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Broadway Damage (1997)
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Overview
User Rating:
Release Date:
19 May 1998 (USA) moreTagline:
Greetings from Greenwich Village.Plot:
A quirky, romantic comedy about the complexity and frustration of finding a true love in the gay community... more | full synopsisPlot Keywords:
Awards:
2 wins & 1 nomination moreUser Comments:
Fairy Tale Endings more (12 total)Cast
(Cast overview, first billed only) | Mara Hobel | ... | Cynthia |
| Michael Lucas | ... | Marc |
| Hugh Panaro | ... | David |
| Aaron Williams | ... | Robert |
| Gary Janetti | ... | Zola |
| Gerry McIntyre | ... | Jerry |
 | Tyagi Schwartz | ... | Carl |
| Alan Filderman | ... | Casting Director |
 | James Lecesne | ... | Cruise Ship Actor |
| Barbara Winters Pinto | ... | Temp Agent |
 | Benim Foster | ... | The Super |
| Jean Loup | ... | Punk |
 | Jonathan Walker | ... | Chuck |
| Richard Davidson | ... | The John |
| Michael Jefferson | ... | Drag Queen |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
110 minCountry:
USALanguage:
EnglishColor:
ColorAspect Ratio:
1.85 : 1 moreSound Mix:
Dolby SRCertification:
UK:15Fun Stuff
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"Broadway Damage" is a sweet confection spun around the the classic gay triangle: the lovable Hunk, the fag hag Chunk, and the best pal Lunk secretly in love with the Hunk. More corn syrup is ladled on thick when Hunk and Chunk move in together in modern Greenwich Village, no less. Apparently set in the present, "Damage" feels like the kind of screwball romantic comedy that Hollywood never really made. You half expect the cast of "Wonderful Town" to come marching down Sheridan Square humming a showtune.
Combing the obits finds them a bohemian squat lately owned by a deceased young actor - they've hit the real estate jackpot! No one mentions, however, that their good fortunes are probably due to the tenant's death from AIDS. In true fairy tale style, the dive is transformed into an ultra cool pad in one brief montage segment. (You know how talented those fellas are with decorating!)
Despite some modern kinks (Hunk's love trouble, Chunk's job trouble, and Lunk's Hunk jones) flick never can get too serious about much. And dialogue never really cracks like genre demands. Fade out is just as we'd expect. And no one suffers much damage - on Broadway or elsewhere.