The Secret Agent (1996)

User Rating:

5.8/10   

Director:

Christopher Hampton

Writers:

Joseph Conrad (novel)
Christopher Hampton (written by)

Release Date:

8 November 1996 (USA)

Genre:

Drama | Thriller

Plot:

London of the late 19th century is a haven for political exiles of all sorts - refugees, partisans, anarchists...

Plot Keywords:

London | 19th Century | Bomb | Young Wife | Anarchist

Cast

Bob Hoskins	...	Verloc
Patricia Arquette	...	Winnie
Gérard Depardieu	...	Ossipon
Jim Broadbent	...	Chief Inspector Heat
Robin Williams	...	The Professor (as George Spelvin)
Christian Bale	...	Stevie
Roger Hammond	...	Mr. Michaelis
Eddie Izzard	...	Vladimir
Ralph Nossek	...	Yundt
Neville Phillips	...	Ticket clerk
Elizabeth Spriggs	...	Winnie's mother
Peter Vaughan	...	The Driver
Julian Wadham	...	The Assistant Commissioner

Also Known As:

Joseph Conrad's The Secret Agent

MPAA:

Rated R for some moments of violence.

Runtime:

95 min

Country:

UK

Language:

English

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital

Certification:

Finland:K-12 | Iceland:12 | Netherlands:12 | Argentina:16 | France:U | Portugal:M/12 | Singapore:PG | Spain:13 | UK:12 | USA:R

Filming Locations:

Ealing Studios, Ealing, London, England, UK

Company:

Twentieth Century-Fox Film Corporation

Trivia:

First full length cinema film of Eddie Izzard.

Quotes:

Stevie: Then... then what... what are they there for, Winnie?
Winnie: The police are there so as them as have nothing can't take nothing away from them as have a lot.

Movie Connections:

Version of Sabotage (1936)

An interesting plot but an uneven delivery make for an average if watchable film

London in the late 19th Century is a haven for all manner of political exiles. Verloc is an anarchist who has spent years in the employment of the Russian Government as a spy while also providing information to the London police. When Vladimir, the new Russian ambassador demands that Verloc start to prove his worth by bombing selected targets. Without a choice but to act, Verloc starts in motion a chain of events that will end with a bombing but hurt himself and his family in the process as it is only a matter of time before the police can find him – unless his "colleagues" can silence him first.

Although the plot is fairly enjoyable, it is the delivery of the film that somehow stops it being anything more than interesting. The simple tale shuns the political detail that could have come and centres on the emotional drama around Verloc and his family, but it doesn't totally succeed in doing this to the point where it is enough to make the film work. The construction is good enough; Verloc's position is quite tense and the consequences had the potential to be quite impacting but it somehow never becomes as interesting as the material suggests it would. Part of this is the delivery, that is a bit uneven and unsure of itself but the most obvious weakness is the acting.

Hoskins does as well as he can, but spread over the uneven material he comes over as a bit unsure of what he is meant to be doing. Regardless though, he is a big part of me sticking with the film as his character is effective. Of course, sharing his scenes with Arquette can only serve to make Hoskins look like a master of his trade in the same way that Arquette's make her look like some talentless waitress who was sleeping with the director (not that she was of course). Her accent is terrible of course, but this is only one failing in a performance that is wooden, emotionless and totally unconvincing. Support from Depardieu, Broadbent, Izzard, Bale and others adds colour and the impression of depth but none of them really work that well – Broadbent and Izzard in particular seem to add a slight comic touch that doesn't really fit. Williams has a small role but it is effective and memorable – just a shame that he seems to almost be in an entirely different film from the main narrative.

Overall this is an OK film that is interesting enough to be worth seeing but it is hard to shake the feeling that nobody was totally sure what to do with it and the end result shows an uneven hand on the tiller. Hoskins helps it but Arquette is pitiful and the famous support cannot make up for her being so bad in so central a role.