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IMDb > Portraits chinois (1996)

Portraits chinois (1996) More at IMDbPro »


Overview

User Rating:
6.2/10   283 votes
MOVIEmeter: ?
Up 7% in popularity this week. See why on IMDbPro.
Director:
Writers:
Martine Dugowson (scenario) &
Peter Chase (scenario)
Contact:
View company contact information for Portraits chinois on IMDbPro.
Release Date:
25 June 1997 (France) more
Genre:
Plot:
Ada and Lise are both costume designers, the first is around 20, the other around 30. Both are working hard on their break through... more | add synopsis
Awards:
1 win & 2 nominations more
User Comments:
A delightful French satire on the young French bourgeoisie more (7 total)

Cast

  (Cast overview, first billed only)

Helena Bonham Carter ... Ada
Romane Bohringer ... Lise
Jean-Philippe Écoffey ... Paul
Marie Trintignant ... Nina
Elsa Zylberstein ... Emma

Yvan Attal ... Yves
Sergio Castellitto ... Guido

Miki Manojlovic ... Alphonse
Jean-Claude Brialy ... René Sandre
Sophie Simon ... Agnès
Emmanuelle Escourrou ... Stéphanie
Katerina Mechera ... Emilia (as Katia Mechera)
Mathilde Seigner ... Fanny
Artus de Penguern ... Gérard
Pierre Baillot ... Monsieur Verdoux
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Additional Details

Also Known As:
Shadow Play
more
Runtime:
111 min
Country:
Language:
Color:
Filming Locations:

Fun Stuff

Movie Connections:
References The Apartment (1960) more
Soundtrack:
Maman, Papa more

FAQ

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2 out of 2 people found the following comment useful.
A delightful French satire on the young French bourgeoisie, 29 July 2005
10/10
Author: maceoin from United Kingdom

I very much enjoyed this delightfully unusual film. The French are noted for their style, their self-assurance, their savoir-faire and savoir-vivre, and French films from Rohmer to Sautet present us with a world of elegance, intelligence, and charm. The inner angst of this world is normally shown in dramas like Un Coeur en Hiver or Une Femme Française, and there is no question that the French are, in fact, very self-aware and conscious of their own limitations. Portraits Chinois, however, uses humour and wit to convey the inner lives of its characters, their fantasies, the lies they tell themselves, and the ways in which they resolve their (mainly romantic) dilemmas. There isn't a false note anywhere, and there are several very fine performances, among which Helena Bonham-Carter's stands out. Her French is nothing less than flawless. It's just the sort of film that is worth re-watching once one knows how their stories pan out. The reviewer who thought it was awful rubbish obviously hasn't watched much French cinema.

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