| Photos (see all 50 | slideshow) | Videos (see all 2) |
| Al Pacino | ... | Benjamin 'Lefty' Ruggiero | |
| Johnny Depp | ... | Donnie Brasco / Joseph D. 'Joe' Pistone | |
| Michael Madsen | ... | Sonny Black | |
| Bruno Kirby | ... | Nicky | |
| James Russo | ... | Paulie | |
| Anne Heche | ... | Maggie Pistone | |
| Zeljko Ivanek | ... | Tim Curley | |
| Gerry Becker | ... | Dean Blandford | |
| Robert Miano | ... | Sonny Red | |
| Brian Tarantina | ... | Bruno | |
| Rocco Sisto | ... | Richard 'Richie' Gazzo | |
| Zach Grenier | ... | Dr. Berger | |
| Walt MacPherson | ... | Sheriff | |
| Ronnie Farer | ... | Annette | |
| Terry Serpico | ... | Strip Club Owner | |
| Gretchen Mol | ... | Sonny's Girlfriend | |
| Tony Lip | ... | Philly Lucky | |
| George Angelica | ... | Big Trin | |
| Val Avery | ... | Trafficante | |
| Madison Arnold | ... | Jilly | |
| Delanie Fitzpatrick | ... | Daughter Amanda Pistone | |
| Katie Sagona | ... | Daughter Jessica Pistone | |
| Sara Gold | ... | Daughter | |
| Larry Romano | ... | Tommy Ruggiero | |
| Tim Blake Nelson | ... | FBI Technician | |
| Paul Giamatti | ... | FBI Technician | |
| James Michael McCauley | ... | FBI Agent | |
| James Bulleit | ... | U.S. Attorney (as Jim Bulleit) | |
| Andrew Parks | ... | Hollman | |
| Keenan Shimizu | ... | Japanese Maitre D' | |
| Rocco Musacchia | ... | Trafficante's Man | |
| Joe Francis | ... | Trafficante's Man | |
| Sal Jenco | ... | Mare Chiaro Bartender | |
| Billy Capucilli | ... | Communion Party Man | |
| Laura Cahill | ... | Communion Party Woman | |
| Doreen Murphy | ... | Mob Girlfriend | |
| Elle Alexander | ... | Mob Girlfriend | |
| Denise Faye | ... | Mob Girlfriend | |
| Elaine del Valle | ... | Mob Girlfriend (as Elaine Del Valle) | |
| John Horton | ... | FBI Director | |
| Dan Brennan | ... | FBI Photographer | |
| LaJuan Carter | ... | Singer | |
| Sandy Barber | ... | Singer | |
| Joyce Stovall | ... | Singer | |
| Frank Pesce | ... | Wiseguy | |
| Randy Jurgensen | ... | Wiseguy | |
| John Di Benedetto | ... | Wiseguy (as John DiBenedetto) | |
| Richard Zavaglia | ... | Wiseguy | |
| Tony Ray Rossi | ... | Wiseguy | |
| Edward Black | ... | Wiseguy | |
| Gaetano LoGiudice | ... | Wiseguy | |
| Carmelo Musacchia | ... | Wiseguy | |
| Pat Vecchio | ... | Wiseguy | |
| Caleb | ... | The Lion | |
| rest of cast listed alphabetically: | |||
| Elle Alexander | ... | Mob Girlfriend (uncredited) | |
| Frank Bonsangue | ... | Sonny Red's Crew (uncredited) | |
| Christopher Del Gaudio | ... | Pedestrian (uncredited) | |
| Jim Lavin | ... | Arresting FBI Officer (uncredited) | |
| Jeff Millstein | ... | Bar Patron (uncredited) | |
| Lisa Marie Panagos | ... | Sonny Black's girl (uncredited) | |
| Garry Pastore | ... | Carmine Galante's Bodyguard (uncredited) | |
| Larry Tobias | ... | Man in Bar (uncredited) | |
Directed by | |||
| Mike Newell | |||
Writing credits(WGA) | ||
| Joseph D. Pistone | (book "Donnie Brasco: My Undercover Life in the Mafia") and | |
| Richard Woodley | (book "Donnie Brasco: My Undercover Life in the Mafia") | |
| Paul Attanasio | (screenplay) | |
Produced by | |||
| Louis DiGiaimo | .... | producer | |
| Alan Greenspan | .... | executive producer | |
| Mark Johnson | .... | producer | |
| Barry Levinson | .... | producer | |
| Patrick McCormick | .... | executive producer | |
| Gail Mutrux | .... | producer | |
Original Music by | |||
| Patrick Doyle | |||
Cinematography by | |||
| Peter Sova | (director of photography) | ||
Film Editing by | |||
| Jon Gregory | |||
Casting by | |||
| Louis DiGiaimo | |||
| Brett Goldstein | |||
Production Design by | |||
| Donald Graham Burt | |||
Art Direction by | |||
| Jefferson Sage | |||
Set Decoration by | |||
| Leslie A. Pope | (as Leslie Pope) | ||
Costume Design by | |||
| Aude Bronson-Howard | |||
| David C. Robinson | (as David Robinson) | ||
Makeup Department | |||
| Margot Boccia | .... | makeup artist | |
| Milton Buras | .... | key hair stylist | |
| Nathan J. Busch II | .... | hair stylist (as Nathan Busch II) | |
| John Caglione Jr. | .... | key makeup artist | |
| Jay Cannistraci | .... | makeup artist: Florida (uncredited) | |
| Sharon Kalb | .... | makeup artist: Miami (uncredited) | |
Production Management | |||
| Richard Baratta | .... | unit production manager | |
| Michael Saxton | .... | post-production supervisor | |
| Chantal Feghali | .... | post-production supervisor (uncredited) | |
Sound Department | |||
| Philip Alton | .... | foley editor | |
| Sue Baker | .... | dialogue editor | |
| Tim Cavagin | .... | sound re-recording mixer | |
| Graham Farrow | .... | assistant sound editor | |
| Ian Fuller | .... | supervising sound editor | |
| Derek Holding | .... | adr editor | |
| Dean Humphreys | .... | sound re-recording mixer | |
| Ian Macbeth | .... | assistant sound editor | |
| Tod A. Maitland | .... | sound mixer | |
| Christine Newell | .... | assistant sound editor | |
| Victor Nunes | .... | assistant sound editor | |
| T.J. O'Mara | .... | boom operator (as Terence O'Mara) | |
| Grahame Peters | .... | sound effects editor | |
| Michael Redfern | .... | assistant sound editor | |
| Joel Holland | .... | sound recordist (uncredited) | |
Special Effects by | |||
| Ron Ottesen | .... | special effects supervisor (as Ronald Ottesen Jr.) | |
Visual Effects by | |||
| Martin Body | .... | optical cameraman (uncredited) | |
Stunts | |||
| G.A. Aguilar | .... | stunt coordinator (as George Aguilar) | |
| Victor Chan | .... | stunts | |
| Peter Bove | .... | stunt double (uncredited) | |
| Blaise Corrigan | .... | stunts (uncredited) | |
| Jeffrey Lee Gibson | .... | stunts (uncredited) | |
| Steve Hart | .... | stunts (uncredited) | |
| Brian Smyj | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Tom Anderson | .... | best boy electric (as Thomas Anderson) | |
| David E. Baron | .... | second assistant camera (as David Baron) | |
| Michael Green | .... | first assistant camera | |
| Richard Guinness Jr. | .... | key grip | |
| Brian Hamill | .... | still photographer | |
| Kevin Janicelli | .... | rigging gaffer | |
| Sal Lanza | .... | best boy grip | |
| Patrick McGrath | .... | dolly grip | |
| Dick Mingalone | .... | camera operator | |
| Gary Muller | .... | first assistant camera | |
| Kevin Murphy | .... | chief lighting technician | |
| Peter Norman | .... | additional photographer | |
| Ronald Plant | .... | rigging grip | |
| Andrew Priestley | .... | second assistant camera | |
| Nils Johnson | .... | 24 frame video operator (uncredited) | |
| Ondrej Kubicek | .... | first assistant camera (uncredited) | |
| Wayne Paull | .... | additional camera operator (uncredited) | |
| James M. Reeves | .... | rigging electrician (uncredited) | |
Casting Department | |||
| Fleet Emerson | .... | extras casting | |
| Sylvia Fay | .... | extras casting | |
| Mark Byrne | .... | casting assistant: Sylvia Fay casting (uncredited) | |
| David H. Kramer | .... | adr voice casting (uncredited) | |
Costume and Wardrobe Department | |||
| David Dumais | .... | wardrobe supervisor: men | |
| Mary Gierczak | .... | costumer | |
| Lauren Press | .... | assistant costume designer | |
| Lawrence Tarzy | .... | costumer | |
| Susan J. Wright | .... | wardrobe supervisor (as Susan Wright) | |
| Joanna Brett | .... | assistant to costume designer (uncredited) | |
Editorial Department | |||
| Sam Adelman | .... | first assistant editor: USA | |
| John Dicker | .... | third assistant editor: USA | |
| Valentina Giambanco | .... | second assistant editor: UK | |
| Marianne Gray | .... | post-production coordinator (as Marianne Pettersson Gray) | |
| Christopher Holmes | .... | extended edition | |
| Sorin Ariel Iarovici | .... | second assistant editor: USA (as Sorin Iarovici) | |
| Kezia Martin | .... | third assistant editor: UK | |
| Ian Seymour | .... | first assistant editor: UK | |
| John Stanborough | .... | color timer | |
| Mike Fraser | .... | negative cutter (uncredited) | |
| Kurt Mattila | .... | editor: title sequence (uncredited) | |
| Mark Neale | .... | trainee assistant film editor (uncredited) | |
Music Department | |||
| Budd Carr | .... | executive music producer | |
| Robin Clarke | .... | music editor | |
| Paul Hulme | .... | scoring mixer | |
| Allan Mason | .... | executive music producer | |
| Sylvia Nestor | .... | music coordinator | |
| Roy Prendergast | .... | music editor | |
| Maggie Rodford | .... | music score producer | |
| Curt Sobel | .... | music consultant | |
| John Bell | .... | orchestrator (uncredited) | |
| Isobel Griffiths | .... | orchestra contractor (uncredited) | |
Transportation Department | |||
| Richard Holston | .... | transportation captain | |
| Michael Hyde | .... | transportation coordinator | |
| Mike Easter | .... | driver (uncredited) | |
Thanks | |||
| James Flamberg | .... | special thanks | |
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Mike Newell is the weirdest choice for director of a Mafia drama, but he actually makes a terrific fist of it, delivering one of the very best gangster movies ever made. Johnny Depp, Al Pacino, Anne Heche and Michael Madsen are all in top form in front of the camera, too.
Depp plays undercover FBI agent Joseph Pistone in this intriguing true story. Pistone is trying to infiltrate his way into a mob family in order to gather evidence against them. He assumes the identity of "Donnie Brasco" and slowly but surely earns the love and trust of an old-pro hit-man named Lefty Ruggiero (Pacino). As the months go by, Pistone's marriage begins to fall apart as he is away from his wife (Heche) pretty much all the time. The line between his real life and his undercover life blurs together and he finds himself dangerously close to being seduced by the violent Mob lifestyle.
Donnie Brasco is an extraordinary film in many ways. As already mentioned, the performances are note-perfect. But there's so much more to it than that. The late 70s period details are impeccably captured; the dialogue is extraordinarily raw and realistic; the moral dilemma facing Depp is achingly, agonisingly conveyed. It's such a powerful picture, completely involving, that by the end you find yourself wrapped up in Pistone's predicament, asking yourself what decisions you would make in the same circumstances. Very few movies genuinely inspire you to debate the whats, whys and wherefores of the main character and his actions... but with Donnie Brasco, that's just what you'll find yourself doing.