| David Caruso | ... | Ned Tash | |
| Kelly Lynch | ... | Jude Law | |
| Stacey Dash | ... | Bec Rosenberg | |
| Chris Noth | ... | T | |
| John Spencer | ... | Uncle Mike | |
| Pruitt Taylor Vince | ... | Johnny 'Cokebottles' Costello | |
| Richard Kind | ... | Attorney Nabbish | |
| Kirk Baltz | ... | Detective Logan | |
| Jennifer Jostyn | ... | Waitress Inez | |
| Tom McGowan | ... | Gun Store Man | |
| Mark Boone Junior | ... | Angry Man | |
| Jack Orend | ... | Motel Man | |
| Tracey Ross | ... | Nurse Woman | |
| Gareth Williams | ... | Car Dealer Man | |
| Richmond Arquette | ... | Gas Station Man | |
| Jack Wallace | ... | Police Captain Man | |
| Viggis Knittridge | ... | Himself |
Directed by | |||
| John Ridley | |||
Writing credits(WGA) | ||
| John Ridley | (written by) | |
Produced by | |||
| Craig Baumgarten | .... | producer | |
| Dan Halsted | .... | producer | |
| Adam Merims | .... | producer (as Adam J. Merims) | |
| Richard Rutowski | .... | executive producer | |
| Oliver Stone | .... | executive producer | |
| Mary Vernieu | .... | associate producer | |
Original Music by | |||
| Mason Daring | |||
Cinematography by | |||
| Malik Hassan Sayeed | |||
Film Editing by | |||
| Eric L. Beason | |||
Casting by | |||
| Mary Vernieu | |||
| Ronnie Yeskel | |||
Production Design by | |||
| Kara Lindstrom | |||
Set Decoration by | |||
| Caitlin Blue | (uncredited) | ||
Costume Design by | |||
| Sarah Jane Slotnick | |||
Makeup Department | |||
| Ralph M. Abalos | .... | key hair stylist (as Ralph Abalos) | |
| Suzanne Kontonickas | .... | assistant hair stylist | |
| Eryn Krueger Mekash | .... | special makeup effects (as Eryn Krueger) | |
Production Management | |||
| Kate Axelrod | .... | unit production manager | |
| Vanessa Hayes | .... | post-production supervisor | |
Art Department | |||
| Neil Bowman | .... | swing gang | |
| Beth Emerson | .... | set dresser | |
| Rick Glenn | .... | swing gang | |
| Kirt Johnson | .... | leadman | |
| Janet Kusnick | .... | storyboard artist | |
| Eric Reichardt | .... | lead scenic artist | |
| Greg Rocco | .... | swing gang | |
| Mary Sze | .... | set design consultant | |
| Thomas R. Wagner | .... | property master | |
Sound Department | |||
| Kris Campbell | .... | adr supervisor | |
| Jed M. Dodge | .... | sound editor | |
| Tim Drury | .... | boom operator | |
| Catherine Harper | .... | foley artist | |
| John Hayes | .... | boom operator | |
| Ossama Khuluki | .... | foley artist | |
| Walt Martin | .... | sound mixer | |
| Christopher Moriana | .... | foley artist | |
| James Moriana | .... | foley artist | |
| Donald Murray | .... | sound editor (as Don Murray) | |
| Eric Neufeld | .... | sound engineer | |
| Phillip Seretti | .... | post-production sound supervisor | |
| Phillip Seretti | .... | sound re-recording mixer | |
| Robert W. Vandling | .... | sound editor | |
| Janja Vujovich | .... | post-production sound coordinator | |
| Ed White | .... | sound mixer | |
| James Wright | .... | stereo sound consultant: Dolby | |
Special Effects by | |||
| Vincent Montefusco | .... | special effects: 1st&2nd unit pyro | |
| Jeff Mooris | .... | special effects technician | |
| Ken Tarallo | .... | special effects | |
| Beecher Tomlinson | .... | special effects forman | |
Stunts | |||
| Bob Brown | .... | stunts | |
| Steve M. Davison | .... | stunt coordinator | |
| Tommy J. Huff | .... | stunts (as Tom Huff) | |
| Matt Johnston | .... | stunts | |
| Tracy Keehn-Dashnaw | .... | stunts (as Tracy Dashnaw) | |
| Steve Launitzen | .... | stunts | |
| Khristian Lupo | .... | stunts | |
| Francine Morris | .... | stunts | |
| Steve Picerni | .... | stunts | |
| Troy Robinson | .... | stunts | |
| Charley Rossman | .... | stunts (as Charlie Rossman) | |
Camera and Electrical Department | |||
| Davie Carothers | .... | first assistant camera | |
| Darryl Cowherd | .... | gaffer | |
| Scott Del Amo | .... | still photographer | |
| Jason C. Fitzgerald | .... | electrician | |
| Mike Green | .... | grip | |
| Jaime Heintz | .... | best boy grip | |
| Kelly Jones | .... | dolly grip | |
| Joseph LaStrape III | .... | electrician (as Joseph 'Joey' LaStrape III) | |
| Heather Lea | .... | second assistant camera | |
| Geary McLeod | .... | camera operator: second unit | |
| Geary McLeod | .... | director of photography: second unit | |
| Kevin Pryor | .... | electrician | |
| Andy Shuttleworth | .... | Steadicam operator | |
| Adam Sklena | .... | Steadicam assistant | |
| Jeff Stewart | .... | best boy electric | |
| Paul Taylor | .... | Steadicam operator | |
| Bobby Thomas | .... | key grip | |
| Eric Turner | .... | camera loader | |
| Jimi Udel | .... | key grip | |
| Tom Valentin | .... | grip | |
| Warren Washington | .... | electrician | |
Casting Department | |||
| Leigh French | .... | adr voice casting | |
| Anne McCarthy | .... | casting assistant | |
| Alyssa Weisberg | .... | casting associate | |
Costume and Wardrobe Department | |||
| Roberta Bilé | .... | costumer | |
| Kristina Schaad | .... | costume intern | |
| Dalhia Schuette | .... | key costumer | |
Editorial Department | |||
| Sarah Boyd | .... | assistant editor | |
| Syd Cole | .... | telecine service | |
| Jay Curcuru | .... | editorial assistant | |
| John J. De Santis Jr. | .... | telecine service | |
| John Dobrich | .... | telecine service | |
| Brian Kibbie | .... | telecine service (as Brian Kibbe) | |
| Brian Leon | .... | telecine service | |
| Yoon Sin Park | .... | telecine service | |
Music Department | |||
| Jeanine Cowen | .... | music editor | |
| Gerry Gershman | .... | music supervisor | |
| Dave Shacter | .... | music engineer | |
Transportation Department | |||
| P. Gerald Knight | .... | transportation coordinator | |
| Daniel O. Wiseman | .... | transportation captain | |
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John Ridley should stick to coming up with basic plotlines for other people to turn into good (or, in the case of "Three Kings", great) movies. If this film is any indication of his undiluted intent as a screenwriter then it serves as a case in point as to why some scripters just shouldn't be allowed to sit in the director's chair. The plotting is tiresome and utterly implausible in too many places (Caruso's escape from the hospital is ridiculously easy - and where does he get the money for the used car immediately afterwards? I suppose the cops just let him keep that big fat wad of bills in his hip pocket). And what is the point of having Stacy Dash's character narrate this whole inane, seen-it-a-million-times-and-always-done-better story? The only reason I can figure is that it fits in with all the other tired, overused 'noir' cliches with which this film overflows. One more thing: I swear I am gonna go ballistic the next time one character says to another character who has clearly just come out of hair and make-up, "You look like s--t." Talk about hackneyed dialogue! Give me a break...