Face/Off (1997)

User Rating:

7.2/10   

Director:

John Woo

Writers (WGA):

Mike Werb (written by) &
Michael Colleary (written by)

Release Date:

27 June 1997 (USA)

Genre:

Action | Crime | Sci-Fi | Thriller

Tagline:

In order to catch him, he must become him.

Plot:

A revolutionary medical technique allows an undercover agent to take the physical appearance of a major criminal and infiltrate his organization.

Plot Keywords:

Terrorist | Bomb | Prison | Undercover | Identity

Awards:

Nominated for Oscar. Another 8 wins & 18 nominations

Cast

John Travolta	...	Sean Archer / Castor Troy
Nicolas Cage	...	Castor Troy / Sean Archer
Joan Allen	...	Dr. Eve Archer
Alessandro Nivola	...	Pollux Troy
Gina Gershon	...	Sasha Hassler
Dominique Swain	...	Jamie Archer
Nick Cassavetes	...	Dietrich Hassler
Harve Presnell	...	Victor Lazarro
Colm Feore	...	Dr. Malcolm Walsh
John Carroll Lynch	...	Walton, Prison Guard
CCH Pounder	...	Dr. Holllis Miller
Robert Wisdom	...	Tito Biondi
Margaret Cho	...	Wanda
James Denton	...	Buzz (as Jamie Denton)
Matt Ross	...	Loomis

Also Known As:

Face Off (USA) (alternative spelling)

MPAA:

Rated R for intense sequences of strong violence, and for strong language.

Runtime:

138 min

Country:

USA

Language:

English | Latin

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

DTS | Dolby Digital

Certification:

USA:R (certificate #34954) | Australia:M (TV rating) | Germany:16 | Finland:K-15 (DVD version) | UK:18 (re-rating) (uncut) (2004) | South Korea:15 (video rating) (cut) | South Korea:18 (original rating) | Philippines:R-18 | Malaysia:18SG | Brazil:14 | India:A (cinema release) | Argentina:16 | Australia:MA | Austria:16 | Belgium:KNT | Canada:18A | Chile:14 | Denmark:15 | Finland:K-16 | France:-12 | Iceland:16 | Italy:VM14 | Netherlands:16 | New Zealand:R18 | Norway:18 | Portugal:M/16 | Singapore:PG | Spain:18 | Sweden:15 | Switzerland:16 | UK:18 (cut)

Filming Locations:

Agoura Hills, California, USA

Company:

Touchstone Pictures

Trivia:

Director Trademark: [John Woo] [back to back banter]Sean vs. Castor with an obstacle between them throwing around a few comments before the "showdown."

Goofs:

Revealing mistakes: A tether attached to Sean Archer can be seen, preventing him from falling through the skylight during the FBI raid/shootout scene in the apartment.

Quotes:

Dietrich: Hey Sean, how's your dead son?

Movie Connections:

Referenced in "The Simpsons: Faith Off (#11.11)" (2000)

Soundtrack:

Christiansands

Woo's US breakthrough: A triumph!

FACE/OFF

Aspect ratio: 2.39:1 (Panavision)

Sound formats: Dolby Digital / DTS

This magnificent thriller represents director John Woo's triumphant return to the kind of hyperkinetic, emotionally charged film-making which made him such a hot property in the first place. Following the artistic bankruptcy of his first two Hollywood projects, this one is a marriage of high-octane movie-making and mind-twisting narrative complexities. It's also one of the few American action movies which manages to strike a balance between crowd-pleasing set-pieces and domestic interludes, and renders them equally important. John Travolta and Nicolas Cage are perfectly matched as hero/villain (and vice versa!), whilst heavyweight theatre actress Joan Allen provides the narrative with much of its dramatic backbone in the role of Travolta's wife (the scene in which she is first confronted with her husband in Cage's body is almost identical to a similar scene in Terence Fisher's FRANKENSTEIN MUST BE DESTROYED [1969]).

Technically, the film is a blast, and Woo stages the action highlights with a visual grace and dexterity that is often breathtaking to behold. The climactic speedboat battle is probably the finest set-piece of Woo's career to date, and the script is overflowing with visual and thematic ironies that underscore the action highlights. In fact, the production has arguably more dramatic resonance than any other Hollywood blockbuster of the 1990s, but the dictates of American commercialism mean that Woo is only able to skate over the emotional surface of his characters and their moral dilemmas. The two main protagonists are much too cold and heartless to fully engage the audience's sympathies, and there's nothing here that matches the scorching human drama of, say, BULLET IN THE HEAD (1990). But for all that, FACE/OFF dares to go deeper than your average Hollywood action picture. It's clever, witty and thrilling, and it manages to accomplish the difficult task of feeding the brain whilst entertaining the eye.