Boogie Nights (1997)

Director:

Paul Thomas Anderson

Writer (WGA):

Paul Thomas Anderson (written by)

Release Date:

10 October 1997 (USA)

Genre:

Crime | Drama

Tagline:

Everyone has one special thing

Plot:

The story of a young man's adventures in the Californian pornography industry of the 1970s and 1980s.

Plot Keywords:

1970s | Director | 1980s | Actor | High School

Awards:

Nominated for 3 Oscars. Another 21 wins & 19 nominations

Cast

Luis Guzmán	...	Maurice TT Rodriguez (as Luis Guzman)
Burt Reynolds	...	Jack Horner
Julianne Moore	...	Amber Waves
Rico Bueno	...	Hot Traxx Waiter
John C. Reilly	...	Reed Rothchild
Nicole Ari Parker	...	Becky Barnett
Don Cheadle	...	Buck Swope
Heather Graham	...	Rollergirl
Mark Wahlberg	...	Eddie Adams - Dirk Diggler
William H. Macy	...	Little Bill
Samson Barkhordarian	...	Hot Traxx Chef
Nina Hartley	...	Little Bill's Wife
Brad Braeden	...	Big Stud
Joanna Gleason	...	Dirk's Mother
Lawrence Hudd	...	Dirk's Father

Also Known As:

Pushing Thirteen (USA) (working title)

MPAA:

Rated R for strong sex scenes with explicit dialogue, nudity, drug use, language and violence.

Runtime:

155 min

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby Digital | SDDS

Certification:

Japan:R-15 | Canada:18A (British Columbia) | Canada:R (Alberta/Manitoba/Ontario) | Italy:VM14 | USA:TV-MA (TV rating) | Brazil:18 | Argentina:18 | Australia:R | Canada:16+ (Québec) | Canada:18 (Nova Scotia) | Chile:18 | Finland:K-16 | France:-16 | Germany:16 | Hong Kong:III | Ireland:18 | Malaysia:(Banned) | Mexico:C | Netherlands:16 | New Zealand:R18 | Norway:15 | Portugal:M/16 | Singapore:R(A) (original rating) (cut) | Singapore:R21 (re-rating) | South Korea:(Banned) (original rating) | South Korea:18 (re-rating) (cut) | Spain:18 | Sweden:15 | Switzerland:16 (canton of Geneva) | Switzerland:16 (canton of Vaud) | UK:18 | USA:R (certificate #34763) | Iceland:16

Filming Locations:

Gourmet Video, Van Nuys, Los Angeles, California, USA

Company:

New Line Cinema

Trivia:

After seeing a rough cut of the film, Burt Reynolds regretted making it and fired his agent for recommending the role to him. Reynolds ended up winning a Golden Globe and being nominated for an Academy Award for his performance.

Goofs:

Continuity: Before entering Rahad's house, Todd places a large handgun in his front waistband and it can be clearly seen later as he first approaches Rahad to give him a hug. The gun then disappears and does not reappear until he finally brandishes it.

Quotes:

Amber Waves: Too many things too many things too many things... I wanna go for a walk. Let's go for a walk.

Movie Connections:

Referenced in "The Jay Leno Show: (#1.23)" (2009)

Soundtrack:

Jazz Theme From Sweet (The Sage)

Boogie Nights OR "How I learned to ignore the consequences, and love the freedom of the 1970's."

Boogie Nights is perhaps one of the greatest examples any would-be filmmaker should take a long hard look at. Sure, you could spend loads of quality time reviewing the clasics from Hitchcock to Scorsese; but lets follow suit for the modern generation and study half-heartedly.

Where to begin, I suppose one could look at the film as simply a story, perhaps even docudrama which focuses on the late 1970's porn industry-and what an industry it was! The other half could focus on the incredible detail one brillant filmmaker can achieve simply by using polyester and *ahem* rubber. But honestly, Boogie Nights brings back the pure, no-bul!shi$, in your face kind of cinema I haven't experienced since the film greats of the 1970's...ironic...or stroke of genius. The story is full of richly detailed characters, all of which you either can relate too, love, or hate; but the impact is clear-you are feeling something for them. Among the characters the two performances which stand out are: Burt Reynolds as Director Jack Horner, and Mark Wahlberg as Eddie Adams/Dirk Diggler. Julianne Moore is also brillant, as is Heather Graham...but if I focus on any one actor it would have to be John C. Reilly. John's performance is a perfect balance of comedic timing and character driven emotion...I'm a sucker for the line "Ever see the movie Star Wars?...People say I look like Han Solo." Anyway, the look of the film is incredible, the Director of Photography and Director/Writer/Producer, have come up with a vibrant colour, and flashy style that compares to Martin Scorsese, and Stanley Kubrick(in terms of his perfection of his craft); but with creating his own unique look, and pushing the edge with the longest single shot I'ver ever seen...that being the New Year's party sequence.

The music, like in any great film, is a character of its own. At times, it consumes oneself with sorrow or grief...but mainly its all about fun, dancing, and having a good time; the spirit of the 1970's. OK, back to the performances.

Burt Reynolds plays the character of Jack Horner, a porn director who feels the burden of what the future of "film" means to his genre. The awful transition from shooting on film to recording on magnetic tape. The lose of his art, as it were...and the changes in mentality to the people he works with. Walhberg adds the perfect blend of innocense and sexual bravado needed for the character. For all those individuals who have seen Burton's Planet of the Apes, pay no attention to the performance of Wahlberg in that film...rent boogie nights and see what a difference a good script can make!

Julianne Moore plays the would-be mother to all, and with that comes the torment and anguish she feels, as life imitates art; and she loses all those close to her. Heather Graham is the eye-candy, but later holds her own, and steals some of the scenes from even the great Mr. Reynolds himself. Each character is multidimensional, rich with life, and performed by actors that seem to be picture perfect for the part.

The film itself is often funny, tragic, exciting, and provides a uncompromising look into the turblulant lifestyle of the fast-pace 1970's. It makes no excuses, and tells no lies; and offers the audience a trip back. But even more importantly, the movie gives us a grand example of how films should be made; and a new director whose bold visions bring back art in film.