeler"
Juan Brujo	....	composer: song "Matando Gueros"
Steve Dale	....	composer: song "Serving Time in The Middle of Nowhere"
Anne Kugler	....	music consultant
Christopher S. Parker	....	music clearance
Randall Poster	....	music supervisor
Quorthon	....	composer: song "Equimanthorn"
Will Rahmer	....	composer: song "Skin Peeler"
Robin Urdang	....	music coordinator
Varg Vikernes	....	composer: song "Rundgang um die Transzendentale Säule der Singularität"

Transportation Department
Steve T. Goforth	....	transportation coordinator

Other crew
Joshua Balog	....	production assistant
Claire Best	....	production executive
Sean Casey	....	production assistant
Catherine Choi	....	assistant: Independent Picture
James Clauer	....	location manager
Alex David	....	assistant office coordinator: New York (as Alexander David)
Joshua Elrod	....	production assistant
Lyle Gamm	....	production assistant
Elizabeth Heeden	....	film conformist
Michael Johnson	....	production auditor
Molly Johnson	....	assistant: Independent Picture
Ernie Karpeles	....	animal coordinator
Jeff Kohr	....	production assistant
James A. McCann II	....	assistant production office coordinator
Tanoa Parks	....	location auditor
Monika Petrillo	....	script supervisor (as Monika von Manteuffel)
Alec Raffin	....	assistant: Independent Picture
Lizzie Schwartz	....	assistant: Independent Picture (as Elizabeth Schwartz)
Craig Seti	....	video dailies supervisor: Magno Video
Joshua Michael Stevens	....	production assistant (as Joshua Stevens)
Tiffany Thomas	....	production assistant
Joe Violante	....	dailies supervisor: Technicolor
Cordelia Wheelock	....	assistant locations
Heidi Winston	....	production coordinator

Thanks
Liz Manne	....	special thanks
Burt Reynolds	....	special thanks

Production Companies

• Fine Line Features
• Independent Pictures (II)

Distributors

• Fine Line Features (1997) (USA) (theatrical)
• Cable Hogue Co. (1998) (Japan) (theatrical)
• Lolistar (France)
• Líder Films (Spain)
• Prisvídeo (Portugal)

Other Companies

• Armanda Costanza  cameras supplied by
• Clairmont Camera  cameras supplied by
• DR&A  grip and lighting equipment
• Epstein, Levinsohn, Bodine, Hurwitz & Weinstein  legal services
• Forensic Films  editorial services
• J.G. Films  negative cutting
• Magno Video  kinescope
• Music City Casting  casting associate
• Navesync  24-frame video
• Planet 10 Post  post-production sound services
• REI Media Group  titles and opticals
• Sound One Corporation  re-recording mixing

MPAA:

Rated R for pervasive depiction of anti-social behavior of juveniles,including violence, substance abuse,sexuality and language.

Runtime:

89 min

Country:

USA

Language:

English

Color:

Color (DeLuxe)

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital

Certification:

Germany:16 | Portugal:M/16 | Iceland:16 | New Zealand:R18 | Canada:R (Manitoba) | Canada:14A (British Columbia) | Canada:16+ (Québec) | Canada:18A (Alberta) | Canada:AA (Ontario) | Australia:R | France:-16 | Japan:PG-12 | Spain:18 | UK:18 | USA:NC-17 (original rating) | USA:R (edited for re-rating)

Filming Locations:

Nashville, Tennessee, USA

Company:

Fine Line Features

Trivia:

Footage scattered all over the film was shot by local residents and Harmony Korine, during pre-production and location scouting.

Goofs:

Continuity: The kid sitting next to Jared Wiggley's arm and head change positions between shots.

Quotes:

[first lines]
Solomon: [voiceover] Xenia, Ohio. Xenia, Ohio. A few years ago, a tornado hit this place. It killed the people, left and right. Dogs died. Cats died. Houses were split open, and you could see necklaces hanging from branches of trees. People's legs and neck bones were sticking out...

Movie Connections:

Featured in Beautiful Losers (2008)

Soundtrack:

Crying

Startling

Set in Xenia, Ohio, Gummo feels like a deliberate riposte to Hollywood by its creator, Harmony Korine, whose penchant for subversion was already evident in his screen writing debut for Larry Clark's Kids (1995). Eschewing linear narrative, Korine explores, through the use of vignettes and bizarre episodes, the cat-killing escapades of its two protagonists and weaves this quest around a set of unrelated but bizarre events taking place in Xenia. There is no sense of a story, only a mood, and that mood fluctuates wildly from revulsion to surprise. By giving voice to those marginalized from society, Korine paints a startling portrait of landlocked America, one at odds with the Hollywood cliché of its inhabitants. There are many unforgettable scenes and yet it's not an enjoyable film, but it challenges, provokes and pushes the margins - and that in itself is worthy.