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Man with a Gun (1995)
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Overview
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Tagline:
Between Blackmail and Betrayal is a Chance for Murder.Plot Keywords:
User Comments:
Glum, Man, Glum. moreCast
(Cast overview, first billed only)| Michael Madsen | ... | John Wilbur Hardin | |
| Jennifer Tilly | ... | Rena Rushton / Kathy Payne | |
| Gary Busey | ... | Jack Rushton | |
| Robert Loggia | ... | Philip Marquand | |
| Ian Tracey | ... | Roy Burchill | |
| Bill Cobbs | ... | Henry Griggs | |
| Bill Dow | ... | Ed Quigley | |
| Jason Schombing | ... | Eli Spindel | |
| Andrew Guy | ... | Italian Stud | |
| Aleksandra Kosanovic | ... | Ticket Agent | |
| Mina E. Mina | ... | Max Appleman | |
| Bill Finck | ... | Conductor | |
| Aieisha Li | ... | Young Girl | |
| Garvin Cross | ... | Wise Guy | |
| Sonny Surowiec | ... | Lithe Thug |
Additional Details
MPAA:
Rated R for violence, language and some sexuality.Parents Guide:
Add content advisory for parentsRuntime:
USA:91 minCountry:
CanadaLanguage:
EnglishColor:
ColorSound Mix:
Dolby SRCertification:
Iceland:16 | South Korea:15 | Finland:K-16 (video premiere) | Germany:18 (video premiere) | USA:R | Canada:R | Australia:MAFilming Locations:
Vancouver, British Columbia, CanadaFun Stuff
Quotes:
[During sex]John Wilbur Hardin: Your husband hired me to kill you.
Rena Rushton, Kathy Payne: And this is how you're going to do it?
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This is modern, skeleton Noir. Within that framework, it is certainly viewable, with Tilly a standout as the femme fatal. In monochrome color, first-person narrative flashback, a jazzy soundtrack, interesting camerawork, and betrayal themes, it appears as a true genre piece. Unfortunately, the script plus the filmmakers' glint toward Schwarzenegger-like action, ruin any dark ambiance they establish. It's all here: the tough but soft-hearted hero, viperous femme, over-the-top bad guy, the black sidekick slated for torture/death. And it all rapidly blows away like gunsmoke during the cartoonish shootouts.
Madsen is in typical Rourke-mode, but with a little more compassion squinting his eyes. Tilly is all whiskey-throated slur as Rina and little-girl whine as Cathy. The movie definitely needs more of Rina, because, with the exception of Busey's Wild Man, she's the cast's only interest. The giveaway is in the prologue, where, in sepia-tone, slow-mo, and voice-over narrative, Madsen labors his death scene, blazing away with dual, silver-toned guns and a monotone from a mortally-wounded script. Ultimately, it boils down to the bullets and body count, without enough desperation or resignation to warrant the blood.