| Photos (see all 52 | slideshow) | Videos (see all 5 NEW) |
| Laurence Fishburne | ... | Captain Miller | |
| Sam Neill | ... | Dr. William Weir | |
| Kathleen Quinlan | ... | Peters, Med Tech | |
| Joely Richardson | ... | Lt. Starck | |
| Richard T. Jones | ... | Cooper | |
| Jack Noseworthy | ... | Justin | |
| Jason Isaacs | ... | D.J. | |
| Sean Pertwee | ... | Smith | |
| Peter Marinker | ... | Captain John Kilpack | |
| Holley Chant | ... | Claire | |
| Barclay Wright | ... | Denny Peters | |
| Noah Huntley | ... | Burning Man / Edward Corrick | |
| Robert Jezek | ... | Rescue 1 Technician | |
| rest of cast listed alphabetically: | |||
| Emily Booth | ... | Girl on monitor (uncredited) | |
| Teresa May | ... | Vanessa (uncredited) | |
Directed by | |||
| Paul W.S. Anderson | (as Paul Anderson) | ||
Writing credits(WGA) | ||
| Philip Eisner | (written by) | |
Produced by | |||
| Jeremy Bolt | .... | producer | |
| Nick Gillott | .... | executive producer | |
| Lawrence Gordon | .... | producer | |
| Sarah Isherwood | .... | assistant producer | |
| Lloyd Levin | .... | producer | |
Original Music by | |||
| Michael Kamen | |||
Cinematography by | |||
| Adrian Biddle | |||
Film Editing by | |||
| Martin Hunter | |||
Casting by | |||
| Alex Wald | (as Alex Rosenberg) | ||
Production Design by | |||
| Joseph Bennett | |||
Art Direction by | |||
| David Allday | |||
| Philip Elton | |||
| Mark Harris | |||
| Michael Lamont | |||
| Simon Lamont | |||
| Giles Masters | |||
| Malcolm Middleton | (supervising art director) | ||
| Tony Reading | (as Anthony Reading) | ||
Set Decoration by | |||
| Crispian Sallis | |||
Costume Design by | |||
| John Mollo | |||
Production Management | |||
| Dusty Symonds | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Paddy Carpenter | .... | first assistant director: second unit | |
| Charlotte Cinalli | .... | assistant director | |
| Patrick Clayton | .... | first assistant director | |
| Sean Clayton | .... | second second assistant director | |
| Sallie Anne Hard | .... | dailies assistant director | |
| Guy Heeley | .... | second assistant director: second unit | |
| Simon Hinkly | .... | first assistant director: additional unit | |
| Vadim Jean | .... | additional unit director | |
| Mike Proudfoot | .... | additional unit director | |
| Jim Simpson | .... | assistant director | |
| Adam Somner | .... | second assistant director: additional unit | |
| Michael Stevenson | .... | second assistant director | |
| Robin Vidgeon | .... | additional unit director | |
Art Department | |||
| Alastair Bullock | .... | art department assistant | |
| Richard K. Buoen | .... | storyboard artist | |
| Julian Caldow | .... | concept illustrator | |
| Jim Cornish | .... | storyboard artist | |
| Robert Cowper | .... | concept artist | |
| Mark Fruin | .... | chargehand stand-by propman | |
| Gary Gleeson | .... | supervising painter | |
| Sarah Horton | .... | set designer | |
| Robert Jackson | .... | carpenter | |
| Carol Kupisz | .... | graphic designer | |
| Dominic Lavery | .... | concept artist | |
| Harry Metcalfe | .... | construction coordinator | |
| Tony Rimmington | .... | draughtsman | |
| Peter Mitchell Rubin | .... | conceptual artist | |
| Daniel Slavin | .... | conceptual artist | |
| Lucinda Sturgis | .... | property buyer | |
| Lucinda Thomson | .... | junior draughtsman | |
| Sara-Jane Valentine | .... | art department coordinator | |
| Lloyd Vincent | .... | props | |
| Arthur Wicks | .... | property master | |
| Shelli Woodall | .... | model maker | |
| Stuart Kearns | .... | model maker (uncredited) | |
| Peter Mann | .... | constructor (uncredited) | |
| Colin Thurston | .... | dressing prop (uncredited) | |
| David Warren | .... | draftsman (uncredited) | |
Visual Effects by | |||
| Justine Adlington | .... | modeler | |
| Steven B. Allen | .... | key model maker: Mass. Illusions | |
| Dave Allum | .... | modeler (as David Allum) | |
| Colin Alway | .... | digital artist: Cinesite Europe | |
| Alan Andrews | .... | modeler | |
| Darren Andrews | .... | modeler | |
| Jim Barr | .... | modeler | |
| Keith Barton | .... | computer systems: Cinesite | |
| Alex Bicknell | .... | senior digital effects producer: Cinesite Europe | |
| Maureen Blume | .... | production coordinator: Mass. Illusions | |
| Brent Boates | .... | art director | |
| Andy Bowman | .... | motion control technician | |
| Colin Brown | .... | visual effects executive producer: Cinesite Europe | |
| Nathalie Buce | .... | 3D artist: Cinesite | |
| Sonia Calvert | .... | digital compositor: Cinesite | |
| Chas Cash | .... | 3D animator: Cinesite Europe (as Charles Cash) | |
| Jason Chalmers | .... | modeler | |
| Craig Chamberlain | .... | physical effects coordinator: Mass. Illusions | |
| Eric Chamberlain | .... | physical effects supervisor: Mass. Illusions | |
| Dave Child | .... | CG animator: Cinesite Europe | |
| Colin Childs | .... | modeler | |
| Sally Clayton | .... | digital artist | |
| Paul Clemente | .... | key model maker: Mass. Illusions | |
| Pat Conran | .... | CG technical supervisor: Cinesite Europe | |
| Paul Conway | .... | digital artist: Cinesite Europe | |
| Ken Dailey | .... | digital effects coordinator | |
| Matthew D'Angibau | .... | motion control assistant | |
| Alexandra Day | .... | visual effects assistant | |
| Lee Deary | .... | modeler | |
| Tom Debenham | .... | digital effects designer: CFC | |
| George Duffield | .... | visual effects assistant: model unit | |
| Catherine Duncan | .... | digital effects production coordinator: Cinesite Europe | |
| Paddy Eason | .... | digital effects designer: CFC | |
| Sander Ellers | .... | modeler | |
| Paul Elman | .... | assistant visual effects editor | |
| Simon Eves | .... | research and development: Cinesite | |
| Lisa Fisher | .... | visual effects producer: Mass. Illusions | |
| Rhun Francis | .... | visual effects assistant: model unit | |
| Martin Gabriel | .... | visual effects coordinator: Cinesite | |
| Frank Gallego | .... | key model maker: Mass. Illusions | |
| William Gallego | .... | key model maker: Mass. Illusions | |
| Mark Gardiner | .... | motion control camera operator | |
| Steve Garrad | .... | scanning and recording: Cinesite | |
| Chris Gibbons | .... | digital compositor: Cinesite | |
| Kevin Gilmartin | .... | modeler | |
| Dan Glass | .... | visual effects designer: CFC | |
| Mark Gooderidge | .... | modeler | |
| Ben Hall | .... | modeler | |
| Tamzine Hanks | .... | modeler | |
| Pete Hanson | .... | studio manager: CFC | |
| Mark Harrison | .... | first assistant director: visual unit | |
| Ed Hawkins | .... | sequence supervisor | |
| David Hilton | .... | motion control assistant | |
| Peter Seymour Howell | .... | modeler (as Peter Seymour-Howell) | |
| Chris 'Flimsy' Howes | .... | modeler (as Chris 'Flimzy' Howes) | |
| Lubo Hristov | .... | supervising animator: Cinesite Europe (as Lubo Christov) | |
| Antony Hunt | .... | executive producer: The Magic Camera Company | |
| Joel Hynek | .... | miniature visual effects supervisor: Mass. Illusions | |
| Oliver James | .... | research and development | |
| Matt Johnson | .... | digital composite sequence supervisor | |
| Tracy Jordan | .... | modeler | |
| Duncan Kinnaird | .... | electronic modeller | |
| Duncan Kinnaird | .... | modeler | |
| Tad Krzanowski | .... | special model effects supervisor | |
| Sharon Lark | .... | visual effects pre-production producer: Cinesite Europe | |
| Kim Libreri | .... | digital effects supervisor | |
| Peter Lindstrom | .... | electronics engineer: Mass. Illusions | |
| Jim Machin | .... | modeler | |
| David Mann | .... | digital artist: Cinesite Europe | |
| Sarah Marchant | .... | digital effects artist: title sequence | |
| Stuart McAra | .... | visual effects producer | |
| Kevin McGowan | .... | 3D animator: Cinesite Europe | |
| Matt Merkovich | .... | digital artist | |
| Ed Miarecki | .... | key model maker: Mass. Illusions | |
| Rick Mietkowski | .... | model unit motion control operator | |
| Michele Moen | .... | matte painter: model unit (as Michelle Moen) | |
| Greg Morgan | .... | modeler | |
| Karl Morgan | .... | motion control first assistant photographer | |
| Stephen Murphy | .... | CG animator: CFC | |
| Stephen Murphy | .... | digital effects designer | |
| Jonathan Neill | .... | digital artist: Cinesite Europe | |
| Jonathan Neill | .... | digital compositor: Cinesite | |
| Mark Nelmes | .... | senior digital effects designer: CFC | |
| Mark Nettleton | .... | sequence supervisor | |
| Clare Norman | .... | line-up and editorial | |
| David Núñez | .... | key mechanical effects: Mass. Illusions | |
| Alison O'Brien | .... | senior visual effects producer: CFC | |
| Dominic Parker | .... | digital effects designer | |
| Dominic Parker | .... | senior CG animator: CFC | |
| Diane Pearlman | .... | miniature visual effects executive producer: Mass. Illusions | |
| Stuart Pearson | .... | film scanning and recording | |
| Cristin Pescosolido | .... | motion tracking supervisor | |
| Kevin Phelan | .... | scanning and recording producer: "Visions of Hell" sequence, CFC | |
| Ed Plant | .... | modeler (as Edward Plant) | |
| Jonathan Privett | .... | CG animator: Cinesite Europe | |
| Jonathan Privett | .... | digital effects artist | |
| Tim Quarman | .... | digital input: CFC | |
| Liz Ragland | .... | modeler | |
| David Relfe | .... | modeler | |
| Nick Richens | .... | modeler | |
| Rinaldo Rivera | .... | key model maker: Mass. Illusions | |
| Sandra Roach | .... | digital effects designer: CFC | |
| Barnaby Robson | .... | digital compositor | |
| Joseph Ross | .... | prosthetics coordinator | |
| Paul Round | .... | Inferno artist | |
| Sue Rowe | .... | digital composite sequence supervisor: Cinesite | |
| John Schoonraad | .... | visual effects | |
| David B. Sharp | .... | miniature effects supervisor | |
| Terry Shigemitsu | .... | digital artist | |
| Mark Shoaf | .... | digital artist | |
| Robin Skinner | .... | visual effects assistant: model unit | |
| James Spieler | .... | key model maker: Mass. Illusions | |
| Paul Stephenson | .... | modeler | |
| Andy Stevens | .... | motion control first assistant photographer (as Andrew Stevens) | |
| David K. Stewart | .... | miniatures cinematography (as David Stewart) | |
| Mark J. Swierat | .... | key model maker: Mass. Illusions (as Mark Swierat) | |
| Kat Szuminska | .... | digital compositor | |
| Charles Tait | .... | digital compositor: Cinesite (as Charles Tate) | |
| Robert Taylor | .... | art director: Mass. Illusions | |
| Robert Thompson | .... | modeler (as Rob Thompson) | |
| Stephen Thurn | .... | key model maker: Mass. Illusions | |
| Gavin Toomey | .... | digital effects designer: CFC | |
| Courtney Vanderslice | .... | visual effects production manager: Cinesite Europe (as Courtney Vanderslice-Law) | |
| Stewart Verrilli | .... | key model maker: Mass. Illusions (as Stewart Verelli) | |
| Niki Wakefield | .... | digital compositor: Cinesite (as Nicky Wakefield) | |
| Martin Weaver | .... | Computer systems administrator | |
| Mark H. Weingartner | .... | motion control supervisor (as Mark Weingartner) | |
| Mark H. Weingartner | .... | visual effects cinematographer | |
| Simon Weisse | .... | modeler | |
| Simon Weisse | .... | visual effects miniatures | |
| John Weller | .... | modeler | |
| Tim Wellspring | .... | visual effects assistant: CFC | |
| Tony Whalen | .... | key model maker: Mass. Illusions | |
| Dominic Wheadon | .... | modeler | |
| Pete Williams | .... | scanning and recording manager | |
| Shelli Woodall | .... | model maker | |
| Shelli Woodall | .... | modeler | |
| Tom Wood | .... | sequence supervisor: Cinesite Europe | |
| Russ Woolnough | .... | visual effects editor | |
| Allen Yamashita | .... | visual effects: black hole sequence, CFC | |
| Richard Yuricich | .... | visual effects supervisor | |
| Fredrick R. Bresky | .... | model shop assistant (uncredited) | |
| Sean Broughton | .... | digital effects artist (uncredited) | |
| Graham Riddell | .... | senior modelmaker (uncredited) | |
Stunts | |||
| Marc Boyle | .... | stunt coordinator | |
| Paul Jennings | .... | stunts | |
| Chrissy Monk | .... | stunts | |
| Mirjam Montandon | .... | stunts | |
| Mark Anthony Newman | .... | stunts (as Mark Newman) | |
| Mark Southworth | .... | stunts | |
| Anna Stacey | .... | stunts | |
| Steen Young | .... | stunts | |
| Jamie Edgell | .... | stunt safety (uncredited) | |
| Jamie Edgell | .... | stunts (uncredited) | |
| Paul Jennings | .... | stunt safety (uncredited) | |
| Mirjam Montandon | .... | stunt double: Joely Richardson (uncredited) | |
| Mark Anthony Newman | .... | stunt double: Laurence Fishburn (uncredited) | |
| Mark Anthony Newman | .... | stunt double: Richard T. Jones (uncredited) | |
| Steen Young | .... | stunt double: Jack Noseworthy (uncredited) | |
Casting Department | |||
| Deborah Aquila | .... | casting: USA | |
| John Hubbard | .... | casting: UK | |
| Ros Hubbard | .... | casting: UK | |
| Dayna Polehanki | .... | casting assistant | |
| Jane Shannon-Smith | .... | casting: USA | |
| Alex Wald | .... | casting associate (as Alex Rosenberg) | |
Costume and Wardrobe Department | |||
| Lee Clayton | .... | costume cutter | |
| Lee Clayton | .... | tailor | |
| Ken Crouch | .... | wardrobe supervisor | |
| Barbara Rutter | .... | assistant costume designer | |
| Michelle Wickland | .... | costume props | |
| Michelle Freeborn | .... | costume fabricator (uncredited) | |
Editorial Department | |||
| Simon Astbury | .... | colorist: rushes | |
| Adam Green | .... | second assistant editor | |
| Simon Harris | .... | first assistant editor | |
| David Rees | .... | color timer | |
| Rab Wilson | .... | assistant editor | |
| Jane Winkles | .... | second assistant editor | |
Music Department | |||
| John Bell | .... | orchestrator | |
| James Seymour Brett | .... | music co-producer | |
| Christopher Brooks | .... | music editor (as Chris Brooks) | |
| Andy Brown | .... | music contractor | |
| Vic Fraser | .... | music preparation | |
| Alex Gibson | .... | music editor | |
| Paul Hartnoll | .... | composer: additional music (as Orbital) | |
| Phil Hartnoll | .... | composer: additional music (as Orbital) | |
| Nick Ingman | .... | additional orchestrator | |
| Michael Kamen | .... | conductor | |
| Michael Kamen | .... | orchestrator | |
| The London Metropolitan Orchestra | .... | music performed by | |
| Stephen McLaughlin | .... | music mixer | |
| Stephen McLaughlin | .... | music recordist | |
| Michael Price | .... | music co-producer | |
| Jose Serebrier | .... | additional orchestrator | |
| Ed Shearmur | .... | additional orchestrator | |
| Graham Sutton | .... | music editor | |
Transportation Department | |||
| Gary Birmingham | .... | artist driver: Sam Neill | |
Other crew | |||
| Michael Barnes | .... | financial legal services | |
| Jo Beckett | .... | script supervisor | |
| Zoe Black | .... | video screen designer | |
| Jayne Craig | .... | assistant to director | |
| Andrew Eio | .... | conceptual graphic artist | |
| Carlos Fidel | .... | set runner | |
| Ian Fishlock | .... | systems administrator | |
| Andy Garner | .... | special makeup effects artist | |
| Malcolm Garrett | .... | video screen designer | |
| Muriel Gérard | .... | unit publicist | |
| Lawrence Gordon | .... | presenter | |
| Nikki Inwood | .... | stand-in: Holly Chant | |
| Barrie Jones | .... | video screen designer (as Barrie StJon Jones) | |
| Claire L. Kenny | .... | accounting assistant | |
| Ian Madison | .... | associate: Sam Neill | |
| Lucas Meyers | .... | assistant to producer | |
| Don Miller | .... | production accountant | |
| Richard Morrison | .... | title designer | |
| Ian Murray | .... | supervising rigger | |
| Dan Piponi | .... | software developer | |
| Caroline Sax | .... | script supervisor | |
| Alasdair Scott | .... | video screen designer | |
| Jim Simpson | .... | set production assistant | |
| Diane Staniforth | .... | art finisher | |
| Lisa Vick | .... | script supervisor: second unit | |
| Michelle Wraight | .... | assistant modeler | |
| Aron Clayton | .... | production assistant (uncredited) | |
| Stefan Ashton Frank | .... | adr loop group (uncredited) | |
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Unfairly dismissed as a combination of Alien and Hellraiser, Event Horizon is one of those films that should be ranked among the classics of it's genre yet has somehow fallen by the wayside to be revered by movie geeks and horror aficionados but ultimately ignored by the mainstream. What's especially surprising is that this excellent film came from the directing skills of Paul W Anderson who was also responsible for such tragic misfires as Resident Evil and Alien Versus Predator and shows that there is more to Hollywood's Generic Director For Hire than first imagined.
Set in the year 2047 the story concerns the sudden reappearance of a prototype spaceship (the Event Horizon of the title) which vanished on it's maiden voyage seven years previously. A salvage ship called The Lewis And Clark is sent out to investigate and brings along Dr William Weir (Sam Neil), a physics expert originally responsible for the ship's creation. They dock with the Horizon but find no signs of life and as they set about making repairs, the crew begin to experience hallucinations and sense that they are not alone...
So far so very familiar but this is far, far more than a rip off disguising itself as a 'homage.' For one thing there is no predatory alien hunter on the loose and instead the horror is far more psychological. Not that there isn't a fair amount of violence and gore but the gradual sense of unease that builds up to it is crafted more on the crew's growing sense of anxiety and paranoia. Plus, there is no definitive explanation given for what they are experiencing. Just what are these Ghosts from their pasts doing on this ship? And what exists on the other side of the black hole? Another dimension where mankind was never meant to go or as the movie itself suggests but doesn't confirm, the very depths of hell itself? Couple this with the excellent set design - the ship is modelled on the Notre Dame Cathedral in Paris - and the pulse-pounding moments in the latter half when the chaos sets in and you have one tremendously enjoyable horror film. Best watched alone at night with all the lights off where you can properly get swept up in it's claustrophobic atmosphere, you'll never need eyes to see again.