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Affliction (1997)
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Overview
User Rating:
Release Date:
15 January 1999 (USA) moreTagline:
Wade Whitehouse is frightened to death of following in his father's footsteps.Plot:
A deeply troubled small town cop investigates a suspicious hunting death while events occur that cause him to mentally disintergrate. full summary | full synopsisAwards:
Won Oscar. Another 7 wins & 13 nominations moreNewsDesk:
(15 articles)
Can Amy Adams really pull off an upset at the Oscars? (From Gold Derby. 10 February 2009, 3:02 PM, PST)
Adam Resurrected: A Roundtable
(From GreenCine. 9 December 2008, 7:21 AM, PST)
User Comments:
a masterpiece, true art moreCast
(Cast overview, first billed only)| Nick Nolte | ... | Wade Whitehouse | |
| Brigid Tierney | ... | Jill Whitehouse | |
| Holmes Osborne | ... | Gordon LaRiviere | |
| Jim True-Frost | ... | Jack Hewitt (as Jim True) | |
| Tim Post | ... | Chick Ward | |
| Christopher Heyerdahl | ... | Frankie Lacoy (as Chris Heyerdahl) | |
| Marian Seldes | ... | Alma Pittman | |
| Janine Theriault | ... | Hettie Rogers | |
| Mary Beth Hurt | ... | Lillian Whitehouse Horner | |
| Paul Stewart | ... | Mr. Horner | |
| Sissy Spacek | ... | Margie Fogg | |
| Wayne Robson | ... | Nick Wickham | |
| Sean McCann | ... | Evan Twombley | |
| Sheena Larkin | ... | Lugene Brooks | |
| Penny Mancuso | ... | Woman Driver |
Additional Details
MPAA:
Rated R for violence and language.Parents Guide:
Add content advisory for parentsRuntime:
114 minCountry:
USALanguage:
EnglishColor:
ColorAspect Ratio:
1.85 : 1 moreSound Mix:
DolbyCertification:
Netherlands:12 (re-rating) | Netherlands:16 | South Korea:18 | Argentina:16 | Australia:MA | Chile:18 | France:U | Germany:12 | Peru:18 | Portugal:M/16 (video premiere) | Singapore:PG | UK:15 | USA:R (certificate #35428) | Iceland:12Fun Stuff
Trivia:
When meeting with James Coburn to discuss the film, director Paul Schrader encouraged Coburn to make heavy preparations for his role. Coburn responded "Oh, you mean you want me to really act? I can do that. I haven't often been asked to, but I can." moreGoofs:
Continuity: Wade puts his right hand's finger in his mouth because of his toothache, but when he turns his back to Margie he appears with his left hand's finger in his mouth. moreQuotes:
Wade Whitehouse: It's not funny now. I'm a cop and I gotta listen to all the complaints people make. I'm not a kid anymore. You change.Jill: I bet you did lots of bad things.
Wade Whitehouse: What are you talking about?
Jill: I just think you used to be bad.
Wade Whitehouse: No. I didn't used to be bad. No sir. Where do you get this stuff? From your mother?
Jill: No. She doesn't talk about you anymore.
more
Soundtrack:
Open the Door to Your Heart moreFAQ
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Message Boards
Discuss this movie with other users on IMDb message board for Affliction (1997)| Recent Posts (updated daily) | User |
|---|---|
| The Music! | biggtittsss |
| Nolte | budoinst@aol.com |
| I didn't like it too much | jmmgausa |
| 'Browns' ?? | K6pzw |
| New Hampshire? | Insurgent |
| i get sucked in everytime it's on tv | teejay6682 |
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This is a movie which rewards at many levels. Its characters are fleshed out human beings capable of good and evil and in the grips of intense suffering, not the formulaic cardboard creations which populate so many recent Hollywood productions. The movie's atmosphere and mood are thick and the bleakness of the New Hampshire winter comes alongside its beauty and majesty. Paul Schrader achieves here what has eluded the Coen brothers in Fargo. The photography of Paul Sarossy is of a rare beauty and his compositions are breathtaking. Think of the scene of the two brothers in the barn lit by light sneaking in through the slits in the wood exterior, the beauty of the snow covered New Hampshire chalets, the camera receding from the barn fire until we get to watch it through a slightly off-center picture-window from the main house, and finally think of the snow in its serenity, its menace, its domination. The two stories are so naturally intertwined that one can spend most of the time convinced one is watching a thriller, until in the end this thriller dissolves into the main story which explores the violent undercurrents of human love and bonding. This whole is as thick and rich as cream.
I am in awe of Nick Nolte's spectacular performance. It is honest, complex and totally convincing. Nolte is ably supported by James Coburn and others. This is moviemaking at its best.