| Eion Bailey | ... | Ryan | |
| Robert DiPatri | ... | Barret | |
| Joseph Cassese | ... | Todd | |
| Carmen Llywelyn | ... | Augustine (as Carmen Llywellyn) | |
| Brian Lynch | ... | Eddie | |
| Bryan Sproat | ... | Justin | |
| Molly Castelloe | ... | Meg | |
| Gerald Rosamilia | ... | Vice Dealer | |
| Mark SaFranko | ... | Todd's Father | |
| Jerry Rosamilia | ... | Barret's Father | |
| Jason Lee | ... | Dennis Pepper (as Dennis Pepper) | |
| Christina Squillari | ... | Bitchy Girl | |
| Suzanne Smith | ... | Additional Bitchy Girl | |
| Vincent Pereira | ... | Jake | |
| Eric Einhorn | ... | Lookout Student | |
| Richard Lynch | ... | Mr. Raimi | |
| Scott Mosier | ... | Larry | |
| Linus Peacock | ... | Steve | |
| Patricia DiPatri | ... | Barret's Mother | |
| Scott Nelson | ... | Small Rude Student | |
| Ethan Suplee | ... | Large Rude Student (as Stan Dubar) | |
| Alice | ... | Cimino the Ferret | |
| Keegan Bailey | ... | Young Ryan | |
| Liz Finn-Arnold | ... | Ryan's Mother - Corpse (as Lizbeth Finn) | |
| Michael Miano | ... | Ryan's Father - Corpse | |
| Lee Bendick | ... | Whipporwill Asshole | |
| Dan McGee | ... | Sidewalk Bum | |
| Marge Holmgren | ... | Woman Getting Newspaper |
Directed by | |||
| Vincent Pereira | |||
Writing credits(in alphabetical order) | ||
| Vincent Pereira | written by | |
Produced by | |||
| Paul Finn | .... | producer (as Paul C. Finn) | |
| Scott Mosier | .... | executive producer | |
| Vincent Pereira | .... | producer | |
| Kevin Smith | .... | executive producer | |
Original Music by | |||
| Michael Ferentino | |||
| Mikael Jorgensen | (as auto vs. pedestrian) | ||
| Andres Karu | |||
| Thomas Andrew Misner | (as auto vs. pedestrian) | ||
| Ben Reed | |||
Cinematography by | |||
| Ian Dudley | |||
Film Editing by | |||
| Vincent Pereira | |||
Makeup Department | |||
| Tony Mandile | .... | special makeup effects artist (as Anthony Mandile) | |
Production Management | |||
| Liz Finn-Arnold | .... | production manager (as Lizbeth Finn) | |
Second Unit Director or Assistant Director | |||
| Liz Finn-Arnold | .... | assistant director (as Lizbeth Finn) | |
Sound Department | |||
| Phil Benson | .... | supervising sound editor (5.1 Dolby Digital remix) | |
| Danielo Garcia | .... | sound recordist | |
| David Glaser | .... | sound mixer (original 16mm mono mix) | |
| Eric Grissom | .... | boom operator | |
| Dan McGee | .... | boom operator | |
| Scott Mosier | .... | sound editor (5.1 Dolby Digital remix) | |
| Juan Peralta | .... | sound re-recording mixer (5.1 Dolby Digital remix) | |
| Brandon Proctor | .... | sound re-recording mixer (5.1 Dolby Digital remix) | |
| Gary Rizzo | .... | sound mixer (5.1 Dolby Digital remix) | |
| Gary Rizzo | .... | sound re-recording mixer (5.1 Dolby Digital remix) | |
| Jim Von Buellow | .... | sound mixer (original 16mm mono mix) | |
Special Effects by | |||
| Tony Mandile | .... | special effects (as Anthony Mandile) | |
Camera and Electrical Department | |||
| Gabriel Friedman | .... | grip | |
| John Keating | .... | first assistant camera | |
| Alethea Pape | .... | second assistant camera | |
| Robert Rasmussen | .... | additional first assistant camera (as Rob Rasmussen) | |
Editorial Department | |||
| Liz Finn-Arnold | .... | assistant editor (as Lizbeth Finn) | |
| Paul Finn | .... | assistant editor (as Paul C. Finn) | |
Other crew | |||
| Justin Bintliff | .... | production assistant | |
| Liz Finn-Arnold | .... | script supervisor (as Lizbeth Finn) | |
| Mary Hamill | .... | production accountant | |
| Neil LaRosa | .... | stand-in: Joseph Cassese | |
| Bryan W. Strang | .... | production assistant | |
Thanks | |||
| Chris Parry | .... | special thanks | |
| Brian Quinn | .... | special thanks | |
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| Mean Creek | Trick or Treat | A Time to Kill | The Last Best Sunday | Donnie Darko |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
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I finally seen this movie and it was great.I wasn't expecting it to be really good but it was. The acting was great the dialogue even better. This movie is really serious except for a little comedy by Jason Lee.If u liked Clerks and the rest of The Jersey Triology i would advise u to go see this movie