| Photos (see all 6 | slideshow) |
| Richard Chamberlain | ... | Ralph de Bricassart | |
| Amanda Donohoe | ... | Meggie Cleary O'Neill | |
| rest of cast listed alphabetically: | |||
| Paul Bertram | ... | Harry Gough | |
| Julia Blake | ... | Fee Cleary | |
| Olivia Burnette | ... | Justine O'Neill | |
| Michael Caton | ... | Bill Masters | |
| Jimmy Costas | ... | Italian officer | |
| Rob Doran | ... | Blackshirt #2 | |
| Zach English | ... | Dane O'Neill | |
| Peter Ford | ... | The Warder | |
| Christopher Gabardi | ... | Father Angelo | |
| Adam Grossetti | ... | Tony Masters | |
| Jonathan Hardy | ... | Father Emilio | |
| John Heywood | ... | Doctor | |
| Phillip Hinton | ... | Levi | |
| Enrico Mammarella | ... | Blackshirt #1 | |
| Marijke Mann | ... | Mrs. Smith | |
| Ingrid Mason | ... | The Mother | |
| Maximilian Schell | ... | Cardinal Vittorio | |
| Todd Schulberg | ... | Samuel | |
| Robert Taylor | ... | Jack Cleary | |
| Jack Thompson | ... | The Judge | |
| Simon Westaway | ... | Luke O'Neill | |
Directed by | |||
| Kevin James Dobson | |||
Writing credits(WGA) | ||
| Colleen McCullough | (novel "The Thorn Birds") | |
| David Stevens | (written by) | |
Produced by | |||
| Jeffrey M. Hayes | .... | executive producer | |
| Darryl Sheen | .... | producer | |
| David Stevens | .... | co-producer | |
| David L. Wolper | .... | executive producer | |
| Mark Wolper | .... | producer | |
Original Music by | |||
| Garry McDonald | |||
| Laurie Stone | (as Lawrence Stone) | ||
Cinematography by | |||
| Ross Berryman | |||
Film Editing by | |||
| Stephen Butler | |||
| Philip Reid | |||
Production Design by | |||
| Stewart Burnside | |||
Art Direction by | |||
| Michael Rumpf | |||
Costume Design by | |||
| Jean Turnbull | |||
Production Management | |||
| Julie Forster | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Brett Popplewell | .... | first assistant director | |
| Wade Savage | .... | second assistant director | |
Art Department | |||
| Bob Booker | .... | props | |
| Karyn-Lee 'Lilly' Miyoshi | .... | props set dresser | |
| Ray Pedler | .... | scenic artist | |
| Rolland Pike | .... | set dresser | |
Sound Department | |||
| Julius Chan | .... | dialogue editor | |
Special Effects by | |||
| Matt Sloan | .... | special effects technician | |
Visual Effects by | |||
| James Rogers | .... | digital compositor | |
| Peter Webb | .... | digital compositor | |
| Derek Wentworth | .... | digital matte painter | |
Stunts | |||
| Danny Baldwin | .... | stunt coordinator | |
| Sue Baldwin | .... | stunts | |
| Haydn Dalton | .... | stunts | |
| Mike Kent | .... | stunts | |
| Darryl Young | .... | stunt performer | |
Camera and Electrical Department | |||
| Jason Binnie | .... | second assistant camera | |
| David Elmes | .... | first assistant camera | |
| Daryl Pearson | .... | best boy | |
| Dick Tummel | .... | gaffer | |
Music Department | |||
| Robin Gray | .... | music scoring engineer | |
Other crew | |||
| Kathryn Metcalfe | .... | production assistant | |
| Yuell Newsome | .... | stock librarian | |
| Jenny Quigley | .... | script supervisor | |
| Rebecca Thornell | .... | clearance | |
| Recent Posts (updated daily) | User |
|---|---|
| St John's Cathedral | celia_equus |
| Not very good | thslindal |
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| Losing Isaiah | Dark Water | The Thin Red Line | Shadows of the Heart | Fine Things |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Australia section | Add this title to MyMovies |
Just saw your review of the movie and it made me smile. My son Zach played Dane in the movie. The funny part is that Zach is anything BUT a goody-goody; how he was able to turn on the charm when the cameras were rolling is beyond me. The character definitely was a bit too sappy and innocent, but it worked within the framework of the story. My opinion is that Amanda Donohoe was poorly cast as Meggie, which was the mini-series' downfall. You say that the movie is available on video, but I haven't seen it anywhere, nor has Warner Bros. released it to video stores. ( I do, however, have my own copy of it, sent to me by the studio. )
Shooting the film in Australia was a complete blast -- the best experience we've ever had in this business. Thanks for your comments. It's interesting to read reviews about my son's work!